Instrumental Duet Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.886720 Composed by Panagiotis Theodossiou. 20th Century,Children,Concert,Contemporary,Standards. Score and parts. 83 pages. Panagiotis Theodossiou #4790233. Published by Panagiotis Theodossiou (A0.886720). The Flying Hat Scenes of a Fairy Tail, for orchestra op.34 (2006)a. A Little Fanfareb. The Hatlandc. Dad, the Giant Hatd. Dance of the Little Hatse. The Windf. The Flightg. FarewellA fairy tale full of inspiration written by a child was the stimulus for the creation of this polytonal work for orchestra. With humor and innocence, piquant orchestration and cinematic use of the sound, the work is dedicated to the child, Michalis Tillianakis and to Eleftherios Geitonas, director of Geitonas School who gave the idea for this project. The work has been transcribed for piano, 4 hands op.34b, for the Duo Pianismo recital in Benetatou Cultural Center of Psihiko in 2010 and for wind quintet op.34c for the Q innegal Wind Quintet Concerts in Athens in 2011 (Attikon OdeionConservatory, Art Gallery Café, Athens, Perigiali Theater, Korinthos). Excerpts of the work has been transcribed for Chamber Orchestra op.34d and performed by Psychiko Youth Orchestra conducted by the composer at Arssakeion Educational Institute Theater in 2016.

Cello,Instrumental Duet,Violin - Level 4 - Digital Download SKU: A0.1364556 Composed by Socrates Arvanitakis. 21st Century,Contemporary. 84 pages. Socrates Arvanitakis #948849. Published by Socrates Arvanitakis (A0.1364556). GENERAL PREFACE – ΓΕ�ΙΚΟΣ ΠΡΟΛΟΓΟΣThis edition of violin and violoncello duets follows closely my publication of the same Greek folk pieces for classical guitar. The arrangements for guitar solo were written in two-part counterpoint and followed the strophic form of the folk songs involved. The melodic transcriptions of the folk melodies were not based in any particular performance, also avoiding the elaborate in many cases instrumental introductions associated with these songs. Thus, only the vocal melodies in a general recognizable version were presented. This new presentation for instrumental duets will stay with this generalised melodic version (without exploiting the instrumental introductions), but the form from strophic will become ternary (ABA). In the middle section the main melody will be played in the lower voice and the original guitar contrapuntal voice will be used in the upper voice if by chance it includes invertible counterpoint, otherwise new material will be added to fit the rules but also the intended harmony.The total collection is centred more on the music from mainland Greece and less in that from the Islands.The three dance rhythms of Kalamatianos (7/8), Tsamikos (3/4), and Syrtos Balos (2/4) are predominant in the whole first collection.TECHNICALSeparate parts have been included and they can be extracted as separate files with any free PDF editing programme on line.Empty pages have been added for inclusion/deletion at will and left-right hand page arrangement.Thematic Index with active internal links for ease of navigation have been added.Audio file (mp3) has been addedCONTENTS81  ΚΑΛΑΜΑΤΙΑ�Η Η (The Lass From Kalamata)82  ΚΑ�ΑΡΙΑ ΤΑ (The Canaries)83  ΚΑ�ΕΛΑ Η (Canella)84  ΚΑΠΕΤΑ� ΛΟΥΚΑΣ Ο (Captain Lukas)85  ΚΑΠΟΥΤΖΗΔΩ� (The Guards of The Seven Towers of Salonica)86  ΚΑΡΑΓΚΟΥ�Α (Karagouna-Thessalian Lady)87  ΚΑΡΠΑΘΙΩΤΙΚΟΣ (Dance from Karpathos)88  ΚΙ�ΗΣΕ Ο ΡΟΒΑΣ (Rovas Moved)89  ΚΑΣΤΟΡΙΑ�ΟΣ (ΡΟΥΣΟΥΛΕ�Α)-(Dance from Kastoria)90  ΚΑΤΣΑ�ΤΩ�ΗΣ Ο (Katsantonis)91  ΚΑΤΩ ΑΠ' ΤΟ ΓΕΡΟ ΠΛΑΤΑ�Ο (Under The Old Plane Tree)92  ΚΑΤΩ ΣΤΑ ΤΣΑΚΩ�ΙΚΑ (Down In The Tsakonian Places)93  ΚΕΡΚΥΡΑ ΚΑΙ ΚΕΦΑΛΩ�ΙΑ (Corfu and Cephalonia)94  ΚΕΡΚΥΡΑΪΚΟΣ (Dance from Corfu)95  ΚΕΧΑΓΙΑΔΙΚΟΣ (Kehaghiadikos Dance-Island of Lemnos)96  ΚΛΕΦΤΙΚΗ ΖΩΗ Η (The Life of the Klefts).

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1202620 Composed by Brandon Nelson. 20th Century,Chamber,Classical,Contemporary,Contest,Festival. 11 pages. Brandon Nelson #801379. Published by Brandon Nelson (A0.1202620). A petite morsel portraying both a simple pathos and a burst of energy. Composed and performed while I was in residence at Northern Michigan University.

Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.548709 Composed by Martin Luther. Arranged by James M. Guthrie. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411721. Published by jmsgu3 (A0.548709). Out of the Depths I Cry to You by Martin Luther arranged for alto sax & piano. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.

Solo Guitar - Level 3 - Digital Download SKU: A0.1156459 Composed by Erik Satie. Arranged by Brian Streckfus. 20th Century,Classical,Romantic Period. Individual part. 3 pages. Brian Streckfus #756777. Published by Brian Streckfus (A0.1156459). 1. Arranged for guitar 2. Guitar tablature added 3. Measures and time signatures removed to reflect the ethos of the original composer 4. Original composer indications added.

Flute Quartet,Woodwind Ensemble Alto Flute - Level 3 - Digital Download SKU: A0.1311734 By Bud Powell. By Vernon Duke. Arranged by Ralph Raymond Hays. Halloween,Holiday,Standards,Wedding. 7 pages. Ralph Raymond Hays #900693. Published by Ralph Raymond Hays (A0.1311734). Flute Quartet: SSSS or SSSA. Perect seasonally or throughout the year, this exquisite arrangement is certain to delight performers and audience members alike. Lush, feshly crafted harmonies imbue this cherished standard with added warmth and pathos.

Piano Solo - Level 3 - Digital Download SKU: A0.1399275 By Sandi Patty. By Billy Sprague and Niles Borop. Arranged by Glauco Fernandes. Christian,Holiday,Sacred. Score. 3 pages. Glauco Fernandes #982558. Published by Glauco Fernandes (A0.1399275). Discover the beauty and emotion of the iconic song Via Dolorosa through our exclusive arrangement for piano. This meticulously crafted sheet music promises to take musicians and listeners on an unforgettable journey through the depths of passion and sacrifice symbolized in the song. Perfect for intermediate to advanced level pianists, this composition brings out the touching melody and harmonious chords that define Via Dolorosa.Our sheet music is an essential tool for anyone looking to enhance their piano skills while exploring the rich tradition of sacred music. The arrangement is ideal for church performances, recitals, concerts, and special events, providing a touching and memorable musical experience for all in attendance.Each note has been carefully selected to capture the essence and pathos of the original piece, providing a deep learning experience for the pianist. Additionally, this sheet music is an excellent addition to any musician's repertoire, expanding their interpretative and technical capabilities.Available for online purchase, our Via Dolorosa sheet music for piano is a valuable resource for music students, teachers, professionals, and enthusiasts. Don't miss the opportunity to own this musical artwork that promises to enrich your musical journey with its beauty, depth, and emotion.Purchase today and let the powerful message of Via Dolorosa resonate through your piano performances. This is not just a purchase but an investment in your passion for music and artistic development.

Piano Solo - Level 4 - Digital Download SKU: A0.1370060 By Johann Sebastian Bach and Víkingur Ólafsson. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Classical,Contest,Festival,Instructional. Score. 4 pages. Flavio Regis Cunha #954434. Published by Flavio Regis Cunha (A0.1370060). J.S. Bach: Goldberg Variations, BWV 988: Var. 30 (as played by Víkingur Ólafsson) for PianoAdvanced Intermediate. Format: Concert, 9 x 12 inches. 2 pages. PLUS: Engraved and Published with Urtext Kapellmeister Music Fonts.Celebrated for his visionary interpretations of J.S. Bach, Víkingur Ólafsson, one of the greatest pianists and musical minds of today, now embraces Bach’s monumental Goldberg Variations. Ólafsson devotes his entire next season to touring the work globally across six continents, while October 2023 marks the anticipated album release on Deutsche Grammophon. “I have dreamed of recording this work for 25 years,� says the Icelandic pianist. The album follows Ólafsson’s hugely successful DG recording of works by the composer, Johann Sebastian Bach (2018), which won BBC Music magazine’s Album of the Year, Opus Klassik’s Solo Recital award, numerous other recording of the year accolades and led to him being named Gramophone magazine’s Artist of the Year. Now Ólafsson brings his unique musical vision, and an affecting, meticulous recorded sound to Bach’s masterpiece. It marks the first time Ólafsson records a complete work and he begins with one of the most demanding in the piano repertoire. Ólafsson dedicates his 2023-24 season to a Goldberg Variations world tour, performing the work across six continents throughout the year. He brings Bach’s masterpiece to major concert halls including London’s Southbank Centre, New York’s Carnegie Hall, Wiener Konzerthaus, Philharmonie de Paris, Tokyo’s Suntory Hall, Philharmonie Berlin, Harpa Concert Hall, Sydney Opera House, LA’s Walt Disney Hall, Sala São Paulo, Shanghai Symphony Hall, Tonhalle Zurich, KKL Luzern, Alte Oper Frankfurt, Mupa Budapest and Teatro Colón, to name a few. “The Goldberg Variations contain some of the most virtuosic keyboard music ever written, some of the most astonishingly brilliant uses of counterpoint in the repertoire and countless instances of exalted poetry, abstract contemplation and deep pathos – all within immaculately shaped structures of formal perfection. In 30 variations, built on the humble harmonic framework of a simple, graceful aria, Bach turns limited material into boundless variety like no one before or since. He is the greatest keyboard virtuoso of his time.� comments Víkingur Ólafsson.

SSAA choir unaccompanied - Moderately Difficult - Digital Download SKU: MQ.8906-E Composed by Frank Ferko. 11 pages. E. C. Schirmer Music Company - Digital #8906-E. Published by E. C. Schirmer Music Company - Digital (MQ.8906-E). English.Commissioned by Christopher Watson, conductor of the Trinity College Choir, Melbourne, for the ensemble's U.S. concert tour in 2020. The textures vary from spare to lush, reflecting the pathos of this mournful folk song.

String Orchestra - Level 3 - Digital Download SKU: A0.1114979 By Rainer Fabich. By Rainer Fabich. Broadway,Classical,Contemporary,Film/TV,Musical/Show,Opera. Score and parts. 50 pages. Fajora Music #716809. Published by Fajora Music (A0.1114979). Since antiquity, from the Renaissance to the Baroque to the present day, the legend of the fabulous empire of women at the Black Sea has stirred the imagination of mankind and has been expressed in works of music, art, literature and film for centuries. It was decisive in naming the largest river and rainforest in South America when the early Spanish conquerors believed the first humans they saw there were Amazons. Since the 2000s, the topic has also become the focus of feminist research and, remarkably, has also given its name to one of the world's largest high-tech corporations, AMAZON. THE AMAZONS - Myth and Projection thematize elements of this background in a musical way in a work for string orchestra or string quintet. Powerful, pathetic and emphatically rhythmic figures refer to the ancient description of this self-confident, strong and warlike equestrian people. They alternate with baroque, polyphonic and lyrical scenes, like a journey through time with a look back through the centuries. DIE AMAZONEN - Mythos & Projektion; LES AMAZONES From the Album: ACTION, THRILL & SUSPENSE by Rainer Fabich Concert piece for strings String orchestra (violin 1+2, viola, cello, double bass) or string quintet 48 pages; Duration 6:30.

Piano - Digital Download SKU: A0.1070255 Composed by Tito Abeleda. Concert,Contemporary. Full Performance. Duration 299. Visionary Quest Records #4847957. Published by Visionary Quest Records (A0.1070255). Piano solo - Level Early Intermediate. Composed by Tito AbeledaThis song is a tranquil dreamy sad song expressing the longing of missing someone special in one's life.Sometimes words can't express the feelings of missing a loved one. This song is a tranquil dreamy sad song expressing the longing of missing someone special in one's life. It is the closing song on Tito's album Pathos released on November 2019.Contact info: Tito AbeledaVisionary Quest Recordshttps://www.visionaryquestrecordsEmail: tito@visionaryquestrecords.comFollow Tito on Social Media:Facebook: https://www.facebook.com/titoabeledaTwitter: https://twitter.com/titoabeledaInstagram: https://www.instagram.com/tabeledaYouTube: https://www.youtube.com/c/titoabeledaSpotify: http://bit.ly/TitoAbeleda-on-SpotifyiTunes/Apple Music: http://bit.ly/TitoAbeleda_iTunesPRO - BMI.com.

Baritone Saxophone,Piano - Level 1 - Digital Download SKU: A0.548713 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411737. Published by jmsgu3 (A0.548713). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.

Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.805914 Composed by Garrie Harvey. Concert,Graduation,Standards,World. Score and parts. 29 pages. G L Harvey #5744045. Published by G L Harvey (A0.805914). This is an original work written for Brass Quintet, scored for Trumpet in Eb or Bb, Trumpet in Bb, Horn in F or Eb, Trombone or Baritone (bass and treble clef) and Tuba, Eb or Bb Bass.  Extra parts are provided for brass band players where appropriate in treble clef. The work is designed as a concert or recital opener or closer, at about advanced intermediate level.   A convincing performance will be achievable from players at about ABRSM grade 6/7 and above.   Like all good ensemble pieces, everyone has plenty to do with a nice balance of energy, drama and pathos.

Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.841250 Composed by Chris Gordon. Contemporary. Octavo. 18 pages. Cool Wind Music Digital #3029087. Published by Cool Wind Music Digital (A0.841250). A setting of a very powerful poem by English poet, Ted Hughes, about the onset of autumn in an English (Yorkshire) garden and the surrounding countryside.  It is full of pathos and passion, harmony and dissonance, chaos and peace - just like English weather!This is a very individual and innovative choral setting of Hughes' poem which is, itself, rich in 'meaty' metaphor and colour - and the composer is a vegetarian! It evokes a savage Nature within a savage landscape where humans and animals compete for space and for food. It is October, the fields and woods and gardens of rural Yorkshire are readying themselves for the cold and desolation (and despair) of winter which isn't far away in time. 'A glass, half-filled with wine, left out(side) To the dark heaven all night, by dawn Has dreamed a premonition of ice across its eye as if the ice-age had begun its heave.'   That is only two and a half stanzas but you see from these lines that there are veiled threats of (Nature's) violence in the heavy tread of the poet's slowly-building angst over what is happening in the surrounding countryside - and his fear grows, and his awe grows, with every line. There is even fear underlining the very last line: 'And now it is about to start.' Winter is creeping closer and closer towards the house and it will not be pleasant to experience!I have tried to instil a little of this in the music which keeps skidding from consonance to dissonance and back to consonance. Sometimes the dissonance piles up, like snow driven by the wind piles up into deep banks; sometimes the music relaxes into stillness and calm (painted in tonal music) like a crisp, mild late autumn or early winter's day when the sun warms the landscape and life appears bearable, tolerable. I hope this adds to the song's 'charm'. It wasn't easy to write: sometimes the right music was elusive. The music ends with the word 'October' repeated three times, with voices overlapping in a little canon. This conjures up the wistful feelings of the poet as he looks out onto a peaceful scene, soon to be filled with all manner of 'natural violence', while his inner peace will soon be shattered by the mayhem about to be unleashed around him.Setting Ted Hughes is no easy task. It is for choirs and choirmasters to judge if I have succeeded in conveying the 'sense and sensibility' of a classic 20th century English poem.The price is for one copy: please purchase a sufficient number of scores if you intend to perform this work. SMP Press offers discounts for multiple-copy purchases.

By Ennio Morricone, Yo-Yo Ma. Arranged by Benson Kwan. Score. 3 pages. Published by Mythos