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Piano Trio,String Ensemble - Level 1 - Digital Download SKU: A0.548730 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and parts. 8 pages. Jmsgu3 #3412105. Published by jmsgu3 (A0.548730). Out of the Depths I Cry to You by Martin Luther. First verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 4 pg. piano part 2 pg. violin part: 1 pg. cello part: 1 pg. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics which are essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed compositions, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
Luther: Out of the Depths for Piano Trio

$42.95 37.3 € PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quintet - Digital Download SKU: A0.886719 Composed by Panagiotis Theodossiou. 20th Century,Children,Concert,Contemporary,Standards. 76 pages. Panagiotis Theodossiou #4780999. Published by Panagiotis Theodossiou (A0.886719). The Flying Hat Scenes of a Fairy Tail, for orchestra op.34 (2006)a. A Little Fanfareb. The Hatlandc. Dad, the Giant Hatd. Dance of the Little Hatse. The Windf. The Flightg. FarewellA fairy tale full of inspiration written by a child was the stimulus for the creation of this polytonal work for orchestra. With humor and innocence, piquant orchestration and cinematic use of the sound, the work is dedicated to the child, Michalis Tillianakis and to Eleftherios Geitonas, director of Geitonas School who gave the idea for this project. The work has been transcribed for piano, 4 hands op.34b, for the Duo Pianismo recital in Benetatou Cultural Center of Psihiko in 2010 and for wind quintet op.34c for the Q innegal Wind Quintet Concerts in Athens in 2011 (Attikon OdeionConservatory, Art Gallery Café, Athens, Perigiali Theater, Korinthos). Excerpts of the work has been transcribed for Chamber Orchestra op.34d and performed by Psychiko Youth Orchestra conducted by the composer at Arssakeion Educational Institute Theater in 2016.
The Flying Hat (Woodwind Quintet version)
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor

$20.00 17.37 € Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor PDF SheetMusicPlus

Piano,Soprano Flute - Level 4 - Digital Download SKU: A0.1419011 Composed by Clara Wieck-Schumann. Arranged by ChunYan Cheung. 19th Century,Chamber,Classical,Romantic Period,Wedding. Score and part. 25 pages. ChunYanCHEUNG #1000453. Published by ChunYanCHEUNG (A0.1419011). The romance was one of Clara’s favorite character genres, and these make complementary companions to Robert’s Märchenbilder. The Andante molto has hints of gypsy pathos amid lyrically supple sentiments, and the merry spirits of the Allegretto likewise have a darker center. Almost as long as the other two together, Clara’s final romance, marked Leidenschaftlich schnell (passionately quick), features a long-limbed melody over rippling pianism, developed with assurance.
3 Romances Op.22
Flûte traversière et Piano

$5.99 5.2 € Flûte traversière et Piano PDF SheetMusicPlus

Brass Ensemble - Level 3 - Digital Download SKU: A0.720737 Composed by Antonin Dvorak. Arranged by Ralph Raymond Hays. Concert,Contemporary,Romantic Period,Sacred,Wedding. Score and parts. 9 pages. Ralph Raymond Hays #6246845. Published by Ralph Raymond Hays (A0.720737). Antonín Dvořák's poignant melody -- inspired by African American spirituals and lullabies -- has been masterfully edited and arranged for brass quintet by one of SMP's top arrangers. Transposed to a more hospitable key, this arrangement will imbue a solemn occasion, religious service, or recital with warmth and pathos.
LARGO from The New World Symphony (for brass quintet)
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

$11.99 10.41 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Concert Band - Level 5 - Digital Download SKU: A0.1411062 Composed by Keiron Anderson. Classical,Contemporary. 96 pages. Songburd Music #993408. Published by Songburd Music (A0.1411062). Las Encantadas was the eloquent name bestowed upon the Galápagos Islands by the Dominican friar and Panamanian bishop, Fray Tomás de Berlanga.  He had discovered these enchanted isles quite by chance as the ship he was on, sailing by order of the Holy Roman Emperor, was blown off course hundreds of miles from its Peruvian destination, landing him among the islands of the Columbus Archipelago.  Born in fire and rich with natural beauty Las Encantadas held some mystery for sailors as these isles would seemingly appear, and disappear, from sight, apparently becoming lost in the mists and sea currents that surrounded the islands.  Las Encantadas also held some intrigue for the American author Herman Melville, who in his novella by the same name, included ten fictional short sketches about the Galápagos Islands in The Piazza Tales.Kerion Anderson tells the story of these now well-known islands in his own inimitable way with his work, Las Encantadas, by drawing musical sketches for us that depict the discovery of this archipelago with their sandy warm beaches, their rugged and forbidding coast lines with towering rocks standing as sentinels to the peaceful, blue-watered bays.  When listening to Las Encantadas one can’t help but picture a ship arriving among the isles, with sails unfurled, and sailors standing on deck gazing in wonderment at the strange animals, colorful flora and the exotic birds swirling overhead.  The uplifting spirit of Las Encantadas takes us from island to island until the music bids farewell to these enchanted isles as the ship sails away at the setting of the sun, leaving us with a sense of pathos and wonder.
Las Encantadas
Orchestre d'harmonie

$115.00 99.88 € Orchestre d'harmonie PDF SheetMusicPlus

Full Orchestra - Level 4 - Digital Download SKU: A0.1454722 Composed by Al Stillman and Elmer Bernstein. Arranged by John Langley / Studio Orchestrations. Film/TV,Historic,March,Patriotic,Thriller. 106 pages. Www.studio-orchestrations.com #1033795. Published by www.studio-orchestrations.com (A0.1454722). The Great Escape (1963) is one of the great American epic war adventure films starring some of the greatest actors of the age like Steve McQueen, James Garner, Richard Attenborough, Charles Bronson, Donald Pleasence, James Coburn, David McCallum, Gordon Jackson, among many others.  The soundtrack was composed by Elmer Bernstein who had enjoyed great acclaim for his music for the 1960 epic The Magnificent 7 (also starrring Steve McQueen).  The Great Escape March theme is regarded as one of the best loved war film themes harnessing both a British and an American patriotic flavour in its themes.  Its bitter sweet jauntiness successfully catches the mood of the film, the optimism and indominatable spirit of the prisoners always hell bent on trying to escape, and the German march theme also makes a brief appearance to reflect all the voices in the narrative of the story.  Other film composers have used a similar approach using a jaunty march theme like Bernstein does - notably The bridge over the river Kwai and A bridge too far - while other composers have tried (arguably) less successfully to encapsulate appropriate pathos alongside that optimism in the 'optimistic' themes.This arrangement is a great bite sized orchestral excerpt appropriate for any concert of film music, or military war/historic themes. INSTRUMENTATION:FlutePiccolo2 Oboes2 Clarinets2 Bassoons4 Horns4 Trumpets3 TrombonesTubaTimpani3 Percussion [Bass Drum/Cymbals/2 Side Drums]StringsFeel free to browse other similar titles on this website written by John langley and Paul Campbell at www.studio-orchestrations.com
The Great Escape March
Orchestre

$100.00 86.85 € Orchestre PDF SheetMusicPlus

B-Flat Clarinet,Piano - Level 1 - Digital Download SKU: A0.548715 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411741. Published by jmsgu3 (A0.548715). Out of the Depths I Cry to You by Martin Luther arranged for clarinet & piano.  The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
Luther: Out of the Depths for Clarinet & Piano
Clarinette et Piano

$24.95 21.67 € Clarinette et Piano PDF SheetMusicPlus

French Horn,Piano - Level 1 - Digital Download SKU: A0.548717 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411743. Published by jmsgu3 (A0.548717). Out of the Depths I Cry to You by Martin Luther arranged for French horn & piano. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
Luther: Out of the Depths for French Horn & Piano
Cor et Piano

$24.95 21.67 € Cor et Piano PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quartet - Digital Download SKU: A0.773310 Composed by David Zehavi, lyrics by Haim Hefer. Arranged by Yoel Epstein. Hanukkah,Jewish,Wedding,World. 9 pages. Yoel Epstein #3511883. Published by Yoel Epstein (A0.773310). Yatsanu At (Out for a Stroll) is one of the canonical Songs of the Land Of Israel – songs in the uniquely Israeli mixture of eastern and western musical styles, and that express the essence of the Israeli ethos. This song was written by David Zehavi in 1946, to words by poet Haim Hefer.   If you enjoy these arrangements, you are welcome to try some of my other arrangements. In addition to the songs offered on this site, I have arranged three songs from the Holocaust, which I arranged and distribute for free on IMSLP. You can find them at http://imslp.org/wiki/Category:Ravpapa, as well as an arrangement of the Israeli national anthem, Hatikva. If you need arrangements of any of these songs for special combinations of instruments, feel free to contact me, and I will try to accommodate. Write me at yoelepst@gmail.com.  Hope you enjoy.
Yatsanu At, Israeli folksong for wind quartet
Flûte, Hautbois, Clarinette, Basson

$12.99 11.28 € Flûte, Hautbois, Clarinette, Basson PDF SheetMusicPlus

Bass Clarinet,Instrumental Solo - Level 5 - Digital Download SKU: A0.1187183 Composed by Piers Hudson. Classical,Multicultural,World. Individual part. 8 pages. Piers Hudson #786814. Published by Piers Hudson (A0.1187183). Audio files 'TAPE 1.wav' and 'TAPE 2.wav' can be downloaded via this link:https://drive.google.com/drive/folders/1zHpcp8ACURW6W9emsHyvi5U-nB-17a0wMono no aware (物ã®å“€ã‚Œ), literally the pathos of things, and also translated as an empathy toward things, or a sensitivity to ephemera, is a Japanese term for the awareness of impermanence (無常, mujÅ), or transience of things, and both a transient gentle sadness at their passing as well as a longer, deeper gentle sadness about this state being the reality of life. https://web.archive.org/web/20200529083756/https:/en.wikipedia.org/wiki/Mono_no_aware.
Mono No Aware
Clarinette Basse

$6.00 5.21 € Clarinette Basse PDF SheetMusicPlus

Tenor voice or soprano voice solo, SATB choir, organ - Medium - Digital Download SKU: MQ.6414-E Composed by Leo Nestor. Christmas, Christmas-Sacred. Score & instrument parts. 13 pages. E. C. Schirmer Music Company - Digital #6414-E. Published by E. C. Schirmer Music Company - Digital (MQ.6414-E). Sing Lullaby was commissioned by music director Michael Batcho for the Choir of the Cathedral of St. John the Evangelist, Milwaukee and composed in California during the summer of 2000. Originally scored for tenor solo, mixed chorus, oboe, French horn and violoncello obbligato and organ, an independent fabric for string orchestra was composed for a performance by the Choir of the Basilica of the National Shrine of the Immaculate Conception on Christmas of the same year. The setting was further developed for the debut performance of The Catholic University of America Chamber Choir and Chamber Players at the Pope John Paul II Cultural Center in December of 2002. In the 2008 revision, the composer decided that the obbligato trio of clarinet, French horn and bassoon most clearly evoked the ethos of shepherds, offering optimal timbral contrast to string orchestra and chorus. Substantial emendations of the entire score were made for the present edition of Sing Lullaby, first performed by The Catholic University of America Chamber Choir, University Singers, University Chorus and Symphony Orchestra at the Annual Christmas Concert for Charity at Washington's Basilica of the National Shrine of the Immaculate Conception on 7 December 2012 with tenor Rick Christman, the composer conducting.Variation form, long favored by composers in settings of strophic music, imparts a perception of improvisation as singers and players alter harmonies, melody and rhythm to forward the unfolding narrative. Sensitive performance will caress the natural undulation of the largely ternary meter, tapering unstressed beats at the ends of phrases while maintaining the steady flow of the accompaniment.Two editions of the work are published: (I) for mixed chorus, solo, obbligato trio and organ and (II) for mixed chorus, solo, obbligato trio, string orchestra, harp and organ. The edition for chorus and obbligato instruments adds timbral variety to a Christmas concert while employing modest instrumental means which are easily available. Although in Version II both harp and organ are scored ad libitum, the harp adds significantly to the counterpoint of the obbligato instruments, providing further rhythmic impetus and textural variety. Conceived for lyric tenor, the solo may also be sung by soprano.
Sing Lullaby (Downloadable Organ/Choral Score)

$2.65 2.3 € PDF SheetMusicPlus

Two-part chorus - Digital Download SKU: C7.CGE114 Composed by Tom Shelton. General. Sing! With Violin. Octavo. 16 pages. Chorister's Guild - Digital #CGE114. Published by Chorister's Guild - Digital (C7.CGE114). UPC: 749193023204.This distinctive setting of the mournful scriptural text begins with an introspective, chant-like introduction that belies the fiery torrent of personal frustration and rage to come. With the incessant drum-like drubbing of octaves in the piano bolstering an equally accented choral outburst, the passionate pathos of sorrow expressed within the text is fully realized and understood. A beautiful legato section provides contrast before building anew, taking us to a dynamically intense finale. A stunning, dramatic showcase for concert or festival!
This World is Full of Beauty
Chorale 2 parties

$2.10 1.82 € Chorale 2 parties PDF SheetMusicPlus






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