SATB choir (choir divisi) and piano - Medium - Digital Download SKU: MQ.1.3594-E Composed by Kyle Pederson. Instrument part. 18 pages. Galaxy Music Corporation - Digital #1.3594-E. Published by Galaxy Music Corporation - Digital (MQ.1.3594-E). English. The Gospel of John.This work has the ethos of a spiritual, with the text inspired by Amazing Grace but not specifically using that text in sequence except for the title riff which reoccurs throughout the piece. It invites the singer and audience to consider the power of grace. The choir affirms that no trouble, no shame, no valley is too deep for the healing gift and power of soul-freeing grace. The music has a driving quality, with a piano part that is marked A little Blues, a little Rock, which rhythmically punctuates the piece. Unusual and energetic.

Instrumental Duet,Piccolo,Violin - Level 3 - Digital Download SKU: A0.1512262 Composed by 16th century folk song. Arranged by Colleen Muriel. Chamber,Classical. 4 pages. El Flauto Records #1087313. Published by El Flauto Records (A0.1512262). The music is filled with a technically fluid, improvisational and virtuosic quality. This arrangement attempts to describe the austere, sparse and cold landscape of the Canadian north. The flute part is filled with florid, fantasia-like sections sometimes mixed with moments of reflection and pathos. This means that performances must be given with feeling and creative intuition. In contrast to the flute part the violin focuses mostly on the 16th century French carol melody.A strong sense of ensemble playing via entrances, tuning, dynamics and musicality are needed as often the violinist has the traditional carol tune while the flute plays a fantasia part.  This enables people of different playing levels to enjoy the music together. Approximate Difficulty Levelviolin – Grade 5-6flute- Grade 8-diplomaKey: G/A approximation Style: Carol with FantasiaForm: ABA (Extended Ternary)Grade: Intermediate/Junior High Grades 7-9This piece helps to develop a strong sense of ensemble playing via entrances, tuning, dynamics and musicality.  This particular arrangement gives the carol melody to the violin while the flute plays a fantasia type of obligato above and around the violin. ----------------------------------------------------------------------------------------------------.

Piano Solo - Level 3 - Digital Download SKU: A0.1399275 By Sandi Patty. By Billy Sprague and Niles Borop. Arranged by Glauco Fernandes. Christian,Holiday,Sacred. Score. 3 pages. Glauco Fernandes #982558. Published by Glauco Fernandes (A0.1399275). Discover the beauty and emotion of the iconic song Via Dolorosa through our exclusive arrangement for piano. This meticulously crafted sheet music promises to take musicians and listeners on an unforgettable journey through the depths of passion and sacrifice symbolized in the song. Perfect for intermediate to advanced level pianists, this composition brings out the touching melody and harmonious chords that define Via Dolorosa.Our sheet music is an essential tool for anyone looking to enhance their piano skills while exploring the rich tradition of sacred music. The arrangement is ideal for church performances, recitals, concerts, and special events, providing a touching and memorable musical experience for all in attendance.Each note has been carefully selected to capture the essence and pathos of the original piece, providing a deep learning experience for the pianist. Additionally, this sheet music is an excellent addition to any musician's repertoire, expanding their interpretative and technical capabilities.Available for online purchase, our Via Dolorosa sheet music for piano is a valuable resource for music students, teachers, professionals, and enthusiasts. Don't miss the opportunity to own this musical artwork that promises to enrich your musical journey with its beauty, depth, and emotion.Purchase today and let the powerful message of Via Dolorosa resonate through your piano performances. This is not just a purchase but an investment in your passion for music and artistic development.

Brass Ensemble - Level 3 - Digital Download SKU: A0.720737 Composed by Antonin Dvorak. Arranged by Ralph Raymond Hays. Concert,Contemporary,Romantic Period,Sacred,Wedding. Score and parts. 9 pages. Ralph Raymond Hays #6246845. Published by Ralph Raymond Hays (A0.720737). Antonín Dvořák's poignant melody -- inspired by African American spirituals and lullabies -- has been masterfully edited and arranged for brass quintet by one of SMP's top arrangers. Transposed to a more hospitable key, this arrangement will imbue a solemn occasion, religious service, or recital with warmth and pathos.

String Ensemble Violin - Level 3 - Digital Download SKU: A0.491776 Composed by George Frideric Handel. Arranged by Joe Williams. Baroque,Classical. Score and parts. 70 pages. Joe Williams #107322. Published by Joe Williams (A0.491776). Handel's Violin sonatas have been a favourite for violin players for many years. They are fun to play and have tunes in abundance. This Sonata in F has pathos and brilliance in abundance, with two movements that really get your feet tapping. This arrangement is for 5 violin parts, and comes with a full score as well as all the parts.

Harmonica,Percussion - Level 5 - Interactive Download SKU: A0.1489593 By Celebrity Chamber Players. By Dr. Marshall Thomas. This edition: Interactive Download. Children,Classical,Film/TV. 6 pages. Duration 31. Father Ambrose Press #5EdDoHlyVBidTsLz0qlS2B. Published by Father Ambrose Press (A0.1489593). Key: C major.A 60 for harps, glockenspiel... a Lutheran ethos miniature.

Brass Ensemble Horn,Trombone,Trumpet,Tuba - Digital Download SKU: A0.881182 Composed by Jeff Evans. Contemporary,Folk,Holiday,Multicultural,Pop,World. Score and parts. 41 pages. Jeff Evans #487543. Published by Jeff Evans (A0.881182). Music inspired by recollections of my time on the beautiful Greek Island of Skiathos. Duration 4'25'', 41 pages includes score and parts for 2 trumpets, horn (Eb or F), trombone and tuba (both in bass or treble clef).

Piano Solo - Level 4 - Digital Download SKU: A0.972645 Composed by James Siddons. Arranged by James Siddons Music and Writings. 20th Century,Concert,Folk,Gospel,Jazz. Score. 19 pages. James Siddons Music and Writings #4350561. Published by James Siddons Music and Writings (A0.972645). About the Sonata Hymnica Series Program Note Composer James Siddons draws on the ethos of American rural hymns and spirituals to create evocations of the deeper, larger meaning of familiar church melodies. These sonatas for piano solo explore these deeper meanings in a variety of contemporary musical influences, while keeping in mind the acoustics of small rural churches of the late nineteenth century, with wooden floors and walls, high ceilings, and dimensions determined by local builders who knew how to shape a room for excellent acoustics in an age of no electricity and no microphones. These sonatas are but partly about the specific melodies and words, and mostly about their meaning in spiritual contemplation . . . and the piano, resonating, reverberant, sometimes whispering---as a sacred harp.             Although these sonatas have no specific titles, the first sonata may be thought of as the Prayer Sonata, the second as the Travel Sonata, as in a spiritual journey, and the third sonata is about our greatest fear, that of being alone and without God. Performance Note The pianist must keep in mind that these sonatas are about playing the piano as much as playing a composition. Musical effects characteristic of the piano and descriptive of the memory in American culture are the substances of these piano solos. Touch is important: in many places, several dynamics are called for on the same beat. All three pedals on an American piano (damper, sostenuto, and sustain) are needed. The orchestral and cinematic structure of this music requires extensive use of three staffs, which may consist of two treble and one bass staff, or one treble and two bass staffs. In basic grand-staff passages, the two staffs may both be treble or both bass. The musical influences in these sonatas include religious song in rural America, the chromaticism and Expressionism of Arnold Schoenberg and his followers, and the tone colors of the music of Japanese composer Toru Takemitsu.DurationsSonata Hymnica No. 1 --- 15 minutes.Sonata Hymnica No. 2 ---  11 minutes.  Sonata Hymnica No. 3 ---  9 minutes. About the Composer Composer, musicologist, and pianist James Siddons studied composition with Dika Newlin, a protégé of Arnold Schoenberg, and electronic music with Merrill Ellis, founder of the electronic music program at the University of North Texas, where he also earned a PhD in musicology. After a year at the University of London, where he studied musical analysis at King’s College and electronic music at Goldsmiths’ College, Siddons spent two years in Japan as a research scholar at Tokyo University of Arts, participating in the Ethnomusicology Seminar of Fumio Koizumi. Siddons has also studied theology and liturgy at the Duke University Divinity School. In addition to books and articles on contemporary music and music in Japan, Siddons was written compositions in many genres. Recordings of his piano performances are available at online streaming services. His website is www.JamesSiddons.com His performing rights organization is ASCAP.

Piano,Viola - Level 1 - Digital Download SKU: A0.548726 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411767. Published by jmsgu3 (A0.548726). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics which are essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed compositions, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.

Piano Solo - Level 3 - Digital Download SKU: A0.1370017 By Johann Sebastian Bach and Víkingur Ólafsson. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Classical,Contest,Festival,Instructional,Wedding. Score. 4 pages. Flavio Regis Cunha #954392. Published by Flavio Regis Cunha (A0.1370017). Bach: Goldberg Variations, BWV 988: Var. 7 (as played by Víkingur Ólafsson) Intermediate. Format: Concert, 9 x 12 inches. 4 pages. PLUS: Engraved and Published with Urtext Kapellmeister Music Fonts.____________________________________________Renowned for his innovative interpretations of J.S. Bach, Víkingur Ólafsson, an eminent pianist and contemporary musical visionary, now undertakes the monumental task of presenting Bach’s Goldberg Variations. The upcoming season is exclusively dedicated to a global tour spanning six continents, with the eagerly anticipated album set for release in October 2023 on Deutsche Grammophon. Ólafsson expresses, I've nurtured the dream of recording this piece for 25 years.Following the triumphant 2018 DG recording of Johann Sebastian Bach's works, which earned him BBC Music magazine’s Album of the Year, Opus Klassik’s Solo Recital award, and numerous other recording of the year honors, Ólafsson solidified his status as Gramophone magazine’s Artist of the Year. Now, Ólafsson channels his unique musical insight and meticulous recording expertise into Bach’s masterpiece, marking his initial foray into recording a complete work, starting with one of the most demanding pieces in the piano repertoire.In the 2023-24 season, Ólafsson embarks on a Goldberg Variations world tour, gracing prestigious concert halls worldwide, including London’s Southbank Centre, New York’s Carnegie Hall, Wiener Konzerthaus, Philharmonie de Paris, Tokyo’s Suntory Hall, Philharmonie Berlin, Harpa Concert Hall, Sydney Opera House, LA’s Walt Disney Hall, Sala São Paulo, Shanghai Symphony Hall, Tonhalle Zurich, KKL Luzern, Alte Oper Frankfurt, Mupa Budapest, and Teatro Colón, among others.Reflecting on the profound impact of the Goldberg Variations, Ólafsson remarks, “The Goldberg Variations encompass some of the most virtuosic keyboard music ever penned, employing brilliant counterpoint and evoking exalted poetry, abstract contemplation, and deep pathos – all within impeccably crafted structures of formal perfection. In 30 variations, based on the humble harmonic framework of a simple, graceful aria, Bach transforms limited material into boundless variety like no one before or since. He stands as the greatest keyboard virtuoso of his time.�.

Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.548723 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411761. Published by jmsgu3 (A0.548723). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.

Two-part chorus - Digital Download SKU: C7.CGE114 Composed by Tom Shelton. General. Sing! With Violin. Octavo. 16 pages. Chorister's Guild - Digital #CGE114. Published by Chorister's Guild - Digital (C7.CGE114). UPC: 749193023204.This distinctive setting of the mournful scriptural text begins with an introspective, chant-like introduction that belies the fiery torrent of personal frustration and rage to come. With the incessant drum-like drubbing of octaves in the piano bolstering an equally accented choral outburst, the passionate pathos of sorrow expressed within the text is fully realized and understood. A beautiful legato section provides contrast before building anew, taking us to a dynamically intense finale. A stunning, dramatic showcase for concert or festival!

Bass Clarinet,Instrumental Solo - Level 5 - Digital Download SKU: A0.1187183 Composed by Piers Hudson. Classical,Multicultural,World. Individual part. 8 pages. Piers Hudson #786814. Published by Piers Hudson (A0.1187183). Audio files 'TAPE 1.wav' and 'TAPE 2.wav' can be downloaded via this link:https://drive.google.com/drive/folders/1zHpcp8ACURW6W9emsHyvi5U-nB-17a0wMono no aware (物�哀れ), literally the pathos of things, and also translated as an empathy toward things, or a sensitivity to ephemera, is a Japanese term for the awareness of impermanence (無常, muj�), or transience of things, and both a transient gentle sadness at their passing as well as a longer, deeper gentle sadness about this state being the reality of life. https://web.archive.org/web/20200529083756/https:/en.wikipedia.org/wiki/Mono_no_aware.

Cello,Double Bass,Viola,Violin - Digital Download SKU: A0.1070248 Composed by Tito Abeleda. Concert,Contemporary. Full Performance. Duration 227. Visionary Quest Records #4784007. Published by Visionary Quest Records (A0.1070248). STRING ORCHESTRA - Violin Solo; Violin 1, 2, 3; Viola 1, 2, 3; Cello (non-solo) 1, 2; Contrabass 1, 2: Full Score plus parts = 43 pages. Composer: Tito Abeleda (1964 - ) Digital Download. HD CD Quality MP3 recorded at 48,000 hz 320 kbps also available. Level: IntermediateTears from My Eyes: First Movement: Remember Your Feelings (for Full Orchestra with Cello and Oboe solos) Second Movement: Reflection and Contemplation (for Flute Choir with Flute solo) Third Movement: Love Lost: Finding Your Fire Again Fourth Movement: Mourning in the Rain (for Clarinet Choir with Clarinet solo) Fifth Movement: Onward and Upward (for String Orchestra with Cello and Violin solo)A few months ago, I received a call from my parents. My Mother had some sad news to give me. Dad was very ill. My whole life flashed before me. My parents were always 200% supportive of all my artistic endeavors. None of my success would have been possible but for my Dad and Mom. My memories of my Dad and my Mom flooded my mind like a deluge. When I heard the news about how gravely ill he was I thought to myself that so often we give thanks, honor, or show our love when it is too late. Who wants to be that person? I was finally in the unique position to show my gratitude and love to my parents in the most special way that I could - through music from my heart and soul. I got the courage to look deeply within and then I began to write what was to become the first and second songs, respectively Tears from My Eyes: Remember Your Feelings and Tears from My Eyes: Reflection and Contemplation on my Tears from My Eyes: Songs from my Soul album.You will now be able to do just the same for your loved ones with this new music. Your intermediate level to advanced students and even professional musicians should find this to be a welcomed piece to learn and master. It looks deceptively simple but the learning and challenge comes from two smaller sub-ensembles playing together in their own collective units legato con moto while playing together as a whole music ensemble Everyone will enjoy and bathe in the beautiful harmonies that will resonate when the entire music ensemble begins to listen to each while playing together as a group. Your musicians will hone their skills in playing together with just the right balance that this song requires. Your musicians will also hone their skills for subdividing and maintaining an inner beat that is in sync with your conducting because there is no percussion and the notes are freely flowing on and off the down beat yet not sounding heavily syncopated when performed. When will you know when you have achieved the right balance and flow of the music? You will know when, because you will hear it and feel it when it comes into place. But I can help you with all of this with what I have to offer you today. I share with you now the final and 5th movement to Tears from my Eyes - Onward and Upward (for String Orchestra). This particular was created and produced after the Songs from My Soul album was sent for distribution. So, this song has yet to be officially released. All five movements will be released as an album Mourning in the Rain. This 5th movement Onward and Upward has a decisive emotional resolution and conviction in its pathos. The dynamics reflect accordingly ranging from mf to fff indicative of overcoming adversity and grief. Imagine overcoming despair, rising out of grief and depression and finally seeing the light of day - to join the ranks of the living and re-embracing life once again.Contact info: Tito AbeledaVisionary Quest Recordshttps://www.visionaryquestrecordsEmail: tito@visionaryquestrecords.comFollow Tito on Social Media:Facebook: https://www.facebook.com/titoabeledaTwitter: https://twitter.com/titoabeledaInsta.

Easy Piano - Level 3 - Digital Download SKU: A0.930236 Composed by Alfia Yussupova. Concert,Contemporary,Film/TV. Score. 2 pages. Alfia Yussupova #4277421. Published by Alfia Yussupova (A0.930236). Nostalgic Waltz by Alfia Yussupova, for piano. Published by Alfia Yussupova © 2009 www.alfiamusic.com , www.youtube.com/alfiamusic All Rights Reserved ISBN 978-0-9843517-0-1 This music from a book Inspiration by Alfia Yussupova introduces music lovers, producers, and film directors to a collection entirely new music, inspired by classical elements, imbued with an extraordinary vitality, and evocative of so many human emotions love, pathos, joy, longing, exultation, and serenity. 2 pages. Film with this music at https://www.youtube.com/watch?v=BECrJCzeEOg&t=2s