Choral Choir (SATB) - Level 3 - Digital Download

SKU: A0.914085

Composed by Giuseppe Verdi. Arranged by Beth Bradson. Classical. Octavo. 4 pages. Beth Bradson #3538981. Published by Beth Bradson (A0.914085).

La Donna E Mobile - Three Part Harmony and Piano Part for Three Tenors.

Piano Solo - Level 3 - Digital Download

SKU: A0.697722

Composed by John Henry Hopkins Jr. Arranged by Sandy McIntire. Christmas,Instructional,Praise & Worship,Sacred,Traditional. Score. 6 pages. Sandy McIntire #6520787. Published by Sandy McIntire (A0.697722).

We Three Kings, also known as The Quest of the Magi, was composed by Hopkins in 1857 for a Christmas pageant in New York City featuring three tenors each representing a king and singing a verse. This arrangement by McIntire as an Intermediate Piano solo emphasizes the oriental origin of the Magi using modal variations of the tune. Although appropriate year round, this carol is particularly appropriate for Epiphany or Theophany which commemorates the visit of the Magi to the Christ Child.

Small Ensemble High Voice - Level 5 - Digital Download

SKU: A0.576392

Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 5 pages. David Warin Solomons #19969. Published by David Warin Solomons (A0.576392).

Sardonic darkly humorous setting of the poem by John Heath-Stubbs, permitted in accordance with the contract with David Higham Co Ltd, the holder of the rights of the estate of John Heath-Stubbs. I set this poem for three equal voices. The harmonies are quite close and scrunchy; they represent the throbbing of the toothache in question and the mental effect of it. The sound sample is performed by me. A video of the performance (3 altos), with the words on screen can be found on youtube at: https://www.youtube.com/watch?v=oRecp1wRZzI === The original version for three altos is also available on this site.

Small Ensemble Low Voice - Level 5 - Digital Download

SKU: A0.576391

Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 6 pages. David Warin Solomons #19967. Published by David Warin Solomons (A0.576391).

Sardonic darkly humorous setting of the poem by John Heath-Stubbs, permitted in accordance with the contract with David Higham Co Ltd, the holder of the rights of the estate of John Heath-Stubbs. I set this poem for three equal voices. The harmonies are quite close and scrunchy; they represent the throbbing of the toothache in question and the mental effect of it. The sound sample is performed by me. A video of the performance (3 altos), with the words on screen can be found on youtube at: https://www.youtube.com/watch?v=oRecp1wRZzI === A version for three tenors is also available.

String Ensemble,String Trio Cello,Viola,Violin - Level 3 - Digital Download

SKU: A0.697724

Composed by John Henry Hopkins Jr. Arranged by Sandy McIntire. Christmas,Holiday,Instructional,Sacred,Traditional. Score and parts. 17 pages. Sandy McIntire #6527051. Published by Sandy McIntire (A0.697724).

We Three Kings, also known as The Quest of the Magi, was composed by Hopkins in 1857 for a Christmas pageant in New York City featuring three tenors each representing a king and singing a verse. This arrangement by McIntire for an Intermediate String Trio (Violin I and II and Cello) emphasizes the oriental origin of the Magi using modal variations of the tune. Each instrument is featured on a verse. Separate sheet music is provided for each instrument. The second violin part may be played on a viola.
Although appropriate year round, this carol is particularly appropriate for Epiphany or Theophany which commemorates the visit of the Magi to the Christ Child.

Small Ensemble Bass Clarinet,Bassoon,Cello,English Horn,Flute,Oboe,Piano,Viola,Violin - Level 5 - Digital Download

SKU: A0.805335

By Daniel Kelley. By Giacomo Puccini. Arranged by Daniel Kelley. Opera,Romantic Period,Wedding. Score and parts. 23 pages. Last Resort Music Publishing #412373. Published by Last Resort Music Publishing (A0.805335).

Giacomo Puccini's Nessun Dorma (Let No One Sleep) is one of the best-known arias in all opera. Popularized even further by Luciano Pavarotti as well as Plácido Domingo and The Three Tenors, it is instantly recognizable as well as timelessly elegant. Full Set of Parts includes: Part 1 Flute or Oboe or Violin Part 1 Clarinet in Bb Part 2 Flute or Oboe or Violin Part 2 Viola Part 2 Clarinet in Bb Part 3 Cello or Bassoon Part 3 Bass Clarinet in Bb Keyboard or Guitar Score Playable by String Trio (Violin, Violin or Viola, & Cello), Woodwind Trio, Clarinet Trio, Piano Trio & more. The Keyboard Part is a full harmonization of Parts 2 and 3. Therefore, this arrangement can be played as a Piano Trio, or an entire trio could play with a pianist, as long as Part 1 is being played. Perfect for String Trio, Mixed Trio, Wind Trio, Woodwind Trio, Clarinet Trio, Double Reed Trio, Piano Trio, Duet with Piano and more! Endless possibilities! Don't miss our other arrangements - available on SheetMusicPlus and www.lastresortmusic.com Published by Last Resort Music Publishing www.lastresortmusic.com.

Trombone Duet Trombone - Level 4 - Digital Download

SKU: A0.792437

Composed by Ludwig van Beethoven. Arranged by Ralph Sauer. 20th Century,Classical,Romantic Period. Score. 32 pages. Gordon Cherry #4821669. Published by Gordon Cherry (A0.792437).

Beethoven’s two duos were originally written for Clarinet and Cello, but are often performed with Bassoon. They were published without an opus and were probably intended as gifts for friends or to be performed at a private chamber music soireé.  Mr. Sauer’s arrangements are delightful to play. Duos 1 & 2 have three movements; the first in the traditional Sonata form, the second a slow movement Larghetto and third movement a zippy Rondo. Duo 3 begins with a first movement Allegro and the second movement is an Aria with Variations, having a quick gigue-like Allegro tacked on to the end.

These duos may be performed by Tenor and Bass Trombone or 2 Tenors, with the 2nd part needing an f-attachment to reach down for some D’s and C’s. The first parts are all in Tenor clef and these threee works are of moderate difficulty.

Alto Voice - Digital Download

SKU: A0.1059519

Composed by Traditional. Arranged by David Warin Solomons, Lorin Nelson. 20th Century,Children,Contemporary. Full Performance. Duration 63. David Warin Solomons #3397203. Published by David Warin Solomons (A0.1059519).

Three blind mice -

Three blind mice –

See how they run

See how they run

They all run after the farmer's wife

Who cut off their tails with a carving knife

You never saw such a thing in your life as three blind mice

Choral Choir (SATB) - Level 4 - Digital Download

SKU: A0.1073977

Composed by J.H. Hopkins. Arranged by Chris Hutchings. A Cappella,Christmas,Holiday,Praise & Worship,Sacred. Octavo. 5 pages. Chris Hutchings #678243. Published by Chris Hutchings (A0.1073977).

A classic Christmas carol arranged for SATB choir a cappella, harmonised mainly using the Dorian mode. Verse 4 uses a lot of chromatic harmony as death is foreshadowed, and the following chorus is sung by altos with a soprano descant, before the final verse, Glorious now behold him arise leads up to a chorus where altos sing the melody, tenors a countermelody, and the sopranos and basses sing alleluias over and under them (heaven sings alleluia, alleluia the earth replies!) Ranges: sopranos D4-G5, altos B3-D5, tenors E3-A4 (only three brief A4s which can be sung in falsetto), basses G2-D4.

Choral Choir (SATB) - Digital Download

SKU: A0.828397

Composed by Traditional. Arranged by Debbie Warren. A Cappella,Christmas. Octavo. 27 pages. Keep Calm and Keep Singing #6609365. Published by Keep Calm and Keep Singing (A0.828397).

Exciting a cappella version of this popular folk carol for SATB with optional recorder ensemble. Works with male or female tenors. Audio sample is a live performance with recorders and choir featuring female tenors. 
Works with or without the recorders. The recorder ensemble can also play all the vocal cues to accompany throughout if wished (or as a stand alone piece for the recorders without the singers!).
PDF download includes conductor's score, vocal score, recorder score and parts. 
Easy level
Duration: 2'45
FREE rehearsal tracks available - just email keepcalmkeepsinging@gmail.com with proof of purchase.

Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Tenor Saxophone - Level 4 - Digital Download

SKU: A0.1254362

Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Chamber,Christian,Easter,Historic. 29 pages. Regis Bookshar #847934. Published by Regis Bookshar (A0.1254362).

Three selections based on Christ lag in Todesbanden (Christ lay in death's bonds) (from Cantata No.   4, BMV   4) - Johann Sebastian Bach - Saxophone Quintet (2 Altos, 3 Tenors) - Digital Download.

Cantata No.   4, BMV   4, Christ lag in Todesbanden (also spelled Todes Banden) (Christ lay in death's bonds) is a cantata for Easter written by Johann Sebastian Bach and is his earliest surviving Church Cantata. It was probably written in 1707 when he was 22 years old. It is a Chorale Cantata, a style in which both the text and the music are based on a hymn. In this instance, the source was Martin Luther's hymn of the same name which became a main Easter hymn in German Lutheranism.
Regis Bookshar has transcribed and arranged three selections based on this hymn tune, two from Bach's Cantata No.   4, BMV   4, and also his Chorale Prelude, BMV 625. They may be played individually or as a trilogy and each movement gets more complex than the previous one. The first selection in this trilogy is the Chorale, Christ lag in Todesbanden, the final chorus from his Cantata No.   4, a straighforward four-part chorale setting of the hymn (Regis has also added a fifth part). This is followed by Bach's Chorale Prelude, BMV 625, a piece from his Orgelbuchlein (Little Organ Book), a collection of 46 Preludes for organ, written almost exclusively during the 1708-1717 period, while Bach was court organist at Weimar. For the final selection, Regis has placed the polyphonic and imitative chorus, Es war ein wunderlicher Krieg, da Tod und Leben rungen) (It was a strange battle, that death and life waged), which Bach had placed in the middle of his Cantata No.   4.
This arrangement is for a Saxophone Quintet, consisting of 2 Alto Saxophones and 3 Tenor Saxophones. Included are a score and a complete set of parts (29 pages).
I hope you will enjoy playing these selections and please search for other arrangements by Regis Bookshar. There are numerous selections in a variety of styles, also available for purchase. I think you will be pleased with what you may find.

Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download

SKU: A0.1254343

Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Chamber,Christian,Easter,Historic. 29 pages. Regis Bookshar #847423. Published by Regis Bookshar (A0.1254343).

Three selections based on Christ lag in Todesbanden (Christ lay in death's bonds) (from Cantata No.   4, BMV   4) - Johann Sebastian Bach - Saxophone Quintet (1 Sop, 1 Alto, 2 Tenors, 1 Bari) - Adavanced/Intermediate - Digital Download.

Cantata No.   4, BMV   4, Christ lag in Todesbanden (also spelled Todes Banden) (Christ lay in death's bonds) is a cantata for Easter written by Johann Sebastian Bach and is his earliest surviving Church Cantata. It was probably written in 1707 when he was 22 years old. It is a Chorale Cantata, a style in which both the text and music are based on a hymn. In this instance, the source was Martin Luther's hymn of the same name which became a main Easter hymn in German Lutheranism.
Regis Bookshar has transcribed and arranged three selections based on this hymn tune, two from Bach's Cantata No.   4, BMV   4, and also his Chorale Prelude, BMV 625. They may be played individually or as a trilogy and each movement gets more complex that the previous one. The first selection in this trilogy is the Chorale, Christ lag in Todesbanden, the final chorus from his Cantata No.   4, a straightforward four-part chorale setting of the hymn (Regis has also added a fifth part). This is followed by Bach's Chorale Prelude, BMV 625, a piece from his Orgelbuchlein (Little Organ Book), a collection of 46 Preludes for organ, written almost exclusively during the 1708-1717 period, while Bach was court organist at Weimar. For the final selection, Regis has placed the polyphonic and imitative chorus, Es war ein wunderlicher Krieg, da Tod und Leben rungen (It was a strange battle, that death and life waged), which Bach had placed in the middle of his Cantata No.   4.
This arrangement is for a Saxophone Quintet, consisting of 1 Soprano Saxophone, 1 Alto Saxophone, 2 Tenor Saxophones and 1 Baritone Saxophone. Included are a score and a complete set of parts (29 pages).
I hope you will enjoy playing these selections and please search for other arrangements by Regis Bookshar. There are numerous selections in a variety of styles, also available for purchase. I think you will be pleased with what you may find.

Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 4 - Digital Download

SKU: A0.1254358

Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Chamber,Christian,Easter,Historic. 29 pages. Regis Bookshar #847925. Published by Regis Bookshar (A0.1254358).

Three selections based on Christ lag in Todesbanden (Christ lay in death's bonds) (from Cantata No.   4, BMV   4) - Johann Sebastian Bach - Saxophone Quintet (2 Altos, 2 Tenors, 1 Bari) - Adsvanced/Intermediate - Digital Download.

Cantata No.   4, BMV   4, Christ lag in Todesbanden (also spelled Todes Banden) (Christ lay in death's bonds) is a cantata for Easter written by Johann Sebastian Bach and is his earliest surviving Church Cantata. It was probably written in 1707 when he was 22 years old. It is a Chorale Cantata, a style in which both the text and music are based on a hymn. In this instance, the source was Martin Luther's hymn of the same name which became a main Easter hymn in German Lutheranism.
Regis Bookshar has transcribed and arranged three selections based on this hymn, two from Bach's Cantata No.   4, BMV   4, and also his Chorale Prelude, BMV 6215. They may be played individually or as a trilogy and each movement gets more complex than the previous one. The first selection in this trilogy is the Chorale, Christ lag in Todesbanden, the final chorus from his Cantata No.   4, a straightforward four-part chorale setting of the hymn (Regis has also added a fifth part). This is followed by Bach's Chorale Prelude, BMV 625, a piece from his Orgelbuchlein (Little Organ Book), a collection of 46 Preludes for organ, written almost exclusively during the 1708-1717 period, while Bach was court organist at Weimar. For the final selection, Regis has placed the polyphonic and imitative chorus, Es war ein wunderlicher Krieg, da Tod und Leben rungen (It was a strange battle, that death and life waged), which Bach had placed in the middle of his Cantata No.   4.
This arrangement is for a Saxophone Quintet, consisting of 2 Alto Saxophones, 2 Tenor Saxophone and 1 Baritone Saxophone. Included are a score and a complete set of parts (29 pages).
I hope you will enjoy playing these selections and please search for other arrangements by Regis Bookshar. There are numerous selections in a variety of styles, also available for purchase. I think you will be pleased with what you may find.