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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.1440642 By Celine Dion. By Billy Steinberg and Tom Kelly. Arranged by Chris Gorman. Pop,Rock. Brass Band. 101 pages. Chris Gorman #1020618. Published by Chris Gorman (A0.1440642). I Drove All Night is a song written and composed by American songwriters Billy Steinberg and Tom Kelly and originally intended for Roy Orbison. Orbison recorded the song in 1987, the year before his death, but his version was not released until 1992.  The song has also been covered by Canadian singer Celine Dion, whose version topped the Canadian Singles Chart and reached number 7 on the US Adult Contemporary chart in 2003. This arrangement is made as a Flugel Solo which ideally suits the soft tones and fluency of the instrument and would be a welcome addition to its repertory.
I Drove All Night
Celine Dion
$35.00 29.96 € PDF SheetMusicPlus

Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.967660 Composed by Traditional. Arranged by Lawrence H. Underwood. Christian,Christmas,Contemporary,Sacred. Score and part. 8 pages. Lawrence H Underwood #6189221. Published by Lawrence H Underwood (A0.967660). Arranged by veteran instrumental educator and performer, Lawrence Underwood, as the fourth installment in his A Christmas Portfolio series, this brand new setting of I Saw Three Ships is as much fun to play as it is to hear! The arrangement opens with a jaunty, nautical 6/8 feel before entering a lyrical section. The piece then shifts gears momentarily, heading into a 4/4 march feel before evoking a feel of the highlands as we return to 6/8, building in intensity until its dramatic conclusion. Suitable for use in church or as a showpiece in any holiday setting, this piece is sure to be an audience and performer favorite!
I Saw Three Ships for Solo Alto Saxophone
Saxophone Alto et Piano

$5.99 5.13 € Saxophone Alto et Piano PDF SheetMusicPlus

Double Bass,Piano,String Bass - Level 3 - Digital Download SKU: A0.967674 Composed by Traditional. Arranged by Lawrence H. Underwood. Christian,Christmas,Contemporary,Sacred. Score and part. 8 pages. Lawrence H Underwood #6189273. Published by Lawrence H Underwood (A0.967674). Arranged by veteran instrumental educator and performer, Lawrence Underwood, as the fourth installment in his A Christmas Portfolio series, this brand new setting of I Saw Three Ships is as much fun to play as it is to hear! The arrangement opens with a jaunty, nautical 6/8 feel before entering a lyrical section. The piece then shifts gears momentarily, heading into a 4/4 march feel before evoking a feel of the highlands as we return to 6/8, building in intensity until its dramatic conclusion. Suitable for use in church or as a showpiece in any holiday setting, this piece is sure to be an audience and performer favorite!
I Saw Three Ships for Solo Double Bass
Contrebasse, Piano (duo)

$5.99 5.13 € Contrebasse, Piano (duo) PDF SheetMusicPlus

Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.967668 Composed by Traditional. Arranged by Lawrence H. Underwood. Christian,Christmas,Sacred. Score and part. 9 pages. Lawrence H Underwood #6189251. Published by Lawrence H Underwood (A0.967668). Arranged by veteran instrumental educator and performer, Lawrence Underwood, as the fourth installment in his A Christmas Portfolio series, this brand new setting of I Saw Three Ships is as much fun to play as it is to hear! The arrangement opens with a jaunty, nautical 6/8 feel before entering a lyrical section. The piece then shifts gears momentarily, heading into a 4/4 march feel before evoking a feel of the highlands as we return to 6/8, building in intensity until its dramatic conclusion. Suitable for use in church or as a showpiece in any holiday setting, this piece is sure to be an audience and performer favorite!
I Saw Three Ships for Solo Tenor Saxophone
Saxophone Tenor et Piano

$5.99 5.13 € Saxophone Tenor et Piano PDF SheetMusicPlus

Piano,Tuba - Digital Download SKU: A0.967672 Composed by Traditional. Arranged by Lawrence H. Underwood. Christian,Christmas,Contemporary,Sacred. Score and part. 8 pages. Lawrence H Underwood #6189267. Published by Lawrence H Underwood (A0.967672). Arranged by veteran instrumental educator and performer, Lawrence Underwood, as the fourth installment in his A Christmas Portfolio series, this brand new setting of I Saw Three Ships is as much fun to play as it is to hear! The arrangement opens with a jaunty, nautical 6/8 feel before entering a lyrical section. The piece then shifts gears momentarily, heading into a 4/4 march feel before evoking a feel of the highlands as we return to 6/8, building in intensity until its dramatic conclusion. Suitable for use in church or as a showpiece in any holiday setting, this piece is sure to be an audience and performer favorite!
I Saw Three Ships for Solo Tuba
Tuba et Piano

$5.99 5.13 € Tuba et Piano PDF SheetMusicPlus

Clarinet,Piano - Level 3 - Digital Download SKU: A0.967577 Composed by Traditional. Arranged by Lawrence H. Underwood. Christian,Christmas,Contemporary,Sacred. Score and part. 9 pages. Lawrence H Underwood #6143429. Published by Lawrence H Underwood (A0.967577). Arranged by veteran instrumental educator and performer, Lawrence Underwood, as the fourth installment in his A Christmas Portfolio series, this brand new setting of I Saw Three Ships is as much fun to play as it is to hear! The arrangement opens with a jaunty, nautical 6/8 feel before entering a lyrical section. The piece then shifts gears momentarily, heading into a 4/4 march feel before evoking a feel of the highlands as we return to 6/8, building in intensity until its dramatic conclusion. Suitable for use in church or as a showpiece in any holiday setting, this piece is sure to be an audience and performer favorite!
I Saw Three Ships for Solo Clarinet
Clarinette et Piano

$5.99 5.13 € Clarinette et Piano PDF SheetMusicPlus

Piano,Trombone - Level 3 - Digital Download SKU: A0.967603 Composed by Traditional. Arranged by Lawrence H. Underwood. Christian,Christmas,Contemporary,Sacred. Score and part. 8 pages. Lawrence H Underwood #6167765. Published by Lawrence H Underwood (A0.967603). Arranged by veteran instrumental educator and performer, Lawrence Underwood, as the fourth installment in his A Christmas Portfolio series, this brand new setting of I Saw Three Ships is as much fun to play as it is to hear! The arrangement opens with a jaunty, nautical 6/8 feel before entering a lyrical section. The piece then shifts gears momentarily, heading into a 4/4 march feel before evoking a feel of the highlands as we return to 6/8, building in intensity until its dramatic conclusion. Suitable for use in church or as a showpiece in any holiday setting, this piece is sure to be an audience and performer favorite!
I Saw Three Ships for Solo Trombone
Trombone et Piano

$5.99 5.13 € Trombone et Piano PDF SheetMusicPlus

Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1130062 Composed by English Folk Song by way of American Appalachians. Arranged by F. Leslie Smith. Celtic,Children,Folk,Irish,Traditional,Wedding. Score and parts. 28 pages. Sweetwater Brass Press #730439. Published by Sweetwater Brass Press (A0.1130062). The origins of this lullaby can be traced back to 15th-century England. Pioneers from the British Isles brought it with them to the American Appalachians. Written in three verses, its lyrics tell of four seemingly impossible gifts the singer gave my love. The first verse describes each gift: cherry that has no stone, a chicken that has no bone. a story that has no end and a baby with no cryin'. The second verse poses the riddle: how can such items exist? The third provides the answers: A cherry when it's bloomin', it has no stone. A chicken when it's pippin', it has no bone. The story of I love you, it has no end. A baby when it's sleepin', has no cryin'. This Riddle Song has enjoyed somewhat of a revival since mid-20th century, making appearances in various movies, TV shows and recordings. In 1956, Jerry Livingston and Paul Francis adapted The Riddle Song tune, added an original bridge and created new lyrics; Johnny Mathis recorded it as The Twelfth of Never, giving the haunting melody probably its greatest surge in popularity. This arrangement is in G major and opens with an upbeat introduction. For the first statement of the melody, tempo slows and Trumpets alternate the lead. On the second time through, tempo speeds up slightly and tuba takes the lead. For the third, tempo is back to the opening speed and Horn in F plays the melody. On the fourth time through, Trumpets and Trombone frame the tune in a call-and-response form. In the fifth, Trombone takes the lead. In the sixth and final statement, Horn in F and Trombone play melody at half speed while Trumpets play a fairly complicated counterpoint (at what may seem like double speed!). This, until the last phrase (A baby when it's sleepin'), when the melody switches over to Trumpets and Trombone takes the counterpoint. Trumpet 1 plays its A above the staff a number of times. Tuba's lowest note is its F down below the staff. Otherwise, notes for all instruments are well within normal playing range. Because of the recommended tempo, the countermelody at measures 68-83 could be problematic for Trumpets and Trombone and may require a little extra work. Completed in 2022, performance time runs about 3 minutes, 42 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
I Gave My Love a Cherry (The Riddle Song ["The Twelfth of Never"])
Quatuor de Cuivres : 2 trompettes, trombone, tuba

$7.95 6.81 € Quatuor de Cuivres : 2 trompettes, trombone, tuba PDF SheetMusicPlus

Percussion Ensemble - Level 5 - Digital Download SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pages. Salvador Rojo-Gamon #5801913. Published by Salvador Rojo-Gamon (A0.962406). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code. 
Four Forces (First movement) I. Strong Forces
Ensemble de Percussions

$300.00 256.81 € Ensemble de Percussions PDF SheetMusicPlus

Guitar - Level 4 - Digital Download SKU: A0.1140594 By Rush. By Geddy Lee Weinrib. Arranged by Dan Chernow. 20th Century,Pop,Rock. Guitar Tab. 23 pages. Dan Chernow #740831. Published by Dan Chernow (A0.1140594). As recorded by Rush on the 1975 album 'Fly By Night'. Transcription and Guitar Pro 8 notation by Dan Chernow, copyright 2022. A song written when John Rutsey was still in the band, this upbeat boogie-rocker has that debut album sound....with the exception of Neil Peart killing it on the drums of course. Alex plays around with chunky power chords and a slinky, descending chromatic riff in this one as well as having a blast with a memorable (and very catchy) wah pedal drenched solo. The major key tonality of this tune brought about some country-inspired licks in this solo as well if you listen carefully. You can tell they were all having fun with this throwback tune although this is still only their second album. Have fun learning this uncomplicated but infectious early Rush rocker. As always, all the tiniest details are included here- for the first time. I try my hardest to make only the highest possible quality- and most accurate- Rush guitar transcriptions, like they deserve. From one huge Rush fan to another, enjoy!
Best I Can
Guitare notes et tablatures
Rush
$5.49 4.7 € Guitare notes et tablatures PDF SheetMusicPlus






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