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Piano - Digital Download SKU: A0.1068480 Composed by 1776, 1830, Music – Thomas Hastingsm, and Words – Augustus M. Toplady. Arranged by Pat Holmberg. Christian,Contemporary,Gospel. Full Performance. Duration 122. Patricia Tanttila Holmberg #1966901. Published by Patricia Tanttila Holmberg (A0.1068480). This is an old well-known Christian hymn played on the piano. It has an updated rhythmic feel to give it a bit of life. Here are the lyrics, if you want to sing along with it: Rock of Ages cleft for me; Let me hide myself in Thee. Let the water and the blood from thy wounded side which flowed, Be of sin the double cure; Save from wrath and make me pure. Could my tears forever flow, Could my zeal no respite know, This for sin could not atone – Thou must save, and Thou along; In my hand no price I bring, Simply to Thy cross I cling. When I draw my final breath, When my eyes shall close in death. When I rise to worlds unknown And be hold Thee on Thy throne, Rock of Ages, cleft for me, Let me hide myself in Thee. BMI www.patholmberg.com.
Rock of Ages
Piano seul

$1.99 1.71 € Piano seul PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download SKU: A0.852601 Composed by Pat Holmberg. Concert,Contemporary,Film/TV,Wedding. Score. 2 pages. Patricia Tanttila Holmberg #2119271. Published by Patricia Tanttila Holmberg (A0.852601). Several years ago, a friend of mine (we both sat in the alto section of our church choir) asked me to write a song for her. She was an artist currently taking a class in portrait painting and offered to do my portrait in exchange. So I went over and sat in her sunny studio and we visited as she worked at her easel, and in the meantime, I had been working at home on creating her song. It was a fun exchange. Sadly, my friend Carolyn died a few months ago. It was difficult, but because she had wanted me to, I played for her memorial service, including the 'Song for Carolyn' at her request. I tried to capture her warmth and joyful nature in the notes of this piece. www.patholmberg.com BMI.
Song for Carolyn
Piano seul

$3.99 3.43 € Piano seul PDF SheetMusicPlus

Piano - Digital Download SKU: A0.1066535 Composed by THEMIS KOUTRAS. Christian,Gospel,Praise & Worship,Sacred. Full Performance. Duration 294. THEMIS KOUTRAS #4763535. Published by THEMIS KOUTRAS (A0.1066535). This song is in English but has i Greek word in it ouragia which means good day it is about my mothers true life story and her dads life story when he was shot down dead for jealousy leaving behind him his wife and 9 children he was just 32 years old now the family has gone to poverty looking for work a rich family promises to look after my mother if they take her away for her to work with them they would pay her well well they took her away but did not keep there promise she was slaved up and miss treated like hell until my father found her loved her freed her he stole her away and she was freed my mother was just 8 years old when she was stolen as a slave she was 21 years old about when my father freed her and married her this story touched my heart from young as mum told me her story and her dad's for i feel for mum and grandad and today i know in the real world would you all know that in some countries slavery still exists even selling children as slave prostitutes we must take a stand against slavery and against slave prostitution this song hopes to give people awareness about this that the authorities might take a stand and fight against this evil done and free all slaves so as to free all slaves bought for prostitution
OURAGIA 4
Piano seul

$3.99 3.43 € Piano seul PDF SheetMusicPlus

Choral Choir,Choral (SATB divisi) - Level 4 - Digital Download SKU: A0.1291810 Composed by Timothy Stephens. A Cappella,Christmas. 20 pages. Seolta Music Limited #882422. Published by Seolta Music Limited (A0.1291810). William Butler Yeats ends his short story The Adoration of the Magi with the narrator describing a centuries old Gaelic prayer… when I pray against the demons I repeat a prayer which was made I know not how many centuries ago to help some poor Gaelic man or woman who had suffered with a suffering like mine.â€The ancient prayer is presented for female voices and solo violin followed by The Magi introducing piano and choir. Yeats’ Magi “appear and disappear†in modern times, with “their ancient faces like rain-beaten stonesâ€. They continue to search and wait for Christ’s second coming with their “eyes still fixed, hoping, hopingâ€.  The Magi will remain “the unsatisfied ones†until they “find once more, the uncontrollable mystery on the bestial floor.â€To explore all choral titles in College Choral Series please click here.
The Adoration of the Magi
Chorale SATB

$2.50 2.15 € Chorale SATB PDF SheetMusicPlus

Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano,Violin - Level 5 - Digital Download SKU: A0.876578 Composed by Daniel Cueto. 20th Century,Concert,Contemporary. Score and parts. 17 pages. Daniel Cueto #4980495. Published by Daniel Cueto (A0.876578). ABOUT THIS WORK:In 2016, the Russian Space Corporation announced its newest long-term project: a plan to establish a permanent human colony on the Moon by the year 2030. Several other nations - including Japan, China and the USA - have announced similar projects over the years. I began to think about this idea and its possible implications for human culture. An intriguing question came to mind: if a human settlement on the Moon is developed, would art works be created there? Would there be composers there, writing music?After enough time had passed, what would the music made by inhabitants of such remote colonies sound like?I started to imagine a music that combined well-known elements of the Western tradition with new patterns and concepts, these being an expression of the profoundly different daily-life experiences of living on the Moon. I heard, in my mind, a lonesome chant, performed with a view of a lunar night sky. After the song, a strange pulsating music, maybe a subtle depiction of a process of lunar tectonics. Connecting between these two elements, a third one emerged: a mysterious, oscillating motive, perpetually shifting back and forth between two harmonies; swaying, gently and forever, until lost to a cosmic silence…From these resonant impressions, a primitive sketch started to emerge; a voyage into an unexplored compositional region. A musical fantasy about a distant - yet still human - reality.
LUNA for violin, alto saxophone and piano
Saxophone Alto et Piano

$14.99 12.87 € Saxophone Alto et Piano PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download SKU: A0.1041503 Composed by Gabrielle Felicita Chen. Contest,Festival,Folk,Holiday,Multicultural,Traditional,World. Score. 9 pages. Gabrielle Felicita Chen #646246. Published by Gabrielle Felicita Chen (A0.1041503). “L’amore di Kebo Iwa†simply means ‘the Love of Kebo Iwa’ , which is inspired from Indonesian Balinese folk music. It is usually played by the instruments called Gamelan. Bali is an island in Indonesia rich with cultural traditions that are very much rooted in myths and legends. After understanding deeper of the legend of “Kebo Iwaâ€, I was so drawn to the character and the plot that I decided to tell the story in my piano composition. I was able to use different kinds of musical techniques to express different moods. One of them is to apply the Pentatonic ‘Balinese Pelog’ Scale in B flat Major, which represents the majority of the Gamelan sound that is usually transcribed into Western notations. Below is the synopsis the “L’amore di Kebo Iwaâ€. A Once upon a time, in Bali, there was a husband and a wife who dearly wanted to have a baby. They prayed to God for a very long time. Finally, God heard their prayers and blessed them with a baby boy. But there was something special about this baby boy: he was very big- a giant baby. They named him Kebo Iwa. Kebo Iwa grew up with a good heart and became a gentleman. He was a kind hearted giant; he protected the village dearly. One day, the King of Majapahit from Java wanted to conquer Bali. He had heard about Kebo Iwa and knew that his army would lose to Kebo Iwa. B Therefore, the King of Majapahit tricked Kebo Iwa. He invited Kebo Iwa to Java island, promising that he would arrange a wedding for Kebo Iwa to marry his daughter, the beautiful Majapahit princess. Kebo Iwa was so in love with the princess, so he happily travelled to Java island. C After he arrived in Java, the King of Majapahit asked a favour from Kebo Iwa to dig a well, with the reason for it being the dry season. Kebo Iwa then sincerely gave some help and started digging a big, giant well. D However, the King Majapahit never meant to deliver his promise to Kebo Iwa. Instead, the King Majapahit commanded the troops to cover the well with mud and boulders. But when Kebo Iwa realized, it was too late. He was already in the position that was far too deep below - at the bottom of the well. Kebo Iwa then cried loudly and sadly with a broken heart until his last breath. He was buried alive. Soon after that, the Majapahit troops attacked and conquered Bali. E At last, the well was covered and grew a hill of flowers. To this day, the Bali villagers still remember Kebo Iwa as their hero. To honor him, they erected a giant statue of Kebo Iwa in Gianyar, Bali, as a memorial.
L'amore di Kebo Iwa (Balinese Gamelan in Piano)
Piano seul

$9.99 8.58 € Piano seul PDF SheetMusicPlus

Brass Ensemble - Level 5 - Digital Download SKU: A0.768479 Composed by Edvard Grieg. Arranged by Roar Kvam. Romantic Period. Score and parts. 174 pages. KVAMusic Edition #33653. Published by KVAMusic Edition (A0.768479). The Holberg Suite, Op. 40, more properly From Holberg's Time (Norwegian: Fra Holbergs tid, German: Aus Holbergs Zeit), subtitled Suite in olden style (Norwegian: Suite i gammel stil, German: Suite im alten Stil), is a suite of five movements based on eighteenth century dance forms, written by Edvard Grieg in 1884 to celebrate the 200th anniversary of the birth of Danish-Norwegian humanist playwright Ludvig Holberg. It exemplifies nineteenth century music which makes use of musical styles and forms from the preceding century. The movements of the suite are: Praeludium (Allegro vivace) Sarabande (Andante) Gavotte (Allegretto) Air (Andante religioso) Rigaudon (Allegro con brio) The Holberg Suite was originally composed for the piano, but a year later was adapted for string orchestra. The suite consists of an introduction and a set of dances. It is a charming, early essay in neo-classicism, an attempt to echo as much as was known in Grieg's time of the music of Holberg's era. This edition is an arrangement for a traditional Brass Band, and the music works very well for the band.
Grieg: Holberg Suite Op. 40 (For Brass Band)
Ensemble de cuivres

$75.00 64.4 € Ensemble de cuivres PDF SheetMusicPlus

Guitar and string quartet - Advanced - Digital Download SKU: ZY.DO-1526 Composed by Stephen Goss. Score and parts. 120 pages. Les Editions Doberman-Yppan (digital) #DO 1526. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1526). Wynwood Walls draws on 9 artworks which lend their titles to the 9 connected sections of the quintet. The music reflects and amplifies my own subjective responses to the artworks.The movements are organised in pairs, circling out from a still centre – No Woman, No Cry. The title for this centrepiece comes from Chris Ofili’s moving portrait of Doreen Lawrence, the mother of a teenager murdered in an unprovoked racist attack. As well as this specific reference, the artist intended the painting to be read as a universal portrayal of melancholy, solace, and grief. The two segments flanking No Woman, No Cry complete the central triptych. Edward Hopper’s Nighthawks explores loneliness and isolation, while Grayson Perry’s #Lamentation is a meditation on remembrance and the transience of life. In contrast to the rest of Wynwood Walls, the music here is dark and introspective.I want my time with you is a giant neon sign designed by Tracey Emin for St. Pancras Station, London. Selfie with Sunflowers is an essay written by Julian Barnes about our over-familiarisation with Van Gogh’s iconic sunflower paintings. The music is sentimental, bordering on schmaltz and kitsch. Sunflower Seeds and Infinity Room are a pair of moto perpetuo scherzos inspired by the minimalist installations of Ai Weiwei and Yayoi Kusama respectively. The opening section, Bathers at Asnières, suggests Seurat’s iconic painting, while the finale, Seurat’s Bathers, evokes Howard Hodgkin’s reworking of the Seurat using a blaze of vivid colours.The title of the quintet is borrowed from the Wynwood art district of Miami – an area characterised by the hundreds of colourful street murals which decorate the walls of old warehouses in the neighbourhood. In performance, the artworks can be projected onto a screen behind the ensemble.Wynwood Walls s'appuient sur 9 œuvres d'art dont les titres prêtent leurs noms aux 9 sections connectées du quintette. La musique reflète et amplifie mes propres réponses subjectives aux œuvres d'art.Les mouvements sont organisés par paires, émergeant d'un centre immobile - No Woman, No Cry. Le titre de cette pièce maîtresse provient du portrait émouvant de Chris Ofili de Doreen Lawrence, la mère d'un adolescent assassiné lors d'une attaque raciste gratuite. En plus de cette référence spécifique, l'artiste a voulu que le tableau soit perçu comme une représentation universelle de la mélancolie, du réconfort et du chagrin. Les deux segments flanquant No Woman, No Cry complètent le triptyque central. Nighthawks d'Edward Hopper explore la solitude et l'isolement, tandis que #Lamentation de Grayson Perry est une méditation sur le souvenir et la fugacité de la vie. Contrairement au reste des Wynwood Walls, la musique ici est sombre et introspective.I want my time with you est un immense panneau néon conçu par Tracey Emin pour la gare de St. Pancras, à Londres. Selfie with Sunflowers est un essai écrit par Julian Barnes sur notre sur-familiarisation avec les peintures emblématiques de tournesols de Van Gogh. La musique est sentimentale, frôlant le kitsch et le sentimentalisme. Sunflower Seeds et Infinity Room sont une paire de scherzos moto perpetuo inspirés des installations minimalistes d'Ai Weiwei et de Yayoi Kusama respectivement. La section d'ouverture, Bathers at Asnières, suggère le tableau emblématique de Seurat, tandis que le finale, Seurat’s Bathers, évoque la réinterprétation de Seurat par Howard Hodgkin en utilisant une explosion de couleurs vives.Le titre du quintette est emprunté au quartier artistique de Wynwood à Miami - une zone caractérisée par les centaines de fresques murales colorées qui ornent les murs des vieux entrepôts du quartier. En performance, les œuvres d'art peuvent être projetées sur un écran derrière l'ensemble.
Wynwood Walls

$33.95 29.15 € PDF SheetMusicPlus

Easy Guitar (with TAB) - Level 2 - Digital Download SKU: A0.1259530 Composed by Antonio Vivaldi. Arranged by Darek. Baroque,Classical,Early Music,Traditional. Tablature. 2 pages. Darek #852835. Published by Darek (A0.1259530). Spring (GUITAR TAB) from the Four Seasons [Antonio Vivaldi]Simplified arrangement for guitarists of Spring from the Four Seasons by Antonio Vivaldi. Easy arrangement for beginners. Included: Sheet Music, Tabulature, Chords and Youtubue tutorial.  Welcome to the captivating world of classical music with my exceptional creation, the Spring (guitar tablature for guitar, beginner-intermediate version, for beginner-intermediate guitarists). Immerse yourself in the enchanting melodies of this timeless composition, derived from Antonio Vivaldi's renowned Four Seasons. As a beginner-intermediate guitarist, this meticulously developed sheet music is tailored to enhance your musical journey. Unleash your guitar skills with confidence using this thoughtfully crafted sheet music. The beginner-intermediate difficulty level ensures that you can tackle the piece with ease while still challenging yourself to grow as a guitarist. Within this comprehensive package, you will find both Sheet Music and Tablature. The Sheet Music allows you to explore the musical nuances, while the Tablature provides a simplified visual representation of the guitar fingerings. This dual format caters to different learning preferences, empowering you to learn the piece at your own pace. To enrich your musical experience, I have included Chords in the notation, allowing you to expand your repertoire of chord progressions and strumming patterns. This feature enhances your understanding of harmonic structures and offers opportunities for creative expression. To guide you on your journey, a detailed YouTube tutorial accompanies the sheet music, serving as your personal instructor. This tutorial provides step-by-step guidance, offering valuable insights into the performance, technique, and interpretation of Vivaldi's Spring. Learn and grow with the expert advice at your fingertips. Whether you seek to perform on stage, practice in solitude, or teach aspiring musicians, this product offers immense value and versatility. Experience the joy of playing one of Vivaldi's most celebrated compositions while honing your guitar skills and expanding your musical horizons. Unlock your potential and embark on a melodious journey with the Spring (guitar tablature for guitar, beginner-intermediate version, for beginner-intermediate guitarists). Let the timeless beauty of Vivaldi's masterpiece resonate through your fingertips and captivate the hearts of audiences and fellow musicians alike.
Spring (GUITAR TAB) from the Four Seasons [Antonio Vivaldi]
Guitare notes et tablatures

$3.00 2.58 € Guitare notes et tablatures PDF SheetMusicPlus

String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.576736 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #119391. Published by David Warin Solomons (A0.576736). Mysterious piece in octatonic mode, originally written for the short story The Door The pdf file contains score and parts. The sound sample is an electronic preview. High up on the grassy hill behind the town there is a door. It stands there in its frame with nothing before or behind it. It is locked shut. There is no key. We climb the hill each day. We play each side of the door, games of hide and seek. But we cannot go through the door. Each day we go there during this long sultry summer holiday. We are fascinated by the structure. Why would anyone put a door up there, in its frame, eternally locked, with nothing before or behind it? Maybe it is all that remains of an ancient house? We play, we wonder, we laugh and play, and we return regularly to our homes in time for tea. Then, one day, as we climb the hill for the umpteenth time, a lady dressed in white arrives before us. We watch her take the key out of her bag and insert it in the lock. We are too far downhill to catch up before she closes the door behind her. As we arrive, puffing and panting, Steve knocks on the door. No answer. Dave knocks on the door more forcefully. We hear a distant swish of robes. Gloria knocks, perhaps a little more timidly as the swishing sound approaches. Estelle begins to knock in her turn and the door suddenly opens wide. We all gasp as we see the lady standing there in glistening robes. Her face is hidden from view by a white shawl, but her piercing eyes still show. Children, she says, welcome all. Do come in, please, the kettle is on. You are just in time for tea. We hesitate, as well we might. How can we come in when there is nothing before or behind the door? But Estelle puts one foot inside and looks back at us with a curious expression of serenity on her face. We follow her. We look around at the new space beyond the door and at the parquet floor beneath our dew-soaked feet. As our eyes become accustomed to the brightness of the interior we catch sight of many signs of the world we have entered, but only fleetingly. They pass before our eyes in an instant and then flee beyond the range of sight. There is a staircase, a hat stand, a distant gleam of an ancient cooker, a faint whiff of scones and boiling jam. As we walk inside, our senses are overwhelmed with the new reality, we are rooted to the spot. Do please sit down, says the lady with a slight catch in her throat. We are seated on wooden chairs along one side of an oak table, although we cannot recall how we got there, some slip of the memory perhaps. We have no sense of foreboding, Estelle's serenity has passed to all of us. We can stay here eating scones and jam until the end of time. The lady removes her shawl and reveals a face as beautiful as anyone's mother's. Her deep black eyes glisten like obsidian. She beams a smile of welcome and pours the tea. I'm glad you have come. I've been expecting you, she begins. You must have a thousand questions, so do please ask away. Well, says Steve, what is this door that we passed through? Is this another world? There is no other world, the lady replies, this is the only one. But there is! There is! starts Dave excitedly, Look!. He gets up quickly from the chair, knocking it over in his haste and rushes to the door to open it. He pulls at it with all his force and reveals a black nothingness behind it. We were on the hill, where's it gone? he shouts, what have you done to it? There is no hill. But you climbed the hill in front of us says Gloria. There is no hill. Even Estelle of the serene demeanour is beginning to look worried. How did we get here then, how did you get here, she asks the lady nervously. We have all been here since the beginning of time, the catch in the lady's throat is becoming more evident. No, we have our families down there in the town cries Estelle You have no families,.
Mysterious Moment for alto flute and string trio
Trio à Cordes: violon, alto, violoncelle

$8.00 6.87 € Trio à Cordes: violon, alto, violoncelle PDF SheetMusicPlus






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