C Instrument - Level 4 - Digital Download SKU: A0.1192086 Composed by Al Stillman and Benny Carter. Arranged by John Fries. 20th Century,Broadway,Film/TV,Jazz,Musical/Show,Standards. Lead Sheet / Fake Book. 2 pages. John Fries #791584. Published by John Fries (A0.1192086). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer.   All That Jazz is a song from the 1975 musical Chicago.  It has music by John Kander and lyrics by Fred Ebb, and is the opening song of the musical. The title of the 1979 film, starring Roy Scheider as a character strongly resembling choreographer/stage and film director Bob Fosse, is derived from the song.  Liza Minnelli recorded a single version in 1975 and has  also performed it many times in concert.

Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1202386 Composed by Al Stillman and Benny Carter. Arranged by John Fries. 20th Century,Broadway,Jazz,Musical/Show,Pop,Standards. Score. 3 pages. John Fries #801077. Published by John Fries (A0.1202386). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. Thanks, John. All That Jazz is a song from the 1975 musical Chicago.  It has music by John Kander and lyrics by Fred Ebb, and is the opening song of the musical. The title of the 1979 film, starring Roy Scheider as a character strongly resembling choreographer/stage and film director Bob Fosse, is derived from the song.  Liza Minnelli recorded a single version in 1975 and has  also performed it many times in concert.

Piano Solo - Level 4 - Digital Download SKU: A0.1075226 Composed by Phil Beaman. Classical,Contest,Festival,New Age,Romantic Period. Score. 5 pages. Phil Beaman #679483. Published by Phil Beaman (A0.1075226). Morning Impressions was written during the covid lockdown. My jobs were on hiatus and I no longer had an artificial schedule to keep, so I drifted to the natural rhythm of life and began to rise and retire according to the sun. In the process I rediscovered the beauty of mornings. I wrote this song to describe all of the delights and meaning of morning. The piece begins with trills and brillante runs indicating the excitement of daybreak and the first glimpse of the crack of dawn. Then the twitters as the birds awaken. The B section portrays the stillness and calm of the earliest morning when nothing else is awake. C section shows the beauty of nature as it begins to be illuminated. The D section has more energy and movement as the world begins to come to life. E is a simple chorale to nature and from F the drama and intensity build to the actual sunrise. The style of the piece is Contemporary Classical with a fusion of New Age, Classical, and Romantic. This composition was chosen to be featured at the 2022 Symposium of Caribbean Art Music.

Choral Choir (SSA) - Level 3 - Digital Download SKU: A0.1265871 By Kathy Mattea. By Pat Alger and Ralph Murphy. Arranged by Dan Garrett. Country,Folk,Pop,Religious. Octavo. 10 pages. Daniel Garrett #858635. Published by Daniel Garrett (A0.1265871). Kathy Mattea recorded Seeds for her album, Lonesome Standard Time. This SSA and Piano arrangement will be an audience favorite.Lyrics:Sometimes I stop on my way home and watch the children playAnd I wonder if they wonder what they'll be some daySome will dream a big dream and make it all come trueWhile others go on dreaming of things they'll never doWe're all just seeds in God's handsWe start the same but where we landIs sometimes fertile soil and sometimes sandWe're all just seeds in God's handsI saw a friend the other day, I hardly recognizedHe'd done a lot of living since I'd last looked in his eyesHe told his tale of how he'd failed, the lessons he'd been taughtBut he offered no excuses and he left me with this thoughtWe're all just seeds in God's handsWe start the same but where we landIs sometimes fertile soil and sometimes sandWe're all just seeds in God's handsAnd as I'm standing at a crossroads once againI'm reminded we're all the same when we beginAnd in the end?We're all just seeds in God's handsWe start the same but where we landIs sometimes fertile soil and sometimes sandWe're all just seeds in God's handsWe're all just seeds in God's hands

Alto Saxophone Solo - Level 5 - Digital Download SKU: A0.755094 Composed by Sy Brandon. 20th Century,Concert,Contemporary. Individual part. 10 pages. Sy Brandon #3381815. Published by Sy Brandon (A0.755094). Based on Jules Verne’s 20,000 Leagues Under the Sea I. A Shifting Reef – This movement depicts the Nautilus as an unknown phenomenon that is a threat to navigation. Some mariners thought it was a sea monster and others thought it was a shifting reef. No one could conceive that it was a boat capable of traveling under water. The music is ever changing throughout this movement. It constantly shifts tonality, melodic ideas, and rhythmic placement of motives. Although some ideas repeat, they are transformed by combining them in different patterns with other previously stated ideas. II. A Walk at the Bottom of the Sea Through a Submarine Forest – Circular breathing is used at the beginning and the end of this movement to represent an undersea walk. The musical material appears in reverse at the end representing a return to the Nautilus. The lighter middle section represents walking over a more rocky terrain. The multiphonics symbolize the wonders of the submarine forest. III. The Giant Squids – The giant squids have surrounded the Nautilus and have caused the propeller to jam. In order to free themselves, Captain Nemo, his crew, Professor Aronnax, Conseil, and Ned Land do battle with the squids. This energetic scherzo reflects on the dangers of the battle. Several screams are heard as the squids entangle Ned Land and other crewmembers. The short multiphonics and syncopations represent the men chopping away and the arms of the squid. At the end, the Nautilus finally frees itself after the loss of one life. IV. Trapped Near the South Pole – After discovering the South Pole, the Nautilus is returning to open waters when it is caught between the polar icecap and iceberg that flips over. The tremolos reflect the doom of the Nautilus as only two days of air supply remain. The only means of escape is to chop through the ice below the Nautilus. The staccato notes represent the crew members hacking away at the ice. When that fails, Captain Nemo tries to melt the ice by expelling hot water from the Nautilus. This is represented by the saxophonist blowing air through the saxophone and wiggling the keys. A sense of doom returns that is followed by a final attempt of the Nautilus to crash through the remaining ice. A triumphant ending reflects the success of this attempt. V. The Maelstrom – As Professor Aronnax, Conseil, and Ned Land attempt their escape from the Nautilus, the ship enters the feared maelstrom, a vortex off the coast of Norway where no ship has escaped. The swirling waters are represented by the triplet passages and the escape by the duplet passages. An epilogue using the doom music of the previous movement suggests the end of the Nautilus but a brief return to a slower version of the Shifting Reef motive perhaps suggests otherwise

Brass Ensemble Horn - Digital Download SKU: A0.931219 Composed by Johannes Brahms. Arranged by Alessandro Macrì. Concert,Graduation,Romantic Period,Standards. Score and parts. 17 pages. Music Macri Editions #5318151. Published by Music Macri Editions (A0.931219). Il terzo movimento, Poco allegretto, in Do minore, che prende il posto dello Scherzo ordinario, è di stile prevalentemente serio, e si può dire che fissa il carattere generale della sinfonia. Il suo tema principale, che fa pensare a un lied, affidato ai violoncelli, è dapprima fantasioso, tenero e ricco di semplice grazia, poi diviene riflessivo e meditativo, e infine sognante. Segue un passaggio per i fiati, distensivo e quasi supplichevole, come una disapprovazione per lo struggimento imminente. Non c'è nulla del carattere dello Scherzo in questo movimento, e avergli dato questa forma sarebbe stato in conflitto con le idee che sostengono la struttura della sinfonia e avrebbe introdotto uno spirito e un colore estranei.

Brass Ensemble Trombone - Level 5 - Digital Download SKU: A0.792572 Composed by Lyndol Mitchell. Arranged by Jeremy Kempton. 20th Century,Contemporary,Romantic Period. Score and parts. 34 pages. Gordon Cherry #5008613. Published by Gordon Cherry (A0.792572). The Concerto Grosso for Three Trombones with Piano accompaniment by Lindol Mitchell is a realization for Piano of the original orchestral score by Jeremy Niles Kempton. The original orchestral work was composed in 1961 as part of Mitchell’s Doctoral dissertation at the Eastman School of Music and was first performed in 1963 at a memorial concert for the composer after his untimely death. The solo performers were nine students of Emory Remington, including Ralph Sauer and Donald King. The work is is subtitled in stile Barocco and is in three movements.  Movement I begins with an somber introductory Adagio followed by an Allegro in the style of a Bach Fugue led by the three soloists.  Movement II is a slow and serious Larghetto in C minor. Movement III is a Presto in D minor in a Toccata style and is full of many mixed meter bars that add little little rhythmic surprises along the way. The 13-minute work is appropriate for advanced performers. The hand copied score and parts Concerto Grosso were rediscovered in the Sibley Library at the Eastman School of Music by Jeremy Kempton who then engraved and proofed them. He performed the work in 2011 with colleagues for the first time since its premier in 1963.

Brass Ensemble - Level 4 - Digital Download SKU: A0.767226 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 17 pages. Lyons Music Services #3087407. Published by Lyons Music Services (A0.767226). Monteverdi - The Fourth Book of Madrigals 1603In this book, Monteverdi continues to develop the techniques and writing practices that would eventually form the first opera and his Stile Nuovo. The polyphony becomes more complex and more tonal and the interdependence of the parts more striking. He is experimenting with more dissonance but also moves towards more tonal writing. Although a far cry from the I IV V and minor of the modern pop song, he is nonetheless helping to push forward a more diatonic type of harmony with a more dramatic tonal and harmonic structure that goes much more towards true word painting than his previous books. 10. Voi pur da me partite – You do not mind me, thoughFlexible quintet parts are supplied as follows:Part 1 in Bb,Part 2 in Bb, Part 3 in Bb/Eb/F, Part 4 in Bb/Eb/C(Bass clef) and Part 5 in Bb/Eb/C(Bass clef)Other transpositions available on request.

Piano and voice - Digital Download SKU: LV.2956 Composed by William R. Dempster. Gates, Hills, Farms, Spires, Families, Death, Love, Spouses, Farewells. Lester S. Levy Collection. 8 pages. Published by Johns Hopkins University Sheridan Libraries (LV.2956). The Lament of the Irish Emigrant. A Ballad. Poetry by The Hon. Mrs. Price Blackwood. The Music Composed by William R. Dempster. Published 1843 by Geo. P. Reed, 17 Tremont Row in Boston. Composition of strophic with piano and voice instrumentation. Subject headings for this piece include Gates, Hills, Farms, Spires, Families, Death, Love, Spouses, Farewells. First line reads I'm sitting on the stile Mary, where we sat side by side.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

String Orchestra - Level 1 - Digital Download SKU: A0.934249 Composed by Antonio Cericola. 20th Century,Concert,Contemporary,Standards. Score and parts. 52 pages. Antonio Cericola #5322083. Published by Antonio Cericola (A0.934249). Il mio primo concerto: 18 composizioni per giovani violinisti di facile esibizione in stile moderno per violino, pianoforte e orchestra d'archi. I brani possono anche essere eseguiti senza orchestra con violino e pianoforte. L'opera comprende 4 volumi con 32 composizioni ordinate per grado di difficoltà dal primo al terzo anno di violino. Primo volume (edizione per violino e pianoforte). L'edizione per violino, pianoforte e orchestra d'archi (con spartiti e parti) sarà presto disponibile.

Brass Ensemble - Level 4 - Digital Download SKU: A0.767227 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 17 pages. Lyons Music Services #3087409. Published by Lyons Music Services (A0.767227). Monteverdi - The Fourth Book of Madrigals 1603In this book, Monteverdi continues to develop the techniques and writing practices that would eventually form the first opera and his Stile Nuovo. The polyphony becomes more complex and more tonal and the interdependence of the parts more striking. He is experimenting with more dissonance but also moves towards more tonal writing. Although a far cry from the I IV V and minor of the modern pop song, he is nonetheless helping to push forward a more diatonic type of harmony with a more dramatic tonal and harmonic structure that goes much more towards true word painting than his previous books.11. A un Giro Sol de' Begl' Occhi – At one glance of good eyesFlexible quintet parts are supplied as follows:Part 1 in Bb,Part 2 in Bb, Part 3 in Bb/Eb/F, Part 4 in Bb/Eb/C(Bass clef) and Part 5 in Bb/Eb/C(Bass clef)Other transpositions available on request.

Brass Ensemble - Level 4 - Digital Download SKU: A0.767233 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 16 pages. Lyons Music Services #3087421. Published by Lyons Music Services (A0.767233). Monteverdi - Fourth Book of Madrigals 1603 In this book, Monteverdi continues to develop the techniques and writing practices that would eventually form the first opera and his Stile Nuovo. The polyphony becomes more complex and more tonal and the interdependence of the parts more striking. He is experimenting with more dissonance but also moves towards more tonal writing. Although a far cry from the I IV V and minor of the modern pop song, he is nonetheless helping to push forward a more diatonic type of harmony with a more dramatic tonal and harmonic structure that goes much more towards true word painting than his previous books.17. Anima Dolorosa – Suffering soul that lives so much pain and tormentFlexible quintet parts are supplied as follows:Part 1 in Bb,Part 2 in Bb, Part 3 in Bb/Eb/F, Part 4 in Bb/Eb/C(Bass clef) and Part 5 in Bb/Eb/C(Bass clef)Other transpositions available on request.

Brass Ensemble - Level 4 - Digital Download SKU: A0.767219 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 16 pages. Lyons Music Services #3087109. Published by Lyons Music Services (A0.767219). Monteverdi - Fourth Book of Madrigals 1603 In this book, Monteverdi continues to develop the techniques and writing practices that would eventually form the first opera and his Stile Nuovo. The polyphony becomes more complex and more tonal and the interdependence of the parts more striking. He is experimenting with more dissonance but also moves towards more tonal writing. Although a far cry from the I IV V and minor of the modern pop song, he is nonetheless helping to push forward a more diatonic type of harmony with a more dramatic tonal and harmonic structure that goes much more towards true word painting than his previous books.3. Cor Mio Non Mori? E Mori – My heart did not die? And it died Flexible quintet parts are supplied as follows:Part 1 in Bb,Part 2 in Bb, Part 3 in Bb/Eb/F, Part 4 in Bb/Eb/C(Bass clef) and Part 5 in Bb/Eb/C(Bass clef)Other transpositions available on request.

Brass Ensemble - Level 4 - Digital Download SKU: A0.767230 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 17 pages. Lyons Music Services #3087417. Published by Lyons Music Services (A0.767230). Monteverdi - Fourth Book of Madrigals 1603In this book, Monteverdi continues to develop the techniques and writing practices that would eventually form the first opera and his Stile Nuovo. The polyphony becomes more complex and more tonal and the interdependence of the parts more striking. He is experimenting with more dissonance but also moves towards more tonal writing. Although a far cry from the I IV V and minor of the modern pop song, he is nonetheless helping to push forward a more diatonic type of harmony with a more dramatic tonal and harmonic structure that goes much more towards true word painting than his previous books. 15. Non Più Guerra Pietate – No more fighting, pray, my beautiful eyesFlexible quintet parts are supplied as follows:Part 1 in Bb,Part 2 in Bb, Part 3 in Bb/Eb/F, Part 4 in Bb/Eb/C(Bass clef) and Part 5 in Bb/Eb/C(Bass clef)Other transpositions available on request.

Brass Ensemble - Level 4 - Digital Download SKU: A0.767231 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 19 pages. Lyons Music Services #3087415. Published by Lyons Music Services (A0.767231). Monteverdi - The Fourth Book of Madrigals 1603In this book, Monteverdi continues to develop the techniques and writing practices that would eventually form the first opera and his Stile Nuovo. The polyphony becomes more complex and more tonal and the interdependence of the parts more striking. He is experimenting with more dissonance but also moves towards more tonal writing. Although a far cry from the I IV V and minor of the modern pop song, he is nonetheless helping to push forward a more diatonic type of harmony with a more dramatic tonal and harmonic structure that goes much more towards true word painting than his previous books.14. Quel Augellin Che Canta – That little bird that singsFlexible quintet parts are supplied as follows:Part 1 in Bb,Part 2 in Bb, Part 3 in Bb/Eb/F, Part 4 in Bb/Eb/C(Bass clef) and Part 5 in Bb/Eb/C(Bass clef)Other transpositions available on request.