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Alto Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.868971 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 4 pages. Really Good Music, LLC. #5709677. Published by Really Good Music, LLC. (A0.868971). Senza l'amato ben is an aria from the opera Il Giustino, composed in 1724 by Antonio VIVALDI (1678 – 1741). It has been realized from the manuscript of the opera and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of B minor (C#4 – G5) for low voice.
VIVALDI Antonio: Senza l'amato ben, an aria from the opera "Il Giustino", arranged for Voice and Pia
Voix Alto, Piano

$5.95 5.18 € Voix Alto, Piano PDF SheetMusicPlus

Chamber Orchestra - Level 4 - Digital Download SKU: A0.868996 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. Score and parts. 17 pages. Really Good Music, LLC. #6067151. Published by Really Good Music, LLC. (A0.868996). Vedrò con mio diletto is an aria from the opera Il Giustino, composed in 1724 by Antonio VIVALDI (1678 – 1741). It has been realized from the manuscript of the opera and arranged by Sergei Pichugin. It should be noted that the Cembalo/Piano part in the score is not intended for solo performance of the aria as voice and piano arrangement. It is available in the key of D minor (E4 – A5) for high voice.
VIVALDI Antonio: Vedrò con mio diletto, aria from the opera Il Giustino, score and parts (D minor)
Orchestre de chambre

$25.00 21.77 € Orchestre de chambre PDF SheetMusicPlus

Small Ensemble - Level 5 - Digital Download SKU: A0.747980 By Chicago. By David Babyface Foster, David Paich, and Steve Lukather. Arranged by Patrick Sheehan. Pop,Rock. Score and parts. 85 pages. Patrick Sheehan #5001437. Published by Patrick Sheehan (A0.747980). INSTRUMENTATION: Lead Vocal I, Lead Vocal II, Background Vocal I, Background Vocal II, Background Vocal III, Tenor Saxophone (Bb), Trumpet (Bb), Trombone, Keyboard I (Synthesizer Brass), Keyboard II (Fender Rhodes), Keyboard III (Synthesizer II), Electric Guitar I, Electric Guitar II, Bass, Drumset.  All parts transcribed by ear from the original recording from CHICAGO 16, released in 1982. ABOUT THE ARRANGER:  Patrick Sheehan has served as a professional music arranger, transcriptionist and copyist since 1999, and has over 1,000 works in his catalog spanning various genres: wind band, orchestra, chamber music, along with pop & rock selections.  His modus operandi centers around creating arrangements and transcriptions that are true to the original definitive versions and strives to produce clean and easy-to-read music.  For questions or more information, please contact the arranger at PatrickSheehanMusic@GMail.com.
Waiting For You To Decide
Chicago
$25.00 21.77 € PDF SheetMusicPlus

SATB chorus a cappella - Digital Download SKU: BJ.1381 Composed by Henrik Dahlgren. Christian. Octavo. 12 pages. Bo Ejeby Forlag - Digital #1381. Published by Bo Ejeby Forlag - Digital (BJ.1381). 8.27 x 11.7 inches.Contents:Ave maris stella Ave Regina Ave MariaComposers constantly have to deal with a lack of inspiration, writer's block, or the dreaded blank page syndrome. This happened to me in 2016, in the middle of a commissioned piece. I managed to re-ignite my creative fires by using Gregorian themes as an inspiration: To me, these hymns personify the pursuit of simplicity, a way to enhance an existing melody and established lyrics. The pieces are short and for me, as a composer, a creative way to relax - and hopefully listeners will find them soothing as well. - Henrik Dahlgren.
Latin Hymns
Chorale SATB

$4.00 3.48 € Chorale SATB PDF SheetMusicPlus

Choir Sacred Instrumental Ensemble - Digital Download SKU: JX.00-35072 Composed by Thomas Fettke. This edition: InstruPax. Choral (Sacred); Choral Octavo; Performance Music Ensemble; Single Titles; Worship Resources. Alfred SingPraise Series. Sacred. Part(s). 56 pages. Jubilate Music Group - Digital #00-35072. Published by Jubilate Music Group - Digital (JX.00-35072). English.Tom Fettke continually offers his gifts and skills to church music. Several of his classic anthems fill the music libraries of churches worldwide. Here we find the next standard in that line. Deep and rich, thought-provoking and heart-rending, his stunning musical framework for the text of Psalm 139 is unforgettable. It is one your choir and your church should experience. Related scripture: Psalm 139; Romans 8:35-39.
Infinite and Everlasting

$60.00 52.25 € PDF SheetMusicPlus

Piano and voice - Digital Download SKU: LV.14624 Composed by C.M. Currier. Courtship & love. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.14624). I'll Be Waiting in the Dell. Song & Chorus. Words by D.L. Gibson. Music by C.M. Currier. Published 1868 by John Church, Jr., 66 West 4th St. in Cincinnati. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Courtship & love. First line reads When the purple hue of sunset, Tints the Ivy on the mill.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
I'll Be Waiting in the Dell. Song & Chorus
Piano, Voix

$5.99 5.22 € Piano, Voix PDF SheetMusicPlus

Flute,Piano - Level 5 - Digital Download SKU: A0.1042377 Composed by Jamie Farrow. Classical,Contemporary. Score and part. 12 pages. Jamie Farrow #647168. Published by Jamie Farrow (A0.1042377). This is a piece for flute and piano duo. Fastnet Rock, home to the Fastnet Lighthouse, is Ireland’s most southerly point situated in the Atlantic Ocean, famous for massive waves that engulf the island during storms. Three photographs (see below) and the lighthouse’s history were my inspiration for this duet, with the different images and ideas that they created, influencing my composition’s structure, themes and ideas at play. The piece starts at sunset and finishes at sunrise, with four sections each representing a different moment that follow a gradually developing structure through the first three sections before a gentle reprise of the ideas from Section 1 (S1) in Section 4 (S4). This gives a cyclicity to the piece, furthered by the tonal regions explored in each of the sections; Ebmaj to Amin to Bmin to Amin to Ebmaj. S1 invokes thoughts of the colours of sunset It is divided into four sub-sections, characterised by either solo flute or flute with piano, with each section exploring a different range of colours generated by their keys. Throughout, accidentals provide additional colour reminiscent of light diffracted during a sunset with the piano in the duo section voiced low in its range adding warmth explored through pivot chords. The flute plays in a very free recitative style, allowing the flautist individual expression emphasising the organicity of sunset as each performer will express this section differently. Section 2 (S2) and Section 3 (S3) are closely related, focusing on night-time through to sunrise in S4, with S2 providing the build up to the events of S3. In S2 the piano plays at the extremes of its range with widely spaced chords and no sense of beat, creating stillness and a sense of uneasiness through the constantly and irregularly beating A. The flute represents the rising storm and wind playing an organically-evolving motif beginning low in range, before gradually adding more notes and slowly rising, eventually reaching a dramatic climax which explores the extremities of its range whilst accelerating into S3. The drama and large gestures of S3 represent an Atlantic storm, a wall of oscillating sound through repeated piano ostinatos and constant use of the sustain pedal. Coupled with the frequently changing time-signature creating a sense of wild waves rolling in the ocean, the chordal bars percussively suggesting waves hitting the island. The flute captures the drama and emotion of the storm and the whistling wind, with long rising and falling gestures exploring the instrument’s very extremities. S4 brings the morning after the storm. We hear the same flute idea as in S1, this time played in the sadder Amin, communicating a sense of loss and despair following the storm. The piano emulates the now gently lapping waves against the rocks of Fastnet with the triplet motif in the bass. The right-hand of the piano plays a chordal accompaniment as in S1 but much slower, representing the slowly emerging colours of a sunrise which become richer and richer like the chords before the sunrise in the final few bars with a move into Ebmaj.
Fastnet Rock
Flûte traversière et Piano

$2.99 2.6 € Flûte traversière et Piano PDF SheetMusicPlus






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