Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.809438 By The Moody Blues. By Justin Hayward. Arranged by Academia Unimusica. Rock. Score. 3 pages. Unimusic Academy (Academia Unimusica) #6265977. Published by Unimusic Academy (Academia Unimusica) (A0.809438). Nights in White Satin is a song by the Moody Blues, written and composed by Justin Hayward. It was first featured as the segment The Night on the album Days of Future Passed. When first released as a single in 1967, it reached number 19 on the UK Singles Chart and number 103 in the United States in 1968. It was the first significant chart entry by the band since Go Now and its recent lineup change, in which Denny Laine and Clint Warwick had resigned and both Hayward and John Lodge had joined. When reissued in 1972, in the United States the single hit number two for two weeks on the Billboard Hot 100 (behind I Can See Clearly Now by Johnny Nash) and hit number one on the Cash Box Top 100. It earned a gold certification for sales of over a million US copies (platinum certification was not instituted until 1976). It also hit number one in Canada. After two weeks at #2, it was replaced by I'd Love You to Want Me by Lobo. It reached its highest UK position this year at number 9. Although the song did not enter the official New Zealand chart, it reached #5 on the New Zealand Listener's chart compiled from the readers' votes in 1973.[4] The song enjoyed a recurring chart presence in the following decades. It charted again in the UK and Ireland in 1979 reaching #14 and #8, respectively. The song charted again in 2010, reaching number 51 in the British Official Singles Charts.[5] It has also been covered by numerous other artists, most notably Giorgio Moroder, Elkie Brooks, and Sandra.

Easy Piano - Level 2 - Digital Download SKU: A0.896264 By Jim Brickman with Martina McBride. By Jack Kugell and Jim Brickman. Arranged by Christina Misso. Contemporary. Score. 8 pages. Christina Misso #3434243. Published by Christina Misso (A0.896264). This arrangement of Jim Brickman's Valentine is written for Late Elementary/Early Intermediate piano students. It is in C-Major, but has a wide range from the bottom of the bass to the top of the treble clefs; slurs; note division down to 16ths; and the lyrics throughout. Your student should be comfortable with 6th stretches and scale-figures; however, fingering and pedaling is not provided as part of the score.Part of Chrissy's Valentine's Day Arrangement Series2018 Keyboard Contest Entry

Flute, oboe (2. flute) and string orchestra - easy to intermediate - Digital Download SKU: S9.Q16379 Composed by Harald Genzmer. This edition: score. Concertino. Downloadable, Score. Duration 14' 30. Schott Music - Digital #Q16379. Published by Schott Music - Digital (S9.Q16379). A double concerto which musicians can really enjoy playing, written by a distinguished composer, presenting soloists with rewarding material well suited to their instruments.

Flute, oboe (2. flute) and string orchestra - easy to intermediate - Digital Download SKU: S9.Q16498 Composed by Harald Genzmer. This edition: set of parts. Concertino. Downloadable, Set of parts. Duration 14' 30. Schott Music - Digital #Q16498. Published by Schott Music - Digital (S9.Q16498). A double concerto which musicians can really enjoy playing, written by a distinguished composer, presenting soloists with rewarding material well suited to their instruments. For inclusion in a concert of music by Harald Genzmer the following works for string orchestra are also recommended: “Sinfonietta”, score CON 60, “Divertimento di danza”, score CON 62.

Choral Choir,Choral (SATB) - Level 2 - Digital Download SKU: A0.1101842 Composed by S. G. Potts. A Cappella,Barbershop,Christian,Christmas,Contemporary. 3 pages. S. G. Potts #705225. Published by S. G. Potts (A0.1101842). A Christmas Greeting! is scored for intermediate level SATB a cappella choir.This work was placed in 2nd position in the 'Sir David Willcocks Bach Choir - International Carol Competition 2023'.The Judges: David Hill MBE, Jonathan Willcocks and Bob Chilcott, gave the carol and composer an honourable mention, and commended the carol’s engaging writing for unaccompanied choir.https://thebachchoir.org.uk/carol-competition/It is a short tuneful commercial piece, lasting approx. 1 minute: 20�.It was composed in 2023.A piano reduction mp3 file is provided here for rehearsal (only) purposes.Thank you for showing an interest in this music.

Choral Choir (SATB) - Digital Download SKU: A0.879630 Composed by Stephanie Martin. Christian,Contemporary,Sacred. Octavo. 8 pages. Biretta Books #3518615. Published by Biretta Books (A0.879630). Stephanie Martin’s Ascension, Salute the Everlasting Day is written in a festive anthem for SATB choir (div.) and organ for the Feast of the Ascension. The anthem was commissioned by Dr. David and Ann Stinchcomb as part of the 2014-15 Friends of Cathedral Music program at the Cathedral of St. John, Albuquerque, New Mexico, USA.Text: John Donne (1572-1631)STEPHANIE MARTINCanadian composer and conductor Stephanie Martin is associate professor of music at York University’s School of the Arts, Media,Performance and Design; artistic director of Pax Christi Chorale; director of Schola Magdalena (a women’s ensemble specializing in chant and medieval polyphony) and past director of music at the historic church of Saint Mary Magdalene in Toronto.Martin holds degrees from the University of Toronto and Wilfrid Laurier University, and is an Associate of the Royal Canadian College of Organists. In York University’s School of Arts,Media,Performance and Design she teaches music history, composition, harpsichord and organ, and coaches historical ensembles.ReviewsWhen someone says new music, most people imagine something abstract or conceptual, probably dissonant and experimental...Martin is a great tone painter who serves her texts with great attention to detail while also drawing the us along in a broader musical narrative...Martin, who was director of music at Toronto’s Church of St Mary Magdalene for several years, is particularly effective in setting texts with a devotional bent.John Terauds Musical Toronto & Toronto Star

Brass Quintet - Level 3 - Digital Download SKU: A0.775300 Composed by George Gershwin, Ira Gershwin. Arranged by Bill Wilson. Jazz. 16 pages. Alexander Wilson #5299131. Published by Alexander Wilson (A0.775300). Fascinating Rhythm, by master songwriters Ira and George Gershwin, was written for the 1924 musical Lady Be Good and became a beloved jazz standard. With this piece the title says it all. Gershwin alternates the piece's signature repeating 7 eighth note pattern with a contrasting happy-go-lucky melodic snippet.   Our arrangement of this piece shares lead responsibilities across the top four parts. Arranged for brass quintet (two Bb trumpets, French horn, trombone, and tuba). Performance time is approximately 2:05. Visit our website, www.tootsuitebrasspublishing.com, for a catalog of our arrangements available through sheetmusicplus.com.

Handbell,Instrumental Solo,Piano - Level 4 - Digital Download SKU: A0.800541 Composed by Anthony J. Showalter. Arranged by Jason W. Krug. Sacred. Score and individual part. 8 pages. Grassy Meadow Music #6428723. Published by Grassy Meadow Music (A0.800541). For those wanting a deeper tonal experience than just 8 bells can provide comes this piano accompaniment for the Victory! 8-bell arrangement!  Accessible for intermediate pianists, it adds a richer, fuller sound while still letting the handbells shine!Note this is the piano version ONLY; the reproducible 8-bell version is available separately.Purchase of this PDF grants permission to broadcast or live stream performances.   

B-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.1206710 Composed by Konrad Harley. Contemporary. Score and part. 8 pages. Konrad Harley #804891. Published by Konrad Harley (A0.1206710). This piece is inspired by an integer sequence (A053838 in the OEIS) that is self-similar at every third term. This means that if you take the first term of the sequence, then the fourth, then the seventh, and so on, you get a copy of the original sequence. The sequence begins in the clarinet melody at m. 9, while the right-hand notes of the piano part feature a slower statement of the same sequence. In the first half of the melody (mm. 9-12), the numbers 0, 1, 2 are represented by the notes B, C, D; in the second half (mm. 13-16), the scheme shifts downward by two steps to G, A, B. After an interlude (mm. 17-24), the sequence continues in mm. 25-32, now shifting the scheme downward by one step every bar. In the third section (mm. 40-47), the scheme shifts downward by two steps every two bars.

Piano Solo - Level 4 - Digital Download SKU: A0.1432657 Composed by ROBERT VAN HORNE. Arranged by ROBERT VAN HORNE. Film/TV,Instructional,Latin,Mariachi,Multicultural,World. Score. 8 pages. White Piano International Publishing #1012487. Published by White Piano International Publishing (A0.1432657). ENCHANTING DARKNESS (Sombra Encantadora)Original Piano Solo Music from “FOREVER AMOR”Composed and arranged by Robert Van Horne in 1992Advanced Intermediate Piano Solo Arrangement(This sheet music does not contain the violin and bass scores as heard on the mp3 sample)8 pagesDuration approximately 4 minutesIn 1985, I fell in love with Mexican, Spanish, and Latin music after visiting Mexico City. There I discovered composers like Agustin Lara, Jose Alfredo Jimenez, Antonio Carlos Jobim, and Astor Piazzolla. Despite not speaking Spanish fluently, I'm captivated by the language's musicality.This passion inspired me to compose Latin-style songs in the early 1990s, culminating in my album “FOREVER AMOR,” and later recording the music in 2016 for Piano, Violin and Bass. ENCHANTING DARKNESS is a captivating rhumba with a moderate tempo, featuring three distinct themes. The initial theme oscillates between half-step harmonies of F and G-flat, evoking an eerie atmosphere. Transitioning into the second theme of A minor, a sense of suspense permeates the music. Finally, the third theme reverts to the major key of F, exuding a serene and resolved ambiance. Throughout, ENCHANTING DARKNESS employs quarter-note triplets in its melody, set against a steady Latin beat. Like many tracks on the album, it hints at the possibility of narrating a love tale through the evocative use of imaginary Spanish words.The piano sheet music for ENCHANTING DARKNESS is clearly notated, featuring detailed instructions on dynamics, articulation, phrasing, pedal usage, chord symbols, suggested fingerings, and relevant musical terminology.While the mp3 sample includes violin and bass, the sheet music is for solo piano, suitable for intermediate to advanced players and instructors. You can find the full version on my album at: https://www.amazon.com/Forever-Amor-Robert-Van-Horne/dp/B01DAE052KPublished by White Piano International PublishingRobert Van Horne is a member of ASCAPWebsite: www.robertvanhorne.comEmail: rvh@robertvanhorne.com.

3, 4, or 5 octaves handbells - Level 4 - Digital Download SKU: C7.CGB361 Composed by Fred Gramann. Advent, General. Score. 16 pages. Chorister's Guild - Digital #CGB361. Published by Chorister's Guild - Digital (C7.CGB361). UPC: 749193009406.3, 4 or 5 octaves with optional Bb2 o Advent or General o Level 4 o Everlasting Light is based on two contrasting hymns dealing with light. CONDITOR ALME SIDERUM is one of the oldest Christian hymns, whose simplicity and rhythmical flow reflect the freedom of speech. Written seven centuries later, WIE SCHÖN LEUCHTET is at the other end of the spectrum: measured, straight forward and fanfare-like. The introduction intersperses dramatic .ashes of light and the resulting shimmer (via the echo technique) with phrases of the chant. The chant is treated in its entirety at measure 19, and then antiphonally at measure 27 with its inversion (light reflected). The German chorale is heard at measure 40, and again in augmentation at measure 62 layered over the chant, each phrase of which is echoed (reflected) an octave lower. The piece ends with a return to the opening .ashes of light, this time the shimmering sixteenth-notes being more pronounced.

4 flutes - intermediate to advanced - Digital Download SKU: S9.Q47046 Jahresgabe 2016 für Mitglieder des Vereins Freunde der Querflöte e.V.. Composed by Juan Maria Solare. This edition: score and parts. Jahresgabe FdQ. Downloadable, score and parts. Duration 11 minutes. Musikverlag Zimmermann - Digital #Q47046. Published by Musikverlag Zimmermann - Digital (S9.Q47046). German • English.As an Argentinian musican and Composer living in Germany, Juan María Solare ist himself an Emigrant. The three movements of his composition Emigrating are titled Expectations, Looking back and Integration. In stylistic Terms, his Music Comes Close to the Argentine Tango. The Musical Idiom is tonal, post-tonal and mainly consonant, but is also based on diminished scales in parts.

Choral Choir (SATB) - Level 1 - Digital Download SKU: A0.818141 Composed by Philip Le Bas. Christian,Contemporary,Praise & Worship,Sacred. Octavo. 15 pages. Philip Le Bas #3049013. Published by Philip Le Bas (A0.818141). These eight short pieces (updated and extended, August 2018) are settings of the Church of England's Common Worship Communion Service. They are designed to be easy to sing, but interestingly different from each other. The congregation, accompanied by organ (or other keyboard instrument), sings the top line of each setting, with an optional SATB choir providing harmonic interest in various forms. The Lord, have mercy has a quiet second line forming a kind of angelic echo. In the Doxology the congregation and choir are encouraged to sing the first few bars as a two-part round before continuing into the Amen section.

Piano,Viola - Level 3 - Digital Download SKU: A0.963649 Composed by Ian Butterworth. 20th Century,Concert. Score and part. 13 pages. Ian Butterworth #5320425. Published by Ian Butterworth (A0.963649). A short pieces of about 6 minutes with three contrasting movements: Promenade, Pastorale & Rondeau. The third movement incudes a reference to the Pastorale in one of the episodes. Through the experience of teaching the violin at all levels and conducting youth orchestras over many years, Ian Butterworth’s large number of compositions and arrangements has proved their suitability for youth and amateur players. www.ianbutterworthmusic.co.uk