Bass Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.533418 Composed by Ange Flégier. Concert,Romantic Period,Standards. 10 pages. Musik Fabrik Music Publishing #2913407. Published by Musik Fabrik Music Publishing (A0.533418). A setting of a poem by Paul-Armand Silvestre. Edited by Jared Schwartz and Mary Dibbern.Recorded on Ange Flégier: Mélodies for Bass Voice and Piano.Toccata Classics, 2016. In g minor Duration: aprox. 5 minutes 30 secondsAutomne au ciel brumeux, aux horizons navrants,Aux rapides couchants, aux aurores pâlies,Je regarde couler, avec l’eau des torrents,Tes jours faits de mélancolies.Sur l’aile du regret mes esprits emportés,Comme s’il se pouvait que notre âge renaisse,Parcourent, en rêvant, les coteaux enchantésOù, jadis, sourit ma jeunesse.Je sens, au clair soleil du souvenir vainqueur,Refleurir en bouquet les roses deliéesEt monter à mes yeux des larmes, qu’en mon coeur,Mes vingt ans avaient oubliées!

Piano Solo - Level 2 - Digital Download SKU: A0.808934 Composed by Aldo Finzi. 20th Century. Score. 16 pages. Preludio s.r.l. #5213937. Published by Preludio s.r.l. (A0.808934). Aldo Finzi's Due valzer lenti for piano that have been performed in a world première by Simonetta Heger in Vico Equense (near Naples) on October 2001 were written, together with the lyric Catharine and another piano piece Tempo di fox-trot, when the composer was hoping to move shortly to the United States. Unfortunately, this never happened although Finzi already had a contract with a music school in Chicago. In both waltzes a short introduction precedes the dance theme and the pleasant piano style, certainly nearer to the Pavana's noble simplicity than to the complex writing of the Toccata, vaguely suggests thoughts of George Gershwin.

Bass Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.534398 Composed by Franz Liszt. Arranged by Mary Dibbern, Jared Schwartz. Concert,Romantic Period,Standards. 16 pages. Musik Fabrik Music Publishing #3420891. Published by Musik Fabrik Music Publishing (A0.534398). Le Juif errant (“The Wandering Jewâ€�) (S.300), poem by Pierre-Jean de Béranger (1780–1857), which was Liszt’s last song before his 1848 move to Weimar. The accompaniment is derived from his piano solo of 1840, the étude de perfectionnement (S.142). Its musical material also appears in the later (1852) piano solo Ab irato—étude de perfectionnement de la Méthode des Méthodes (S.143). The seperate edition for Bass-baritone is in the original key of e minor.  The version in c minor as reorced by Schwartz and Dibbern for Toccata Classics is available in vol. 2  for the Songs for Bass and Piano collection, also available on this site.

Organ - Level 3 - Digital Download SKU: A0.1160094 Composed by Vidas Pinkevicius. Christian,Contemporary,Praise & Worship,Religious,Sacred. Score. 14 pages. Vidas Pinkevicius #760370. Published by Vidas Pinkevicius (A0.1160094). This is an original suite called Angelic Triptych, Op. 218 with 3 movements: I. Heavenly Gates, II. Garden of Eden and III. Praises to the Creator. Heavenly Gates can be considered a joyful processional written in the key of F major. Garden of Eden - quiet meditation in the key of D major and Praises to the Creator - energetic carillon-toccata in the key of F major. The suite can be played on a two manual organ with pedals. The first and the second movements are very accessible and the finale is somewhat more demanding technically. It will be very effective in liturgical organ playing and recital programs.

Piano,Viola - Level 3 - Digital Download SKU: A0.548460 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Baroque,Instructional,Standards,Wedding. Score and part. 8 pages. Jmsgu3 #3385399. Published by jmsgu3 (A0.548460). The famous Pachelbel Canon arranged for viola & piano. Great for weddings & receptions. Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval.  Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for the south German composers. Nowadays, Pachelbel is most famous particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works. 

Piano Solo - Level 3 - Digital Download SKU: A0.1084474 By Jubal's Lyre Music. By Martin Dicke. Advent,Christian,Christmas,Holiday,Sacred. Score. 4 pages. Jubal's Lyre Music Publishers #688653. Published by Jubal's Lyre Music Publishers (A0.1084474). You will enjoy this bright and cheerful setting of the Christmas hymn Of the Father’s Love Begotten (DIVINUM MYSTERIUM). Inspired by the Toccata in E Minor for organ by Johann Pachelbel (1653-1706), it alternates joyfully cascading descending arpeggios with serene statements of the melody in the lower register. In worship use it to introduce the singing of the hymn, as prelude music, or during the offering. The setting also can be played on a harp. It is part of the series CAROLS FOR PIANO that contains many more original and delightful settings and arrangements for your Christmas celebrations, recitals, or worship services. For more music and information, visit www.jubalslyre.com/music.

Solo Guitar - Level 4 - Digital Download SKU: A0.886738 Composed by Panagiotis Theodossiou. 20th Century,Concert,Contemporary,Standards. Individual part. 11 pages. Panagiotis Theodossiou #6049981. Published by Panagiotis Theodossiou (A0.886738). Suite for Joseph for guitar solo op.82 (2020) A 6-part suite in neo-classical – neo-romantic and jazzy (Blues) style composed and dedicated to the American guitar soloist Joseph Ehrenpreis. Based on a series of notes derived from his letter name. The parts: I. Toccata (Allegro presciso) II. Ballade (L' istesso tempo - Alla breve) III. Startled but romantic (like a waltz, Allegro) IV. Reminiscence (Moderato) V. Funny Dance (L' istesso tempo) VI. Blues (Tempo di swing)

Small Ensemble Flute,Piano,Violin - Level 4 - Digital Download SKU: A0.853244 Composed by Hans-Andre Stamm. Contemporary. Score and parts. 86 pages. Hans-Andre Stamm #6130359. Published by Hans-Andre Stamm (A0.853244). The trio pieces of Vol. 3 are influenced by elements of Celtic music. They were originally composed for a performance with piccolo flute in the upper part but can be equally played with a concert flute. Alternative parts for oboe and clarinet in Bb instead of violin are included. The titles, which can also be heard on Youtube are: El Colibri Bailador, Toccata alla salsa, Fantasia cilena, Salsamania, Fantasia alla latina

Baritone Horn TC,Vocal Solo,Voice - Level 3 - Digital Download SKU: A0.533426 Composed by Ange Flégier. Concert,Romantic Period,Standards. 12 pages. Musik Fabrik Music Publishing #2913673. Published by Musik Fabrik Music Publishing (A0.533426). A setting of a poem by Édouard Pailleron. Edited by Jared Schwartz and Mary Dibbern.Recorded on Ange Flégier: Mélodies for Bass Voice and Piano.Toccata Classics, 2016. In C major Duration: aprox. 6 minutes 30 secondsLorsque le premier homme à sa première aurore,Au sein du monde immense et vierge comme lui,Promenait vaguement, pensif et seul encore,La curiosité de son divin ennui,Les mots venaient éclore à sa lèvre étonnéeÀ chaque enchantement du spectacle infini,Comme vient la chanson éclore au bord du nid:À l’heure qu’il naissait la parole était née.Mais, lorsque s’éveillant de son autre sommeil,Il vit, plus belle encore que l’aurore première,Eve nue et debout dans la grande lumière,Comme un astre vivant, adorable et vermeil;Il étendit les bras vers sa maîtresse blonde,Et, jusqu’à son désir inclinant sa beauté,Sachant bien que l’amour lui coûterait le monde,Du remords éternel il fit la volupté;Et dans le doux transport dont l’âme était saisie,Et dans le dur sanglot qui s’y venait briser,Tu naquis à ton tour, ô jeune poésie,De la première larme et du premier baiser!

String Orchestra - Level 5 - Digital Download SKU: A0.533701 Composed by Carson Cooman. Baroque,Contemporary,Standards. Score and parts. 77 pages. Musik Fabrik Music Publishing #3038897. Published by Musik Fabrik Music Publishing (A0.533701). Concerto for Portatif Organ and Strings (2006) was commissioned by the Harvard Baroque Chamber Orchestra and its director, Robert Mealy. The work is dedicated to organist Nancy Granert, for whom the solo part was written. The work was commissioned in celebration of the von Clemm Chamber Organ at The Memorial Church, Harvard University, built in 2006 by Klop Organ Builders.As with many of my works, relationships between old and new musical concepts are explored. In this piece, musical aspects of the Baroque organ concerto tradition (and Baroque style string playing) co-exist with more contemporary musical elements. In particular, the directness of expression found in many Baroque concertante works is present throughout. Musical material is shared between the movements in a motivic fashion.The title of the first movement, Bricolage, is defined as “something made or put together using whatever materials happen to be available.â€�   Thus, the musical material for the movement is of varying characters; these elements are assembled together in ways that allow them to comment on and inform each other. Some of these musical elements include: a traditional “overtureâ€� texture, a Basse de Trompette texture (with an organ reed stop in the left hand) common in French Baroque organ music, and the French keyboard toccata style.The second movement, Elegia, is dark and searching in tone. It begins with a rageful roar before quieting down to introduce its basic musical material – a simple “lamentâ€� theme in a folk-inflected style. This material is used for further explorations, building to passionate climaxes. Finally, the opening music returns, but this time with a whisper. The movement winds down to a sad conclusion.After the soul-searching of the second movement, the third movement, Rondeau, is sprightly and energetic. The basic material is a set of Baroque and Classical-style figurations (with a few American gospel inflections thrown in), firmly grounded in G major. After minor diversions, the original material continues to return and ends the work with unfettered joy.

Organ - Level 5 - Digital Download SKU: A0.912460 Composed by Thomas R. Schadl. Contemporary,Instructional,Romantic Period,Standards. Score. 8 pages. Thomas R. Schadl #514841. Published by Thomas R. Schadl (A0.912460). Written in G Minor, the piece consists of changing meters and two themes. The first theme starts with the G minor scale that reaches to a perfect fifth above the tonic before descending to the home key. The second theme is related to the first one, but it begins with the perfect-fifth upward movement followed by its stepwise descent, and is written in a fugal manner. The latter half of the work is a toccata written in the style of the late 19th century and early 20th century French organ music; in that section, the pedal division states the main theme against the rapid 16th notes on the manuals in the key of G Major. Technical demands include a good sense of rhythm, a steady beat and a slight legato touch. This movement is suitable for recital and education uses; it may also be performed as a postlude in church services. I wish you the best in taking a look at this piece; so, enjoy it.