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Percussion and orchestra - difficult - Digital Download SKU: S9.Q49877 Four poems for percussion solo and orchestra. Composed by Peter Eotvos. This edition: solo part. A battere. Downloadable, Solo part. Duration 23 minutes. Schott Music - Digital #Q49877. Published by Schott Music - Digital (S9.Q49877). Artificial language.'Talking whilst playing the drum is not something unique. We can find it in traditional Indian percussion, and in jazz when musicians accompany their play with 'Sprechgesang'. This piece goes the opposite way: It begins with the percussionist speaking nonsensically, the emphasis on the rhythm, which he then passes on to his instrument. Like the pure, childish joy of repeating the same word in a different tune, the soloist teaches his instrument to speak until the drums start to talk themselves. Several poems form the basis; in the first two movements it are three poems by Sándor Weöres, and in the third movement it is a poem by Jayadeva. Each sentence has a more complex form than the one before. Rhythms form words, words form sentences, and sentences create a narrative.' (Ann-yi Bingöl)2 (2. auch Picc.) · 1 (auch Engl. Hr.) · 1 · Bassklar. · 1 - 2 · 1 · 1 · 0 - S. (I: Glsp. · Crot. · Vibr. · 3 Beck. · Nietenbeck. · 5 Kuhgl. · 2 Bong. · Vibraslap · Grelots · 2 Kieselsteine; II: Vibr. [von Spieler 1] · Trgl. · 5 Gong · Tamt. [t.] · Schellen-Tamb. · 2 Bong. · gr. Tr. · Vibraslap · 2 hg. koreanische Steinplatten) (2 Spieler) - Hfe. · Cel. - Str. (6 · 6 · 6 · 4 · 2) - S. solo (Bassp. · Marimba · Röhrengl. · Cowbell · Trgl. · 8 Beck. · kl. Crash-Beck. · gr. chin. Beck. mit Filzgleitern · 3 kl. Flachgongs · 2 Tamt. · kl. Tr. · Feldtr. · 4 Tomt. · 5-6 gr. Holztr. [Mokugyo oder Salatschüssel] · Hi-Hat · 2 Woodbl. · 2 Löwengebrüll · 4 frei wählbare Instrumente: z.B. Tomt. · Tamt. · Operngong · Beckenplatte [Der Solist rezitiert auch Laut-Gedichte von Sándor Weöres und Jayadeva.]).
Speaking Drums

$23.99 20.81 € PDF SheetMusicPlus

Concert Band - Level 3 - Digital Download SKU: A0.917395 Composed by GregoryFritze. 20th Century,Contemporary,Jazz. Score and parts. 195 pages. Musica Nova USA #4805407. Published by Musica Nova USA (A0.917395). La Tomatina was composed in 1996 in Buñol, Spain while I was researching Spanish band music. Buñol is a small town of about 9,000 inhabitants about 19 miles (30 kilometers) from Spain’s 3rd largest city, Valencia. For 364 days of the year, it is a typical small town, but on the last Wednesday of August it becomes an international attraction. On that day the La Tomatina festival is held. Several trucks drop as many as 145,000 kilograms of tomatoes unto the main street and for an hour at 12:00 noon there are up to 100,000 people taking part in throwing tomatoes at each other. At 1:00 everybody goes to the specialpublic showers to wash up. A fire truck comes down the street washing down the buildings and the main street and by about 2:00 all is returned to normal and all references to the tomato fight are gone. Thetradition has been going on since 1945. I was in the streets taking part in throwing tomatoes for three years. After that when I was in Spain during the festival I watched it on TV.Buñol also has a rich tradition of having two very good concert bands – the Litros and the Feos. Most of the 9,000 inhabitants formally belong to one of the two social clubs. There are several band competitionsheld in Spain and both of these bands take part. The band competition is fierce as bragging rights are won by the winning society. It is thought that this fierce competition is what helps develop excellentmusicians in that many young people become professional musicians and play in many orchestras and bands throughout the country.La Tomatina was premiered by the U. S. Army Band Pershing’s Own on the U. S. Capital steps in June 1996, the composer conducting. La Tomatina is the second movement of Sinfonía de Valencia, a three- movement composition that was premiered in Buñol by the band of Centro Instructivo Musical El Litro Buñol, conducted by Francisco Tamarit in August 1997. Sinfonía de Valencia is recorded by the band of Centro Instructivo Musical El Litro Buñol, conducted by Fernando Bonete Piqueras on Mark Records (CD3816). La Tomatina is also on Youtube with video of the festival at: https://www.youtube.com/watch?v=bbpZU7vK3PQ.La Tomatina was a winning composition in 1996, awarded a grant by the Massachusetts Cultural Council. It also won the IBLA Grand Prize in Sicily, Italy in 1998 and was a Semi Finalist as part of the American Prize Composition Competition – Band Division in 1996.This arrangement of La Tomatina was prepared especially for conductor Natalia Montañés in 2004. In thisarrangement there are four percussionists instead of the original five.La Tomatina has been very popular among bands around the world, performed over one hundred times.
La Tomatina for Symphonic Band
Orchestre d'harmonie

$60.00 52.05 € Orchestre d'harmonie PDF SheetMusicPlus

Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download SKU: A0.1499244 Composed by Tomas Luis de Victoria. Arranged by L. Müller. A Cappella,Christian,Classical,Renaissance,Sacred. 4 pages. Müller Publishing company #1075296. Published by Müller Publishing company (A0.1499244). Ave Maria - Tomas Luis de Victoria - for Choir a cappella - in Gb MajorImmerse yourself in the beauty of Renaissance polyphony with Ave Maria by Tomás Luis de Victoria, edited by L. Müller for SATB choir a cappella. This edition preserves the intricate harmony and serene character of the original work, making it perfect for choirs seeking to perform one of the most beautiful and moving sacred pieces of the Renaissance period. A timeless addition to your choral repertoire!
Ave Maria - Tomas Luis de Victoria - for Choir a cappella - in Gb Major
Chorale SATB

$2.99 2.59 € Chorale SATB PDF SheetMusicPlus

Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download SKU: A0.1499247 Composed by Tomas Luis de Victoria. Arranged by L. Müller. A Cappella,Christian,Classical,Renaissance,Sacred. 4 pages. Müller Publishing company #1075299. Published by Müller Publishing company (A0.1499247). Ave Maria - Tomas Luis de Victoria - for Choir a cappella - in A MajorImmerse yourself in the beauty of Renaissance polyphony with Ave Maria by Tomás Luis de Victoria, edited by L. Müller for SATB choir a cappella. This edition preserves the intricate harmony and serene character of the original work, making it perfect for choirs seeking to perform one of the most beautiful and moving sacred pieces of the Renaissance period. A timeless addition to your choral repertoire!
Ave Maria - Tomas Luis de Victoria - for Choir a cappella - in A Major
Chorale SATB

$2.99 2.59 € Chorale SATB PDF SheetMusicPlus

Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download SKU: A0.1499242 Composed by Tomas Luis de Victoria. Arranged by L. Müller. A Cappella,Christian,Classical,Renaissance,Sacred. 4 pages. Müller Publishing company #1075293. Published by Müller Publishing company (A0.1499242). Ave Maria - Tomas Luis de Victoria - for Choir a cappella - in F MajorImmerse yourself in the beauty of Renaissance polyphony with Ave Maria by Tomás Luis de Victoria, edited by L. Müller for SATB choir a cappella. This edition preserves the intricate harmony and serene character of the original work, making it perfect for choirs seeking to perform one of the most beautiful and moving sacred pieces of the Renaissance period. A timeless addition to your choral repertoire!
Ave Maria - Tomas Luis de Victoria - for Choir a cappella - in F Major
Chorale SATB

$2.99 2.59 € Chorale SATB PDF SheetMusicPlus

Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download SKU: A0.1499246 Composed by Tomas Luis de Victoria. Arranged by L. Müller. A Cappella,Christian,Classical,Renaissance,Sacred. 4 pages. Müller Publishing company #1075298. Published by Müller Publishing company (A0.1499246). Ave Maria - Tomas Luis de Victoria - for Choir a cappella - in Ab MajorImmerse yourself in the beauty of Renaissance polyphony with Ave Maria by Tomás Luis de Victoria, edited by L. Müller for SATB choir a cappella. This edition preserves the intricate harmony and serene character of the original work, making it perfect for choirs seeking to perform one of the most beautiful and moving sacred pieces of the Renaissance period. A timeless addition to your choral repertoire!
Ave Maria - Tomas Luis de Victoria - for Choir a cappella - in Ab Major
Chorale SATB

$2.99 2.59 € Chorale SATB PDF SheetMusicPlus

Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download SKU: A0.1499245 Composed by Tomas Luis de Victoria. Arranged by L. Müller. A Cappella,Christian,Classical,Renaissance,Sacred. 4 pages. Müller Publishing company #1075297. Published by Müller Publishing company (A0.1499245). Ave Maria - Tomas Luis de Victoria - for Choir a cappella - in G MajorImmerse yourself in the beauty of Renaissance polyphony with Ave Maria by Tomás Luis de Victoria, edited by L. Müller for SATB choir a cappella. This edition preserves the intricate harmony and serene character of the original work, making it perfect for choirs seeking to perform one of the most beautiful and moving sacred pieces of the Renaissance period. A timeless addition to your choral repertoire!
Ave Maria - Tomas Luis de Victoria - for Choir a cappella - in G Major
Chorale SATB

$2.99 2.59 € Chorale SATB PDF SheetMusicPlus

Small Ensemble Flute,Harp,Piano,Piccolo - Level 5 - Digital Download SKU: A0.1032136 Composed by Aleksander Czarnecki. Contemporary. Score and parts. 162 pages. Aleksander Norbert Czarnecki #4411649. Published by Aleksander Norbert Czarnecki (A0.1032136). Aleksander Czarnecki (1993-2018) was a Polish polymath, pianist - composer, mathematician and a philosopher. His research focused on the Calabi Yau manifold. He left an astonishing musical legacy, unprecedently rich, diverse  and impressive for his young age, including several large scale works as well as piano/orchestra miniatures, chamber music, pieces for piano solo etc. His unmistakingly personal compositional style could be easiest described as post-classical/post - tonal, and is instantly recognizable by its highly intrinsic, intellectually refined idiom of Scriabinesque, modernist/ avant guarde, New Complexity , later minimalist/repetitive music influences married with frequent appeals to historic techniques (contrapunctus, Gregorian plain chant, French harpsichordists, ethnic modality), a dense emotional drive and a profound sensitivity, all in the best of the resolutely post-Romantic tradition further enhanced with a super-human - as if machine induced - level of  pianistic/structural difficulty, typically far beyond the one represented by the most demanding examples of, say, Godovsky's/Cziffra's transcriptions or Sorabji's works.  (Jozef Kapustka, pianist)Aleksander Czarnecki on his scientific research: My research work concentrates on the modularity conjecture for Calabi-Yau manifolds according to which the Galois representation is isomorphic ( exact to the semisimplification and the finite number of Euler factors) to the Galois representation assigned to an automorphic form -equivalently the L-series of the Calabi-Yau manifold should be equal to the L-series of a certain modular form. The modularity conjecture has been extensively studied by many algebraic geometricians (Dieulefait, van Straten, Yuri, Schoen, Hulek, Verrill, Schuett, Meyer) however these studies have not  resulted in producing  a  sufficiently representative number of  examples of small level modular forms. In the best understood, rigid case of Calabi-Yau threefolds defined over the field of rational numbers, the modularity conjecture delivers from a more general Serre conjecture, as proven by Wirtemberger and Khare. Additionally, the modularity has been known a property only for certain particular Calabi-Yau varieties. For some non rigid Calabi-Yau threefolds (certain double octics) defined over rationals ( or more generally over particular number fields) the existence of modular or Hilbert modular forms has been hypothetically suggested. I am mainly interested in Frobenius polynomials of non-rigid double octics and have been extensively working with variants of Dwork's deformation method, monodromy and selected p-adic methods including algorithms by Kedlaya, Lauder, Tuitman et al. , Picard-Fuchs operators etc. (Aleksander Czarnecki, 2018)
Aleksander Czarnecki - Tales of the Hidden Kingdom, Op. 15

$99.00 85.89 € PDF SheetMusicPlus






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