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Choral Choir (SA) - Level 3 - Digital Download SKU: A0.938917 Composed by Elissa Brill Pashkin. 20th Century,Contemporary,Jewish,Sacred. Octavo. 30 pages. Elissa Brill Pashkin #2094311. Published by Elissa Brill Pashkin (A0.938917). This piece is a setting of Hannah's Prayer from the Bible, alternated with Psalm settings. This is the piano/vocal version. If you are separately ordering the complete score for chorus with wind quintet, it is not necessary to order this in addition. That package includes the piano/vocal score. The text is in Hebrew, written in English transliteration (English letters), and the translation and a pronunciation guide are included. This piece was commissioned and performed in 1992 by the Smith College Choirs, Jessel Murray, conductor. Originally performed by women's chorus, it can also be performed by a mixed group. It consists of 7 short movements. The odd numbered movements are psalms and can be performed separately. (The even numbered movements are Hannah's Prayer and only make sense as part of the whole.) The audio clip is from the beginning of the third movement (Psalm 96, v. 1-2). A complete recording is available upon request from the composer at ebrill@hcc.edu. Total duration 14 minutes. Licensed by BMI.
Vatit'paleil Chana Vatomar (And Hannah Prayed And Said...) Piano/Vocal Version
Chorale 2 parties

$7.99 6.8 € Chorale 2 parties PDF SheetMusicPlus

Choral Choir (SA) - Level 3 - Digital Download SKU: A0.938918 Composed by Elissa Brill Pashkin. 20th Century,Contemporary,Jewish,Sacred. Octavo. 97 pages. Elissa Brill Pashkin #2098167. Published by Elissa Brill Pashkin (A0.938918). This piece is a setting of Hannah's Prayer from the Bible, alternated with Psalm settings. It is scored for two-part chorus with wind quintet (flute, oboe, clarinet, horn, bassoon). It is also available with piano accompaniment. The text is in Hebrew, written in English transliteration (English letters), and the translation and a pronunciation guide are included. This package includes everything--the full score (concert pitch), instrumental parts (appropriately transposed), and piano/vocal score. You may also purchase just the piano/vocal score. (Please see that separate listing.) For rehearsal purposes, a piano reduction is included on the full score, but is not intended for performance. This piece was commissioned and performed in 1992 by the Smith College Choirs, Jessel Murray, conductor. Originally performed by women's chorus, it can also be performed by a mixed group. It consists of 7 short movements. The odd numbered movements are psalms and can be performed separately. (The even numbered movements are Hannah's Prayer and only make sense as part of the whole.) The audio clip is from the beginning of the third movement (Psalm 96, v. 1-2). A complete recording is available upon request from the composer at ebrill@hcc.edu. Total duration 14 minutes. Licensed by BMI.
Vatit'paleil Chana Vatomar (And Hannah Prayed And Said...)
Chorale 2 parties

$14.99 12.75 € Chorale 2 parties PDF SheetMusicPlus

Level 5 - Digital Download SKU: A0.650930 Composed by Maurice Ravel. Arranged by Ray Thompson. 20th Century,Baroque. 22 pages. RayThompsonMusic #260018. Published by RayThompsonMusic (A0.650930). Le Tombeau de Couperin is a suite for solo piano by Maurice Ravel, composed between 1914 and 1917. The piece is in six movements, based on those of a traditional Baroque suite. Each movement is dedicated to the memory of a friend of the composer (or in one case, two brothers) who had died fighting in World War I. Ravel also produced an orchestral version of the work in 1919, although this omitted two of the original movements.The word tombeau in the title is a musical term popular from the 17th century, meaning a piece written as a memorial. The specific Couperin, among a family noted as musicians for about two centuries, that Ravel intended to evoke is thought to be François Couperin the Great (1668–1733). Ravel stated that his intention was to pay homage more generally to the sensibilities of the Baroque French keyboard suite, not necessarily to imitate or pay tribute to Couperin himself in particular. This is reflected in the piece's structure, which imitates a Baroque dance suite.Arranged Double wind quintet/Bass 2nd Oboe has some bars of Cor Anglais .!st Clarinet in Bb has a section for Clarinet in A. This is my arrangement of No.IV Rigaudon in the orchestral suite for wind dectet.
Ravel: Le Tombeau de Couperin IV Rigaudon - Symphonic wind

$14.95 12.72 € PDF SheetMusicPlus

Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.697174 Composed by Maurice Ravel. Arranged by Ray Thompson. 20th Century. 23 pages. RayThompsonMusic #305768. Published by RayThompsonMusic (A0.697174). Le Tombeau de Couperin is a suite for solo piano by Maurice Ravel, composed between 1914 and 1917. The piece is in six movements, based on those of a traditional Baroque suite. Each movement is dedicated to the memory of a friend of the composer (or in one case, two brothers) who had died fighting in World War I.Ravel also produced an orchestral version of the work in 1919, although this omitted two of the original movements. The word tombeau in the title is a musical term popular from the 17th century, meaning a piece written as a memorial. The specific Couperin, among a family noted as musicians for about two centuries, that Ravel intended to evoke is thought to be François Couperin the Great (1668–1733).Ravel stated that his intention was to pay homage more generally to the sensibilities of the Baroque French keyboard suite, not necessarily to imitate or pay tribute to Couperin himself in particular. This is reflected in the piece's structure, which imitates a Baroque dance suite.Arranged double wind quintet/bass:Flute 2 has some piccoloOboe 2 is mostly cor anglais, some bars of oboe.Clarinet parts are for Clarinet in A
Ravel: Le Tombeau de Couperin I Prelude - Symphonic wind

$14.95 12.72 € PDF SheetMusicPlus

Large Ensemble A Clarinet,Bassoon,Double Bass,Flute,Oboe/English Horn - Level 4 - Digital Download SKU: A0.1496456 Composed by Maurice Ravel. Arranged by Ray Thompson. 20th Century. 38 pages. RayThompsonMusic #1072981. Published by RayThompsonMusic (A0.1496456). Le Tombeau de Couperin is a suite for solo piano by Maurice Ravel, composed between 1914 and 1917. The piece is in six movements, based on those of a traditional Baroque suite. Each movement is dedicated to the memory of a friend of the composer (or in one case, two brothers) who had died fighting in World War I.The six movements are:Prélude. Vif (E minor)Fugue. Allegro moderato (E minor)Forlane. Allegretto (E minor)Rigaudon. Assez vif (C major)Menuet. Allegro moderato (G major)Toccata. Vif (E minor) Ravel also produced an orchestral version of the work in 1919, although this omitted two of the original movements.The movements used were Nos.1, 3, 5 and 4 in that order.The word tombeau in the title is a musical term popular from the 17th century, meaning a piece written as a memorial. The specific Couperin, among a family noted as musicians for about two centuries, that Ravel intended to evoke is thought to be François Couperin the Great (1668–1733).Ravel stated that his intention was to pay homage more generally to the sensibilities of the Baroque French keyboard suite, not necessarily to imitate or pay tribute to Couperin himself in particular. This is reflected in the piece's structure, which imitates a Baroque dance suite.Arranged double wind quintet/bass:Oboe 2 is mostly cor anglais, some bars of oboe.Clarinet parts are for Clarinet in A.
Ravel: Le Tombeau de Couperin No.II Forlane - symphonic wind

$14.95 12.72 € PDF SheetMusicPlus

B-Flat Clarinet,Bassoon,Double Bass,Flute,Oboe/English Horn - Level 4 - Digital Download SKU: A0.616277 Composed by Maurice Ravel. Arranged by Ray Thompson. 20th Century. 25 pages. RayThompsonMusic #225439. Published by RayThompsonMusic (A0.616277). Le Tombeau de Couperin is a suite for solo piano by Maurice Ravel, composed between 1914 and 1917. The piece is in six movements, based on those of a traditional Baroque suite. Each movement is dedicated to the memory of a friend of the composer (or in one case, two brothers) who had died fighting in World War I.Ravel also produced an orchestral version of the work in 1919, although this omitted two of the original movements. The word tombeau in the title is a musical term popular from the 17th century, meaning a piece written as a memorial. The specific Couperin, among a family noted as musicians for about two centuries, that Ravel intended to evoke is thought to be François Couperin the Great (1668–1733). Ravel stated that his intention was to pay homage more generally to the sensibilities of the Baroque French keyboard suite, not necessarily to imitate or pay tribute to Couperin himself in particular. This is reflected in the piece's structure, which imitates a Baroque dance suite.Arranged Double wind quintet/Bass 2nd Oboe plays Cor Anglais throughout.2nd flute has 2 bars of piccolo.This is my arrangement of the menuet No.III in the orchestral suite for wind dectet.Video has restricted instrumentation.
Ravel: Le Tombeau de Couperin III. Menuet - Symphonic Wind

$14.95 12.72 € PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.553875 Composed by Wolfgang Amadeus Mozartt. Arranged by Ray Thompson. Classical. 9 pages. RayThompsonMusic #5214645. Published by RayThompsonMusic (A0.553875). Les petits riens (French for The Little Nothings) is a ballet in one act and three tableaux by Jean-Georges Noverre, with music by Wolfgang Amadeus Mozart and other unknown composers, possibly including François-Joseph Gossec[citation needed], first performed at the Academie Royale de Music in Paris on 11 June 1778.While Mozart was staying in Paris, Noverre asked him to compose a new score for a ballet that he had created in Vienna in 1767. The ballet was to be danced as an interlude in the new opera Le finte gemelle by Niccolò Piccinni.[1] The opera was a flop and closed after four performances. Although the ballet music was well-received,[2] Mozart was not credited with it, and he was at the time little-known in Paris.The score, catalogued as K. 299b, was thought lost, but it was rediscovered in the Paris Opera's archives in the late 19th century[1] and has since entered both the ballet and symphonic repertoire.Arranged wind quintet.This arrangement of no.12 Pantomine is for wind quintetIt has been transposed from A into Bb to aid the clarinet player.The original natural Horn part is in Bb basso (alternative Horn in F)Other mvts are available.
Mozart: Balletmusik zur Pantomime "Les petits riens" K299b K.anh 10 No.10 Pantomine - wind quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor

$7.95 6.76 € Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor PDF SheetMusicPlus

Full Orchestra - Level 5 - Digital Download SKU: A0.1017072 Composed by Eoin Buchanan. Contemporary. Score and parts. 87 pages. 7plc Music #6079111. Published by 7plc Music (A0.1017072). At the centre of the Norfolk city of Norwich lies Tombland. The name evokes thoughts of haunting, death and Black Plague burial pits. Actually Tombland simply means empty space and it was here that Norwich market was sited. Violence seems to have been a recurring theme in the history of Tombland. In 1549 Robert Kett led a rebellion against the enclosure of common land. After a fierce attack on Bishop Bridge, Kett and his band of followers gained access to the city and took the Mayor, Thomas Codd, prisoner. Having spent a number of years as a clergyman in the Diocese of Norwich, I can tell you that this area is very different nowadays. However, its Normal cathedral and older buildings still offer a sense of struggles past, present and future. Inspired by Ray Sampson’s book, Tombland, this original work for full orchestra uses harmonic and rhythmic dissonance to portray the violent and oppressive struggle between those with and ‘those without. The blacksmith’s anvil heralds village life with church bells sounding and flute introducing children playing in the village square. Very quickly the scene changes as Basses offer a deep threatening tone and slowly the rhythmic confusion builds to an eventual climax. Horns then introduce a quasi carillon Dies Irae theme and flutes and piccolo enter with a haunting bird call until low strings and Cor Anglais begin the build up to chaos once again. The work’s false, dying ending suddenly gives way to a sacred style chorale leading to the very abrupt Malcolm Arnold style ending.
Tombland Fanfare
Orchestre

$35.00 29.77 € Orchestre PDF SheetMusicPlus

Piano and voice - Digital Download SKU: LV.22343 Composed by J. Gaspard Maeder. Cemeteries, Tombs & sepulchral monuments, Spires, Grief, Civil War--Union, Prayer, War casualties. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.22343). A Prayer for the Absent. Ballad. Music Composed By J. Gaspard Maeder. Words Written by Miss Helene Osgood. Published 1863 by Firth, Son & Co., 563 Broadway in New York. Composition of strophic with piano and voice instrumentation. Subject headings for this piece include Cemetaries, Tombs & sepulchral monuments, Spires, Grief, Civil War--Union, Prayer, War casualties. First line reads For the absent ones afar on the battlefield we pray.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
A Prayer for the Absent. Ballad
Piano, Voix
J Gaspard Maeder
$5.99 5.1 € Piano, Voix PDF SheetMusicPlus

Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.553948 Composed by Wolfgang Amadeus Mozart. Arranged by Ray Thompson. Classical. Score and parts. 55 pages. RayThompsonMusic #6328785. Published by RayThompsonMusic (A0.553948). Les petits riens (French for The Little Nothings) is a ballet in one act and three tableaux by Jean-Georges Noverre, with music by Wolfgang Amadeus Mozart and other unknown composers, possibly including François-Joseph Gossec[citation needed], first performed at the Academie Royale de Music in Paris on 11 June 1778.While Mozart was staying in Paris, Noverre asked him to compose a new score for a ballet that he had created in Vienna in 1767. The ballet was to be danced as an interlude in the new opera Le finte gemelle by Niccolò Piccinni.[1] The opera was a flop and closed after four performances. Although the ballet music was well-received,[2] Mozart was not credited with it, and he was at the time little-known in Paris.An arrangement for wind dectet of movts. 6 to 13. (Overture available separately)6 Gavotte 7 Adagio 8.Gigue 9.Gavotte Gracieuse 10.Pantomine 11.Passepied 12.Gavotte 13.AndanteHorn parts are for Natural Horns in F, D, A and Bb basso
Mozart: Balletmuzik zur Pantomine “Les petits riens”  Nos. 6 to 13 - wind dectet/bass

$19.95 16.97 € PDF SheetMusicPlus


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