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Horn,Instrumental Duet,Trombone - Level 1 - Digital Download SKU: A0.1125761 Composed by Christian Petzold and Johann Sebastian Bach. Arranged by Ander. Baroque,Christmas,Easter,Sacred,Wedding. 4 pages. Woods Only, Arrangements #726501. Published by Woods Only, Arrangements (A0.1125761). This easy arrangement for horn in F and trombone duet has been adapted to be simple to perform and understand the period minuet form of the original work for various levels of musical knowledge. It can be freely played by beginning students due to the ease built into the piece in relation to the author's suggested interpretation. Recommended for performance in academic recitals, and public festivals, it also serves as a study of Baroque repertoire. This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach.
Minuet in G major by Bach for French Horn and Trombone
Trombone, Cor (duo)

$3.99 3.4 € Trombone, Cor (duo) PDF SheetMusicPlus

SATB choir unaccompanied and optional descant - Medium - Digital Download SKU: MQ.1.3450-E Composed by Michael John Trotta. Marian, 21st Century. 12 pages. Duration 3 minutes, 40 seconds. Galaxy Music Corporation - Digital #1.3450-E. Published by Galaxy Music Corporation - Digital (MQ.1.3450-E). UPC: 600313134500. Latin.The text is an excerpt from the Salve Regina, also known as the Hail Holy Queen, a Marian hymn and one of four Marian antiphons sung at different seasons within the Christian liturgical calendar of the Catholic Church. The Salve Regina is traditionally sung at Compline in the time from the Saturday before Trinity Sunday until the Friday before the first Sunday of Advent. The Hail Holy Queen is also the final prayer of the Rosary. Duration: 3:40.
Ad te clamamus (Downloadable)
Chorale SATB

$2.65 2.26 € Chorale SATB PDF SheetMusicPlus

Organ - Level 2 - Digital Download SKU: A0.1218219 Composed by Guillaume Franc. Arranged by Manuela Rosa. Christian,Praise & Worship,Religious. Score. 3 pages. Manuela #814717. Published by Manuela (A0.1218219). Gotteslob Nr. 186 (alte Nummer: 490)Orgel manualiter + Akkordeaus urheberrechtlichen Gründen ohne TextWhy engrave with Lilypond?  Computer engraved music looks somehow sterile.LilyPond is a music engraving program, devoted to producing the highest-quality sheet music possible. It brings the aesthetics of traditionally engraved music to computer printouts. LilyPond is free software.Warum Lilypond? Die modernen, mit Computerprogrammen gesetzten Noten wirken irgendwie steril.Lilypond bringt die Ästhetik der historischen Notendruckkunst auf den Computer.
Was uns die Erde Gutes spendet (Gotteslob 186)
Orgue

$2.00 1.7 € Orgue PDF SheetMusicPlus

Instrumental Duet,Piano Instrumental Duet,Piano,Violin - Level 1 - Digital Download SKU: A0.1122112 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Christmas,Easter,Sacred,Wedding. 4 pages. Woods Only, Arrangements #723263. Published by Woods Only, Arrangements (A0.1122112). This easy arrangement for violin and piano has been adapted to be simple to perform and understand the period minuet form of the original work for various levels of musical knowledge. It can be freely played by beginning students due to the ease built into the piece in relation to the author's suggested interpretation. Recommended for performance in academic recitals, and public festivals, it also serves as a study of Baroque repertoire. This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach.
Minuet in G major by Bach for Violin and Piano
Violon et Piano

$1.99 1.7 € Violon et Piano PDF SheetMusicPlus

Choral Choir,Choral (SATB divisi) - Level 3 - Digital Download SKU: A0.1285993 By Paul M. Osborne. By Paul M. Osborne. Arranged by Paul M. Osborne. 21st Century,A Cappella,Classical,Contemporary,Sacred. 4 pages. Paul M Osborne #877116. Published by Paul M Osborne (A0.1285993). Te Lucis Ante Terminum is an arrangement of a Gregorian chant melody that is traditionally sung during Vespers. This arrangement slowly unfolds from a simple statement of the melody, to moments of swirling and furious drama. Appropriate for high school choirs and up, or cathedral choirs as a Vespers anthem, this work seeks to reveal the insisting and imploring nature of the Latin text. Voicing: SATB divisi, a cappellaPaul Osborne is a choral director, tenor soloist, and composer/arranger from California's Central Coast.  He received his degree at Concordia College in Moorhead, MN, where he studied choral conducting with René Clausen.  He serves as Chorus Master for Opera San Luis Obispo and Central Coast Gilbert and Sullivan, is the founder and director of Resonance Vocal Ensemble, and is the former choral director at San Luis Obispo High School. He has been a passionate composer and arranger of choral music for over 20 years.
Te Lucis Ante Terminum
Chorale SATB
Paul M Osborne
$1.99 1.7 € Chorale SATB PDF SheetMusicPlus

Cello,Oboe,Violin - Level 4 - Digital Download SKU: A0.1393758 Composed by Jean-Baptiste Loeillet. Arranged by Phil Beaman. Baroque,Instructional,Standards. 12 pages. Phil Beaman #977229. Published by Phil Beaman (A0.1393758). This Baroque piece was originally written by Jean Loeillet as part of a Harpsichord Suite.  It is written in the Italian Corant style in the characteristic Fast(Allegro) 3/4 with rapid running passages of eighth notes (quavers) which alternate scalar steps with large leaps.  Traditionally the piece would have been performed very cleanly, not legato.My arrangement takes the melody and passes it between the three instrument parts.  I wrote a highly ornamented continuo for each part when not playing melody.  In true Baroque style I have created a tight interplay between the parts.  Each part also has a rather wide range of about 2 octaves.  Although in a Minor Key, this piece is very bright and uplifting.  It is very accessible and thus a concert crowd pleaser.   Great for the student recitals too to learn and show mastery of Baroque techniques of clean ensemble playing and ornamentation.  Most of all, this piece is just Pure Fun!6 pages score, 2 pages @ partRanges -Violin - bottom space F# to high E above staffOboe - middle C to high A above staffCello - low C below staff to high E above staff.
Corant - trio- violin/oboe/cello

$7.99 6.81 € PDF SheetMusicPlus

String Ensemble - Level 3 - Digital Download SKU: A0.719775 Composed by Many. Arranged by Curtis Hanson. Renaissance. Score and parts. 63 pages. Curtis Hanson #6258417. Published by Curtis Hanson (A0.719775). Hey string players and teachers, are you looking for something different to program or teach your students? This collection of pieces, suitable for beginning and experienced ensembles, may be what you’re looking for. For the choral musician, the secular music of the 16th and early 17th centuries comprise some of the most delightful works of early repertoire. The madrigals in this collection are arranged for string trios, quartets, and quintets. The intent of these arrangements is to enable the instrumental musician an opportunity to experience a genre perhaps less familiar, with its varying degrees of rhythmic complexity and the juxtaposed interplay of duple and triple rhythmic figures. In keeping with the period, no dynamics are indicated, and articulations are kept at a minimum. Traditionally, repeated sections are to be played at a softer dynamic, but nothing is written in stone. For the up-tempo piece, as many are, rhythmic cleanliness and clarity are paramount, particularly in the iconic Fa-la-la sections. Accordingly, although they may be warranted, no slurs are given. Occasional staccatos are suggested for crispness. Vocal breath marks (') above the staff are meant to serve as guides in phrasing only, and tempos are only suggestions. As non-sacred works, they are generally not meant as 'serious' music, but rather as the music of the common people. Bottom line, they are meant to be fun, and the performer is free to interpret as desired. This collection is a companion to the arranger’s series of Renaissance Motets Arranged for Strings. With the purchase of this collection, permission is granted to photocopy parts as needed. The audio example contains one piece from each of the three composers included, John Dowland, Thomas Morley, and Thomas Weelkes, three English giants in this genre.
Renaissance Madrigals Arranged for Strings, set 3

$29.99 25.55 € PDF SheetMusicPlus

Acoustic Guitar,Electric Bass Guitar,Xylophone - Level 5 - Digital Download SKU: A0.1394296 Composed by Jean-Baptiste Loeillet. Arranged by Phil Beaman. Baroque,Instructional,Standards. 12 pages. Phil Beaman #977773. Published by Phil Beaman (A0.1394296). This Baroque piece was originally written by Jean Loeillet as part of a Harpsichord Suite.  It is written in the Italian Corant style in the characteristic Fast(Allegro) 3/4 with rapid running passages of eighth notes (quavers) which alternate scalar steps with large leaps.  Traditionally the piece would have been performed very cleanly, not legato.My arrangement takes the melody and passes it between the three instrument parts.  I wrote a highly ornamented continuo for each part when not playing melody.  In true Baroque style I have created a tight interplay between the parts.  Each part also has a rather wide range of about 2 octaves.  Although in a Minor Key, this piece is very bright and uplifting.  It is very accessible and thus a concert crowd pleaser.   Great for the student recitals too to learn and show mastery of Baroque techniques of clean ensemble playing and ornamentation.  Most of all, this piece is just Pure Fun!  And who would expect a 17th century style piece on Xylophone, Acoustic Guitar, and Electric Bass Guitar!6 pages score, 2 pages @ partRanges -Xylophone -   bottom space F# to E above staffAcoustic Guitar - middle C to A above staffElecBass  Guitar - low B below staff to high E above staff.
Corant - trio- xylophone/acoustic guitar/electric bass guitar

$7.99 6.81 € PDF SheetMusicPlus






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