Piano - Level 2 - Digital Download SKU: A0.1120686 By Stephen DeCesare. By John Bacchus Dykes. Arranged by Stephen DeCesare. Christian,Patriotic,Sacred,Standards,Traditional. Accompaniment. Duration 184. Exultet Music #721934. Published by Exultet Music (A0.1120686). The British hymn traditionally associated with seafarers, particularly in the maritime armed services has been freshly arranged for a variety of arrangements. Note: this track will only work with the solo instrumental versions that being in Bb Major.

Trumpet Duet Trumpet - Level 3 - Digital Download SKU: A0.589291 Composed by Traditional. Arranged by David McKeown. Jewish,Wedding,World. Score. 4 pages. David McKeown #6020781. Published by David McKeown (A0.589291). Hava Nagila is a Hebrew Folk tune, often performed by Klezmer musicians. This version is arranged as a duet for two Trumpets. Hava Nagila was originally a Nigun melody thought to have originated in the Ukraine. In 1918 a professor and musicologist at the Hebrew University in Jerusalem, Abraham Zevi Idelsohn, set the tune to words adapted from Psalm 118. Hava Nagila was first performed at celebrations at the end of the Great War and quickly spread throughout the Jewish diaspora. In the fifties and sixties, performances by singers as diverse as Harry Belafonte and Bob Dylan popularised the song far beyond its original Jewish audience. Hava Nagila remains one of the best-known and loved Klezmer standards today, traditionally performed at Jewish celebrations.Hava Nagila is simply arranged in a key and range best suited to the instruments. After a steady beginning, the melody gradually increases in tempo, with constant variations in the accompaniment. Hava Nagila is suitable for players at an intermediate level and above. With a performance time of around two and a half minutes, this version of Hava Nagila is perfect for celebrations, weddings and concert performances, both formal and informal. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203

Instrumental Duet Clarinet,Instrumental Duet,Tenor Saxophone - Level 3 - Digital Download SKU: A0.588581 Composed by Traditional. Arranged by David McKeown. Jewish,Multicultural,Wedding,World. Score and parts. 4 pages. David McKeown #6020723. Published by David McKeown (A0.588581). Hava Nagila is a Hebrew Folk tune, often performed by Klezmer musicians. This version is arranged as a duet for one Clarinet and one Tenor Saxophone.Hava Nagila was originally a Nigun melody thought to have originated in the Ukraine. In 1918 a professor and musicologist at the Hebrew University in Jerusalem, Abraham Zevi Idelsohn, set the tune to words adapted from Psalm 118. Hava Nagila was first performed at celebrations at the end of the Great War and quickly spread throughout the Jewish diaspora. In the fifties and sixties, performances by singers as diverse as Harry Belafonte and Bob Dylan popularised the song far beyond its original Jewish audience. Hava Nagila remains one of the best-known and loved Klezmer standards today, traditionally performed at Jewish celebrations.Hava Nagila is simply arranged in a key and range best suited to the instruments. After a steady beginning, the melody gradually increases in tempo, with constant variations in the accompaniment. Hava Nagila is suitable for players at an intermediate level and above. With a performance time of around two and a half minutes, this version of Hava Nagila is perfect for wedding and concert performances, both formal and informal. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203 

Viola Solo - Level 3 - Digital Download SKU: A0.580604 Composed by Traditional. Arranged by David Warin Solomons. 20th Century,Celtic,Contemporary,Folk,World. Individual part. 7 pages. David Warin Solomons #5710801. Published by David Warin Solomons (A0.580604). This is a song and military march which is traditionally said to describe events during the seven-year siege of Harlech Castle between 1461 and 1468. Commanded by Constable Dafydd ap Ieuan, the garrison withstood the longest

Full Orchestra - Level 5 - Digital Download SKU: A0.1277133 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. 128 pages. Adrian Gagiu #868819. Published by Adrian Gagiu (A0.1277133). Missa Solemnis in B major, op. 27 (conductor's score). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque� (which would still fit the rhythm of the repeated „qui ex Patre�, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nations�, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis� and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis� gesture at „Gloria in excelsis Deo�, „et ascendit in caelis�, „in remissionem peccatorum� and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus est�, a cross-shaped texture at „crucifixus�, and some word-painting (hushed sonorities at „et invisibilium�, anticipations between orchestra and chorus at „et exspecto� etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie� is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria� begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo� has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange lingua�, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria� and „Credo� end with extended, powerful and elaborate fugues („in gloria Dei Patris� and „et vitam venturi saeculi�, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei� end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctus�). „Judicare� quotes the beginning of the well-known „Dies irae� plainchant tune, and the Consecration between the „Sanctus� and „Benedictus� sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Dei�, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi� and „dona nobis pacem�). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison� theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.

SATB choir a cappella - Medium - Digital Download SKU: MQ.50-2518-E Composed by James Biery. Instrument part. 4 pages. MorningStar Music Publishers - Digital Sheet Music #50-2518-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.50-2518-E). James Biery brings a new perspective to these traditional Latin hymns with new four-part strophic settings. With singable voice lines of modest difficulty, these motets have an expressive and beautifully shaped structure. The Latin texts are traditionally used at Benediction of the Blessed Sacrament; the English texts (which are not a translation of the Latin) will find frequent usage as short anthems or as Introit and Benediction responses in Protestant services.Includes:O Rise and SingO salutaris hostiaLord, Dismiss Us with Thy BlessingTantum ergo Sacramentum.

Alto Recorder,Recorder Solo - Level 1 - Digital Download SKU: A0.1050875 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Renaissance,Traditional,Wedding. Individual part. 4 pages. Woods Only, Arrangements #655212. Published by Woods Only, Arrangements (A0.1050875). This easy arrangement for alto recorder and piano has been adapted to be simple to perform and understand the period minuet form of the original work for various levels of musical knowledge. It can be freely played by beginning students due to the ease built into the piece in relation to the author's suggested interpretation. Recommended for performance in academic recitals, and public festivals, it also serves as a study of Baroque repertoire. This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach.

Piano Solo - Digital Download SKU: A0.1296630 Composed by Dr. Deborah Rambo Sinn, Author. Traditional. Score. 276 pages. Deborah Rambo Sinn at The Underground Conservatory #886807. Published by Deborah Rambo Sinn at The Underground Conservatory (A0.1296630). Finally, a piano skills book that you don't have to lug around! This 260+ page book fits on your phone or tablet and can be opened in any PDF reader, like Adobe Acrobat or forScore. Pocket Piano Proficiency: a revolutionary way to learn the skills you need offers basic piano skills in a new way. Author and veteran piano instructor Deborah Rambo Sinn wanted to find a solution for getting students to learn these solidly and efficiently­–along with finding a way to combine this with developing excellent aural skills. Ultimately, she sought a way to quickly make these skills relevant to understanding larger concepts of music theory. Traditionally, it takes a long time of learning individual skills before a student can grasp how they all work together. Pocket Piano Proficiency flips this model, introducing tasks in chunks of like material. The circle of fifths appears from the first pages, demonstrating connections between keys from the start. The book’s pedagogical organization moves students from the easiest to more complex skills, allowing them to scaffold successfully from one chapter to the next. The eBook format allows for a new way of learning these skills that a black and white printed book does not afford. Each page contains several layers of helpful material that can be accessed by zooming in and out. Because only one level of information can be accessed at a time, students need to assimilate information from around the page to successfully complete each task (see video.) Additionally, the use of color cues for tasks further organizes each chapter. As an example, red is used for the simplest keys or most common concepts. Additionally, the use of color cues for tasks further organizes each chapter. As an example, red is used for the simplest keys or most common concepts.

Saxophone Trio,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1138518 Composed by Christian Petzold, Johann Sebastian Bach, and Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 38 pages. Woods Only, Arrangements #738859. Published by Woods Only, Arrangements (A0.1138518). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for sax trio, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. 1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. 2: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. 3: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. 4: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. 5: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. Bonus: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism, where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.

Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.836327 Composed by Unknown. Arranged by Mark Goodney. Children,Christmas,Folk,Traditional. Octavo. 6 pages. Mark Goodney #5219269. Published by Mark Goodney (A0.836327). Traditionally a Thanksgiving song, this is the Christmas version made popular by the Andrew Sisters & Danny Kaye.

Choral Choir,Choral,SATB Chorus - Level 3 - Digital Download SKU: A0.1449965 By Brian Buda. By C.C.N. Balle. Arranged by Brian Buda. Advent,Christmas,Contest,Festival,Holiday,Sacred. 22 pages. Budaful music #1029696. Published by budaful music (A0.1449965). Give your choir the gift of beautiful music this Christmas. With its warm traditional sound, this gently lilting rendition of a time-honored carol captures the joyous spirit of Christmas. Traditionally known for its opening line, The Happy Christmas Comes Once More, this Danish carol from the early 1800s is thoughtfully arranged with a graceful accompaniment and easy-to-sing vocal sections. The nativity of Christ unfolds over the course of the song, illustrating the joy of the season, the gift of Christmas. 2-Part voicing (SMD) also available. There are three supplemental parts that will take it to the next level. Woodwind Obligato 5-pack (1 obligato in 5 transpositions) (SMD), String Quartet accompaniment (SMD), and String Orchestra accompaniment (SMD).

Accordion,Instrumental Solo - Level 2 - Digital Download SKU: A0.1431118 Composed by Unknown. Arranged by Manuela Rosa. Folk,Multicultural,Traditional,World. Individual part. 5 pages. Manuela #1011587. Published by Manuela (A0.1431118). Für Akkordeon gesetzt mit LilypondWarum Lilypond? Die modernen, mit Computerprogrammen gesetzten Noten wirken irgendwie steril. Lilypond bringt die Ästhetik der historischen Notendruckkunst auf den Computer.for accordionengraved with LilypondWhy engrave with Lilypond? Computer engraved music looks somehow sterile.LilyPond is a music engraving program, devoted to producing the highest-quality sheet music possible. It brings the aesthetics of traditionally engraved music to computer printouts. LilyPond is free software.

Instrumental Duet Cello,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.589296 Composed by Traditional. Arranged by David McKeown. Jewish,Wedding,World. Score and parts. 4 pages. David McKeown #6020791. Published by David McKeown (A0.589296). Hava Nagila is a Hebrew Folk tune, often performed by Klezmer musicians. This version is arranged as a duet for one Violin and one Cello.Hava Nagila was originally a Nigun melody thought to have originated in the Ukraine. In 1918 a professor and musicologist at the Hebrew University in Jerusalem, Abraham Zevi Idelsohn, set the tune to words adapted from Psalm 118. Hava Nagila was first performed at celebrations at the end of the Great War and quickly spread throughout the Jewish diaspora. In the fifties and sixties, performances by singers as diverse as Harry Belafonte and Bob Dylan popularised the song far beyond its original Jewish audience. Hava Nagila remains one of the best-known and loved Klezmer standards today, traditionally performed at Jewish celebrations.Hava Nagila is simply arranged in a key and range best suited to the instruments. After a steady beginning, the melody gradually increases in tempo, with constant variations in the accompaniment. Hava Nagila is suitable for players at an intermediate level and above. With a performance time of around two and a half minutes, this version of Hava Nagila is perfect for celebrations, weddings and concert performances, both formal and informal. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203 

Easy Piano - Level 2 - Digital Download SKU: A0.1082111 By Amy Kent. By Lewis E. Jones. Arranged by Amy Kent. Sacred,Traditional. Score. 3 pages. Amy Kent #686250. Published by Amy Kent (A0.1082111). This is a reflective rendition of the traditionally upbeat hymn. Arranged as a solo for late beginner or early intermediate pianist.

Instrumental Duet Bass Clarinet,Instrumental Duet - Level 3 - Digital Download SKU: A0.589298 Composed by Traditional. Arranged by David McKeown. Jewish,Multicultural,Wedding,World. Score and parts. 4 pages. David McKeown #6020797. Published by David McKeown (A0.589298). Hava Nagila is a Hebrew Folk tune, often performed by Klezmer musicians. This version is arranged as a duet for one Clarinet and one Bass Clarinet.Hava Nagila was originally a Nigun melody thought to have originated in the Ukraine. In 1918 a professor and musicologist at the Hebrew University in Jerusalem, Abraham Zevi Idelsohn, set the tune to words adapted from Psalm 118. Hava Nagila was first performed at celebrations at the end of the Great War and quickly spread throughout the Jewish diaspora. In the fifties and sixties, performances by singers as diverse as Harry Belafonte and Bob Dylan popularised the song far beyond its original Jewish audience. Hava Nagila remains one of the best-known and loved Klezmer standards today, traditionally performed at Jewish celebrations.Hava Nagila is simply arranged in a key and range best suited to the instruments. After a steady beginning, the melody gradually increases in tempo, with constant variations in the accompaniment. Hava Nagila is suitable for players at an intermediate level and above. With a performance time of around two and a half minutes, this version of Hava Nagila is perfect for celebrations, weddings and concert performances, both formal and informal. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203