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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1464137 By The computer. By Traditional. Arranged by Manuela Rosa. 19th Century,Folk,Instructional,Patriotic,Traditional. Score. 7 pages. Manuela #1042852. Published by Manuela (A0.1464137). Ein patriotisches Lied aus dem amerikanischen Bürgerkriegtransponiert nach C-DurAudiobeispiel wurde computergeneriertgesetzt mit LilypondWarum Lilypond? Die modernen, mit Computerprogrammen gesetzten Noten wirken irgendwie steril. Lilypond bringt die Ästhetik der historischen Notendruckkunst auf den Computer.a patriotic song from the American civil war; several text versionstransposed to C majoraudio sample generated by computerWhy engrave with Lilypond? Computer engraved music looks somehow sterile.LilyPond is a music engraving program, devoted to producing the highest-quality sheet music possible. It brings the aesthetics of traditionally engraved music to computer printouts. LilyPond is free software.
The Bonnie Blue Flag (C major)
Piano, Voix
The computer
$2.22 1.91 € Piano, Voix PDF SheetMusicPlus

Choral Choir (SSA) - Level 3 - Digital Download SKU: A0.748494 Composed by Christoph Meineke, MEINEKE, and Traditional Words. Arranged by Fritz Stanley. A Cappella,Christian,Praise & Worship,Sacred. Octavo. 7 pages. MicStanley #3916787. Published by MicStanley (A0.748494). Gloria Patri (Glory Be to the Father) is composed by Christoph Meineke in MEINEKE tune. Arranged by Fritz Stanley for three-part chorus of female voices (SSA) in a cappella. This Gloria Patri text is usually known as the Lesser Doxology (what is known as the Greater Doxology begins Gloria in excelsis Deo; see 247). It is a liturgical text common to most Christian traditions and is often appended to the singing of Old Testament psalms or New Testament canticles. The traditional version of this text is found here, while a more modern translation occurs at 636. The initial part of the Gloria Patri may be traced back to the Trinitarian baptismal formula recordedin Matthew 28: 19; it was probably used by early Christians as an acclamation. The second part, which begins as it was in the beginning, was added in the fourth century as a response to the Arian heresy. Thus the text reflects the orthodox insistence on the consubstantiality of the Son with the Father and the eternal unity and equality of the three persons in the Trinity. Liturgical Use: Traditionally used at the end of Old Testament psalms and New Testament canticles and at the conclusion of certain prayers or creedal statements; a general doxology.
Gloria Patri (Glory Be to the Father - MEINEKE) - SSA A Cappella
Chorale 3 parties

$2.00 1.72 € Chorale 3 parties PDF SheetMusicPlus

Concert Band - Level 3 - Digital Download SKU: A0.1314114 Composed by David Ahrens. 21st Century,Advent,Christian,Christmas,Holiday. 74 pages. Baseline Music Publishing #902847. Published by Baseline Music Publishing (A0.1314114). Composer's web store: https://www.sounded.us/baseline/product/merry-dont-you-know-by-david-ahrens-wind-band/“God Rest You Merry, Gentlemen†is a traditional English Christmas carol dating to the mid 17th Century. It was referenced by Charles Dickens in his 1843 novella “A Christmas Carol†but with the lyric:“God bless you, Merry Gentleman!May nothing you dismay!â€The phrase “God rest you merry†historically meant “may God grant you peace and happinessâ€. “Rest you merry†was used both in Shakespeare’s “As You Like It†and “Romeo and Julietâ€. Over time, there has been confusion over this title due to changes in common language usage. The word ‘merry’ is an adverb of rest and not an adjective of Gentlemen.“Pat-A-Pan†is a traditional Burgundian French Christmas carol written by Bernard de La Monnoye and published in 1720. The text calls for the bringing of a drum and flute to play for newborn Jesus Christ in worship. The title is onomatopoeic for the sound of a drum, as is the additional lyric “tu-re-lu-re-lu†for the sound of a flute.“Yigdal†is a Jewish hymn and prayer that is a poetic adaptation of Maimonides’ 13 principles of faith. The text is attributed to 14th century poet Daniel ben Judah. The melody dates to the 17th century or earlier. It is traditionally sung for morning prayer and as the conclusion of Shabbat evening services. Upon hearing Yigdal, English Methodist Thomas Olivers adapted this melody for use in his Christian hymn “The God of Abraham Praiseâ€, which is a paraphrase of the ben Judah doxology, and was first published in 1772.“Merry! Don’t You Know?†is a playful melding of these sacred songs, acting as a reminder that Christmas is a time to be merry and joyful as we celebrate the nature, power, and love of God.
Merry! Don't You Know?
Orchestre d'harmonie

$74.99 64.41 € Orchestre d'harmonie PDF SheetMusicPlus






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