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Instrumental Duet Flute,Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.511807 Composed by Han-Ki Kim. Contemporary,Multicultural,Romantic Period,Standards,World. Score and parts. 27 pages. Han-Ki Kim #6362069. Published by Han-Ki Kim (A0.511807). Korean Simple Suite No.1 For Flute and Piano is consist of 5 movements.All piece's main theme is generally based on Oriental pentatonic tone(Do, Re, Mi, Sol, La). Originaly, this piece was composed for Violin and Piano, and Dedicated to Andreas Buschatz, Concertmaster of Leipzig Gewandhaus Orchestra.  All piece's main theme is generally based on Oriental pentatonic tone(Do, Re, Mi, Sol, La).1st movement(Prologue-Greeting) is just for a Greeting. And for 2nd movement(Oriental Flute), there is tried to express oriental flute's feeling, and for 3rd movement(Cheerfulness), adapted Korean Traditional rhythm, for example, such as Kutkuri Jajinmori. 4th movement(Sorrow) is major key, but it has a deep sorrow. For Finale(Festival), Rondo form is used, and Korean Traditional Children's song is adapted as main Theme. This music transcribed for Cello and Piano was a Competition Repertorie Requirement of Tennessee Cello Workshop(2021.2.26.-28), University of Tennessee, School of Music.  Attached music file is recorded by Violin and Piano, it's just for a reference.
Korean Simple Suite No.1 (For Flute and Piano)
Flûte traversière et Piano

$14.99 13.02 € Flûte traversière et Piano PDF SheetMusicPlus

Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.890701 Composed by John Pitts. Baroque,Contemporary. Score and parts. 36 pages. Intensely Pleasant Music #3424663. Published by Intensely Pleasant Music (A0.890701). Passacaglia (2000-2012) duet 6 minutes This piece also exists in versions for organ (my original version in 2000) and orchestra (performed by Bristol University Symphony Orchestra under the baton of John Pickard in 2001). The piano duet version was finally completed in 2012.  The theme is based on the ground bass from Bach’s stonking Passacaglia in C minor for organ. However, the implied harmonies of Bach’s original ground bass are treated to some twisted harmonies – where each chord is altered using a system of harmonic substitution - swapping each chord implication for a newly chosen one (Cm=C, Fm=F#, G=A, Dm=A¨, Eb=F and on it goes around the 12 chromatic notes).  Each key therefore has a ‘dominant’ and ‘subdominant’ that are not the actual chords V and IV in that key, so the traditional cadences and chord relationships are supplanted by 12 individual 3-chord relationships – one set of three chords for each of the 12 (now almost exclusively major) keys. In an attempt to recreate the pulls of the traditional tonic-dominant-subdominant relationships, each key then also has a particular mode/scale with particular added notes that are designed to recreate the sense of moving away from and back towards the home chord of that key. This results in a lot of rich added harmonies and some idiomatic voice-leading. Bach’s original theme in Cm is: C G - E¨ F - G A¨  - F G - D E¨ - B C -   F G   - C, and in the opening statement of the ground bass this has become: C A - E F# - A B¨ - F# A - D# E - C# C - F# A - C. There are then 21 variations which modulate through a range of keys, during which the ground bass is constantly re-adjusted to fit the new harmonic areas. It starts in C major, then goes through ‘closely’ related keys (eg A major and A¨ major), and then back to C in variations 6, 9 and 11. This kind of arch then happens again but going through more distant keys before returning to C in variations 18, 19 and the final climactic variation 21. Leaving aside the structural and tonal nuts and bolts, my aim was to compose a piece that attempts to recapture some of the nobility and beauty of Bach's Passacaglia, with rich added note harmonies, and exuding an exuberant joy.
Passacaglia in C (piano duet)
1 Piano, 4 mains

$9.99 8.68 € 1 Piano, 4 mains PDF SheetMusicPlus

Cello,Piano - Level 2 - Digital Download SKU: A0.1316427 By DaCapo Primary Music. By Peter Furniss. Children,Classical,Folk,Instructional,Traditional. Score and part. 68 pages. DaCapo Primary Music #905173. Published by DaCapo Primary Music (A0.1316427). Brilliant solos for beginner cello with piano accompaniments.The tunes in this collection of concert pieces have been adapted from traditional folk and children’s songs and given a whole new lease of life with entertaining and imaginative piano accompaniments.There are two versions of each piece – one technically easier than the other. The keys are those needed for early graded exams and there is scope to extend the key ranges and explore octave displacements, varied articulation, slurrings, different fingerings etc.These possibilities are not always marked in the score as it is hoped that the teacher can encourage pupils to bring their own ideas to each piece.The imaginative and varied piano parts give the performer much more than just a chord structure as support for their playing and the accompanying CD can be used once they are able to play the pieces with ease.Designed to be the first concert pieces for a beginner to be played with a pianist or at home with the CD, giving the audience entertaining music to listen to whilst giving the player a real sense of a serious performance.In Concert is the final workings of songs that were commissioned to teach music to children systematically using relative solfa.The songs (all old English folk songs) were reworded to make for entertaining material for children whilst they learn the basic elements and skills of music making. The songs are contained in The First DaCapo Songbook and are brought together as a singing performance in The Farmyard Suite. In Concert is the instrumental version of this.You can find more DaCapo pieces for young instrumentalists at DaCapo Music Shop
In Concert Cello
Violoncelle, Piano
DaCapo Primary Music
$7.99 6.94 € Violoncelle, Piano PDF SheetMusicPlus






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