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Concert Band - Digital Download SKU: AX.00-PC-0016397_BB_EDPAK Bb Educational Pack. Composed by Chris M. Bernotas. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016397_Bb_EDPAK. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016397_BB_EDPAK). UPC: 038081481692.A tuneful way to introduce students to the lyrical style and rollicking feel of traditional Scottish/Irish music. The Air is the melody from Gilderoy and is set with a contemporary harmonic palette that concludes with an exciting climax before transitioning to the jig. The Jig of Slurs is a traditional Irish dance with a melody and feel that is infectious! (2:30) Air and Jig correlates to Book 2, Level 2 of Sound Innovations for Concert Band.Concert/Contest; Festival.
Air and Jig: Bb Educational Pack
Orchestre d'harmonie

$3.00 2.54 € Orchestre d'harmonie PDF SheetMusicPlus

Concert Band - Digital Download SKU: AX.00-PC-0016397_B Bells. Composed by Chris M. Bernotas. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016397_B. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016397_B). UPC: 038081481692.A tuneful way to introduce students to the lyrical style and rollicking feel of traditional Scottish/Irish music. The Air is the melody from Gilderoy and is set with a contemporary harmonic palette that concludes with an exciting climax before transitioning to the jig. The Jig of Slurs is a traditional Irish dance with a melody and feel that is infectious! (2:30) Air and Jig correlates to Book 2, Level 2 of Sound Innovations for Concert Band.Concert/Contest; Festival.
Air and Jig: Bells
Orchestre d'harmonie

$3.00 2.54 € Orchestre d'harmonie PDF SheetMusicPlus

Viola Solo - Level 4 - Digital Download SKU: A0.1512720 Composed by Steven Kruse & Penny Thompson Kruse. 19th Century,20th Century,Classical,Instructional,Traditional. Individual part. 47 pages. String Play for All #1087672. Published by String Play for All (A0.1512720). It has long been accepted pedagogical practice that, after first position, the next positions a violin or viola student learns are third and fifth positions. There is good reason for studying the odd-numbered positions first. The body of the and the crook of the neck provide solid reference points for finding these positions. Harmonically, first, third, and fifth positions outline the triad, the foundation of Western tonal music. The fingering for fifth position matches first position, making it easy to learn. It is unfortunate that this focus on third and fifth position has often been at the cost of any discussion of the even positions: 2, 4, 6, and 8. This is evident in the traditional etudes and study material available for violin and viola. With new tonal demands of twentieth and twenty-first century music, knowledge and familiarity with the entire finger board is essential.Like the relationship between first and fifth position, the same relationship can be found between second and sixth positions and fourth and eighth positions. We have chosen to introduce these positions together, with melodies that can be played in both positions. Also included are shifting exercises between the even-numbered positions. We hope students and teachers will find this material helpful.
2, 4, 6, 8: Positions We Don't Appreciate for Viola
Alto seul

$14.95 12.66 € Alto seul PDF SheetMusicPlus






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