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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1496120 Composed by Ulrich Lehensteiner. Christian,Classical,Praise & Worship,Religious,Sacred. Score. 9 pages. Ulrich Lehensteiner #1072651. Published by Ulrich Lehensteiner (A0.1496120). Solo-edition of the Agnus Dei from the Intimate MassAn upbeat, pop-like setting of the traditional Agnus Dei-mass-text, marking the grand finale of the mass, featuring syncopated 5/8-rhythms and a flowing semiquaver-ostinato in an unusually active organ part.Lehensteiner's Intimate Mass offers a traditional mass setting on a formally very reduced scope; scored for solo voice and organ, it describes a person's inner journey from spiritual uncertainty and doubt to confidence across its five parts (while retaining the original latin-mass-text), combining traditional dramatic settings with more upbeat, pop-like elements, such as the final part, the Agnus Dei.Both in its reduced setup as well as in its emotional subjectiveness a very Intimate Mass.
Agnus Dei (from the "Intimate Mass") ORGAN VERSION
Piano, Voix

$8.99 7.81 € Piano, Voix PDF SheetMusicPlus

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1496125 Composed by Ulrich Lehensteiner. Christian,Classical,Praise & Worship,Religious,Sacred. Score. 7 pages. Ulrich Lehensteiner #1072657. Published by Ulrich Lehensteiner (A0.1496125). Solo-edition of the Agnus Dei from the Intimate MassAn upbeat, pop-like setting of the traditional Agnus Dei-mass-text, marking the grand finale of the mass, featuring syncopated 5/8-rhythms and a flowing semiquaver-ostinato in an unusually active piano part.Lehensteiner's Intimate Mass offers a traditional mass setting on a formally very reduced scope; scored for solo voice and organ, it describes a person's inner journey from spiritual uncertainty and doubt to confidence across its five parts (while retaining the original latin-mass-text), combining traditional dramatic settings with more upbeat, pop-like elements, such as the final part, the Agnus Dei.Both in its reduced setup as well as in its emotional subjectiveness a very Intimate Mass.
Agnus Dei (from the "Intimate Mass") PIANO VERSION
Piano, Voix

$8.99 7.81 € Piano, Voix PDF SheetMusicPlus

Choral Choir,Choral,SAB Chorus - Level 3 - Digital Download SKU: A0.1514404 Composed by Colleen Muriel. Christian,Christmas,Classical,Traditional. 5 pages. El Flauto Records #1088889. Published by El Flauto Records (A0.1514404). SAB with pianoA New fun and approachable melody for the traditional words by Nahum Tate. This time the music has a with a generally rhythmical, intense, energized, and independent piano accompaniment. The music is filled with strong melodic material which moves from voice to voice. At times it will be sung just by the men or just by the women, while at other times it is sung by a full choir in octaves, or 2 and 4 part harmonies. The piece utilizes traditional notation and is great for concerts and recitals during the Christmas Season.Intermediate LevelForm: StrophicKey: D minor    Time: approx 3.28
While Shepherds Watched Their Flocks By Night
Chorale 3 parties

$3.99 3.47 € Chorale 3 parties PDF SheetMusicPlus

Viola Solo - Level 4 - Digital Download SKU: A0.1512720 Composed by Steven Kruse & Penny Thompson Kruse. 19th Century,20th Century,Classical,Instructional,Traditional. Individual part. 47 pages. String Play for All #1087672. Published by String Play for All (A0.1512720). It has long been accepted pedagogical practice that, after first position, the next positions a violin or viola student learns are third and fifth positions. There is good reason for studying the odd-numbered positions first. The body of the and the crook of the neck provide solid reference points for finding these positions. Harmonically, first, third, and fifth positions outline the triad, the foundation of Western tonal music. The fingering for fifth position matches first position, making it easy to learn. It is unfortunate that this focus on third and fifth position has often been at the cost of any discussion of the even positions: 2, 4, 6, and 8. This is evident in the traditional etudes and study material available for violin and viola. With new tonal demands of twentieth and twenty-first century music, knowledge and familiarity with the entire finger board is essential.Like the relationship between first and fifth position, the same relationship can be found between second and sixth positions and fourth and eighth positions. We have chosen to introduce these positions together, with melodies that can be played in both positions. Also included are shifting exercises between the even-numbered positions. We hope students and teachers will find this material helpful.
2, 4, 6, 8: Positions We Don't Appreciate for Viola
Alto seul

$14.95 12.99 € Alto seul PDF SheetMusicPlus






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