Piano,Violin - Level 1 - Digital Download SKU: A0.1434688 Composed by Traditional German Folk Song. Arranged by Kaiserin Rebecca. Children,Folk,Instructional,Traditional. 2 pages. Kaiserin Rebecca #1014816. Published by Kaiserin Rebecca (A0.1434688). For violin solo and piano accompaniment with chords.Key: D major. Duration: 0'40.

Woodwind Ensemble - Level 5 - Digital Download SKU: A0.1073232 Composed by An-lun Huang. 20th Century,Classical,Contemporary,Multicultural,Traditional,World. 107 pages. DoReMi Edition #677496. Published by DoReMi Edition (A0.1073232). CHINESE RHAPSODY No.3 For Saxophone with various ensemble An-lun Huang Op.46(1988) Chinese Rhapsody No.3 was composed e in Toronto, Canada , 1988. Huang dedicated the piece to the Canadian Saxophonist Paul Brodie who premiered it in Parry sound of Ontario in the same year. Written in Saibei Folk Style, the music is divided into 5 movements without stop. As usual, Huang didn‘t use any folk song . But the typical taste of Huang’s “Zhang Jia Kou[張家�] accent� is pretty easy to be identified. With the concert virtuosity, the 1st movement is composed as an emotional Cadenza which expresses the profound affections to the land of Saibei. Using the same Alto Sax., the lyric 2nd movement is followed by a folk dance, the 3rd movement. Chang to a Soprano Saxophone, the 4th movement is sound like a dreamy nocturne which is interrupted by the percussions of the fiery 5th movement. The whole Rhapsody ends on a climax of the Chinese Northern west “wind and percussion “style�. Brodie found more than 300 trills in this piece. Perhaps this is the key to perform the music in real Chinese style. Huang has composed 5 versions of these pieces for different ensembles: saxophone solo with piano, or strings, or winds/brasses, or Chinese traditional orchestra, or symphony orchestra. The attached mp3 was performed by the German saxophonist Jurgen Demmler with pianist Peter Grabinger in 1996. Duration: 20’.

String Orchestra - Level 5 - Digital Download SKU: A0.1049001 Composed by An-lun Huang. 20th Century,Classical,Contemporary,Multicultural,Traditional,World. Score and parts. 32 pages. DoReMi Edition #653394. Published by DoReMi Edition (A0.1049001). Chinese Rhapsody No.3 was composed e in Toronto, Canada , 1988. Huang dedicated the piece to the Canadian Saxophonist Paul Brodie who premiered it in Parry sound of Ontario in the same year. Written in Saibei Folk Style, the music is divided into 5 movements without stop. As usual, Huang didn‘t use any folk song . But the typical taste of Huang’s “Zhang Jia Kou[張家�] accent� is pretty easy to be identified. With the concert virtuosity, the 1st movement is composed as an emotional Cadenza which expresses the profound affections to the land of Saibei. Using the same Alto Sax., the lyric 2nd movement is followed by a folk dance, the 3rd movement. Chang to a Soprano Saxophone, the 4th movement is sound like a dreamy nocturne which is interrupted by the percussions of the fiery 5th movement. The whole Rhapsody ends on a climax of the Chinese Northern west “wind and percussion “style�. Brodie found more than 300 trills in this piece. Perhaps this is the key to perform the music in real Chinese style. Huang has composed 5 versions of these pieces for different ensembles: saxophone solo with piano, or strings, or winds/brasses, or Chinese traditional orchestra, or symphony orchestra. The attached mp3 was performed by the German saxophonist Jurgen Demmler with pianist Peter Grabinger in 1996. Duration: 20’.

Woodwind Ensemble - Level 5 - Digital Download SKU: A0.1073231 Composed by An-lun Huang. 20th Century,Classical,Contemporary,Multicultural,Traditional,World. 33 pages. DoReMi Edition #677495. Published by DoReMi Edition (A0.1073231). Chinese Rhapsody No.3 was composed e in Toronto, Canada , 1988. Huang dedicated the piece to the Canadian Saxophonist Paul Brodie who premiered it in Parry sound of Ontario in the same year. Written in Saibei Folk Style, the music is divided into 5 movements without stop. As usual, Huang didn‘t use any folk song . But the typical taste of Huang’s “Zhang Jia Kou[張家�] accent� is pretty easy to be identified. With the concert virtuosity, the 1st movement is composed as an emotional Cadenza which expresses the profound affections to the land of Saibei. Using the same Alto Sax., the lyric 2nd movement is followed by a folk dance, the 3rd movement. Chang to a Soprano Saxophone, the 4th movement is sound like a dreamy nocturne which is interrupted by the percussions of the fiery 5th movement. The whole Rhapsody ends on a climax of the Chinese Northern west “wind and percussion “style�. Brodie found more than 300 trills in this piece. Perhaps this is the key to perform the music in real Chinese style. Huang has composed 5 versions of these pieces for different ensembles: saxophone solo with piano, or strings, or winds/brasses, or Chinese traditional orchestra, or symphony orchestra. The attached mp3 was performed by the German saxophonist Jurgen Demmler with pianist Peter Grabinger in 1996. Duration: 20’.

Full Orchestra - Level 5 - Digital Download SKU: A0.1049004 Composed by An-lun Huang. 20th Century,Classical,Contemporary,Multicultural,Traditional,World. Score and parts. 61 pages. DoReMi Edition #653398. Published by DoReMi Edition (A0.1049004). Chinese Rhapsody No.3 was composed e in Toronto, Canada , 1988. Huang dedicated the piece to the Canadian Saxophonist Paul Brodie who premiered it in Parry sound of Ontario in the same year. Written in Saibei Folk Style, the music is divided into 5 movements without stop. As usual, Huang didn‘t use any folk song . But the typical taste of Huang’s “Zhang Jia Kou[張家�] accent� is pretty easy to be identified. With the concert virtuosity, the 1st movement is composed as an emotional Cadenza which expresses the profound affections to the land of Saibei. Using the same Alto Sax., the lyric 2nd movement is followed by a folk dance, the 3rd movement. Chang to a Soprano Saxophone, the 4th movement is sound like a dreamy nocturne which is interrupted by the percussions of the fiery 5th movement. The whole Rhapsody ends on a climax of the Chinese Northern west “wind and percussion “style�. Brodie found more than 300 trills in this piece. Perhaps this is the key to perform the music in real Chinese style. Huang has composed 5 versions of these pieces for different ensembles: saxophone solo with piano, or strings, or winds/brasses, or Chinese traditional orchestra, or symphony orchestra. The attached mp3 was performed by the German saxophonist Jurgen Demmler with pianist Peter Grabinger in 1996. Duration: 20’.

Alto Saxophone,Piano - Level 5 - Digital Download SKU: A0.1048927 Composed by An-lun Huang. 20th Century,Contemporary,Multicultural,Traditional,World. Score and part. 25 pages. DoReMi Edition #653319. Published by DoReMi Edition (A0.1048927). Chinese Rhapsody No.3 was composed e in Toronto, Canada , 1988. Huang dedicated the piece to the Canadian Saxophonist Paul Brodie who premiered it in Parry sound of Ontario in the same year. Written in Saibei Folk Style, the music is divided into 5 movements without stop. As usual, Huang didn‘t use any folk song . But the typical taste of Huang’s “Zhang Jia Kou[張家�] accent� is pretty easy to be identified. With the concert virtuosity, the 1st movement is composed as an emotional Cadenza which expresses the profound affections to the land of Saibei. Using the same Alto Sax., the lyric 2nd movement is followed by a folk dance, the 3rd movement. Chang to a Soprano Saxophone, the 4th movement is sound like a dreamy nocturne which is interrupted by the percussions of the fiery 5th movement. The whole Rhapsody ends on a climax of the Chinese Northern west “wind and percussion “style�. Brodie found more than 300 trills in this piece. Perhaps this is the key to perform the music in real Chinese style. Huang has composed 5 versions of these pieces for different ensembles: saxophone solo with piano, or strings, or winds/brasses, or Chinese traditional orchestra, or symphony orchestra. The attached mp3 was performed by the German saxophonist Jurgen Demmler with pianist Peter Grabinger in 1996. Duration: 20’.

Woodwind Ensemble - Level 5 - Digital Download SKU: A0.1073229 Composed by An-lun Huang. 20th Century,Classical,Contemporary,Multicultural,Traditional,World. 33 pages. DoReMi Edition #677492. Published by DoReMi Edition (A0.1073229). Chinese Rhapsody No.3 was composed e in Toronto, Canada , 1988. Huang dedicated the piece to the Canadian Saxophonist Paul Brodie who premiered it in Parry sound of Ontario in the same year. Written in Saibei Folk Style, the music is divided into 5 movements without stop. As usual, Huang didn‘t use any folk song . But the typical taste of Huang’s “Zhang Jia Kou[張家�] accent� is pretty easy to be identified. With the concert virtuosity, the 1st movement is composed as an emotional Cadenza which expresses the profound affections to the land of Saibei. Using the same Alto Sax., the lyric 2nd movement is followed by a folk dance, the 3rd movement. Chang to a Soprano Saxophone, the 4th movement is sound like a dreamy nocturne which is interrupted by the percussions of the fiery 5th movement. The whole Rhapsody ends on a climax of the Chinese Northern west “wind and percussion “style�. Brodie found more than 300 trills in this piece. Perhaps this is the key to perform the music in real Chinese style. Huang has composed 5 versions of these pieces for different ensembles: saxophone solo with piano, or strings, or winds/brasses, or Chinese traditional orchestra, or symphony orchestra. The attached mp3 was performed by the German saxophonist Jurgen Demmler with pianist Peter Grabinger in 1996. Duration: 20’.

Alto Saxophone Solo - Level 5 - Digital Download SKU: A0.1049003 Composed by An-lun Huang. 20th Century,Classical,Contemporary,Multicultural,Traditional,World. Individual part. 16 pages. DoReMi Edition #653396. Published by DoReMi Edition (A0.1049003). Chinese Rhapsody No.3 was composed e in Toronto, Canada , 1988. Huang dedicated the piece to the Canadian Saxophonist Paul Brodie who premiered it in Parry sound of Ontario in the same year. Written in Saibei Folk Style, the music is divided into 5 movements without stop. As usual, Huang didn‘t use any folk song . But the typical taste of Huang’s “Zhang Jia Kou[張家�] accent� is pretty easy to be identified. With the concert virtuosity, the 1st movement is composed as an emotional Cadenza which expresses the profound affections to the land of Saibei. Using the same Alto Sax., the lyric 2nd movement is followed by a folk dance, the 3rd movement. Chang to a Soprano Saxophone, the 4th movement is sound like a dreamy nocturne which is interrupted by the percussions of the fiery 5th movement. The whole Rhapsody ends on a climax of the Chinese Northern west “wind and percussion “style�. Brodie found more than 300 trills in this piece. Perhaps this is the key to perform the music in real Chinese style. Huang has composed 5 versions of these pieces for different ensembles: saxophone solo with piano, or strings, or winds/brasses, or Chinese traditional orchestra, or symphony orchestra. The attached mp3 was performed by the German saxophonist Jurgen Demmler with pianist Peter Grabinger in 1996. Duration: 20’.

Alto Saxophone Solo - Level 5 - Digital Download SKU: A0.1048928 Composed by An-lun Huang. 20th Century,Classical,Contemporary,Multicultural,Traditional,World. Individual part. 9 pages. DoReMi Edition #653322. Published by DoReMi Edition (A0.1048928). Chinese Rhapsody No.3 was composed e in Toronto, Canada , 1988. Huang dedicated the piece to the Canadian Saxophonist Paul Brodie who premiered it in Parry sound of Ontario in the same year. Written in Saibei Folk Style, the music is divided into 5 movements without stop. As usual, Huang didn‘t use any folk song . But the typical taste of Huang’s “Zhang Jia Kou[張家�] accent� is pretty easy to be identified. With the concert virtuosity, the 1st movement is composed as an emotional Cadenza which expresses the profound affections to the land of Saibei. Using the same Alto Sax., the lyric 2nd movement is followed by a folk dance, the 3rd movement. Chang to a Soprano Saxophone, the 4th movement is sound like a dreamy nocturne which is interrupted by the percussions of the fiery 5th movement. The whole Rhapsody ends on a climax of the Chinese Northern west “wind and percussion “style�. Brodie found more than 300 trills in this piece. Perhaps this is the key to perform the music in real Chinese style. Huang has composed 5 versions of these pieces for different ensembles: saxophone solo with piano, or strings, or winds/brasses, or Chinese traditional orchestra, or symphony orchestra. The attached mp3 was performed by the German saxophonist Jurgen Demmler with pianist Peter Grabinger in 1996. Duration: 20’.

Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.877295 Composed by Traditional Song. Arranged by Tak Chiu Wong. Christmas,Holiday. 8 pages. Tak Chiu Wong #4300107. Published by Tak Chiu Wong (A0.877295). Colorful Clouds Chasing the Moon - Chinese traditional songarranged for Saxophone Quartet SATB by Dr. Tak Chiu Wongsoprano saxophone, alto saxophones, tenor saxophone, baritone saxophonesA song that is frequently performed during Chinese Mid-Autumn Festival  Score and PartsFor any inquiry, you are welcome to contact me via my website:www.takchiuwong.com.

Woodwind Ensemble,Woodwind Quartet Bassoon - Level 3 - Digital Download SKU: A0.877313 Composed by Traditional Song. Arranged by Tak Chiu Wong. Christmas,Folk,Holiday. 10 pages. Tak Chiu Wong #4366784. Published by Tak Chiu Wong (A0.877313). Colorful Clouds Chasing the Moon - Chinese traditional songarranged for Bassoon Quartet by Dr. Tak Chiu Wong4 bassoons, with optional contrabassoon partA song that is frequently performed during Chinese Mid-Autumn Festival Score and PartsFor any inquiry, you are welcome to contact me via my website:www.takchiuwong.com

Small Ensemble Bass Voice,Cello,Clarinet,Flute,Piano,Viola,Violin - Level 5 - Digital Download SKU: A0.1009217 Composed by An-lun Huang. 20th Century,Classical,Folk. Score and parts. 85 pages. DoReMi Edition #614863. Published by DoReMi Edition (A0.1009217). SEVEN CANADIAN FOLK SONGS IN CHINESE STYLE Septet for Flute, Clarinet, Violin, Viola, Cello, Bass and Piano An-lun Huang, op.36 (1986) James Campbell, the famous Canadian clarinets, commissioned a septet from Huang for the China tour of the Canadian Chamber Group in 1984. Campbell suggested that An-lun combine the folk music of Canada and China in this new work. The result was the septet,� Seven Canadian Folk Songs in Chinese style, became the most exciting hit piece of the tour. The world premiere was taken place at the Festival of the Sound at Parry Sound, Ontario, before the China tour. It was performed by seven leading Canadian musicians, Moshe Hammer(violin), Steven Dann(viola), Sophie Rolland(cello), Joel Quarrington(bass), Anton Kuerti(piano), Robert Aitken(flute) and James Campbell(clarinet). The piece was so warmly received both in Canada and China that a record has been released. It was also the most successful piece for the Canada-Hong Kong Festival, Hong Kong, 91. In addition, in 2002, successfully, the Canadian Symphoniatta performed its orchestral version, conducted by Tak-ng Lai, in Paris, France. However, Huang found the musical similarity of the two nations--the pentatonic mode. Written in Chinese idea, the septet gives the opportunity both to the Chinese and Canadian audiences to find themselves in each other through the Seven Canadian folk songs. The septet is divided into seven attacca parts. No.1 begins the music into a very quiet British Columbia Indian folk tune, performed by flute and clarinet, and occasionally, the piano gives few chords to support them. No.2 comes a Alberta Indian lyric song with all instruments. The folk songs of No.3 and 4 are Ontario Forest man’s old tunes which bring the music to the exciting part. The No.5 is a Saskatchewan Indian traditional tune, the war song. Its heavy dynamic shows the typical native Canadian rhythmic patterns. Wooden spoon is a Canadian folk instrument. The clarinet player plays it in No.6 of a vivacious Quebec folk dance. And in a Newfoundland lyric song, No.7, the septet goes to its brilliant ending. The attached mp3 was recorded a Russian master and Fei-ping Hsu, one of the greatest Chinese pianist. Duration: 18 min.

Instrumental Solo - Level 5 - Digital Download SKU: A0.1048995 Composed by 黃安倫. 20th Century,Classical,Contemporary,Multicultural,Traditional,World. Individual part. 9 pages. DoReMi Edition #653388. Published by DoReMi Edition (A0.1048995). “暢想曲�（黃安倫的譯�）乃�於西樂體�Rhapsody，一般譯作“狂想曲�。在這方�最著�的當推�斯特所作的《匈牙利狂想曲》和格什文之《籃色狂想曲》等。這種體�的特點在於曲�自由，大�應用民間音樂�料和樂曲的炫技性，一般都注�強烈的音樂會效果。黃安倫迄今共作有�首《中國暢想曲》。他的這類作�也都是�就這種體�的特點，而他所強調的則都是中國�地民間音樂的特性。這中間最常被演�的，當屬《中國暢想曲第二號》，除了有多款CD�世外，更為中國�年鋼�家郎朗�得國際柴科夫斯基鋼�比賽之第一�大�。 《中國暢想曲第三號》乃是為薩克���而作，被題�給作者摯�──號稱“薩克�之王�的加拿大��家波爾‧�柔笛 Paul Brodie。此曲目�有四種版本以����之伴�，四種版本的演出��得很好�績，�大��功。。它們是： a，鋼�，此原始版本由波爾‧�柔笛1988年首演於加拿大的帕裡桑音樂節，樂譜已在美國出版，並由德國�家丹姆勒錄有CD；在中國的首演則由�進��年在北京實�。 b，弦樂隊加打擊樂，已在1996年由波爾‧�柔笛與莫斯科俄羅斯愛樂樂團錄�CD； c，中樂團，乃是香港中樂團之委約作�，1994年由波爾‧�柔笛與���家陳澄雄指�首演後，北京郭雅志採用嗩�擔任��，於1995年創出一款全新的樣�； d，標準管弦樂團， 2011年在國家大劇院中國交響樂之春�由郭雅志採用嗩�擔任��，姜金一指�山西交響樂團首演。 《中國暢想曲第三號》在一�八八年作於加拿大。全曲分為五個段�，但作�間斷地演�，在風格上雖然沒有照�任何民歌，��表�出塞北的地方特性，這顯然�和黃安倫大�“張家��音�的作�一脈相承。 第一段是炫技性的�彩樂段Cadenza，薩克�在無伴�的情�下詠�出作者�塞北這片廣闊的土地之一片深情；樂隊在第二段始加入，並以挺拔�深沉的旋律與薩克�交相�映，表�出塞北山地人豪放的氣派；土風舞的節�導入了第三段，塞北人們樸實�堅強的性格得到樂觀的表�；一曲�緩間�將樂曲連接到其慢�的第四段，此刻��者更�了他的中音薩克�，而用一支高音薩克��出夢幻般的悠長旋律；鑼鼓�的闖入標誌著第五段的開始，西北�打樂與河北�歌的風格混�在一起，將樂曲推�歡騰的高潮。 �柔笛曾數出全曲之�種�飾音多�數百，而這正是此作令外�演�家�以�出純粹之中國風格的關�所在。 所附MP3為北京郭雅志��.

Piano Solo - Level 4 - Digital Download SKU: A0.744637 Composed by Elena Fortin. 20th Century,Contemporary,Jazz,Standards,World. Score. 17 pages. Elena Fortin #6682917. Published by Elena Fortin (A0.744637). The Chinese ZodiacA collection of 12 miniature piano solos celebrating the animals in the Chinese zodiac. This collection will challenge the intermediate and advanced pianist and explores different styles and techniques that characterize each animal.The 12 animals are presented in the order of the Zodiac: Rat, Ox, Tiger, Rabbit, Dragon, Snake, Horse, Goat, Monkey, Rooster, Dog, and Pig. The songs can be performed as one suite, or as individual pieces in whatever order you please! The pieces explore different tempos, different keys, rapid fingering passages, expressive pieces, grace notes, articulation (staccato, accents, slurs, tenuto, legato), ornaments, challenging rhythm, doubled note passages, glissandos, dexterity on black keys, ragtime, boogie woogie, tremelos, swing rhythm, hand crossovers, and jazzy chords as well as more traditional harmonies. To see my catalogue of original pieces and arrangements, please visit my website here: www.the-piano-studio.com. For information about our online music school, please visit: www.coast2coastonlinemusicschool.com.

Organ - Digital Download SKU: A0.1016957 Composed by Erma Lee Wai Shan. Concert,Contemporary,Traditional,World. Score. 7 pages. ESLWS #5995325. Published by ESLWS (A0.1016957). Based on Chinese Poem and Chinese guqin music  Song of WeichengOrgan Solo for ConcertContemporary musicLevel: Intermediate to Advance Duration: 4:30.