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Small Ensemble B-Flat Clarinet,Cello,Horn,Piano,Voice - Level 3 - Digital Download SKU: A0.1031778 Composed by Mavis Pan. Contemporary. Score and parts. 15 pages. Mavis Pan Music #3554423. Published by Mavis Pan Music (A0.1031778). This composition is inspired by the Disney film, Peter Pan, which depicts a fictional character who is incredibly mischievous and charming yet possess the spirit of eternal youth. After Peter finds Wendy Darling, who has always believed in Peter Pan's existence and loves to share tales about him, Peter invites Wendy to an adventure to Never Land. Though Wendy doubts her ability to fly, Peter teaches her the only way to reach her dream land is to leave her worries behind and have faith and trust and a little help of pixie dust... Upon the farewell of a beloved who reminds me much the character of Peter Pan, I composed this piece as a remembrance of the happy time we have shared and wish his dreams come true as he continues to fly on his musical journey. Mavis Pan Come with me where dreams are born, and time is never planned. Just think of happy things and your heart will fly on wings, forever, in Never Land. Let not doubt crush your wings, let not fear steal your dreams. Dreams do come true, if only we wish hard enough. All you need is faith and trust and a little bit of pixie dust. I am young at heart for my love never grows old. The wrinkle of time can't be traced on my innocent soul. The ship of our dreams will soar and turn to gold. Oh darling please do hold my hand, and dream with me to Never Land. Fly oh fly , fly straight till the morning. Fly ...oh fly....oh fly and never never say goodbye.
Never Land

$20.00 19.02 € PDF SheetMusicPlus

Choral Choir,Choral (SAB) - Level 2 - Digital Download SKU: A0.507484 By Alan Wagstaff. By Alan Wagstaff. Arranged by Alan Wagstaff. Christmas,Country,Praise & Worship. 26 pages. Alan Wagstaff #118734. Published by Alan Wagstaff (A0.507484). This is a country-style waltz, arranged for choir (SAB) and fiddle, harp and piano, which searches for the true meaning of Christmas. here is the lyric: Crossed Out of ChristmasA Good Man was framed, on a bare, rocky hill; it happened somewhere in the distance. Though He paid a high cost, He was not double-crossed, till the day He was crossed out of Christmas. ‘X’ marks the spot where a word is crossed out; ‘X’ marks the strange and suspicious. ‘X’ marks a treasure, without any doubt, since the day Christ was crossed out of Christmas. The shops and the super-stores tell us the news; the signs. say that X-mas is here. And the message is hurled, right around the whole world –but something seems missing this year. ‘X’ marks the spot where a word is crossed out; ‘X’ marks the strange and suspicious. ‘X’ marks a treasure, without any doubt, since the day Christ was crossed out of Christmas. I want to re-write, on this parcel tonight, a word that somehow came adrift. Christmas! Christmas! Christmas! Lord God! ‘cos that is the true Christmas gift. Christmas and X-mas ain’t one and the same, and I guess there is only one reason. So let’s do it right, and by starlight tonight, we’ll unwrap the power of the season. ‘X’ marks the spot where a word is crossed out; ‘X’ marks the strange and suspicious. ‘X’ marks a treasure, without any doubt, since the day Christ was crossed out of Christmas.
Crossed Out of Christmas
Chorale 3 parties
Alan Wagstaff
$45.00 42.78 € Chorale 3 parties PDF SheetMusicPlus

Piano,Vocal,Voice - Digital Download SKU: A0.529588 Composed by Robert J. Sherman. Arranged by Original Piano/Vocal Arrangement by Robert J. Sherman. Broadway,Contest,Festival,Instructional,Musical/Show. Score. 8 pages. Sherman Theatrical Entertainment Ltd. #117878. Published by Sherman Theatrical Entertainment Ltd. (A0.529588). Love Birds, from the musical of the same name, is the singer’s real time emotional journey from a perspective of melancholy to a place of hope. As the song commences, the singer believes that his chances at finding true love have long passed him by. As the song progresses however, a spark of hope is rekindled. At the song’s conclusion the singer has reunited with his true love and, like the love birds he so admires, the singer metaphorically “soars without a care. This song works as either a duet or as a solo piece. When printing, please scale to fit for standard US Letter and A4 size.
Love Birds (C Major)
Piano, Voix

$3.99 3.79 € Piano, Voix PDF SheetMusicPlus

Easy Piano - Level 2 - Digital Download SKU: A0.1271950 Composed by George Frideric Handel. Arranged by Darek. Baroque,Classical,Early Music. Score. 2 pages. Darek #864302. Published by Darek (A0.1271950). Hallelujah Chorus (EASY PIANO) from Oratorio Messiah (HWV 56) [George Frideric Handel]Simplified arrangement for pianists of Hallelujah Chorus from Oratorio Messiah (HWV 56) by George Frideric Handel. Easy version for pianists | Easy piano arrangement | Beginner Version | Easy Piano Sheet Music For Beginners. Included: Fingering, Dynamics, Articulations and video YouTube tutorial.  Experience the splendor of George Frideric Handel's Hallelujah Chorus from Oratorio Messiah (HWV 56) with my Easy Piano Sheet Music collection. Designed for beginner pianists, this exquisite Easy Level arrangement allows you to immerse yourself in the majestic beauty of Handel's timeless masterpiece from the Baroque era. Step into the awe-inspiring world of classical music as you explore the powerful melodies of this iconic chorus. With meticulously notated Fingering, Articulation, and Dynamics, you can effortlessly express the piece's emotional depth and artistic brilliance. Accelerate your learning journey with the included Youtube video tutorial, thoughtfully designed to guide you in mastering the piece and refining your performance. Enhance your musical experience and uncover the nuances that make this Hallelujah Chorus a true gem. As one of the Best Handel Pieces tailored for beginner pianists, this sheet music offers a gratifying and rewarding musical adventure. Embrace the beauty of piano music and let the harmonious notes transport you to a world of grandeur and artistic expression. Keywords: Sheet Music, Piano, Pianists, George Frideric Handel, Hallelujah Chorus, Oratorio Messiah, HWV 56, Easy Level, Beginner Version, Baroque Era, Fingering, Articulation, Dynamics, Youtube tutorial, Music, Notes, Melodies, Classical Music, Majestic Beauty, Timeless Masterpiece, Awe-Inspiring, True Gem.
Hallelujah Chorus (EASY PIANO) from Oratorio Messiah (HWV 56) [George Frideric Handel]
Piano Facile

$2.00 1.9 € Piano Facile PDF SheetMusicPlus

Choral Choir,Choral,SATB Chorus divisi - Level 3 - Digital Download SKU: A0.1485567 By Sara Bareilles. By Sara Bareilles. Arranged by Brandon Haynes. Christmas,Pop. 13 pages. Brandon Haynes #1062625. Published by Brandon Haynes (A0.1485567). Love is Christmas is among one of my top-favorite Christmas songs due to its beautiful lyrical substance and poignant commentary.  Sara Bareilles’ lyrics reminds us that love should be the guiding force in our lives, particularly at Christmas time. The song explores the true meaning of love and highlights that it should not be defined by material possessions, human imperfections, or judgement, but rather grace and love as the true essence of Christmastide. This arrangement of Sara Bareilles' Love is Christmas is the second of 2 songs featured in my Christmas suite, A Bareilles Christmastide. It is arranged for two equal duet voices, SATB divisi chorus, piano accompaniment, and an optional cello.
Love Is Christmas
Chorale SATB
Sara Bareilles
$3.25 3.09 € Chorale SATB PDF SheetMusicPlus

Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1370002 Composed by Kevin G. Pace (ASCAP), Kathryn W. Hales. Children,Christian,Praise & Worship,Religious,Sacred. Score. 6 pages. Kevin G. Pace #954376. Published by Kevin G. Pace (A0.1370002). A children's song, telling the story of the sons of Mosiah from the Book of Mormon, Another Testament of Christ.  Music by Kevin G. Pace.  Text by Kathryn W. Hales.Text:The Lord told King Mosiah to let his sons go away, To the land of Nephi where for many years they'd stay. They wanted to preach the gospel in the Lord's ministry, To the sinful, wicked Lamanites who were their enemies.Now one of the sons was Ammon who had been a rebellious youth, But after Alma's change of heart, he wanted to know the truth. He became Lamoni's servant, watching over the king's sheep, He beat some robbers who came to steal, leaving a pile of arms at his feet.Then he taught King Lamoni the true source of his strength and might, That the king should change his ways, repent and do what's right. Lamoni believed what Ammon taught and all his people too, They became so very righteous because God's promises are true.Aaron was another son of Nephite King Mosiah, He taught of the Creation, of the Fall and God's Son who would die To save all men from death and sin, yea, Jesus, the Holy One, Who would come to earth at some future day to save each and ev'ry one.Omni and his brother Himnor were also Mosiah's sons, But not much is recorded about their missions. But they were faithful servants during all their trial filled days, They taught many people how to walk in God's own chosen way.Chorus:I want to be like Mosiah's sons and share God's holy word. I can be a missionary, a servant of the Lord. I can be so very courageous, I can the gospel teach, That all may know God's holy grace is within their loving reach.
Sons of Mosiah, children's song from the Book of Mormon, Another Testament of Christ
Piano, Voix

$3.99 3.79 € Piano, Voix PDF SheetMusicPlus

Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
The Story Of Reuben Clamzo & His Strange Daughter
Chorale TTBB
Arlo Guthrie
$3.99 3.79 € Chorale TTBB PDF SheetMusicPlus

Choral Choir,Choral (SATB Chorus) - Level 4 - Digital Download SKU: A0.1510929 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Christmas,Praise & Worship,Religious,Sacred. 2 pages. Kevin G. Pace #1086147. Published by Kevin G. Pace (A0.1510929). A beautiful Christmas lullaby hymn with music by Kevin G. Pace and text by Mary Ann W. Snowball.Text:I am your mother in mortal spheres;In heav’n your Father so deeply cares.Your prayers will be to save all mankind;Bringing each soul to Father divine.Though I will teach you all that I know,I will learn most from watching you grow.Then all my tears will spill at your feetAnd my sore eyes will want to retreat.But until then, while in my sure sight,I’ll hold you close and swaddle you tight.You are my baby, you are my son,And my true Savior all wrapped in one.You are my baby, you are God’s Son,And my true Savior wrapped in pure love.
My Baby, God's Son - a sacred hymn lullaby for Christmas
Chorale SATB

$2.99 2.84 € Chorale SATB PDF SheetMusicPlus

Choral Choir (SSA) - Level 3 - Digital Download SKU: A0.849365 Composed by Richard O'brien. Arranged by Drew Downing. Contemporary. Octavo. 12 pages. Drew Downing #4295961. Published by Drew Downing (A0.849365). The iconic opening number of the camp classic by Richard O'Brien is always a guaranteed hit with singers and audiences alike.This SSA arrangement stays true to the original form, adding a variety of harmonies and gospel chords to give it a true choral flavour. It also features fun piano accompaniment and chord symbols.Ideal for community choirs, high schools, colleges and vocal ensembles, especially for movie themed concerts or Halloween!Need a custom arrangement? Email drewdowning84@gmail.com
Science Fiction Double Feature
Chorale 3 parties

$2.50 2.38 € Chorale 3 parties PDF SheetMusicPlus






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