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Piano,Tuba - Level 1 - Digital Download SKU: A0.548701 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 4 pages. Jmsgu3 #3411151. Published by jmsgu3 (A0.548701). A Tuba Christmas/Easter classic! Duration: 4:55 Score: 3 pg. Tuba part: 1 pg. Piano reads from the score. Schubert seems to have composed this piece as a song-setting. This is because he wanted to portray a poignant emotional event from a poem. The poem was Walter Scott's The Lady of the Lake. Consequently, this song became an integral part of Schubert's Song cycle. Therefore the cycle is called: the Lady of the Lake. In the poem, Ellen Douglas is the Lady of the Lake. The lake is probably Loch Katrine in the Scottish Highlands. First of all, Ellen goes with her father to stay in the Goblin's cave. They go because he earlier refused to join in a rebellion against King James. Roderick Dhu, the chief of the rebellious Alpine Clan, marches up the mountain with his army. But before the battle, he, first of all, hears Ellen singing. She is singing a prayer calling for help from the Virgin Mary. Schubert's piece was first performed at the castle of Countess Sophie Weissenwolff in Steyregg, Austria.  Schubert dedicated the arrangement to her, and as a result, she became famous as the lady of the lake.The incipit of Ellen's song is Ave Maria which is Latin for Hail Mary. It seems like this similarity led Schubert to adapt the melody to accommodate the Roman Catholic prayer Ave Maria. Consequently, the Latin version of Ave Maria finally became more famous than the original so that consequently many believe he wrote the Latin version first. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms, and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular.  
Schubert: Ave Maria for Tuba & Piano
Tuba et Piano

$29.95 25.33 € Tuba et Piano PDF SheetMusicPlus

Instrumental Duet Instrumental Duet,Trombone,Tuba - Digital Download SKU: A0.1137793 Composed by Wolfgang Amadeus Mozart. Arranged by Austin Ralphson. Classical. Score and parts. 8 pages. Austin Ralphson #738049. Published by Austin Ralphson (A0.1137793). Mozart composed these 12 duets for two horns and published them in 1786 in the key of C. I have carefully rearranged them here, changing the key and including appropriate articulations to suit the instruments. Parts are provided in concert pitch bass clef, B flat treble and E flat treble. This listing is for one duet out of the twelve - you can buy a complete book of all 12 duets for $19.99 here: https://armusiconline.com/b/xWbJN.
Mozart K. 487 No. 7 - trombone and tuba duet / euphonium and tuba duet
Trombone, Tuba (duo)

$4.99 4.22 € Trombone, Tuba (duo) PDF SheetMusicPlus

Instrumental Duet Instrumental Duet,Trombone,Tuba - Digital Download SKU: A0.1137798 Composed by Wolfgang Amadeus Mozart. Arranged by Austin Ralphson. Classical. Score and parts. 8 pages. Austin Ralphson #738054. Published by Austin Ralphson (A0.1137798). Mozart composed these 12 duets for two horns and published them in 1786 in the key of C. I have carefully rearranged them here, changing the key and including appropriate articulations to suit the instruments. Parts are provided in concert pitch bass clef, B flat treble and E flat treble. This listing is for one duet out of the twelve - you can buy a complete book of all 12 duets for $19.99 here: https://armusiconline.com/b/xWbJN.
Mozart K. 487 No. 11 - trombone and tuba duet / euphonium and tuba duet
Trombone, Tuba (duo)

$4.99 4.22 € Trombone, Tuba (duo) PDF SheetMusicPlus

Instrumental Duet Instrumental Duet,Trombone,Tuba - Digital Download SKU: A0.1137784 Composed by Wolfgang Amadeus Mozart. Arranged by Austin Ralphson. Classical. Score and parts. 8 pages. Austin Ralphson #738039. Published by Austin Ralphson (A0.1137784). Mozart composed these 12 duets for two horns and published them in 1786 in the key of C. I have carefully rearranged them here, changing the key and including appropriate articulations to suit the instruments. Parts are provided in concert pitch bass clef, B flat treble and E flat treble. This listing is for one duet out of the twelve - you can buy a complete book of all 12 duets for $19.99 here: https://armusiconline.com/b/xWbJN.
Mozart K. 487 No. 4 - trombone and tuba duet / euphonium and tuba duet
Trombone, Tuba (duo)

$4.99 4.22 € Trombone, Tuba (duo) PDF SheetMusicPlus

Piano,Tuba - Level 1 - Digital Download SKU: A0.548661 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 8 pages. Jmsgu3 #3408523. Published by jmsgu3 (A0.548661). Jingle Bells arranged for tuba & piano. Easy & popular. Jingle Bells is perhaps the most famous songs in American music history. James L. Pierpont published the song as One Horse Open Sleigh in the late 1850’s. Since its introduction, people began to insist that Pierpont wrote it for a Sunday school choir. However, it seems unlikely that such a secular song would be considered appropriate during that historical period for Sunday school.Christmas Repertoire Pierpont wrote the song for the Thanksgiving holidays, but over time people began to think of it more as a Christmas song. Some choirs adopted it as part of their Christmas repertoire in the 1860s and 1870s. Jingle Bells was first recorded in 1889 on a wax cylinder. Origins No one knows where Pierpont composed the song. One theory suggests he wrote it in Medford Massachusetts in 1850. Sleigh races were certainly popular in 19th Century Massachusetts. To this day, a commemorative placard appears in Medford square claiming that it is the birthplace of Jingle Bells. Others suggest that he wrote it in Savannah, Georgia where he was an organist and music director at the Unitarian Church. This theory gains support from the copyright date of 1857. We know he was living in Savannah by then. Traffic Signals Horse-drawn sleighs are relatively quiet in the snow. Consequently, horses were usually equipped with bell-laden straps so as to avoid accidents at blind intersections. Sleigh drivers in 19th Century New England were constantly vigilant, listening for the sounds of approaching horse-drawn sleighs. The tune imitates the rhythm that the trotting horse bells produce. Social Context Jingle Bells was sung as a drinking song at local revelries: during the song folks would rhythmically jangle the ice in their glasses. A sleigh ride gave couples an opportunity to be alone together. The term Jingle bells is a poetic descriptive adjective referring specifically to the more accurate term sleigh bells. In many arrangements, sleigh bells are used to accentuate the rhythm during the song chorus.  Register for free lifetime updates and revisions at www.jamesguthrie.com
Jingle Bells for Tuba & Piano
Tuba et Orgue

$24.95 21.1 € Tuba et Orgue PDF SheetMusicPlus

Piano,Tuba - Level 3 - Digital Download SKU: A0.1283613 Composed by Richard Wagner. Arranged by César Madeira. 19th Century,Classical,Film/TV,Romantic Period,Wedding. Score and part. 8 pages. Sheet Music To Play Editions #874804. Published by Sheet Music To Play Editions (A0.1283613). Wedding March (Bridal Chorus from Lohengrin) by Wagner. Arrangement for Tuba and Piano. With Full Score and Individual Parts. Enjoy it!Richard Wagner (1813 – 1883) was a German composer, theatre director, polemicist, and conductor who is chiefly known for his operas. His major works included The Flying Dutchman, Tannhäuser, Lohengrin, Tristan und Isolde, Parsifal, and his great tetralogy, The Ring of the Nibelung.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
Wedding March (Bridal Chorus) - Tuba and Piano (Full Score and Parts)
Tuba et Piano

$7.99 6.76 € Tuba et Piano PDF SheetMusicPlus

Tuba Solo - Level 3 - Digital Download SKU: A0.991803 Composed by Jason Allie. Baroque,Classical,Contemporary,World. Individual part. 9 pages. Joaba LLC #3109629. Published by Joaba LLC (A0.991803). DescriptionA delightful, intermediate level work suitable for encouraging students, hobbyists and professionals to improve or show off their performance skills. This lively work engages the audience with a breadth of moods from enlightening to reflective to celebratory. A great recital piece or encore piece to show off the melodiousness, harmoniousness and vibrancy of the tuba. Please send feedback, praises and more to contact@joaba.com.Total Duration: ~8 minutesPerformance Notes Prelude The real art of performing this piece is to master its dynamics. With the long pianissimo to forte crescendo at the introduction, the contrasting forte/mezzo piano sections and brisk, shorter crescendos for the cadences, the tubist must be aware of dynamics at all time and use them wisely.The second aspect to performing this piece is to contrast the 2 eighth note plus quarter note slurs motif against the arpeggiations.  The introduction starts with the slurs and evolves into the arpeggiations by the first forte and the remaining piece explores the contrast between the two.  Performers should feel free to try different dynamics, try different tempos (like zipping through the arpeggiations and slowing for the motif), etc.   The goal is to bring the listener through the pleasantries of introductions to feel fresh and eager for further discourse ahead. March The rewarding challenge in this piece is to bring out the difference between cheery and con brio.  The former being achieved by emphasizing the swaggering, strutting feel of the one-measure-per-beat feel and the latter by emphasizing the intervallic bounciness with the one-two march feel.Note that the motif (with the quarter note morphing into an eighth note) along with simpler arpeggiations are brought to play in a new manner reinforcing the positive mood from the prelude.The goal is to befriend the listener with an engaging, buoyant time. Air The tubist will exercise great breath control and phrasing to achieve a sublime solemnness counterbalancing the prior two movements.The motif now takes center stage headlining the main melodic phrases; however, here it is disjointed and conveys the sighing for the solemnness.After the pleasantness of the march, affableness having garnered friendship, we now open ourselves to share some somber matters and offer consolation.  The intended goal here is to add depth to the relationship by addressing darker aspects in the discourse. Slip-jig Rondo Harking back to the compound meter of the prelude, this dance adventurously wakens the listener from the solemnness of the air asserting a new grandness and gladness.  This is a slip-jig put into the rondo form so celebrate the main dance theme when it comes around and put fire and character into the transitions to make it worthwhile.The motif now jumps into the compound meter’s beat and morphs into three slurred, conjoint eighth notes.  Now this motif enables several affects: exciting dance steps, transitions/modulations and concluding the phrases and the piece itself.The performer should aim to lead and amaze the listener with the waltz-like slip-jig rhythm and astound with the virtuosic transitions as a final send-off.
Unaccompanied Tuba Suite #1 in B-flat Major
Tuba

$9.99 8.45 € Tuba PDF SheetMusicPlus


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