Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1114000 Composed by Ludwig van Beethoven. Arranged by Ray Thompson. Classical. 25 pages. RayThompsonMusic #715903. Published by RayThompsonMusic (A0.1114000). Arranged standard wind quintet New Horn in C basso created. (Alt Horn in F provided) The Wind Trio for two Oboes and English Horn in C major, Op. 87 is a trio composition by Ludwig van Beethoven written in 1794, shortly after he arrived Vienna. Because amateur performers would gather in unusual permutations of players, this Trio was quickly arranged for many other combinations of instruments: versions exist for two violins and bass line, two flutes and viola, two clarinets and bassoon, as a sonata for violin and piano, and in various piano settings. In 1806, Beethoven approved an arrangement (not by him) for two violins and viola, which was published that year. It was assigned the misleadingly-high opus number of 87, which would seem to place it near the Seventh Symphony; in fact, this music was written before Beethoven had published his Opus 1. I have now arranged all the movements for wind quintet.

Woodwind Ensemble Bassoon,English Horn,Oboe - Level 4 - Digital Download SKU: A0.1098656 Composed by Ludwig van Beethoven. Arranged by Ray Thompson. Classical. 19 pages. RayThompsonMusic #702522. Published by RayThompsonMusic (A0.1098656). Originally written for 2 oboes and cor anglais, I have added additional double reed parts: Parts are: 1. Oboe 1 2. Oboe2/Cor anglais 3.Cor Anglais/Bassoon Score shows oboe/C.A. and bassoon Mp3 is oboe/C.A. and bassoon. The Wind Trio for two Oboes and English Horn in C major, Op. 87 is a trio composition by Ludwig van Beethoven written in 1794, shortly after he arrived Vienna. Because amateur performers would gather in unusual permutations of players, this Trio was quickly arranged for many other combinations of instruments: versions exist for two violins and bass line, two flutes and viola, two clarinets and bassoon, as a sonata for violin and piano, and in various piano settings. . In 1806, Beethoven approved an arrangement (not by him) for two violins and viola, which was published that year. It was assigned the misleadingly-high opus number of 87, which would seem to place it near the Seventh Symphony; in fact, this music was written before Beethoven had published his Opus 1. This is the 4th Mvt. Finale (Presto).

Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 3 - Digital Download SKU: A0.1091395 Composed by Ludwig van Beethoven. Arranged by Ray Thompson. Classical. 18 pages. RayThompsonMusic #695573. Published by RayThompsonMusic (A0.1091395). The Wind Trio for two Oboes and English Horn in C major, Op. 87 is a trio composition by Ludwig van Beethoven written in 1794, shortly after he arrived Vienna. Because amateur performers would gather in unusual permutations of players, this Trio was quickly arranged for many other combinations of instruments: versions exist for two violins and bass line, two flutes and viola, two clarinets and bassoon, as a sonata for violin and piano, and in various piano settings. . In 1806, Beethoven approved an arrangement (not by him) for two violins and viola, which was published that year. It was assigned the misleadingly-high opus number of 87, which would seem to place it near the Seventh Symphony; in fact, this music was written before Beethoven had published his Opus 1. . This is the 1st Mvt. (Allegro)) arranged standard WIND QUARTET: - flute, oboe, clarinet and bassoon.

Woodwind Ensemble Bassoon,English Horn,Oboe - Level 3 - Digital Download SKU: A0.1094155 Composed by Ludwig van Beethoven. Arranged by Ray Thompson. Classical. 7 pages. RayThompsonMusic #698261. Published by RayThompsonMusic (A0.1094155). Originally written for 2 oboes and cor anglais, I have added additional double reed parts: Parts are 1. Oboe 1 2. Oboe2/Cor anglais 3.Cor Anglais/Bassoon Score shows oboe/cor and bassoon Mp3 is oboe/cor and bassoon. The Wind Trio for two Oboes and English Horn in C major, Op. 87 is a trio composition by Ludwig van Beethoven written in 1794, shortly after he arrived Vienna. Because amateur performers would gather in unusual permutations of players, this Trio was quickly arranged for many other combinations of instruments: versions exist for two violins and bass line, two flutes and viola, two clarinets and bassoon, as a sonata for violin and piano, and in various piano settings. . In 1806, Beethoven approved an arrangement (not by him) for two violins and viola, which was published that year. It was assigned the misleadingly-high opus number of 87, which would seem to place it near the Seventh Symphony; in fact, this music was written before Beethoven had published his Opus 1. . This is the 3rd Mvt. (Menuetto and Trio).

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1094287 Composed by Ludwig van Beethoven. Arranged by Ray Thompson. Classical. 9 pages. RayThompsonMusic #698372. Published by RayThompsonMusic (A0.1094287). Arranged wind QUINTET: New Horn in C basso created. (Alt Horn in F provided) The Wind Trio for two Oboes and English Horn in C major, Op. 87 is a trio composition by Ludwig van Beethoven written in 1794, shortly after he arrived Vienna. Because amateur performers would gather in unusual permutations of players, this Trio was quickly arranged for many other combinations of instruments: versions exist for two violins and bass line, two flutes and viola, two clarinets and bassoon, as a sonata for violin and piano, and in various piano settings. In 1806, Beethoven approved an arrangement (not by him) for two violins and viola, which was published that year. It was assigned the misleadingly-high opus number of 87, which would seem to place it near the Seventh Symphony; in fact, this music was written before Beethoven had published his Opus 1.

Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 4 - Digital Download SKU: A0.1089792 Composed by Ludwig van Beethoven. Arranged by Ray Thompson. Classical. 8 pages. RayThompsonMusic #694005. Published by RayThompsonMusic (A0.1089792). The Wind Trio for two Oboes and English Horn in C major, Op. 87 is a trio composition by Ludwig van Beethoven written in 1794, shortly after he arrived Vienna. Because amateur performers would gather in unusual permutations of players, this Trio was quickly arranged for many other combinations of instruments: versions exist for two violins and bass line, two flutes and viola, two clarinets and bassoon, as a sonata for violin and piano, and in various piano settings. . In 1806, Beethoven approved an arrangement (not by him) for two violins and viola, which was published that year. It was assigned the misleadingly-high opus number of 87, which would seem to place it near the Seventh Symphony; in fact, this music was written before Beethoven had published his Opus 1. . This is the 2nd mvt (Adagio) arranged standard WIND QUARTET: - flute, oboe, clarinet and bassoon.

Woodwind Ensemble Bassoon,English Horn,Oboe - Level 4 - Digital Download SKU: A0.1100280 Composed by Ludwig van Beethoven. Arranged by Ray Thompson. Classical. 47 pages. RayThompsonMusic #704156. Published by RayThompsonMusic (A0.1100280). Originally written for 2 oboes and cor anglais, I have added additional double reed parts: Parts are: 1. Oboe 1 2. Oboe 2/Cor anglais 3.Cor Anglais/Bassoon Score shows oboe/C.A. and bassoon Mp3 is oboe/C.A. and bassoon. Mp3 is the Finale and is Ob, CA and Bsn The Wind Trio for two Oboes and English Horn in C major, Op. 87 is a trio composition by Ludwig van Beethoven written in 1794, shortly after he arrived Vienna. Because amateur performers would gather in unusual permutations of players, this Trio was quickly arranged for many other combinations of instruments: versions exist for two violins and bass line, two flutes and viola, two clarinets and bassoon, as a sonata for violin and piano, and in various piano settings. .In 1806, Beethoven approved an arrangement (not by him) for two violins and viola, which was published that year. It was assigned the misleadingly-high opus number of 87, which would seem to place it near the Seventh Symphony; in fact, this music was written before Beethoven had published his Opus 1.

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1101479 Composed by Ludwig van Beethoven. Arranged by Ray Thompson. Classical. 18 pages. RayThompsonMusic #704855. Published by RayThompsonMusic (A0.1101479). Arranged wind quintet. Original Horn Part in C Basso (natural horn part for authentic sound) Alternative horn in F provided. The Wind Trio for two Oboes and English Horn in C major, Op. 87 is a trio composition by Ludwig van Beethoven written in 1794, shortly after he arrived Vienna. Because amateur performers would gather in unusual permutations of players, this Trio was quickly arranged for many other combinations of instruments: versions exist for two violins and bass line, two flutes and viola, two clarinets and bassoon, as a sonata for violin and piano, and in various piano settings. In 1806, Beethoven approved an arrangement (not by him) for two violins and viola, which was published that year. It was assigned the misleadingly-high opus number of 87, which would seem to place it near the Seventh Symphony; in fact, this music was written before Beethoven had published his Opus 1.

Flute Duet Flute - Level 3 - Digital Download SKU: A0.1491315 Composed by Edvard Grieg. Arranged by Kan Saito / Japan Duo Notes. 19th Century,20th Century,Christmas,Film/TV,Opera. Score. 3 pages. Japan Duo Notes #1068053. Published by Japan Duo Notes (A0.1491315). Title: Morning Mood (from Peer Gynt) by Edvard Grieg – Flute Duet ArrangementDescription:Experience the serene beauty of Edvard Grieg’s Morning Mood from Peer Gynt in this exquisite flute duet arrangement. Composed as part of Grieg’s incidental music for Henrik Ibsen’s play Peer Gynt, Morning Mood is celebrated for its evocative depiction of dawn and the peaceful start of a new day. This arrangement for two flutes captures the gentle, flowing melody and tranquil atmosphere of the original orchestral work, providing flutists with an opportunity to perform a piece of timeless classical elegance.Key Features:Composer: Edvard GriegArrangement: Flute DuetDifficulty Level: IntermediateFormat: Digital Sheet Music PDFPages: Score: 3 pagesThis flute duet arrangement of Morning Mood preserves the original’s delicate and atmospheric qualities, allowing both performers to explore its soothing melodies and rich harmonic textures. Ideal for recitals, chamber music performances, and serene concert settings, this arrangement brings Grieg’s evocative music to life in a new and intimate format.Why Choose This Arrangement?Authentic Adaptation: Translates Grieg’s beautifully orchestrated piece into a flute duet, capturing the essence of the original work while allowing for a fresh interpretation.Versatile and Serene: Perfect for a variety of performance settings, including recitals, chamber concerts, and peaceful musical moments.Musically Rewarding: Suitable for intermediate flutists, offering a blend of technical challenge and expressive opportunity.Add the tranquil beauty of Edvard Grieg’s Morning Mood to your flute duet repertoire with this thoughtfully arranged version. It’s a perfect choice for flutists looking to perform a piece that embodies the elegance and serenity of the morning.Keywords: Edvard Grieg, Morning Mood, Peer Gynt, flute duet, flute sheet music, classical music, Grieg arrangements, intermediate flute music, chamber music, recital music, serene flute duet.

Organ - Digital Download SKU: A0.828694 Composed by Johann Speth. Arranged by Guido Menestrina. Baroque. Score. 6 pages. Guido Menestrina #115545. Published by Guido Menestrina (A0.828694). Johann Speth (1664-1719) - Toccata Prima oder erstes musikalishes Blumen-Feld Transcribed by Guido Menestrina - youtube https://www.youtube.com/watch?v=8huOtZ9bQak From Wikipedia: Johann (Johannes) Speth (9 November 1664 – after 1719) was a German organist and composer. He was born in Speinshart, some 150 km from Nuremberg, but spent most of his life in Augsburg, where he worked as cathedral organist for two years. His only surviving music is a 1693 collection, Ars Magna Consoni et Dissoni, which includes toccatas, Magnificat versets and variations in south German style. Speth was born in Speinshart, Bavaria, to teacher Heinrich Speth and his wife Margareta (née Vichtl). Past scholars established that Speth must have received music lessons from the abbot of the Premonstratensian monastery at Speinshart, one Dominikus Lieblein, however, this has recently been disproven. Nothing is known about his life before 1692, when he applied for the position of organist of Augsburg Cathedral. The application, which contained Speth's compositions, was accepted, and he was appointed organist on 4 November 1692. The music he supplied with the application was published the next year in Augsburg as Ars magna Consoni et Dissoni. In the files of the cathedral administration there is a note from 1705 showing that Speth had also to work in the office of the cathedral chapter. The exact date of Speth's death is unknown, but there is a document that shows that in 1719, he still lived with his wife and a maidservant in Augsburg. The composer's only surviving work is the collection published in 1693 in Augsburg, Ars magna Consoni et Dissoni. The title may be a reference to Athanasius Kircher's famous book, Musurgia universalis, sive ars magna consoni et dissoni (1650). An early description of the work was included by Johann Gottfried Walther in his Musikalisches Lexicon; Walther claimed Speth only compiled the pieces but did not compose. This hypothesis is now generally considered false. Ars Magna contains music intended for organ or clavichord: 10 toccatas (subtitled Musicalische Blumen-Felder), 8 Magnificat settings, and three variation sets. The music has clearly traceable Italian influences, with direct borrowings: one of the variation sets is built on a theme by Bernardo Pasquini, there is also a passage from Bernardo Storace in the Spangioletta variation set, and a verset by Alessandro Poglietti (quinti toni no. 3). The influence of contemporary southern organists is also apparent, particularly that of Georg Muffat and Johann Caspar Ferdinand Fischer. The toccatas are unusually short for the genre; most consist of three (toccata-fugue-toccata) sections. There are some interesting features such as dynamic indications in Toccata quarta. The Magnificat settings are, like similar pieces by Johann Kaspar Kerll and others, short versets for alternatim practice.

Choral Choir (Unison) - Level 3 - Digital Download SKU: A0.851577 By Kathleen Fowle. By Kathleen Fowle. Arranged by Kathleen Fowle. Easter,Sacred. Octavo. 2 pages. Two by Two Express #4266177. Published by Two by Two Express (A0.851577). GLORY TO GOD is composed by Kathleen Fowle. For Piano/Vocal/Guitar. Glory to God is from Kathleen Fowle's recent Mass of Praise.*  Glory to God is adaptable for traditional or contemporary settings. A fresh approach while being faithful to the text of the Roman Missal.   ℗©Two by Two Express (ASCAP).

String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.1496962 Composed by Traditional. Arranged by James M. Guthrie. Chamber,Christmas,Historic,Standards,Traditional. 9 pages. Jmsgu3 #1073376. Published by jmsgu3 (A0.1496962). In the Bleak Midwinter is an essential and beloved Christmas carol with several notable aspects.Origins and AuthorshipThe carol originated as a poem titled A Christmas Carol, written by Christina Rossetti, a prominent English poet, in 1872. Rossetti was known for combining deep Christian faith with rich artistic sensibility in her works. Musical SettingsThe poem was set to music multiple times, with two versions becoming particularly popular: Gustav Holst's hymn tune Cranham in 1906, which is more straightforward and suitable for congregational singing. Harold Darke's more complex choral setting from 1911 was named the best Christmas carol in a 2008 poll of choirmasters and choral experts.Poetic and Theological SignificanceThe carol is notable for its stark imagery, contrasting the harsh winter landscape with the divine incarnation—the paradoxical juxtaposition of earthly elements with the ineffable nature of Christ's birth. Profound theological insights are conveyed through simple language—reflection on the meaning of gift-giving about Christ's birth.Cultural ImpactIn the Bleak Midwinter has become a beloved part of Christmas traditions. Choirs perform it widely, and various artists record it.Many music experts consider The carol one of the greatest Christmas songs. Its imagery and themes have inspired reflection on rest, renewal, and the deeper meaning of the winter season. The enduring popularity of In the Bleak Midwinter stems from its beautiful blend of evocative poetry, rich theological content, and dynamic musical settings, making it a cherished part of Christmas celebrations for many.

Piano,Viola - Level 1 - Digital Download SKU: A0.548482 Composed by Mueller. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 3 pages. Jmsgu3 #3386547. Published by jmsgu3 (A0.548482). Traditional Christmas song arranged for Viola & Piano. Third verse features new harmony. Score: 2 pg. Part: 1 pg.Away in a Manger Away in a Manger is a popular Christmas song published originally sometime in the later 19th century and performed throughout the world. In England, it is considered one of the two most popular carols of all time; a 1996 poll ranked it as a tie for second place. To begin with, many thought it was written by Martin Luther, but now the song is considered to be absolutely American. The most common musical arrangements are by William Kirkpatrick (1895) and James R. Murray (1887). The melody was first published, as Luther's Cradle Hymn, by James R. Murray. Then, came a confusing series of explanations about how Martin Luther wrote the song. Murray even went so far as to suggest that Luther wrote it for his children. As a result, the song has become known as simply Mueller. Nobody knows who this Mueller actually is, but the name stuck. Popularity By the 1880’s the cradle song was being performed in church. By the 1990’s the song was becoming the most popular Christmas song of all time. It was sung in school, in church, and at home by nearly everyone. Other musical settings The first musical setting published with the lyrics appeared in the Little Children's Book for Schools and Families (1885). The title was Away in a Manger. This edition is the first one not to attribute the song to Martin Luther. Charles H. Gabriel was the first arranger to present the third verse. He also composed and published a large number of different arrangements of the song. In one of his settings, he supplies a chorus for each verse with asleep sung in canon. Another prevalent accompaniment uses the lyrics to an old Normandy carol. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com

Piano,Tuba - Level 1 - Digital Download SKU: A0.548481 Composed by Mueller. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 3 pages. Jmsgu3 #3386545. Published by jmsgu3 (A0.548481). Traditional Christmas song arranged for Tuba and Piano. Third verse features new harmony. Score: 2 pg. Part: 1 pg.Away in a Manger Away in a Manger is a popular Christmas song published originally sometime in the later 19th century and performed throughout the world. In England, it is considered one of the two most popular carols of all time; a 1996 poll ranked it as a tie for second place. To begin with, many thought it was written by Martin Luther, but now the song is considered to be absolutely American. The most common musical arrangements are by William Kirkpatrick (1895) and James R. Murray (1887). The melody was first published, as Luther's Cradle Hymn, by James R. Murray. Then, came a confusing series of explanations about how Martin Luther wrote the song. Murray even went so far as to suggest that Luther wrote it for his children. As a result, the song has become known as simply Mueller. Nobody knows who this Mueller actually is, but the name stuck. Popularity By the 1880’s the cradle song was being performed in church. By the 1990’s the song was becoming the most popular Christmas song of all time. It was sung in school, in church, and at home by nearly everyone. Other musical settings The first musical setting published with the lyrics appeared in the Little Children's Book for Schools and Families (1885). The title was Away in a Manger. This edition is the first one not to attribute the song to Martin Luther. Charles H. Gabriel was the first arranger to present the third verse. He also composed and published a large number of different arrangements of the song. In one of his settings, he supplies a chorus for each verse with asleep sung in canon. Another prevalent preparation uses the lyrics to the melody Flow Gently, Sweet Afton. Yet another arrangement uses the lyrics to an old Normandy carol.  Register for free lifetime updates and revisions of this product at www.jamesguthrie.com

Piano,Trombone - Level 1 - Digital Download SKU: A0.548479 Composed by Mueller. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 3 pages. Jmsgu3 #3386541. Published by jmsgu3 (A0.548479). Traditional Christmas song arranged for Trombone & Piano. Third verse features new harmony. Score: 2 pg. Part: 1 pg.Away in a Manger Away in a Manger is a popular Christmas song published originally sometime in the later 19th century and performed throughout the world. In England, it is considered one of the two most popular carols of all time; a 1996 poll ranked it as a tie for second place. To begin with, many thought it was written by Martin Luther, but now the song is considered to be absolutely American. The most common musical arrangements are by William Kirkpatrick (1895) and James R. Murray (1887). The melody was first published, as Luther's Cradle Hymn, by James R. Murray. Then, came a confusing series of explanations about how Martin Luther wrote the song. Murray even went so far as to suggest that Luther wrote it for his children. As a result, the song has become known as simply Mueller. Nobody knows who this Mueller actually is, but the name stuck. Popularity By the 1880’s the cradle song was being performed in church. By the 1990’s the song was becoming the most popular Christmas song of all time. It was sung in school, in church, and at home by nearly everyone. Other musical settings The first musical setting published with the lyrics appeared in the Little Children's Book for Schools and Families (1885). The title was Away in a Manger. This edition is the first one not to attribute the song to Martin Luther. Charles H. Gabriel was the first arranger to present the third verse. He also composed and published a large number of different arrangements of the song. In one of his settings, he supplies a chorus for each verse with asleep sung in canon. Another prevalent preparation uses the lyrics to the melody Flow Gently, Sweet Afton. Yet another arrangement uses the lyrics to an old Normandy carol. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com