Digital Download SKU: AX.98-PC-RWS1921_TN1 Composed by Jacques Offenbach. Arranged by Evan VanDoren. 1st Trombone. Light Concert; Novelty. Part. 2 pages. Alfred Music - Digital Sheet Music #98-PC-RWS1921_TN1. Published by Alfred Music - Digital Sheet Music (AX.98-PC-RWS1921_TN1). UPC: 038081609041.

Piano Trio (Violin, Violin, Piano) - Elementary - Digital Download SKU: P5.CL-ROM-18370 Easy version in G. Composed by Jacques Offenbach. Romantic Period. Score and Parts. 14 pages. SheetmusicLAB #CL-ROM-18370. Published by SheetmusicLAB (P5.CL-ROM-18370). 8.3 x 11.7 inches.

String Orchestra - Level 3 - Digital Download SKU: A0.998356 Composed by Aaron Fonzi. Children,Contemporary,Rock,Standards. Score and parts. 27 pages. Aaron Fonzi #3367893. Published by Aaron Fonzi (A0.998356).     This piece tells the epic story of Hades' abduction of his niece, Persephone. According to the legend, Hades came up through a crack in the ground and snatched the girl while she was playing. In the Underworld, he tried to seduce her in a variety of ways, but to no avail. Finally, Hades is said to have tricked her into staying by offering her a tempting pomegranate. As Persephone ate 6 seeds, she was to stay in the Underworld for six months each year. It is said that while Persphone is in the Underworld, the plants wither and die, and when she comes back to the surface she brings rebirth to growing things. This piece begins with playful pizzicato lines that build upon each other. These represent Persphone at play, but forebodes the dark forces that are encircling her. When the orchestra goes to arco, Persphone is being dragged into the Underworld. A mournful violin solo signifies her arrival, but this mournful theme is quickly replace by the devious seductions of Hades in the form of a humorous waltz. Finally, Hades offers the pomegranate to Persephone and she eats 6 seeds (represented by the six beats of the B major chord in measures 76 and 77). The main theme then takes over once again, modulating to F# minor to represent Hades' victory. With relentless energy, catchy ostinati and opportunities to work on shifting, pizzicato and arco throughout, this piece will not dissapoint for audiences and students alike. A FEW NOTES: 1. I'd recommend rehearsing the rhythms of recurring ostinati together- first pizzicato then arco. You may get creative and incorporate scales with these rhythms. However you do it, it'll be important that each ostinato is played with precision and confidence. 2. Have fun with the waltz section! It's meant to portray the strange, whimsical nature of Hades' attempts to woo Persephone, so the awkwardness in delivery is encouraged! 3. All ritardandos should be exaggerated for the sake of drama. 4. Encourage your drumset player to explore different ways of accompanying the orchestra- the drumset part is a blueprint, not definitive instructions. 5. Be sure to practice shifting into 2nd position for the modulation. I hope you and your students have a great time putting this epic piece together! I had a ton of fun writing it! ~Aaron Fonzi

Large Ensemble Voice - Level 4 - Digital Download SKU: A0.869309 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With Pluto … The Lord of the Underworld. (2005) This year, 2009, he asked me if I would be interested in writing a work for narrator and chamber orchestra like Prokofiev’s “Peter and the Wolf.â€Â� I said, “Yes. I would be delighted to do so.â€Â� He. 90 pages. Thomas Oboe Lee #431371. Published by Thomas Oboe Lee (A0.869309). Program note. Maestro Charles Ansbacher has been a devoted supporter of my work for many years. In the past 6 years he has commissioned me to write two works for his ensemble, the Boston Landmarks Orchestra: 1) Mambo!!! (2003) 2) Pluto … The Lord of the Underworld (2005) This year, 2009, he asked me if I would be interested in writing a work for narrator and chamber orchestra like Prokofiev’s Peter and the Wolf. I said, Yes. I would be delighted to do so. He told me that the subject for this work would be Boston’s own landscape architect, Frederick Law Olmsted. Sure, I said, why not? Charles told me he had a poet in mind who would provide the text, Nancy Stevenson. I said, Great! The work is in four parts, following Ms. Stevenson’s poetic design. I wrote a marching music in Part One depicting Mr. Olmsted when as a child he walked from his home to his aunts and uncles who lived far away. As a young man, Mr. Olmsted went through many jobs until he decided that as a landscape architect he could make cities a better place for children and adults alike. The mayor of Boston hired him to do just that, to make Boston more livable. In Part Two, I wrote presto music depicting the dredging of the Charles River and the planting of trees along its shores. In Part Three, the text describes the Boston Emerald Necklace – the paths that lead from the Fens to the Arboretum to Franklin Park. For this section I chose music that is bucolic and pastoral, a setting that evokes the country side with a flock of sheep, complete with a shepherd and his dog. In the last section the text describes Mr. Olmsted’s dream that in his parks there would be tranquility and rest to the mind … a place where the rich and the poor would play together. The music returns to the legato march that began the work.

Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.837489 Composed by Brett L. Wery. Concert,Contemporary. 27 pages. Sonata Grendel Publishing #5360153. Published by Sonata Grendel Publishing (A0.837489). The Passage of Orpheus was originally composed as the second movement of a Suite for Wind Ensemble. The original suite, Mortals, Gods, and Heroes, consisted of three short tone poems depicting three tales from Greek mythology. The Passage of Orpheus depicts Orpheus’s trip to the underworld to bring back his wife, Eurydice. The music is composed as set of variations that intertwines Orpheus’s theme with each of the characters he meets along the way: Charon the ferryman, Cerberus the three-headed dog, Sisyphus forever rolling a boulder up a hill, Persephone the queen of the underworld, and finally, his beloved Eurydice. Tragically, he fails to bring her back.

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1512455 By Francesco Leone. By Jacques Offenbach. Arranged by Francesco Leone. Romantic Period. 23 pages. Glissato Edizioni Musicali #1087477. Published by Glissato Edizioni Musicali (A0.1512455). Bring the lively and exuberant Can Can from Jacques Offenbach's operetta Orpheus in the Underworld to your woodwind quintet with this engaging arrangement by Francesco Leone. Perfect for easy-level musicians, this arrangement captures the spirited and playful nature of Offenbach's iconic dance.Includes:Full ScoreSet of Parts:FluteOboeBb ClarinetFrench Horn in FBassoonFeatures:Lively and Playful: Francesco Leone's arrangement retains the brisk tempo and infectious melody of Offenbach's original composition, ensuring a fun and entertaining performance.Easy Level: This arrangement is tailored for easy-level woodwind players, making it accessible and enjoyable for musicians of varying skill levels.Comprehensive Package: Includes a full score and individual parts for each member of the quintet, facilitating a smooth rehearsal and performance process.Audio Demo Available: Listen to an audio demo of this arrangement on www.glissato.it to preview its lively and engaging sound.Why Choose This Arrangement?This transcription is ideal for woodwind quintets looking to add a touch of classic operetta charm to their repertoire. Whether for concerts, recitals, or special events, Can Can from Orpheus in the Underworld arranged by Francesco Leone offers a captivating and enjoyable musical experience.Bring the spirited and rhythmic sounds of Jacques Offenbach's Can Can to your woodwind quintet and delight audiences with this timeless dance classic. Get your copy today and let Offenbach's music inspire your next performance!

Large Ensemble Voice - Digital Download SKU: A0.869339 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With Pluto … The Lord of the Underworld. (2005) This year, 2009, he asked me if I would be interested in writing a work for narrator and chamber orchestra like Prokofiev’s “Peter and the Wolf.â€Â� I said, “Yes. I would be delighted to do so.â€Â� He. 90 pages. Thomas Oboe Lee #32449. Published by Thomas Oboe Lee (A0.869339). Program note. Maestro Charles Ansbacher has been a devoted supporter of my work for many years. In the past 6 years he has commissioned me to write two works for his ensemble, the Boston Landmarks Orchestra: 1) Mambo!!! (2003) 2) Pluto … The Lord of the Underworld (2005) This year, 2009, he asked me if I would be interested in writing a work for narrator and chamber orchestra like Prokofiev’s Peter and the Wolf. I said, Yes. I would be delighted to do so. He told me that the subject for this work would be Boston’s own landscape architect, Frederick Law Olmsted. Sure, I said, why not? Charles told me he had a poet in mind who would provide the text, Nancy Stevenson. I said, Great! The work is in four parts, following Ms. Stevenson’s poetic design. I wrote a marching music in Part One depicting Mr. Olmsted when as a child he walked from his home to his aunts and uncles who lived far away. As a young man, Mr. Olmsted went through many jobs until he decided that as a landscape architect he could make cities a better place for children and adults alike. The mayor of Boston hired him to do just that, to make Boston more livable. In Part Two, I wrote presto music depicting the dredging of the Charles River and the planting of trees along its shores. In Part Three, the text describes the Boston Emerald Necklace – the paths that lead from the Fens to the Arboretum to Franklin Park. For this section I chose music that is bucolic and pastoral, a setting that evokes the country side with a flock of sheep, complete with a shepherd and his dog. In the last section the text describes Mr. Olmsted’s dream that in his parks there would be tranquility and rest to the mind … a place where the rich and the poor would play together. The music returns to the legato march that began the work.

Small Ensemble Cello,English Horn,Viola,Violin - Level 4 - Digital Download SKU: A0.837500 Composed by Brett L. Wery. Concert,Contemporary. Score and parts. 25 pages. Sonata Grendel Publishing #5800881. Published by Sonata Grendel Publishing (A0.837500). The Passage of Orpheus was originally composed as the second movement of a Suite for Wind Ensemble. The original suite, Mortals, Gods, and Heroes, consisted of three short tone poems depicting three tales from Greek mythology. The Passage of Orpheus depicts Orpheus’s trip to the underworld to bring back his wife, Eurydice. The music is composed as set of variations that intertwines Orpheus’s theme with each of the characters he meets along the way: Charon the ferryman, Cerberus the three-headed dog, Sisyphus forever rolling a boulder up a hill, Persephone the queen of the underworld, and finally, his beloved Eurydice. Tragically, he fails to bring her back. This version was arranged for my wife and the love of my life, Karen-for whom I would gladly march into hell.

Small Ensemble Cello,Percussion,Viola,Violin - Level 3 - Digital Download SKU: A0.1189121 By Underworld. By Karl Hyde and Richard David Smith. Arranged by Davide Riva. 20th Century,Contemporary,Disco,Pop. Score and parts. 40 pages. Davide Riva #788741. Published by Davide Riva (A0.1189121). An acoustic remix for strings sextet and one percussionist of the famous piece BORN SLIPPY by Underworld.

Woodwind Ensemble,Woodwind Quartet Flute - Level 3 - Digital Download SKU: A0.1509374 By Francesco Leone. By Jacques Offenbach. Arranged by Francesco Leone. Opera,Romantic Period. 22 pages. Glissato Edizioni Musicali #1084615. Published by Glissato Edizioni Musicali (A0.1509374). Experience the lively and spirited rhythms of the Can Can from Jacques Offenbach's operetta Orpheus in the Underworld with this delightful arrangement for Flute Quartet by Francesco Leone. Designed for easy-level musicians, this arrangement brings the joyful and energetic essence of Offenbach's classic piece to your flute ensemble.Includes:Full ScoreSet of Parts for Four C FlutesFeatures:Authentic Operatic Feel: Francesco Leone's arrangement captures the exuberant and playful qualities of Offenbach's original composition, ensuring an engaging and dynamic performance.Easy Level: This arrangement is tailored for easy-level flutists, making it accessible and enjoyable for musicians with varying levels of experience.Comprehensive Package: Includes a full score and individual parts for each member of the quartet, facilitating a smooth rehearsal and performance process.Why Choose This Arrangement? This arrangement is perfect for flute quartets looking to explore the vibrant traditions of operatic music and add a piece of joyful energy to their repertoire. Whether for concerts, recitals, or community events, the Can Can from Orpheus in the Underworld arranged by Francesco Leone offers a captivating and enjoyable musical experience.Bring the lively and rhythmic sounds of Jacques Offenbach's Can Can to your flute quartet and delight audiences with this timeless operetta classic. Get your copy today and let the music of Offenbach inspire your next performance!

Piano Solo - Level 4 - Digital Download SKU: A0.918241 Composed by Emily Nafius. 20th Century,Contemporary,Jazz,Pop,Standards. Score. 5 pages. Emily Nafius Music #5994455. Published by Emily Nafius Music (A0.918241). A modern, melodic original composition, suitable for students and advanced musicians alike.Composer’s Note:The Acheron is a river in Greece, but it also has a history in Greek myth. While it is known as a river of woe in connection with the mythical Greek underworld, it can have positive connotations when the underworld is reframed as a place for introspection, transformation, and rebirth.For interested students or teachers, here are a few pedagogical notes:This piece is intended to be performed without pedal, but in a legato style. It has an understated and modern quality that older high school and adult students may enjoy. This can be an opportunity for students to work on playing their eighth notes evenly, to strengthen their left hand by holding down the bass note, and to understand and correctly play hemiola. Only a single, initial dynamic marking is included in the text; this piece can be an exercise in looking at the overall structure and using one’s intuition to shape the phrases. There are a few places where fingering is indicated, but the fingering is mostly left up to the player, so that they can work with their teacher to problem-solve-especially if their hand size is small (like the composer’s). About the Composer:Emily Nafius is a pianist in Southern California with her musical roots in jazz. As a soloist or sideman, she has performed at numerous music venues around California in an eclectic mix of styles, and recorded with a variety of jazz musicians, singer-songwriters, and rock bands. Her work as an accompanist spans classical, jazz, and musical theatre, receiving praise for her theatre work as a pianist and ensemble leader. She has maintained a teaching studio for over fifteen years, instructing musicians of all ages.

Piano Solo - Digital Download SKU: A0.484004 By Ethan Rosenthal. By Ethan Rosenthal. Arranged by Ethan Rosenthal. Classical. Score. 10 pages. Published by Ethan Rosenthal (A0.484004). Inferis, the second work in my opus of Greek-God influenced pieces, is inspired by Hades, God of the Underworld. This composition presents schizophrenic-like qualities, from joking, mischievous, playful, and vulnerable, to ominous, sly, cunning, and wicked. In crafting the structure and character of this piece, I drew on my favorite composers: Liszt, Rachmaninoff, and Brahms.

Piano Solo - Level 2 - Digital Download SKU: A0.1099168 By Jon O'Bergh. By Jon O'Bergh. Arranged by Jon O'Bergh. Contemporary,Folk,New Age,Pop. Score. 4 pages. Jon O'Bergh #703038. Published by Jon O'Bergh (A0.1099168). Known for her vast knowledge of potions and herbs, the island enchantress Circe would lure visitors with her singing, then drug them and change their shape. When Odysseus visited the island on his way back from the Trojan War, she changed most of his crew into swine. She eventually allowed him to leave the island, providing advice and protections so he could visit the underworld and recover his lost kingdom. A relaxing, seductive melody reflects the enchantress in this piano composition. From the album 13 Witches, available at online music retailers and streaming services. Copyright 2022 Jon O'Bergh Publishing.

Easy Piano - Level 1 - Digital Download SKU: A0.1376532 By SilverTonalities. By Edvard Grieg. Arranged by SilverTonalities. Classical,Instructional,Opera,Romantic Period. Score. 39 pages. SilverTonalities #961052. Published by SilverTonalities (A0.1376532). In the Hall of the Mountain King Beginner Piano Collection Popular Classics for Beginner Pianists by SilverTonalities!With Colored Notation to enable Beginner Pianists to read Music quickly and accurately!PREVIEW, pages 1-2BELLA BOCCA POLKA Opus 163, written in 1881 by the French Romantic Composer Emile Waldteufel. Born into a musical family, Waldteufel composed over 270 Works including his famous “Skater’s Waltz�, pages 3-6TOREADOR Song is a popular Aria from the 4 Act Opera “Carmen� ,by the French Romantic Composer Georges Bizet, which premiered in Paris in 1875, pages 7-9SUNRISE QUARTET Opus 76 Number 4 1st Movement, was written by the famous German Composer, Franz Joseph Haydn. Known as the “Sunrise� due to the rising theme throughout, this String Quartet which was written between 1797 to 1798, pages 10-12THE QUEEN OF THE NIGHT is from the Austrian Composer, Wolfgang Amadeus Mozart’s famous Opera “The Magic Flute� which premiered in 1791 in Vienna, pages 13-16IN THE HALL OF THE MOUNTAIN KING, Opus 46 Number 4 from the Norwegian Composer, Edvard Grieg’s Peer Gynt Suite written in 1875, pages 17-20CAN CAN from the Opera “Orpheus in the Underworld�, was written in 1858 by the French Romantic Era Composer Jaques Offenbach, pages 21-22AIR from the five Act Opera “King Arthur�, written by the English Baroque Composer Henry Purcell, which premiered in London in 1691. The plot is based on the battles between King Arthur’s Britons and the enemy Saxons, pages 23-25COMIC DUET FOR TWO CATS by the Italian Romantic Era Composer, Gioachino Rossini in 1825 is a popular performance piece originally written for two Sopranos and Piano, pages 26-30THE UNFINISHED SYMPHONY, from the Austrian Composer Franz Peter Schubert, originates from his Symphony Number 8 in D Minor D759. Schubert started it in 1822 but only completed 2 Mvts even though he lived another 6 years, pages 31-36.