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Choral Choir (2-Part) - Level 2 - Digital Download

SKU: A0.727114

Composed by Carol Troutman Wiggins and Unknown Author. Children,Christian,Contemporary,Instructional,Religious. Octavo. 5 pages. Carol Troutman Wiggins #2897367. Published by Carol Troutman Wiggins (A0.727114).

Unison or 2-Part w/ Handbells
An angel passed in its onward flight with a seed of love and truth and light . . . This song describes the Savior planting the seeds of a child where it will be most fruitful when fully grown. The Heart of a Child text is taken from an unknown author and is a song of love, unity, and a desire for peace. Lush chords support a beautiful, easy to sing melody in comfortable range. The song may be sung in unison or with 2-Part equal voices. Optional handbells make this song a fine concert closer.

The Heart of a Child
Chorale 2 parties

$2.50 2.4 € Chorale 2 parties PDF SheetMusicPlus

Mixed choir (SSAATB) - Digital Download

SKU: S9.Q22284

For mixed choir. Composed by Ryan Wigglesworth. This edition: choral score. Choral Music of Our Time. Downloadable, Choral score. Duration 3 minutes. Schott Music - Digital #Q22284. Published by Schott Music - Digital (S9.Q22284).

English.

A Wreath was commissioned by the Choir of New College, Oxford, where Wigglesworth was student, to mark music director Edward Higginbottom's forty years of service. This is a simple and reverential setting of a poem by seventeenth-century author George Herbert commemorating an unknown mentor.

A Wreath was commissioned by the Choir of New College, Oxford, where Wigglesworth was student, to mark music director Edward Higginbottom’s forty years of service. This is a simple and reverential setting of a poem by seventeenth-century author George Herbert commemorating an unknown mentor.

A Wreath
Chorale SSAATB

$5.99 5.75 € Chorale SSAATB PDF SheetMusicPlus

Piano,Vocal,Voice - Level 5 - Digital Download

SKU: A0.1324262

Composed by Amos Elkana. 21st Century,Contemporary. Score. 10 pages. Amos Elkana #912460. Published by Amos Elkana (A0.1324262).

In this composition, we delve into the enigmatic world of Ikkyu Sojun, a 15th-century Zen Buddhist monk renowned for his poetry that defies conventional boundaries. Ikkyu's work often reflects Zen principles, blending deep philosophical insights with a stark, often provocative simplicity. Among his most striking poems is Crow with No Mouth, a piece that captures the essence of Zen’s emphasis on the ineffable nature of reality and the limits of language.

Crow With No Mouth

Hearing a crow with no mouth
Cry in the deep
Darkness of the night,
I feel a longing for
My father before he was born.

In these lines, Ikkyu conjures an image that is as perplexing as it is profound. The crow, a traditional symbol of mystery and the unknown, is rendered even more inscrutable by its lack of a mouth - a paradoxical figure that seems to transcend ordinary existence. This poem encapsulates the Zen concept of mu, or the negation of fixed concepts, challenging the listener to embrace the boundless nature of understanding.

In my composition, I have strived to translate this philosophical depth into music. The interplay between the piano and the voice is crafted to reflect the paradoxical imagery of the poem. The music moves through moments of tension and release, mirroring the poem’s journey from perplexity to a serene acceptance of the unknown.

This piece is an invitation to explore the spaces between notes, between words, where the essence of understanding might lie.

The emotional core of this composition is also deeply personal. It resonates with my own longing for my father, who passed away seven years prior to the creation of this work. Just as Ikkyu's poem reflects a yearning for a connection with the past, this music embodies my own journey of grief, memory, and the search for peace in the echoes of loss. The intertwining of my personal narrative with Ikkyu’s profound words aims to offer a universal contemplation on the themes of absence, longing, and the ephemeral nature of existence.

In creating this work, my aim has been to offer not just a musical experience, but a doorway into the profound simplicity of Zen thought. Through the synthesis of voice, piano, and Ikkyu's evocative poetry, we embark on a journey that transcends the mere act of listening, inviting contemplation, and perhaps, a glimpse into the boundless sky of our own perception.

Crow with no mouth
Piano, Voix

$8.00 7.68 € Piano, Voix PDF SheetMusicPlus

Full Orchestra - Level 3 - Digital Download

SKU: A0.746971

Composed by Montenegrin folk song. Arranged by Keith Terrett. 20th Century,Multicultural,Patriotic,Praise & Worship,Traditional,World. 27 pages. Keith Terrett #5205655. Published by Keith Terrett (A0.746971).

The National Anthem of Montenegro arranged for Symphony Orchestra. There are versions for Brass Quintet & String Orchestra in my on-line stores.

Oj, svijetla majska zoro (Montenegrin Cyrillic: „Ој, Ñвијетла мајÑка зоро, trans. Oh, Bright Dawn of May) is the official National anthem of Montenegro adopted in 2004. Before becoming the anthem, it was a popular folk song of the Montenegrins, with many variations of its text. The oldest one is dated to the 2nd half of the 19th century, known as Oh, Bright Dawn of Heroism, oh!, a popular Montenegrin folk song.

It was played in public for the first time in 1863 in the national theater in Belgrade. It was a component song of the Battle of Grahovo or blood feud in Montenegro (Бој на Грахову или крвна оÑвета у Црној Гори) heroic play in three parts. It is unknown if the text’s authors are also the play’s, namely the following Montenegrin composer/writers: the father of Marko Car Jovan Car and an unknown Obrad Vitković. The play and the Montenegrin folk song was also played/sung in the National Theater again in 1870 and 1876. Its first record in Montenegro itself dates to 1887, when it was included into the regular school program of Montenegrin national songs for pupils in the 3rd grade. It was reconfirmed in the teacher’s plan for Montenegrin schools of 1888, which speculates that it must have been an established folk song for decades by then.

Sekule Drljević, party strongman of a minor political party which was active in the Yugoslavian Kingdom in Montenegro known as the Montenegrin Federalist Party, rewrote the text and published it in 1937 in the book of then’s Croatian writer of Montenegrin origins Savić Marković Å tedimlija known as Crvena Hrvatska (Red Croatia), which confounded the thesis not of a Serb ethnic origin of the Montenegrins, which was the dominant one back then, but rather from the Croats. Its name was Eternal Ours… (VjeÄna naÅ¡a). When Nikola Hercigonja wrote down Oh, Bright Dawn of May shortly after WWII ended after 1945, he erroneously concluded that Drljević was the original wholesale author of this song, which also led to its considerable decline in popularity as a Montenegrin folk song altogether.

The song survived until today under various names as a popular Montenegrin folk song under the name Oh, Bright Dawn of May (Oj svijetla majska zoro). This version of the song has been one of the several versions proposed in 1993 during the first discussion on the official anthem, however, on which there was no consensus because of the disputed melodic value.

Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com Love national anthems, then join me on twitter, facebook, instagram & soundcloud for frequent updates on my Olympic anthems!


Montenegrin National Anthem for Symphony Orchestra (Kt Olympic Anthem Series)
Orchestre

$36.00 34.58 € Orchestre PDF SheetMusicPlus






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