Alto Recorder,Recorder Solo - Level 3 - Digital Download SKU: A0.1374647 Composed by James Devor. Contemporary,Early Music,Renaissance. Individual part. 10 pages. JDevor Music, LLC #959175. Published by JDevor Music, LLC (A0.1374647). Etudes in the Third Octavefor improving solo recorder playing (version for F recorders)The intention of this book is to introduce the third octave of the recorder to intermediate and advanced students no matter their age. The first section introduces each chromatic pitch from Eb6 to C7 (the highest possible pitch on a standard F alto recorder) in a pedagogically appropriate fashion. Each etude should be practiced slowly at first, focusing on correct fingering, phrasing and articulation prior to attaining full tempo. All of these etudes are purposefully composed using a variety of rhythmic and harmonic materials. On some of the fingering charts, ‘bell’ is included underneath the fingering. This indicates that the bell is to be closed either by pushing it up against the leg or the use of a bell key. Throughout the musical examples this is also reminded to the student by the usage of the ‘+’ sign.The second and third sections take students through recommended exercises in octaves, fifths, and major/minor scales. The goal here is to practice clean and swift transitions between notes, especially when in distant registers.The last section comprises two page-long ‘Grand Etudes’, which each reinforce and combine material from earlier in this book. Each one is about a minute long and uses the entire range of the instrument. When practicing these, be sure to attempt to keep the sound of the recorder consistent across both low and high registers.

Piano Solo - Digital Download SKU: A0.976864 Composed by Monica Bergo. Children. Score. 7 pages. Monica Bergo #3239683. Published by Monica Bergo (A0.976864). 2017 Holiday Contest Entry♫ *'¨` * • .¸¸. ♫ ♫ There is a sad fairy tale'¨` * * • .¸¸. ♫ There is a sad fairy tale closed inside me magic does not exist no principles nor King and I lose myself in the woods of my but and my if Tom Thumb is hidden no crumbs for me I decompose in the abyss of my weakness Stop the clothes that I wear now and I have a new identity sweet fairy or princess I decide I do not know ugly witch or sad ogress which form I will assume? hidden there is a mirror where Alice one day passed I stare at my reflection recognize me I do not know an instant and I’m inside it strange depths beats the heart at the slow rithm different realities in the house of the witch there is something wrong children no longer binds she is alone, sad and in poverty in the silence explodes a song It takes shape my name on hell as Dante but I would like a Virgil me too Fairytale sad that I've never read you I had made up your end already know I would know the plot and your lapels and a character without a role I would not be Who are you? masked rider Follow us if you want we are barefoot and disheveled and dance with us but you will not touch we have hands and feet tied show your face while time stands still you already know without  ever met you and now I know who you are and what you offer candy from a stranger like in a movie slow motion dilated the flames around you the abyss now it is wide open and you not laugh more, and we do not scare you're in the dark forest on our  realm to shame those who are mean and infamous yes ,we are marginalized you yourself have created us Black man or Bluebeard your real name ....... bondage an unconscious moment and go back to my reality I am not fairy or princess I am just this side but if I were a character storytellers I would minstrel a little 'wild at the court of the gods with colorful clothes and flowers in my hair always free between the meadows and I'd live music sad tale while I skim your steps I die, reborn and I retrace my days I could do that would change your plot but for the happy ending I would like to thank you .....                                                                                                 Monica Bergo

Recorder Solo - Level 3 - Digital Download SKU: A0.1374642 Composed by James Devor. Contemporary,Early Music,Renaissance. Individual part. 10 pages. JDevor Music, LLC #959170. Published by JDevor Music, LLC (A0.1374642). Etude in the Third Octavefor improving solo recorder playing (version for C recorders)The intention of this book is to introduce the third octave of the recorder to intermediate and advanced students no matter their age. The first section introduces each chromatic pitch from Bb6 to G6 (the highest possible pitch on a standard soprano recorder) in a pedagogically appropriate fashion. Each etude should be practiced slowly at first, focusing on correct fingering, phrasing and articulation prior to attaining full tempo. All of these etudes are purposefully composed using a variety of rhythmic and harmonic materials. On some of the fingering charts, ‘bell’ is included underneath the fingering. This indicates that the bell is to be closed either by pushing it up against the leg or the use of a bell key. Throughout the musical examples this is also reminded to the student by the usage of the ‘+’ sign.The second and third sections take students through recommended exercises in octaves, fifths, and major/minor scales. The goal here is to practice clean and swift transitions between notes, especially when in distant registers.The last section comprises two page-long ‘Grand Etudes’, which each reinforce and combine material from earlier in this book. Each one is about a minute long and uses the entire range of the instrument. When practicing these, be sure to attempt to keep the sound of the recorder consistent across both low and high registers.

Piano Solo - Level 5 - Digital Download SKU: A0.1138763 By Louise du Toit. By Louise du Toit. Arranged by Louise du Toit. Contemporary. Score. 7 pages. Louise du Toit #739065. Published by Louise du Toit (A0.1138763). Inkawu the Monkey is the thirteenth in a series of fifteen original contemporary compositions for piano, titled 15 Animal Compositions for Piano and created to musically describe the movement and habits of specific wildlife creatures. From music notes to words: Inkawu the monkey is very naughty and mischievous. Having spent the morning sitting in the sun while some females searched his fur for fleas, he is now in a hilariously expressive mood. Swinging from the branches of a huge African tree, he mocks everything and everybody around him, mimicking a scornful dance with his weird movements and giving the impression of being a funny clown in a circus. When he comes across a car loaded with passengers on a narrow road between the trees, he jumps straight onto the bonnet of the vehicle, pressing his face on the front window and pulling faces to amuse the surprised audience inside. He grins when they feed him oranges through a small opening of a nearly closed window and refusing to leave, he sits on the bonnet for almost an hour, filling up his tummy and satisfying his taste buds with the juicy citrus fruits. When he finally leaps off the car, he continues his merry ragtime dance until he disappears between the trees..

Acoustic Guitar - Level 1 - Digital Download SKU: A0.1500248 Composed by Chadwick Becks. Classical,Instructional,Jazz. Educational Exercises. 30 pages. Chadwick Becks #1076326. Published by Chadwick Becks (A0.1500248). Scales are the foundation of all Western music. Scales build the framework for every music genre (classical, jazz, rock, blues, pop, etc.) regardless of style. Each genre of music will determine the extent of scale mastery needed for proficiency. However, most guitarists skip the first step to fretboard and harmonic mastery, the open-position major and minor scales.Many begin their scale studies with closed position (not using any open strings) scales. This is useful when moving up and down the fretboard and in transposition. However, few truly understand the notes played besides where the scale's root begins. This does not build a solid foundation for deep musical learning. It also places a large amount of emphasis on only learning patterns to achieve technical fluency but neglects the greater achievement of musicality. The scales in this book consist of the major and harmonic minor scales. The harmonic minor scale is the source from which the chords for the minor scales are built. It also uses the same fingering ascending and descending facilitating easier learning.

Piano Solo - Level 3 - Digital Download SKU: A0.976879 Composed by Monica Bergo. Contemporary. Score. 4 pages. Monica Bergo #3246293. Published by Monica Bergo (A0.976879). 2017 Holiday Contest Entry♫ *'¨` * • .¸¸. ♫ 50 shades of .... nothing'¨` ♫ * * • .¸¸. ♫ At the doorway you are there ,waiting for me I know your wife and I know that you do not respect her, you see me and you open up yourself in a sinister smile I sigh and wait  that you start your sad show ... She asks you love you answer with sex I offer you my friendship It would  be fine the same? it is true you are a stunner  but not so important if the soul does not shine nothing  takes  me about you Come on, explain to  me again how smart you are But remember  that  without her you are nothing Your machismo hurts and offends your shades of nothing I bore me a bit ' you read a book? I am affected but a book will not change your life you  are swelled, galvanized by Mister Gray're obsessed you're just meat, no spirit and the wings do not have and my colorful world not, you  not pollute while you  talking to me, peek at your reflection and I understand that are 50 shades But your fears are more ...   You, man  rampant I, woman  inelegant concrete and abstract imperfect binomial 2 worlds in their own right we remain distant your shades of nothing , I do not regret and while I realize that you want to scare me I lose a laugh you know, I feel safe I have behind me very worst nightmares Christian Gray  overstrain stay away from me   you read a book? You do not say! And  Mickey  Mouse  where  did  it end? you read a book I am affected but a book will not change your life in love with yourself, but I ask myself  if you're something to discover closed  inside  you if you want to please everyone for the insecurities that you with 50 shades But your fears are more   and while I remain  standing  there  watching your car that It makes a screech and disappears I stop myself  to think about how I  lucky to have a partner who has eyes only for me .......                                                                                                                    Monica Bergo

Piano Solo - Level 4 - Digital Download SKU: A0.1086407 Composed by Edigles Guedes. Classical,Contemporary,Instructional,Praise & Worship,Spiritual. Score. 5 pages. Edigles Guedes #690608. Published by Edigles Guedes (A0.1086407). This song is a study in classical music. It is ideal for advanced intermediate level piano students. Inspired by the Bible verse: “And the LORD God caused a deep sleep to fall upon Adam, and he slept: and he took one of his ribs, and closed up the flesh instead thereof;� (Genesis 2:21 – KJV) Duration of work: 1:17 min.

Mixed Percussion Instrumental Duet,Tenor Trombone - Level 5 - Digital Download SKU: A0.1315589 Composed by Brian Kershner. 21st Century,Contemporary. 14 pages. Gordon Cherry #904332. Published by Gordon Cherry (A0.1315589). Here are the program notes of Trombotriptych for solo Trombone and Percussion by composer Brian Kershner.Trombotriptych is the first piece I have written for the trombone in the main, solo role. I decided to mount the work as a duo with limited percussion, one player, and just two instruments, Woodblock and Bongos. The piece allowed me to learn about and explore the many extended techniques that the trombone can produce. I was grateful to work with the person, for whom the piece was written, Topher Logan, as this is such an immense help. The trombone is capable of great, almost oratorical power, as well as sweet, horn-like lyricism. There are portions of the piece which utilize a couple of different mutes, and the open and closed colors of the Harmon mute, slide and position changes for timbre color, glissandi, as well as multiphonics, which on this instrument are produced by using the voice, singing while playing. There are contrasting tempi in the work, including a middle section which seems barless, although is notated traditionally, and an up tempo section toward the end with exciting interplay between the instruments. It is hoped that the work captures the many sides of this most noble, heroic, and yet vocally pure member of the brass family.The music is appropriate for very advanced performers and is about 9 minutes in length.

Choral Choir (SATB divisi) - Level 2 - Digital Download SKU: A0.507012 By Alan Wagstaff. By Alan Wagstaff. Arranged by Alan Wagstaff. Celtic,Folk,Irish,Traditional. Octavo. 37 pages. Alan Wagstaff #117526. Published by Alan Wagstaff (A0.507012). This is a new Irish song about the magic of Irish music. It's arranged for choir (SSAATB), harp, piano, flute, and fiddle. Elements of O'Carolan's 'Inisheer' are woven into the melody. Lyric A Song With No Tune The stories they tell in the Town of Athlone, would gladden the heart of a man made of stone. I joined in with them freely, until it was Spring, then I was off, like a hawk on the wing - searching for fortune - and something to sing. And it’s oh! But it’s been a long time! And I hope that we meet again soon. I saw her but once, by the light of the moon. She said she would give me a song with no tune. The pipers are proud in Kildare and Athy; there's no better music found under the sky. But, one bright Summer's evening, I left them behind; put my feet to the road and I followed them blind - searching for fortune - and what I might find. And it’s oh! But it’s been a long time! And I hope that we meet again soon. I saw her but once, by the light of the moon. She said she would give me a song with no tune. The fiddlers are famous from Bantry to Cork. The rake of their reels would make the lame walk. But still, at the close of a fine Autumn day, I packed up my bags and I went on my way - searching for fortune but finding low pay. And it’s oh! But it’s been a long time! And I hope that we meet again soon. I saw her but once, by the light of the moon. She said she would give me a song with no tune. Far up the west coast, in Aran and Clare, there's harpers to bring you a magical aire. I listened, enthralled, till the Winter came on, then pulled up my boots - and soon I was gone - searching for fortune for still I had none. And it’s oh! But it’s been a long time! And I hope that we meet again soon. I saw her but once, by the light of the moon. She said she would give me a song with no tune. I rested, by chance, at the close of the day, by a small rounded hill, where I happened to stray. And there, as the drowsiness over me stole, I dreamed of a woman with eyes black as coal - And the fortune she held was the song of my soul. And it’s oh! But it’s been a long time! And I hope that we meet again soon. I saw her but once, by the light of the moon. She said she would give me a song with no tune. Alan Wagstaff.

Brass Ensemble - Level 4 - Digital Download SKU: A0.1049261 Composed by Friedrich von Flotow. Arranged by F. Leslie Smith. Classical,Pop,Romantic Period. Score and parts. 18 pages. Sweetwater Brass Press #653628. Published by Sweetwater Brass Press (A0.1049261).      The first performance of "Martha, or The Market at Richmond," a romantic comic opera by the German composer Friedrich von Flotow, took place in Vienna in 1847. Subsequent presentations were performed in a number of other languages, including Hungarian, Czech, English and Italian. Two of the most memorable arias from Martha are “The Last Rose of Summer” and “Ach! so fromm.” “Last Rose” was, of course, based on the poem by Thomas Moore. “Ach! So fromm,” known more familiarly by its Italian lyric, “M'appari, tutt'amor,” was an original composition by Flotow, a piece he had composed for an earlier opera and inserted into Act 3 of Martha as Lyonel’s tenor solo.      In 1955, The Crew Cuts, a Canadian pop singing group, recorded a song titled “Mostly Martha.” Written by Dorcas Cochran (words) and Ralph Sterling (music), it charted in early 1956. As so many pop song writers have done, Sterling borrowed the melody from a piece of classical music: “M’appari.” While “M’appari” and “Mostly Martha” share the same melody, the words and sentiment are quite different. Lyonel laments that Martha has left him, while The Crew Cuts jauntily proclaim, “Mostly Martha, Mostly Martha. What has she got? She's got the most.”      This brass quintet arrangement takes a middle ground. It follows closely the basic structure of Flotow’s operatic aria but does so in a sort-of up-tempo manner and with a great deal of variation in the accompaniment. It’s not really The-Crew-Cut-style “She’s got the most,” but it’s certainly more positive than Lyonel’s song of longing. The piece starts with a suggested tempo of 90 bpm, changes to 80 at section C, and speeds up to 92 at the end. All instruments get a turn playing the melody, and there are no really tricky rhythmic patterns. There are, however, grace notes, rallentandos, an “a piacere” and a number of fermatas. All notes are, for the most part, within normal playing range of each of the five instruments, with two exceptions: near the end Trumpet 1 has an A above its staff, followed two measures later by a high B-flat.      Completed in 2022, performance time runs about 2 minutes, 45 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt to him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the search box.   (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)

Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.782042 By The Beatles. By John Lennon and Paul McCartney. Arranged by Aaron Hettinga. Pop,Rock. Score and parts. 16 pages. Aaron Hettinga #6096115. Published by Aaron Hettinga (A0.782042). A full little tune from the Beatles’ Double-EP Magical Mystery Tour shows up here for 5 brass. The form and character of the original recording is generally fairly closely followed. Each instrument part gets a chance to play the melody (or interesting harmony line) for a little while to keep things interesting for all. The stop-time verse for the Tuba solo is a fun change-up!

Organ - Level 5 - Digital Download SKU: A0.853206 Composed by Hans-Andre Stamm. 20th Century,Concert,Contemporary. Score. 20 pages. Hans-Andre Stamm #5896673. Published by Hans-Andre Stamm (A0.853206). The musical expression of this musical tableau (duration ca. 11 min.) mainly refers to the 3rd verse of the chorale text Trotz dem alten Drachen (I defy the old dragon) illustrating the fight with the dragon in a toccata style in the center of the piece. The opening passages have the chorale melody c. f. in the tenor and slowly build up an agitated mood. In a calm middle section in a Siciliano metre the chorale occurs in the major variant. The corresponding chorale text passage of the 3rd verse is Ich steh hier und singe in gar sichrer Ruh (I stand here and sing in secure peace). After the dramatic climax a calm variation closes the tableau.

Woodwind Ensemble,Woodwind Quartet Flute - Level 4 - Digital Download SKU: A0.949339 Composed by Victor Herbert. Arranged by Adam Lenhart. 20th Century,Children,Christmas. 9 pages. Adam Lenhart #4968389. Published by Adam Lenhart (A0.949339). The famous and dream-like waltz from Babes in Toyland has been a Christmas classic for over a hundred years. Arranged for flute quartet by Adam Lenhart, this arrangement gives a new energy and drive to the traditional piece. A lively opening is followed by a slow middle section to respect the dream-like tone of the melody line. The piece closes with a fast and whimsical ending. Jazzed up from the original, this new arrangement is sure to be a hit with any audience.Includes full score and individual parts. Approximate duration: 1:58.---------------------------Adam Lenhart (b. 2002) is a University of Michigan student of music theory, composition, voice and organ from Ottawa Lake, Michigan. As a theorist, his areas of study vary widely, including 18th century counterpoint, the early American Sacred Harp tradition and impressionism. As a composer, his music draws inspiration from nature, mathematics and poetry. In 2020 he was awarded the Michigan Music Education Association’s Young Composers of Michigan award, as well as first prize in the University of Toledo Young Composers competition. Lenhart has also participated in numerous ensembles across Michigan, including the MYAF All-State Choir, Tecumseh Pops Orchestra, University of Michigan Men’s Glee Club and the SMTD University Choir. He thoroughly enjoys collaboration with other composers, performers, poets and visual artists. Some of his recent projects include collaborations with individuals from the University of Michigan Chamber Music, History, and Poetry departments.

Large Ensemble Bass Drum,Drums,Marimba,Multi-Percussion,Snare Drum,Vibraphone,Xylophone - Level 5 - Digital Download SKU: A0.935386 Composed by Dan Heslink. Contemporary. Score and parts. 46 pages. Pharaoh Publications #6058011. Published by Pharaoh Publications (A0.935386). Sinfonietta                                                                                                                  composed by Dan Heslink Sinfonietta is a trio for vibraphone, marimba and percussion (xylophone, snare drum, and bass drum). Its expression is intended to be non-representational, presenting only an interesting technical construction in a suave formal organization. With the title the composer designates a single movement, with length and seriousness of expression approaching a symphonic movement. Its form approximates an expanded version of the classical sonata-allegro, dividing materials into three large sections. Beginning are the two main phrases of the principal theme, which establish patterns that are idiomatic throughout the movement. The first measure’s quartal harmonies divide into rhythms alternating the two hands, the right-hand posing a melody and the left-hand complementing it with harmony and rhythmic repetition. The phrase at measure 7 is a long-breathed melody for vibes accompanied by undulating chords in the marimba. A transition comprising highly qualitative rhythms (stated first by the marimba in m. 20.) has much identity. By measure 41, the transition has grown into a full secondary theme, one that is developed and repeated often throughout the movement. The exposition closes with a theme beginning in measure 51. It is announced by the vibes as another long-breathed melody unfolding over the active rhythm of the second theme. After a gradual dissipation, the development section starts at measure 92 with a new but related theme, heard first in the vibes. It offers a different key and an expressive melody slowly unfolding over rhythmically active harmonies. The remainder of this middle section explores nuances of the secondary and closing themes, and ultimately leads to the movement’s first climax. It eventually dissipates through a gradual reduction of density and tempo.  The Reprise begins vigorously at m. 118 with statements of both the principal theme’s phrases. Then the second theme is transformed by the addition of bass drum strokes, which sets up a codetta. This section comprises a long crescendo on the new theme over a rhythmic tattoo derived from the second theme, and builds to a bold conclusion.  Pedaling on the vibes is indicated with a solid bracket below the connected notes, and half pedaling with a dashed bracket. It is imperative that the percussion part be heard but not dominate. The performer is encouraged to experiment with a piccolo snare drum and 28 bass drum. Sinfonietta would serve equally well in a professional, college or advanced high school percussion recital. The composer assigns a difficulty level of medium difficult. Duration is 8:10. The composer, Dan Heslink, can be contacted at dan@dheslink.com.