Guitar,Piano - Level 3 - Digital Download SKU: A0.747044 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 pages. Keith Terrett #5953127. Published by Keith Terrett (A0.747044). A great sounding arrangement of A Night in Tunisia arranged for Guitar (notaion) & Piano, Guitarists will love this! Tab is available on request: keithterrett@gmail.comA jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.

Concert Band - Level 4 - Digital Download SKU: A0.942434 Arranged by Brock Lupton. Romantic Period. Score and parts. 84 pages. Brock Lupton #6879051. Published by Brock Lupton (A0.942434). Brahms composed the Alto Rhapsody, properly known as Rhapsody for Alto, Male Chorus, and Orchestra, opus 53 in 1869. It was first performed in Jena on March 3, 1870. The text is based on Harzreise im Winter (Winter Journey in the Harz Mountains), a poem by well-known German poet Johann Wolfgang von Goethe (1749-1832). The Alto Rhapsody, like many of Brahms’ works, has loneliness and alienation as its central themes. Brahms’ devotion to Clara Schumann, Robert Schumann’s widow, is well-known (the letters between her and Brahms fill two volumes). What is less well-known is that he was undoubtedly very fond of Julie Schumann, Clara’s daughter.In 1869, Brahms spent the summer near the Schumann’s residence and was in daily contact with Julie and Clara completing, among other works, the Liebeslieder (Love Song) Waltzes. In early July, Julie announced her engagement. Of course, I told Johannes first of all, Clara noted in her diary on the 11th. Soon after, the conductor Hermann Levi told her that Brahms had been devotedly attached to her daughter. By July 16th, Clara noted in her diary that Brahms speaks only in monosyllables . . . [and] treats Julie in the same manner, although he used to be so especially nice to her. Did he love her? Julie was married on September 22. Later on that very wedding day, Brahms called on Clara, who wrote in her diary, Johannes brought me a very wonderful piece . . . the words from Goethe’s Harzreise. . . He called it his bridal song. This piece seems to me neither more nor less than the expression of his own heart’s anguish. If only he would for once speak so tenderly! This piece is of course the dark and emotional Alto Rhapsody. Goethe’s poem Harzreise im Winter poetically describes the kind of life God intends for different temperaments. The three stanzas set by Brahms concern the fate of a man in fruitless struggle against the bonds of misery. A young man, turned misanthropic by sorrow, seeks solitude in the wilderness. The piece is in the baroque cantata style, with an opening recitative, and aria, and a concluding chorale. The alto describes the desolate winter landscape and in the final chorale joins the male chorus in a prayer for a melody that can bring comfort to the thirsting soul (indeed the plea restore his heart is repeated three times at the end, as a kind of Amen). In the Alto Rhapsody it is not hard to find evidence for Brahms’ statement that I speak through my music. The foregoing is from a program note written for a 1997 New York Choral Society performance of the Alto Rhapsody in observance of the centenary of the death of Johannes Brahms. It has been taken from the society web page http://www.nychoral.org/brahms/brahms3.htmlAn English translation of the German text used by Brahms SOLOBut down there, who is it?His path loses itself in the bush. Behind him the branches close. The grass stands up again. Desolation surrounds him. O, who heals the wounds of the one to whom balm has become poison, who drank hatred of people from the fullness of love? Once despised, now a despiser. Secretly he destroys himself in unsatisfying self-seeking. CHORUS If there is in your psaltery, Father of Love, a tone his ear can hear, let it enliven his heart.  .

Concert Band - Digital Download SKU: AX.00-PC-0002597_SB String Bass. Composed by George Gershwin. Arranged by Jerry Brubaker. Classical. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0002597_SB. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0002597_SB). ISBN 9780757933738. UPC: 029156111040.The honking of auto horns conjures up a vision of Parisian drivers careening and lurching around the streets of this fabulous city. We're off on a madcap whirl from the genius of George Gershwin. Close your eyes and listen to the colors---you'll know exactly where you are. A stunning setting!

Violin Duet Violin - Level 3 - Digital Download SKU: A0.588129 By David Cook. By John Lennon and Paul McCartney. Arranged by David McKeown. Rock. 5 pages. David McKeown #5303293. Published by David McKeown (A0.588129). Eleanor Rigby first appeared on the Beatles’ 1966 album, Revolver. There has been much speculation over the identity of Eleanor Rigby, and a gravestone bearing that name has been discovered close to where Paul McCartney grew up in Liverpool. But Paul McCartney insists that he chose the natural-sounding name as a combination of a friend’s name and a shop he noticed in Bristol. Indeed, the original working title of the song was Miss Daisy Hawkins.This version of Eleanor Rigby is arranged as a duet for two Violins. The YouTube sample above is the Clarinet version of this duet.Musicians at an intermediate level will find this ideal for formal and informal concert performance. The overall performance time is around two and a half minutes. Teachers will enjoy using this arrangement as a fun way to help with ensemble skills and expressive playing.  There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203 

Concert Band - Digital Download SKU: AX.00-PC-0002597_M1 Mallets. Composed by George Gershwin. Arranged by Jerry Brubaker. Classical. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0002597_M1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0002597_M1). ISBN 9780757933738. UPC: 029156111040.The honking of auto horns conjures up a vision of Parisian drivers careening and lurching around the streets of this fabulous city. We're off on a madcap whirl from the genius of George Gershwin. Close your eyes and listen to the colors---you'll know exactly where you are. A stunning setting!

String Quartet String Quartet - Level 4 - Digital Download SKU: A0.778053 By Beyonce. By Beyonce Knowles, Shea Taylor, and Terius Nash. Arranged by Jen Mathers. Hip-Hop,Pop,R & B. Score and parts. 16 pages. Jen Mathers #5866491. Published by Jen Mathers (A0.778053). ARRANGED FOR STANDARD STRING QUARTET. The linked video is played by a cello, with the first violin part mostly played one octave lower. Otherwise the arrangement is identical to the string quartet version sold here. (The audio sample includes the accurate string quartet voicing). A fun, funky song great for weddings, receptions, and parties. The second half of the song repeats the chorus four times but modulates up a half-step each time, requiring musicians to pay close attention to the quick key changes! My string arrangements are true to the original song, with minimal bowings and only minor adjustments to pop melodies to facilitate playing and sightreading. Parts are error-free, tested and enjoyed by professional musicians at weddings and private events.

Flute Solo - Level 5 - Digital Download SKU: A0.533567 Composed by Carson Cooman. Concert,Contemporary,Standards. Individual part. 18 pages. Musik Fabrik Music Publishing #3022373. Published by Musik Fabrik Music Publishing (A0.533567). I. CapriceII. Folk ArabesquesIII. MarchIV. Aria and InterludesV. Hootenanny at the Gates of HeavenSonata in memoriam Daniel Pinkham (2007) for flute was written for and is dedicated to flutist FenwickSmith. The work was written in memory of American composer Daniel Pinkham (1923-2006) – a composerwhose music, advocacy, and personal support meant a great deal to me over the years I knew him.Throughout his distinguished career as a composer, keyboard performer (on harpsichord and organ),teacher, and conductor, Dan Pinkham served as an inspiration for countless American composers andmusicians.I had planned to write a solo flute sonata for a few years and made many sketches towards such a work. Inearly 2007, reflecting on Dan’s passing in December 2006, I threw out everything I already had and begananew, conceiving the work both as a tribute to Dan and a piece for his close friend and frequentcollaborator Fenwick Smith.The five movements of the work each explore ongoing transformation of their opening materials. Thoughthere are elegiac moments in the work, the tone throughout is zestfully celebratory, with touches of humor,representing Pinkham’s irrepressible and memorable wit.The first movement, Caprice, flies through a series of arpeggio figurations in changing modes (often adifferent mode “going up� from “coming down�).The second movement, Folk Arabesques, is based on a Kentucky folk ballad, “John Riley.� The unusual leapsin the original melody and its modal shifts are explored in the surrounding commentaries, which takecombine bits of the folk ballad with arabesque figurations.The third movement, March, leaps through the total chromatic spectrum. Though the march is a form oftenignored by American composers, Pinkham often employed such sections and rhythms in his own music.The fourth movement, Aria and Interludes, uses a common Pinkham form—where the basic musicaldialogue (in this case a straightforward ‘aria’ melody in G minor) is interrupted by “interludes� ofcontrasting nature. In the case of this movement, it is gradually revealed that the interludes are alteredversions of the aria material.The fifth and final movement, Hootenanny at the Gates of Heaven, is a joyous romp, combining together boththe chromatic/modal shifts of the earlier movements with pentatonic figurations and melodies in the spiritof American folk fiddling.

Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1327165 Composed by Austrian Carol. Arranged by Connie Boss. Children,Christian,Christmas,Holiday,Religious. Score. 3 pages. Connie Boss #915243. Published by Connie Boss (A0.1327165). This lovely lullaby is and Austrian carol from the 1800's. I built from the original by adding extra lyrics and changing up the melody slightly to the end of each verse. The lyrics are from We Three Kings, Silent Night and What Child is This. Each additional lyric ties into the verses of the song and adds an extension to the verse. This is for solo and piano. Any questions or requests, email cdboss@cvalley.netLyrics:Still, still, stillOne can hear the falling snowFor all is hushedThe world is sleepingHoly Star its vigil keepingStill, still, stillOne can hear the falling snowO star of wonder, star of nightO star with royal beauty brightStill, still, stillOne can hear the falling snowSleep, sleep, sleep'Tis the eve of our Savior’s birthThe night is peaceful all around youClose your eyesLet sleep surround youSleep, sleep, sleep'Tis the eve of our Savior’s birthRound yon virgin, mother and childHoly infant tender and mildSleep, sleep, sleep'Tis the eve of our Savior’s birthDream, dream, dreamOf the joyous day to comeWhile guardian angels without numberWatch you as you sweetly slumberDream, dream, dreamOf the joyous day to comeWhat child is this who laid to restOn mary’s lap is sound asleepDream, dream, dreamOf the joyous day to comeStill, still, still'Tis the eve of our Savior’s birth.

Choral Choir (4-Part) - Level 3 - Digital Download SKU: A0.977866 Composed by Chick Corea. Arranged by Mike Dana. Contemporary. Octavo. 17 pages. Mike Dana Music #5775047. Published by Mike Dana Music (A0.977866). This arrangement of Chick Corea's Sea Journey was written for an intermediate level vocal jazz ensemble (no extreme ranges, very few splits in soprano and tenor only.) Tenors and basses set up the opening ostinato, with ethereal sopranos and altos taking the melody. An open solo section (vocal or instrumental) includes some very cool background lines. The ending is very powerful, making this a good choice to close your concert or festival set. A master rhythm part (mostly chord symbol;s with slashes) is included.

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1327476 By Cheryl Prazak. By Lyrics: Cheryl Prazak and Music by Jon Burr. Arranged by Jon Burr. Contemporary,Country. Score. 15 pages. Cheryl Prazak #915493. Published by Cheryl Prazak (A0.1327476). If Only In My Dreams is a song of longing for a far away spouse sung by soldier stationed far away.Music, arranging and production by Jon BurrThe Lyrics:The moon shines bright, drifting through the pines tonight, The meadow lies blanketed with dew,Stars take their flight, chasing ‘way the lingering night, And I lie here dreaming, dear, of you.Lonely the nights, when I long to hold you tight, In my dreams, I linger and pretend.Ev’ning draws nigh, pensive fantasies take flight,My eyes close, dreamy visions descend.  Nights are cold and lonely; I’m so in love with you.Wrapped up in your arms, I surrender to your charms, If only in my dreams, can I hold you.Mournful day long, I am trying to stay strong.I can only sit here, dear, and dream.  Please play our song, you remember our love song,And together we will dream our dream.The moon gives way, breaking forth another day,And the last star’s twinkle has fade.I see your face, with the dawn of each new day, Morn breaks through, and I’m dreaming again.  Candles in the window, yellow ribbons on the door,When I see the glow and the ribbons I will knowThere you are, I will leave your arms no more.Every day will be a dream, dear, when I am there with you.Although we’re far apart, you linger in my heart, love of my life, my wonderful, amazing wife; my wonderful military wife.

Euphonium,Instrumental Duet,Trombone - Level 3 - Digital Download SKU: A0.747026 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. 12 pages. Keith Terrett #5899355. Published by Keith Terrett (A0.747026). A great sounding arrangement of A Night in Tunisia arranged for Baritone, Euphonium, Trombone (BC) & Piano, low brass players will love this!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.

C Instrument - Level 3 - Digital Download SKU: A0.1435522 By Poem by H.P. Lovecraft. By ?rthvr. 20th Century,A Cappella,Chamber,Classical,Contemporary. Lead Sheet / Fake Book. 1 pages. ?rthvr #1015610. Published by ?rthvr (A0.1435522). A setting of the poem Sunset by H.P. Lovecraft, for solo female voice or choir upper voice (without accompaniment).Ambitus:B?3 - D5You are free to transpose the score up or down. If you would like to perform the piece publicly (live concert or internet), please contact me via contact form.You can find the piece and other similar music here:https://arthvr000.bandcamp.com/album/vocal-music-poetry-settingsPoem text:The cloudless day is richer at its close;A golden glory settles on the lea;Soft, stealing shadows hint of cool reposeTo mellowing landscape, and to calming sea.And in that nobler, gentler, lovelier light,The soul to sweeter, loftier bliss inclines;Freed from the noonday glare, the favour’d sightIncreasing grace in earth and sky divines.But ere the purest radiance crowns the green,Or fairest lustre fills th’ expectant grove,The twilight thickens, and the fleeting sceneLeaves but a hallow’d memory of love!

Flute,Piano - Level 4 - Digital Download SKU: A0.954359 Composed by Johann Strauss Jr. Arranged by Jaycee Brown, JCBmusic. Concert,Romantic Period. Score and part. 18 pages. Rachel Brown #3518755. Published by Rachel Brown (A0.954359). From the Waltz (Tempo di valse) Excellent piece for a performance with two flutes (or violins) (Please let me know of any public performances)There are subtle 'changes' to the piece but when arranging I like to keep close to the original. I like to open up music to a range of instruments and will continue more arrangements. Please bookmark my publisher page here on SMP and check regularly to see what else I've put on. .

Instrumental Duet Alto Saxophone,Clarinet,Instrumental Duet - Level 3 - Digital Download SKU: A0.588098 By David Cook. By John Lennon and Paul McCartney. Arranged by David McKeown. Rock. Score and parts. 5 pages. David McKeown #5303231. Published by David McKeown (A0.588098). Eleanor Rigby first appeared on the Beatles’ 1966 album, Revolver. There has been much speculation over the identity of Eleanor Rigby, and a gravestone bearing that name has been discovered close to where Paul McCartney grew up in Liverpool. But Paul McCartney insists that he chose the natural-sounding name as a combination of a friend’s name and a shop he noticed in Bristol. Indeed, the original working title of the song was Miss Daisy Hawkins.This version of Eleanor Rigby is arranged as a duet for one Clarinet and one Alto Saxophone. The YouTube sample above is the Clarinet version of this duet.Musicians at an ï»¿intermediate level will find this ideal for formal and informal concert performance. The overall performance time is around two and a half minutes. Teachers will enjoy using this arrangement as a fun way to help with ensemble skills and expressive playing.  There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203 

Cello,Piano Accompaniment,Violin - Level 3 - Digital Download SKU: A0.1324340 Composed by Connie Boss. Christian,Christmas,Holiday,Religious. 25 pages. Connie Boss #912539. Published by Connie Boss (A0.1324340). This is an original song I composed about the Wisemen coming from the East searching for the infant King. When they saw the star, they knew they had to follow it. It is a great song for Epiphany. It contains 3 verses and a bridge. If you think it's too long, you could cut out the bridge or can cut out some of the verses. This is for Strings quintet and piano. Parts are included with purchase.This can be played without the piano accompaniment if desired.This could be played while a choir sings - you can purchase SATB on here as wellemail cdboss@cvalley.net for requests or questionsLyrics below:They Saw a StarVerse 1:Three wisemen came from the eastA desert camel, their traveling beastThey traveled far, they traveled wideSearching for the infant child.Then they looked toward the sky….. Refrain:They saw a star, They saw a star, They saw a starLighting up in the darkest nightThey saw a star, They saw a star, They saw a starOh …..what a wondrous sight Verse 2:They followed where the light shown downAnd came upon a tiny townThen they scarce believed their eyesWhere it stopped a big surpriseThen they looked toward the light…… Refrain: Verse 3:A crowd of people gathered roundIncluding shepherds kneeling downTheir flocks of sheep by their sideThen the noise would subsideThey made it to the light……. Bridge:They saw the tiniest of KingsLying in a mangerHis mother was close by His sideKeeping him from dangerHe was the son of GodThe greatest King of KingsThe wisemen brought from their landsThe greatest gifts they could bring. Final Refrain:.