2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1045806 By Y celeb. By Millz Vërsïøñ. Arranged by Millz Vërsïøñ. Broadway,Hip-Hop,Jazz,Musical/Show,New Age,R & B,Standards. Score. 15 pages. Millz Vërsïøñ #650397. Published by Millz Vërsïøñ (A0.1045806).

Flute,Piano - Level 3 - Digital Download SKU: A0.747025 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 pages. Keith Terrett #5899351. Published by Keith Terrett (A0.747025). A great sounding arrangement of A Night in Tunisia arranged for Flute & Piano, Flautists will love this!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.

Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.738261 Composed by Traditional, Eliphalet Oram Lyte. Arranged by Fiona Hickie. Children,Traditional. 38 pages. Fiona Alice Hickie #6217239. Published by Fiona Alice Hickie (A0.738261). A collection of 7 nursery rhymes, arranged for wind quintet. (note flute doubles on piccolo in Grand Old Duke of York.Pop Goes the Weasel - Traditional Brahms Lullaby – Johannes BrahmsThree Blind Mice - Traditional Row, Row, Row Your Boat - Eliphalet Oram Lyte Old King Cole – Traditional Mary, Mary Quite Contrary - Traditional Grand Old Duke of York – TraditionalSome of the pieces are available as separate extended works. Queen Mary's Revenge https://www.youtube.com/watch?v=NHYTqdRsSEY Row, Row, Row Your Boat https://www.youtube.com/watch?v=PmNE_LfkVHQ Old King Cole Suite https://www.youtube.com/watch?v=IJ7WSV4T2v0&list=PLjZVyFBguaGCX_QyRZUwVk5_HljV3vPG3&index=2 Three Blind Mice https://www.youtube.com/watch?v=_UYdKnfqZp0

Instrumental Duet,Piano Instrumental Duet,Marimba,Piano,Vibraphone - Level 3 - Digital Download SKU: A0.747043 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. 12 pages. Keith Terrett #5953111. Published by Keith Terrett (A0.747043). A great sounding arrangement of A Night in Tunisia arranged for Vibraphone/Marimba & Piano, Vibe players will love this!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.

Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.927310 Arranged by Jesse V. Martin. A Cappella,Christian,Christmas,Contemporary. Octavo. 22 pages. Jesse V. Martin #4608801. Published by Jesse V. Martin (A0.927310). This is a mashup of traditional minor mode Christmas carols, forming an introspective and thrilling holiday showstopper! Arranged and recorded by Jesse V. Martin, A Very Minor Christmas is suitable for both contemporary and traditional men's a cappella choirs.

Flute Solo - Level 3 - Digital Download SKU: A0.895612 By Emmanuel Vázquez. By Emmanuel Christian Vázquez Miguel. Arranged by Emmanuel Christian Vazquez Miguel. Classical,Contemporary,New Age,Romantic Period,Spiritual. Individual part. 3 pages. Emmanuel Vázquez #500324. Published by Emmanuel Vázquez (A0.895612). Pieza para Flauta Transversa. El Ave que brota de tus Ojos es una metáfora de la catársis que se logra a través del llanto, del dolor, de la tristeza. Piece for Transverse Flute. El Ave que brota de tus Ojos is a metaphor for the catharsis achieved through crying, pain, and sadness.

Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.747021 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 pages. Keith Terrett #5899013. Published by Keith Terrett (A0.747021). A great sounding arrangement of A Night in Tunisia arranged for Bb Soprano Saxophone & Piano, Saxophonists will love this!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.

String Ensemble,String Quintet - Level 4 - Digital Download SKU: A0.575842 Composed by David Warin Solomons. 20th Century. Score and parts. 41 pages. David Warin Solomons #2028771. Published by David Warin Solomons (A0.575842). This is sequence of string quintets (scores only). The movements are: 1 - Marie for shame, a sprightly number encouraging Marie to get out of bed and enjoy the day. It is inspired by the poem Marie vous estes paresseuse by Ronsard. 2 - Nocturne represents Marie going back to sleep! Possibly my most indulgent piece. 3 - Camp David is klezmer in style and somewhat camp, it is based on a Yiddish folk song - ikh bin a meidel in de joren. 4 - Blue Boar Blue is based on a poem by a friend who lived in Blue Boar quad (Christ Church Oxford) and laments the fact he has to stay in and study while he is actually looking forward to taking his girlfriend out punting on the river In each case, the ideal positioning of the instruments is: cello 1, violin 1, viola, violin 2, cello 2 The sound sample is an electronic preview of the first movement I thought it might be useful also to provide scores and parts for the separate movements since they can actually be played as separate pieces I have also made videos for each movement, which can be seen on youtube: Marie for shame http://www.youtube.com/watch?v=H5yvuM4G_Bo Nocturne http://www.youtube.com/watch?v=mo0Iznzqr1Q Camp David http://www.youtube.com/watch?v=6Nxl3W7opYA Blue Boar Blue http://www.youtube.com/watch?v=h_Lry6DZgk8.

Level 2 - Digital Download SKU: A0.1397176 Composed by Erasmus Widmann. Arranged by Alastair Lodge. Chamber,Early Music,Renaissance. 10 pages. Wold Meridian #980491. Published by Wold Meridian (A0.1397176). Renaissance Dance music provides some of the most simple yet satisfying pieces to play in ensemble on a wide range of instruments.  They are suitable for recorders, modern strings, woodwinds or brass, or where available, reproductions of 16th century instruments, such as crumhorns, viols or shawms to name but a few.Also appearing in the publication Chording to the Dance Masters,  this individual piece is presented in full score and with separate parts for each of the lines.Wold Meridian editions of these pieces have been created to make performing them as accessible as possible.  Chords have been provided so that the piece can be performed with just the harmony line and a simple accompaniment.You can hear the piece in a linked YouTube video at  https://www.youtube.com/watch?v=tkpz0Kb0JlIAs a help for players who are not so familiar with playing harmony and inner linesLine 2  is featured at  https://www.youtube.com/watch?v=Wo3oq_IhmBYLine 3 is featured at  https://www.youtube.com/watch?v=V0XyTSWrPBMLine 4 is featured at  https://www.youtube.com/watch?v=hVl0jsLh9fw

Full Orchestra - Level 2 - Digital Download SKU: A0.896909 Composed by Marcelo Torca. Arranged by Marcelo Torca. Contemporary,Instructional,Jazz,Pop,Rock. Score and parts. 508 pages. Marcelo Torca #2548811. Published by Marcelo Torca (A0.896909).                                     Este livro dá as noções iniciais para formar uma orquestra de câmara de um grupo instrumental, de instrumentos musicais diferentes dos normalmente utilizados nas orquestras tradicionais.                                   Os instrumentos musicais trabalhados serão: Flauta-doce Sopranino; Flauta-doce Soprano; Flauta-doce Contralto; Escaleta; Bandolim; Cavaco; Violão; Guitarra; Viola Caipira; Baixo elétrico; Acordeão; Teclado; Piano; Metalofone; Bateria; Percussão, Pandeiro, Surdo, Tamborim, Agogô, Reco-reco, Tantã ou Timba, Berimbau, Cajón, Rebolo.                                   Os arranjos para estes instrumentos, a forma como organizar as ideias musicais e como interpretar, seguem nas páginas seguintes.                                   As Grades fornecidas, são ideias de formação de conjuntos e como organizar.                                   Há arranjos para ritmos para percussão e para os demais instrumentos musicais abordados neste livro, exemplos de como pode se organizar as ideias rítmicas.                                   Nos exercícios de Harmonizando, com início na página trinta, coloca-se na prática as ideias, lembrando que nem sempre a ideia funciona bem, a confirmação é através do som.                                   Depois de ter feito os arranjos, basta transferir para a grade, este livro tem a preocupação de ensinar uma forma de arranjo, organizando as ideias, pois num conjunto grande, é fácil se perder, principalmente quando não tem algo fixo a ser seguido. O solo pode ser distribuído em vários instrumentos, assim como tocar todos os instrumentos de uma vez fica bom em trechos da música, mas não sempre a totalidade da música, assim vai dar as características mais de orquestra e não somente de um conjunto.                                   Este livro também fala sobre a grade dos instrumentos de percussão utilizados na OGI – Orquestra Grupo Instrumental, e o arranjo para várias levadas, assim como, várias levadas para a bateria. Percussão e Bateria, onde se podem tocar juntos, ou separados. As levadas são apenas uma noção do que se pode fazer, é apenas um guia, o arranjo de cada música é único e sempre tem que ser criativo.                                   Na última página encontra-se a legenda da notação musical para cada instrumento de percussão, respeitando sua característica sonora.                                   Há várias opções de organização e possibilidades.

Level 2 - Digital Download SKU: A0.1404260 Composed by Claude Gervaise. Arranged by Alastair Lodge. Chamber,Early Music,Renaissance. 10 pages. Wold Meridian #987371. Published by Wold Meridian (A0.1404260). Renaissance Dance music provides some of the most simple yet satisfying pieces to play in ensemble on a wide range of instruments.  They are suitable for recorders, modern strings, woodwinds or brass, or where available, reproductions of 16th century instruments, such as crumhorns, viols or shawms to name but a few.Also appearing in the publication Chording to the Dance Masters,  this individual piece is presented in full score and with separate parts for each of the lines.  Wold Meridian editions of these pieces have been created to make performing them as accessible as possible.  Chords have been provided so that the piece can be performed with just the harmony line and a simple accompaniment.You can hear the piece in a linked YouTube video at https://www.youtube.com/watch?v=V2hHL1qjRQYAs a help for players who are not so familiar with playing harmony and inner linesLine 2  is featured at https://www.youtube.com/watch?v=tMVHBvDqcu0Line 3 is featured at  https://www.youtube.com/watch?v=Gd3Tk4jX4wwLine 4 is featured at  https://www.youtube.com/watch?v=Nyvy9xjLHp8

Level 2 - Digital Download SKU: A0.1426270 Composed by Pierre Attaignant. Arranged by Alastair Lodge. Chamber,Early Music,Renaissance. 10 pages. Wold Meridian #1007001. Published by Wold Meridian (A0.1426270). Renaissance Dance music provides some of the most simple yet satisfying pieces to play in ensemble on a wide range of instruments.  They are suitable for recorders, modern strings, woodwinds or brass, or where available, reproductions of 16th century instruments, such as crumhorns, viols or shawms to name but a few.Also appearing in the publication Chording to the Consort,  this individual piece is presented in full score and with separate parts for each of the lines.  Wold Meridian editions of these pieces have been created to make performing them as accessible as possible.  Chords have been provided so that the piece can be performed with just the melody line and a simple accompaniment.  Each piece can be heard in a video on YouTube with illustrations and historical background information.  Even more helpful for players who are less experienced in reading harmony lines, there is a YouTube video link featuring each part, where it is heard initially on its own with the chords, on repeats with the melody line added and finally together with all the parts in the whole ensemble.  If you have not had the pleasure of playing in consort with other people, you could not do better than start with these Wold Meridian editions.You can hear the piece in a linked YouTube video at  https://www.youtube.com/watch?v=-UzAzVU2olIAs a help for players who are not so familiar with playing harmony and inner linesLine 2  is featured at  https://www.youtube.com/watch?v=uWcL1ixQegILine 3 is featured at  https://www.youtube.com/watch?v=ox75ew0UyXELine 4 is featured at  https://www.youtube.com/watch?v=fwmHViCGbPE

Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.746991 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. 13 pages. Keith Terrett #5827945. Published by Keith Terrett (A0.746991). A great sounding arrangement of A Night in Tunisia, your Wind Quintet will love it!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.

Level 2 - Digital Download SKU: A0.1454679 Composed by Anonymous. Arranged by Alastair Lodge. Chamber,Early Music,Renaissance. 9 pages. Wold Meridian #1033756. Published by Wold Meridian (A0.1454679). Renaissance Dance music provides some of the most simple yet satisfying pieces to play in ensemble on a wide range of instruments.  They are suitable for recorders, modern strings, woodwinds or brass, or where available, reproductions of 16th century instruments, such as crumhorns, viols or shawms to name but a few.Also appearing in the publication Chording to the Consort,  this individual piece is presented in full score and with separate parts for each of the lines.  Wold Meridian editions of these pieces have been created to make performing them as accessible as possible.  Chords have been provided so that the piece can be performed with just the melody line and a simple accompaniment.  Each piece can be heard in a video on YouTube with illustrations and historical background information.  Even more helpful for players who are less experienced in reading harmony lines, there is a YouTube video link featuring each part, where it is heard initially on its own with the chords, on repeats with the melody line added and finally together with all the parts in the whole ensemble.  If you have not had the pleasure of playing in consort with other people, you could not do better than start with these Wold Meridian editions.You can hear the piece in a linked YouTube video at  https://www.youtube.com/watch?v=zgA09NvrwYoAs a help for players who are not so familiar with playing harmony and inner linesLine 2  is featured at   https://www.youtube.com/watch?v=ljoBDiZ1VOYLine 3 is featured at  https://www.youtube.com/watch?v=mWuQX5Rw6uILine 4 is featured at  https://www.youtube.com/watch?v=t5K8CuXdz8g

Guitar,Piano - Level 3 - Digital Download SKU: A0.747044 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 pages. Keith Terrett #5953127. Published by Keith Terrett (A0.747044). A great sounding arrangement of A Night in Tunisia arranged for Guitar (notaion) & Piano, Guitarists will love this! Tab is available on request: keithterrett@gmail.comA jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.