Level 2 - Digital Download SKU: A0.1389911 Composed by Pierre Phalese. Arranged by Alastair Lodge. Chamber,Early Music,Renaissance. 8 pages. Wold Meridian #973511. Published by Wold Meridian (A0.1389911). Renaissance Dance music provides some of the most simple yet satisfying pieces to play in ensemble on a wide range of instruments.  They are suitable for recorders, modern strings, woodwinds or brass, or where available, reproductions of 16th century instruments, such as crumhorns, viols or shawms to name but a few.Also appearing in the publication Chording to the Dance Masters,  this individual piece is presented in full score and with separate parts for each of the lines. Wold Meridian editions of these pieces have been created to make performing them as accessible as possible.  Chords have been provided so that the piece can be performed with just the harmony line and a simple accompaniment.You can hear the piece in a linked YouTube video at https://www.youtube.com/watch?v=haJavnWgK7AAs a help for players who are not so familiar with playing harmony and inner linesLine 2  is featured at https://www.youtube.com/watch?v=BMzhMwbfozcLine 3 is featured at  https://www.youtube.com/watch?v=A-mxfGPvqCQLine 4 is featured at  https://www.youtube.com/watch?v=hObg8Xie68Q

Level 2 - Digital Download SKU: A0.1397171 Composed by Michael Praetorius. Arranged by Alastair Lodge. Chamber,Early Music,Renaissance. 10 pages. Wold Meridian #980486. Published by Wold Meridian (A0.1397171). Renaissance Dance music provides some of the most simple yet satisfying pieces to play in ensemble on a wide range of instruments.  They are suitable for recorders, modern strings, woodwinds or brass, or where available, reproductions of 16th century instruments, such as crumhorns, viols or shawms to name but a few.Also appearing in the publication Chording to the Dance Masters,  this individual piece is presented in full score and with separate parts for each of the lines.Wold Meridian editions of these pieces have been created to make performing them as accessible as possible.  Chords have been provided so that the piece can be performed with just the harmony line and a simple accompaniment.You can hear the piece in a linked YouTube video at  https://www.youtube.com/watch?v=ny1bXM0uD7IAs a help for players who are not so familiar with playing harmony and inner linesLine 2  is featured at  https://www.youtube.com/watch?v=dVRzO0QowDMLine 3 is featured at  https://www.youtube.com/watch?v=mCT-C_vMq5MLine 4 is featured at  https://www.youtube.com/watch?v=nEpz7epqny8

Level 2 - Digital Download SKU: A0.1428273 Composed by Tielman Susato. Arranged by Alastair Lodge. Chamber,Early Music,Renaissance. 10 pages. Wold Meridian #1009058. Published by Wold Meridian (A0.1428273). Renaissance Dance music provides some of the most simple yet satisfying pieces to play in ensemble on a wide range of instruments.  They are suitable for recorders, modern strings, woodwinds or brass, or where available, reproductions of 16th century instruments, such as crumhorns, viols or shawms to name but a few.Also appearing in the publication Chording to the Consort,  this individual piece is presented in full score and with separate parts for each of the lines.  Wold Meridian editions of these pieces have been created to make performing them as accessible as possible.  Chords have been provided so that the piece can be performed with just the melody line and a simple accompaniment.  Each piece can be heard in a video on YouTube with illustrations and historical background information.  Even more helpful for players who are less experienced in reading harmony lines, there is a YouTube video link featuring each part, where it is heard initially on its own with the chords, on repeats with the melody line added and finally together with all the parts in the whole ensemble.  If you have not had the pleasure of playing in consort with other people, you could not do better than start with these Wold Meridian editions.You can hear the piece in a linked YouTube video at  https://www.youtube.com/watch?v=tbp8Z7uCpMIAs a help for players who are not so familiar with playing harmony and inner linesLine 2  is featured at  https://www.youtube.com/watch?v=JubPiPTAUXsLine 3 is featured at  https://www.youtube.com/watch?v=Xm2e7SZvR_oLine 4 is featured at  https://www.youtube.com/watch?v=d---BhwEBxA

Oboe,Piano - Level 3 - Digital Download SKU: A0.747028 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 pages. Keith Terrett #5899715. Published by Keith Terrett (A0.747028). A great sounding arrangement of A Night in Tunisia arranged for Oboe & Piano, Oboists will love this!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.

Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.747021 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 pages. Keith Terrett #5899013. Published by Keith Terrett (A0.747021). A great sounding arrangement of A Night in Tunisia arranged for Bb Soprano Saxophone & Piano, Saxophonists will love this!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.

Flute,Piano - Level 3 - Digital Download SKU: A0.747025 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 pages. Keith Terrett #5899351. Published by Keith Terrett (A0.747025). A great sounding arrangement of A Night in Tunisia arranged for Flute & Piano, Flautists will love this!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.

Level 2 - Digital Download SKU: A0.1374803 Composed by Tielmann Susato. Arranged by Alastair Lodge. Chamber,Early Music,Renaissance. 14 pages. Wold Meridian #959336. Published by Wold Meridian (A0.1374803). Renaissance Dance music provides some of the most simple yet satisfying pieces to play in ensemble on a wide range of instruments.  They are suitable for recorders, modern strings, woodwinds or brass, or where available, reproductions of 16th century instruments, such as crumhorns, viols or shawms to name but a few.Also appearing in the publication Chording to the Dance Masters,  this individual piece is presented in full score and with separate parts for each of the lines.  Wold Meridian editions of these pieces have been created to make performing them as accessible as possible.  Chords have been provided so that the piece can be performed with just the harmony line and a simple accompaniment.Wold Meridian editions of these pieces have been created to make performing them as accessible as possible.  Chords have been provided so that the piece can be performed with just the harmony line and a simple accompaniment.You can hear the piece in a linked YouTube video at https://www.youtube.com/watch?v=MCSyqDcLHzoAs a help for players who are not so familiar with playing harmony and inner linesLine 2  is featured at https://www.youtube.com/watch?v=-NOW63JjIq4Line 3 is featured at https://www.youtube.com/watch?v=ou_j0leK9ycLine 4 is featured at https://www.youtube.com/watch?v=tA5tbtMptCg

Level 2 - Digital Download SKU: A0.1382670 Composed by Pierre Phalese. Arranged by Alastair Lodge. Chamber,Early Music,Renaissance. 8 pages. Wold Meridian #967097. Published by Wold Meridian (A0.1382670). Renaissance Dance music provides some of the most simple yet satisfying pieces to play in ensemble on a wide range of instruments.  They are suitable for recorders, modern strings, woodwinds or brass, or where available, reproductions of 16th century instruments, such as crumhorns, viols or shawms to name but a few.Also appearing in the publication Chording to the Dance Masters,  this individual piece is presented in full score and with separate parts for each of the lines.  Wold Meridian editions of these pieces have been created to make performing them as accessible as possible.  Chords have been provided so that the piece can be performed with just the harmony line and a simple accompaniment.You can hear the piece in a linked YouTube video at https://www.youtube.com/watch?v=7lCMyEZPEUsAs a help for players who are not so familiar with playing harmony and inner linesLine 2  is featured at https://www.youtube.com/watch?v=rBr3MPgYLaALine 3 is featured at https://www.youtube.com/watch?v=SNL-u3a89z4Line 4 is featured at https://www.youtube.com/watch?v=_rVLt2GMOBk

Level 2 - Digital Download SKU: A0.1394871 Composed by Anon Spanish. Arranged by Alastair Lodge. Chamber,Early Music,Renaissance. 10 pages. Wold Meridian #978354. Published by Wold Meridian (A0.1394871). Renaissance Dance music provides some of the most simple yet satisfying pieces to play in ensemble on a wide range of instruments.  They are suitable for recorders, modern strings, woodwinds or brass, or where available, reproductions of 16th century instruments, such as crumhorns, viols or shawms to name but a few.Also appearing in the publication Chording to the Dance Masters,  this individual piece is presented in full score and with separate parts for each of the lines. Wold Meridian editions of these pieces have been created to make performing them as accessible as possible.  Chords have been provided so that the piece can be performed with just the harmony line and a simple accompaniment.You can hear the piece in a linked YouTube video at  https://www.youtube.com/watch?v=GMQ3wWWYeq0As a help for players who are not so familiar with playing harmony and inner linesLine 2  is featured at  https://www.youtube.com/watch?v=jFpH5Z55GlULine 3  is featured at  https://www.youtube.com/watch?v=jzTYPMvsv4ELine 4 is featured at  https://www.youtube.com/watch?v=IdN_RxOuWuI

2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1045806 By Y celeb. By Millz Vërsïøñ. Arranged by Millz Vërsïøñ. Broadway,Hip-Hop,Jazz,Musical/Show,New Age,R & B,Standards. Score. 15 pages. Millz Vërsïøñ #650397. Published by Millz Vërsïøñ (A0.1045806).

Level 2 - Digital Download SKU: A0.1456368 Composed by Michael Praetorius. Arranged by Alastair Lodge. Chamber,Early Music,Renaissance. 12 pages. Wold Meridian #1035448. Published by Wold Meridian (A0.1456368). Renaissance Dance music provides some of the most simple yet satisfying pieces to play in ensemble on a wide range of instruments.  They are suitable for recorders, modern strings, woodwinds or brass, or where available, reproductions of 16th century instruments, such as crumhorns, viols or shawms to name but a few.Also appearing in the publication Chording to the Consort,  this individual piece is presented in full score and with separate parts for each of the lines.  Wold Meridian editions of these pieces have been created to make performing them as accessible as possible.  Chords have been provided so that the piece can be performed with just the melody line and a simple accompaniment.  Each piece can be heard in a video on YouTube with illustrations and historical background information.  Even more helpful for players who are less experienced in reading harmony lines, there is a YouTube video link featuring each part, where it is heard initially on its own with the chords, on repeats with the melody line added and finally together with all the parts in the whole ensemble.  If you have not had the pleasure of playing in consort with other people, you could not do better than start with these Wold Meridian editions.You can hear the piece in a linked YouTube video at   https://www.youtube.com/watch?v=oq5VMhNHhJEAs a help for players who are not so familiar with playing harmony and inner linesLine 2  is featured at   https://www.youtube.com/watch?v=0kDO3BCPd_ILine 3 is featured at  https://www.youtube.com/watch?v=OAVg0dhvmi4Line 4 is featured at   https://www.youtube.com/watch?v=H0DsSVonKYs

Piano Solo - Level 2 - Digital Download SKU: A0.1511288 By Virtuoso Music. By Virtuoso Music. Arranged by Virtuoso Music. Contemporary,Instructional,Jazz,Pop,Ragtime. Score. 3 pages. Virtuoso Music #1086458. Published by Virtuoso Music (A0.1511288). Using simple chord progression to start your first improvisation.Suggested left (and also some right) hand patterns.  Can be looped with endless possibility.Simple Chord Progressions: I - vi - ii - V and I - V - vi - V - IV - iii - ii - VPractices are written in key of C, F, and G.

Level 2 - Digital Download SKU: A0.1394890 Composed by Henry VIII. Arranged by Alastair Lodge. Chamber,Early Music,Renaissance. 11 pages. Wold Meridian #978372. Published by Wold Meridian (A0.1394890). Renaissance Dance music provides some of the most simple yet satisfying pieces to play in ensemble on a wide range of instruments.  They are suitable for recorders, modern strings, woodwinds or brass, or where available, reproductions of 16th century instruments, such as crumhorns, viols or shawms to name but a few.Also appearing in the publication Chording to the Dance Masters,  this individual piece is presented in full score and with separate parts for each of the lines.Wold Meridian editions of these pieces have been created to make performing them as accessible as possible.  Chords have been provided so that the piece can be performed with just the harmony line and a simple accompaniment.You can hear the piece in a linked YouTube video at  https://www.youtube.com/watch?v=sanY4Dde-HsAs a help for players who are not so familiar with playing harmony and inner linesLine 2  is featured at  https://www.youtube.com/watch?v=sPZJpDYCLVgLine 3 is featured at  https://www.youtube.com/watch?v=YJ0EQNSwlboLine 4 is featured at  https://www.youtube.com/watch?v=XL4zsFVjEQ4

Level 2 - Digital Download SKU: A0.1444756 Composed by Jan de Lublin. Arranged by Alastair Lodge. Chamber,Early Music,Renaissance. 10 pages. Wold Meridian #1024633. Published by Wold Meridian (A0.1444756). Renaissance Dance music provides some of the most simple yet satisfying pieces to play in ensemble on a wide range of instruments.  They are suitable for recorders, modern strings, woodwinds or brass, or where available, reproductions of 16th century instruments, such as crumhorns, viols or shawms to name but a few.Also appearing in the publication Chording to the Consort,  this individual piece is presented in full score and with separate parts for each of the lines.  Wold Meridian editions of these pieces have been created to make performing them as accessible as possible.  Chords have been provided so that the piece can be performed with just the melody line and a simple accompaniment.  Each piece can be heard in a video on YouTube with illustrations and historical background information.  Even more helpful for players who are less experienced in reading harmony lines, there is a YouTube video link featuring each part, where it is heard initially on its own with the chords, on repeats with the melody line added and finally together with all the parts in the whole ensemble.  If you have not had the pleasure of playing in consort with other people, you could not do better than start with these Wold Meridian editions.You can hear the piece in a linked YouTube video at  https://www.youtube.com/watch?v=vuubTiNNvRoAs a help for players who are not so familiar with playing harmony and inner linesLine 2  is featured at  https://www.youtube.com/watch?v=kfpWLUzauCYLine 3 is featured at  https://www.youtube.com/watch?v=vYI272EuwZMLine 4 is featured at  https://www.youtube.com/watch?v=XD_lf3GMU_s

Piano,Viola - Level 3 - Digital Download SKU: A0.747027 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 pages. Keith Terrett #5899685. Published by Keith Terrett (A0.747027). A great sounding arrangement of A Night in Tunisia arranged for Viola & Piano, Violists will love this!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.