EUROPE
9374 articles
USA
7867 articles
DIGITAL
12420 articles (à imprimer)
Partitions Digitales
Partitions à imprimer
12420 partitions trouvées


Jazz Combo - Level 3 - Digital Download SKU: A0.1095185 Composed by Hanley. Arranged by Robert V. Parisi. Jazz. Score and parts. 43 pages. Robert V. Parisi #699222. Published by Robert V. Parisi (A0.1095185). Back Home Again In Indiana has been a staple of Dixieland musicians since 1917, when the Original Dixieland Jazz Band recorded it on Columbia Records. Louis Armstrong and his All Stars also recorded it, and opened their public performances with their version of this popular selection. The arrangement, found here, captures the flavor of those early improvised Jazz performances. The Tenor Sax part can be played by the clarinetist for a more authentic New Orleans sound. The Tenor Sax part is included to accommodate party bands whose saxophonist does not double on clarinet. The second Trumpet part is optional. Have Fun!
Indiana (back Home Again In Indiana)
Jazz combo

$30.00 25.52 € Jazz combo PDF SheetMusicPlus

Chamber Orchestra - Level 3 - Digital Download SKU: A0.912982 Composed by Andrei-Lucian Dragoi. Contemporary,Sacred,Standards. Score and Parts. 14 pages. Andrei-Lucian Dragoi #3054507. Published by Andrei-Lucian Dragoi (A0.912982). 2017 Chamber Music Contest EntryThis piece is a miniature (on a religious theme) for oboe and strings orchestra. It is related to Easter, as it evokes Jesus Christ walking on the way to his crucifixion on the so-called Via Dolorosa.This work was first played at the Romanian Atheneum in April 2015:https://www.youtube.com/watch?v=TgjBJARkpRghttps://www.youtube.com/watch?v=pERhBUpIn9IFor other compositions in audio format see my website:http://muzm.dragoii.com/ Music by: Andrei-Lucian Drăgoi (www.smp.dragoii.com, www.yt.dragoii.com, www.gcp.dragoii.com, www.gci.dragoii.com, www.ms.dragoii.com, www.dragoii.com) Video score on YouTube at URL: https://www.youtube.com/watch?v=UePIaKwhzoA.
Via Crucis (The Way of the Cross) (Calea Crucii) - miniature on religious theme for oboe and strings
Orchestre de chambre

$3.00 2.55 € Orchestre de chambre PDF SheetMusicPlus

Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.984037 Composed by April Bender and April Michele Bender. Arranged by Jilly Cooke. Contemporary. Score. 15 pages. Jilly Paige Cooke #6137153. Published by Jilly Paige Cooke (A0.984037). The fully transcribed sheet music to the beloved hit song from the acclaimed (now-defunct) YouTube channel Unus Annus is NOW AVAILABLE FOR ONLINE PURCHASE!Originally created in an impromptu performance by Ethan Nestor (https://www.youtube.com/c/CrankGame), the jazzy instrumental track was added later by the brilliant video editor, Luís Lixian Costa (https://www.youtube.com/user/LixianTV/). This short musical number became an instant sensation among Unus Annus fans, leading some to create remixes (https://www.youtube.com/watch?v=Eevpfk61Q5g), piano tutorials (https://www.youtube.com/watch?v=Dj4lq4gFuoE), and jazz combo arrangements (https://www.youtube.com/watch?v=R0K5zcXffTY) of the song. However, this score marks the first (and, to date, only) completely authentic FULL SCORE TRANSCRIPTION of the original work.Instrumentation of 9 musicians includes: Lead Vocals, Background Vocals (using octave-below effects on Lead Vocals), Trumpet, Alto Saxophone, Trombone, Piano, Electric Keyboard, Bass Guitar, and Drum Set.
The Disclaimer Song
Piano, Voix et Guitare

$19.99 17 € Piano, Voix et Guitare PDF SheetMusicPlus

Easy Piano - Level 1 - Digital Download SKU: A0.1317917 By Mix. By Mix. Arranged by PianoWithMichael.com. Baroque,Classical,Romantic Period. Score. 11 pages. PianoWithMichael.com #906609. Published by PianoWithMichael.com (A0.1317917). Learn your favorite Classical Music in Easy Format!  - With Videos and Slow Note Progression.https://www.PianoWithMichael.comhttps://www.pianowithmichael.com/songs/easy-classical-collection-volume-1/https://www.LearnPianoWeb.comAir On The G String - J.S. BachSleepers Awake - J.S. Bach5th Symphony - L.V. BeethovenFur Elise - L.V. BeethovenOde To Joy - L.V. BeethovenPrelude Op.28, No.7 - F. ChopinEine Kleine Nachtmusik - W.A. MozartPiano Piece In F, K33b - W.A. MozartPiano Sonata No.11 - W.A. MozartCanon In D - J. PachelbelTo View Videos, please visit: https://www.pianowithmichael.com/songs/easy-classical-collection-volume-1/
10 Easy Classical Collection
Piano Facile
Mix
$10.00 8.51 € Piano Facile PDF SheetMusicPlus

Guitar - Advanced - Digital Download SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Score. 24 pages. Les Productions d'OZ - Digital #DZ 4308. Published by Les Productions d'OZ - Digital (ZZ.DZ-4308). Following a recent experience on the jury of a guitar competition, I noted with great pleasure that Giorgio Mirto, with whom I had shared the role of juror, wanted to celebrate the experience of the competition - during from which we discovered that we had had a great affinity of thought - with something which could endure over time and not evaporate as often happens in short and occasional meetings between musicians. He did it as a true composer, which he is, and dedicated to me a very beautifully crafted Suite to which I allowed myself to collaborate at least formally, by suggesting titles for the four movements. This is how Suite n.1 was born, a piece that does not strictly respect the formal rules of the Baroque era, but reinterprets and reuses them in a new key. The work's obvious late Baroque inspiration led me to find titles that invited the performer to delve deeper into the work's aesthetic inspiration. So I suggested to Giorgio that he title the four movements with something that linked their content to four greats of the 18th century. German masters. The prelude has thus become from Eisenach because of its sometimes improvised Bach-like atmosphere, the second movement, vaguely toccata, speaks an organ language in the manner of Buxtehude (who lived in Lübeck), the slow movement has a Handelian quality - and Handel was born in Halle - and the last movement, far from being a true Chaconne, undoubtedly has the latter's taste for variation and ostinato, typical traits of Telemann who lived in Magdeburg. The cities that appear in the titles are therefore indelible to the authors cited. Furthermore, one should not think that the style of the work is in any way German, given that Giorgio Mirto expresses himself in a very joyful language that synthesizes modality with minimalism, all seasoned with a a nod to Pink's progressive rock Floyd. or a Mike Oldfield... The result of this mixture of ideas, inspirations and styles is a work that personally I never tire of reading and rereading, for the freshness that emanates from it and for the climate expressive which rises, nourishing itself with full efficiency. We ultimately cannot ignore that the note B, the one which marks in a minor way some of the most expressive works of the guitar repertoire, from the study of Sor which made generations of students fall in love with the guitar, until to that of Frank Martin's Four Pieces via La Catedral di Barrios, is the modal fulcrum of the entire Suite: it is true that the Prelude begins with a clear chord in E minor and lingers on an open ending in A minor , but it almost seems that the initial E serves as a launching pad for a continuation of the work in which the dominant, that is to say the B, is the true musical North, the pole star which guides us in the other three movements until the end of the Chaconne de Magdebourg. I wish Giorgio and our Suite great longevity and a favorable destiny in the complex and complex world of contemporary guitar composition. And I thank him again, flattered by his very kind dedication.FRANCESCO BIRAGHIAu lendemain d'une récente expérience au sein du jury d'un concours de guitare, j'ai constaté avec grand plaisir que Giorgio Mirto, avec qui j'avais partagé le rôle de juré, souhaitait célébrer l'expérience du concours - au cours de laquelle nous avons découvert que nous avions eu un grand affinité de pensée - avec quelque chose qui pourrait perdurer dans le temps et ne pas s'évaporer comme cela arrive souvent lors de rencontres courtes et occasionnelles entre musiciens. Il l'a fait en véritable compositeur, ce qu'il est, et m'a dédié une Suite d'une très belle facture à laquelle je me suis permis de collaborer au moins formellement, en suggérant des titres pour les quatre mouvements. C'est ainsi qu'est née la Suite n.1, une pièce qui ne respecte pas strictement les règles formelles de l'époque baroque, mais les réinterprète et les réutilise dans une nouvelle tonalité. L'inspiration évidente du baroque tardif de l'œuvre m'a amené à trouver des titres qui invitaient l'interprète à approfondir l'inspiration esthétique de l'œuvre. J'ai donc suggéré à Giorgio de titrer les quatre mouvements avec quelque chose qui reliait leur contenu à quatre grands du XVIIIe siècle. Maîtres allemands. Le prélude est ainsi devenu d'Eisenach en raison de son atmosphère parfois improvisée à la Bach, le deuxième mouvement, vaguement toccata, parle un langage d'orgue à la manière de Buxtehude (qui vivait à Lübeck), le mouvement lent a un Qualité haendélienne - et Haendel est né à Halle - et le dernier mouvement, loin d'être une véritable Chaconne, a sans doute le goût de cette dernière pour la variation et l'ostinato, traits typiques de Telemann qui vivait à Magdebourg. Les villes qui apparaissent dans les titres sont donc indélébiles aux auteurs cités. De plus, il ne faut pas penser que le style de l'œuvre soit en aucune façon allemand, étant donné que Giorgio Mirto s'exprime dans un langage très joyeux qui synthétise la modalité avec le minimalisme, le tout assaisonné d'un clin d'œil au rock progressif Floyd de Pink. ou un Mike Oldfield... Le résultat de ce mélange d'idées, d'inspirations et de styles est un ouvrage que personnellement je ne me lasse pas de lire et de relire, pour la fraîcheur qui s'en dégage et pour le climat expressif qui monte, se nourrissant de plein efficacité. On ne peut finalement pas ignorer que la note B, celle qui marque de manière mineure certaines des œuvres les plus expressives du répertoire de guitare, depuis l'étude de Sor qui a fait tomber amoureux de la guitare des générations d'étudiants, jusqu'à celle de Frank Martin Quatre Pièces via La Catedral di Barrios, est le point d'appui modal de toute la Suite : il est vrai que le Prélude commence par un accord clair en mi mineur et s'attarde sur une fin ouverte en la mineur, mais il semble presque que le mi initial sert de une rampe de lancement pour une suite de l'œuvre dans laquelle la dominante, c'est-à-dire le B, est le véritable Nord musical, l'étoile polaire qui nous guide dans les trois autres mouvements jusqu'à la fin de la Chaconne de Magdebourg. Je souhaite à Giorgio et à « notre » Suite une grande longévité et un destin favorable dans le monde complexe et complexe de la composition contemporaine pour guitare. Et je le remercie encore, flatté de son très aimable dévouement.FRANCESCO BIRAGHI.
Suite No. 1

$10.95 9.31 € PDF SheetMusicPlus






Partitions Gratuites
Acheter des Partitions Musicales
Acheter des Partitions Digitales à Imprimer
Acheter des Instruments de Musique

© 2000 - 2025

Accueil - Version intégrale