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Percussion Ensemble Sleigh Bells - Level 1 - Digital Download

SKU: A0.1113251

Composed by Brian Monroe. Contemporary,Contest,Festival,Holiday. Score and parts. 17 pages. BLM Music Publications (https://brianmonroemusic.com) #715195. Published by BLM Music Publications (https://brianmonroemusic.com) (A0.1113251).

Riding a toboggan down a hill on a cold, winter afternoon is always fun, but at night make for a terrifically terrifying time. It's cold, and dark and you never know what's around the next banking turn. Excitement and Terror combine to create an adventure you will always remember. The Terrifically Terrifying Toboggan Trek is my second piece for very easy percussion ensemble with the beginning percussionists in mind. The piece has been scored by utilizing patterns which are relatively easy to learn. Layering and varying the patterns makes a fun and interesting piece to learn and perform. In addition, the use of the Alphanotes allows the new percussionist to review reading notes as they learn a piece which is most likely more difficult than they would normally perform. This will allow the students to focus on time keeping and listening. All the pattern as found on the back of each part. I also recommend the director play the sleighbells part as a way to be a part of the ensemble and so he/she can set a steady beat for everyone to follow Instrumentation: Part 1: Bells Part 2: Bells Part 3: Bells Part 4: Bells or Vibraphone Using a vibraphone will give you more of a bass note sound..

The Terrifically Terrifying Toboggan Trek

$10.00 9.18 € PDF SheetMusicPlus

Marimba Solo - Level 4 - Digital Download

SKU: A0.1359546

By Mormon Tabernacle Choir. By Anthony Newley and Leslie Bricusse. Arranged by Roger Wallace. Contemporary,Film/TV,Pop. Individual part. 15 pages. Roger Wallace #943988. Published by Roger Wallace (A0.1359546).

Vocal or Instrumental Solo (in E-flat to F) with Piano Accompaniment. 

The Leslie Bricusse & Anthony Newley classic from Willy Wonka and the Chocolate Factory.

Solo parts included in this set:

Piano & Voice: Mezzo-soprano
Oboe/Violin/Guitar/Mallets(Vibraphone or Marimba)
Clarinet/Soprano Sax/Trumpet 
Alto Clarinet/Alto Sax
English Horn
Viola

The Audio Sample (representing the Vibraphone) begins with pickups to Measure 13.

A full length audio version can be heard in the YouTube video.

This arrangement is also available for many other ensembles and soloists.

Look for more arrangements by Roger Wallace.

Pure Imagination
Marimba
Mormon Tabernacle Choir
$4.99 4.58 € Marimba PDF SheetMusicPlus

Large Ensemble Bass Drum,Drums,Marimba,Multi-Percussion,Snare Drum,Vibraphone,Xylophone - Level 5 - Digital Download

SKU: A0.935386

Composed by Dan Heslink. Contemporary. Score and parts. 46 pages. Pharaoh Publications #6058011. Published by Pharaoh Publications (A0.935386).

Sinfonietta                                                                                                                  composed by Dan Heslink

Sinfonietta is a trio for vibraphone, marimba and percussion (xylophone, snare drum, and bass drum). Its expression is intended to be non-representational, presenting only an interesting technical construction in a suave formal organization. With the title the composer designates a single movement, with length and seriousness of expression approaching a symphonic movement. Its form approximates an expanded version of the classical sonata-allegro, dividing materials into three large sections.

Beginning are the two main phrases of the principal theme, which establish patterns that are idiomatic throughout the movement. The first measure’s quartal harmonies divide into rhythms alternating the two hands, the right-hand posing a melody and the left-hand complementing it with harmony and rhythmic repetition. The phrase at measure 7 is a long-breathed melody for vibes accompanied by undulating chords in the marimba. A transition comprising highly qualitative rhythms (stated first by the marimba in m. 20.) has much identity. By measure 41, the transition has grown into a full secondary theme, one that is developed and repeated often throughout the movement. The exposition closes with a theme beginning in measure 51. It is announced by the vibes as another long-breathed melody unfolding over the active rhythm of the second theme.

After a gradual dissipation, the development section starts at measure 92 with a new but related theme, heard first in the vibes. It offers a different key and an expressive melody slowly unfolding over rhythmically active harmonies. The remainder of this middle section explores nuances of the secondary and closing themes, and ultimately leads to the movement’s first climax. It eventually dissipates through a gradual reduction of density and tempo.

 The Reprise begins vigorously at m. 118 with statements of both the principal theme’s phrases. Then the second theme is transformed by the addition of bass drum strokes, which sets up a codetta. This section comprises a long crescendo on the new theme over a rhythmic tattoo derived from the second theme, and builds to a bold conclusion.

 Pedaling on the vibes is indicated with a solid bracket below the connected notes, and half pedaling with a dashed bracket. It is imperative that the percussion part be heard but not dominate. The performer is encouraged to experiment with a piccolo snare drum and 28 bass drum. Sinfonietta would serve equally well in a professional, college or advanced high school percussion recital. The composer assigns a difficulty level of medium difficult. Duration is 8:10. The composer, Dan Heslink, can be contacted at dan@dheslink.com.

 

Sinfonietta for Percussion Trio
measure 41, the transition has grown into a full secondary theme, one that is developed and repeated often throughout the movement The exposition closes with a theme beginning in measure 51
$9.99 9.17 € PDF SheetMusicPlus

Large Ensemble Alto Saxophone,Cello,Clarinet,Flute,Guitar,Handbell,Horn,Multi-Percussion,Oboe,Tenor Saxophone,Trombone,Trumpet,Tuba,Vibraphone,Viola,Violin - Level 3 - Digital Download

SKU: A0.835775

Composed by Paul Burnell. Contemporary. Score and parts. 66 pages. Paul Burnell #3222585. Published by Paul Burnell (A0.835775).

Composed 2017.  One of a series of fourteen accompaniments to texts published between 1896 – 1899

Mary Elizabeth Coleridge (1861 – 1907) was a British novelist and poet who also wrote essays and reviews. 'At Dead of Night' appeared in her collection of poems 'Fancy's Following' published in 1896 under the pseudonym Anodos.

Duration 5:00

For ensemble and narrator

The wind/brass instrumentation is flexible. Examples of possible instrumentations are given below.

If a multiple-octave handbells set is available play at a higher octave from rehearsal letter F.

The conductor may lengthen or shorten the narrated sections at A, C and E, using the 3/4 bars to cue the ensemble before B, D and F. All trills are to be performed as semitone trills beginning on the written pitch.

Score in C

Flute

Wind/Brass 1 (Oboe, Clarinet, Horn, Trumpet)

Wind/Brass 2 (Clarinet, Alto Saxophone, Horn)

Wind/Brass 3 (Tenor Saxophone,Trombone)

Wind/Brass 4 (Bassoon,Tenor Saxophone,Trombone,Tuba)

Percussion 1 - Two Brake Drums (or similar) doubling Cymbal,

Percussion 2 - High/Mid Toms (or similar),

Percussion 3 - Bass Drum (or resonant Floor Tom)

Vibraphone and/or Handbells and/or Piano/Celesta/Toy Piano

Electric guitar

Violin 1

Violin 2

Viola

Violincello

Narrator

At Dead of Night, an Accompanied Reading

$7.95 7.3 € PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download

SKU: A0.835780

Composed by Paul Burnell. Contemporary. Score. 22 pages. Paul Burnell #3222631. Published by Paul Burnell (A0.835780).

Composed 2015. One of a series of fourteen accompaniments to texts published between 1896 – 1899.

For percussion, piano and narrator.

Duration 4:15 approx.

'Strange Case of Dr Jekyll and Mr Hyde' is a novella by Robert Louis Stevenson (1850 - 1894) first published in 1886.

Percussion 1 - Bamboo Cane, Ratchet, Cabasa, manual music box mechanism

Percussion 2 - Bamboo Cane, Snare Drum

Percussion 3 - Bamboo Cane, Floor Tom

Percussion 4 - Bamboo Cane, Bass Drum, Guiro

Percussion 5 - Spring Drum, manual music box mechanism, Siren (hand crank siren, or recording)

Vibraphone

Piano (piano and vibraphone cue all notes to be whistled in percussion 1 - 4)

The music boxes are small hand-driven (not clockwork) mechanisms ideally playing classical 'standards'.

Narrator (optional: add a subtle electronic effect doubling pitch an octave lower until rehearsal letter H) 

Strange Case of Dr Jekyll and Mr Hyde (Excerpt), an Accompanied Reading
Piano seul

$5.95 5.46 € Piano seul PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quintet - Digital Download

SKU: A0.913374

By Kansas. By Kerry Livgren. Arranged by Heather Johnson. Rock. 18 pages. Heather Johnson #3100333. Published by Heather Johnson (A0.913374).

This versatile Woodwind Quintet arrangement of Dust in the Wind is great for a variety of performance settings. With a number of options for the accompaniment using guitar, vibraphone, and/or marimba, this fresh take on a classic is sure to be a nice addition to any concert! Approx. 2' 45 includes score and parts.
(Note: While this arrangement is listed as Intermediate, the Vibraphone and Marimba versions of the accompaniment are Advanced-Intermediate as they require four mallets.).

Dust In The Wind
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Kansas
$20.00 18.37 € Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor PDF SheetMusicPlus






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