Vibraphone Solo - Level 4 - Digital Download SKU: A0.1245555 Composed by Jennifer Bellor. 21st Century,Chamber,Classical,Contemporary. Individual part. 3 pages. Bellor #840436. Published by Bellor (A0.1245555). Time's Arrest (2015)Miniature verison for solo vibraphone Duration: 1'30Composed by Jennifer Bellor www.jenniferbellor.com

Vibraphone Solo - Digital Download SKU: A0.995518 Composed by John Newton. Arranged by James M. Johnson. Blues,Gospel,Instructional,Jazz. Individual part. 4 pages. Myles Music James Johnson #5742213. Published by Myles Music James Johnson (A0.995518). This is a simple solo arrangement of Amazing Grace written for a three octave vibraphone. This arrangement is, soulful, bluesy, emotional and would be a great addition to any concert program. Please note the Mp3 is the exact example of this arrangement and the you tube link is an example of what you can do to this arrangement with a bit of interpretation.

By Kevin Riley. 2 players. For vibraphone, piano. Easy. Vibraphone part. Duration 1'. Published by HaMaR Percussion - Digital

Instrumental Duet,Vibraphone - Level 3 - Digital Download SKU: A0.1397072 Composed by Rafael David Perez Deliz. 21st Century,Advent,Chamber,Contemporary. 8 pages. Rafael David #980404. Published by Rafael David (A0.1397072). Presented here are two compositions for piano and vibraphone, embodying a minimalist aesthetic. Designed with a thoughtful simplicity, these pieces offer a musical experience that can be mastered with ease, making them accessible for intermediate players with minimal rehearsal effort.

Vibraphone Solo - Level 4 - Digital Download SKU: A0.1008717 Composed by Dmytro Kyryliv. 20th Century,Contemporary,Folk. Individual part. 6 pages. Dmytro Kyryliv #6519707. Published by Dmytro Kyryliv (A0.1008717). A short piece for Vibraphone and Percussion based on romanian folk. Castle Bran is a castle of famous person - Dracula. I was trying to show this dark and mystical picture of his place. 

Vibraphone Solo - Level 4 - Digital Download SKU: A0.1235111 Composed by Traditional. Arranged by Roger Wallace. Christmas,Jazz,Sacred. Individual part. 2 pages. Roger Wallace #830645. Published by Roger Wallace (A0.1235111). Vibraphone or Marimba Solo with Piano Accompaniment. The Christmas classic is performed in swing style. The second verse features the melody traded by both players.Can also be played by Flute, Oboe or Violin. Package includes a part for Trumpet/Clarinet/Soprano Sax.The audio sample (“Listen�) represents a Clarinet solo.The YouTube sample (“Watch�) represents a Violin solo.This arrangement is also available for many other ensembles and soloists.Look for more arrangements by Roger Wallace.

Vibraphone Solo - Level 3 - Digital Download SKU: A0.844759 Composed by L Streabbog. Arranged by Phil Beaman. Instructional,New Age,Romantic Period. Individual part. 2 pages. Phil Beaman #5347737. Published by Phil Beaman (A0.844759). By the Seaside is marked rubato espressivo so that it can invoke the ebb and flow of the tides. It is pedaled every measure so that the sweeping arpeggios can flow together. Includes a short middle section using double stops. This is a great piece to learn shaped phrasing in vibraphone playing, then a great recital piece to show off those techniques.  

Vibraphone Solo - Level 4 - Digital Download SKU: A0.1235026 Composed by Traditional. Arranged by Roger Wallace. Baroque,Christmas,Sacred. Individual part. 10 pages. Roger Wallace #830551. Published by Roger Wallace (A0.1235026). Vibraphone or Marimba Solo with Piano Accompaniment.Can also be played by Flute, Oboe or Violin. Package includes parts for Clarinet/Soprano Sax/Trumpet and Alto Sax.The melody of this hymn (in chorale style) is introduced in the first verse. The second verse includes a counter melody woven though the accompaniment. The third verse features antiphonal lines accompanying the melody played by the left hand (piano).The audio sample (“Listen�) represents a Clarinet solo.The YouTube sample (“Watch�) represents a Violin solo.This arrangement is also available for many other ensembles and soloists.Look for more arrangements by Roger Wallace.

Instrumental Duet Instrumental Duet,Marimba,Vibraphone - Level 3 - Digital Download SKU: A0.823110 Composed by Clark Cothern. Contemporary. Score and parts. 8 pages. Clark Cothern #3475059. Published by Clark Cothern (A0.823110). This fun duet for vibraphone and marimba is great for solo and ensemble festivals. Intermediate level.

Vibraphone Solo - Level 4 - Digital Download SKU: A0.1234652 Composed by Traditional. Arranged by Roger Wallace. Christmas,Renaissance,Sacred. Individual part. 10 pages. Roger Wallace #830197. Published by Roger Wallace (A0.1234652). Vibraphone or Marimba Solo with Piano Accompaniment. The beautiful melodies of each carol are shared by both parts. The conclusion (coda) combines both melodies.Can also be played by Flute, Oboe and Violin.Package includes parts for Clarinet/Soprano Sax/Trumpet/Flugelhorn and Alto Sax.The audio sample (“Listen�) represents a Violin solo.This arrangement is also available for many other ensembles and soloists.Look for more arrangements by Roger Wallace.

Instrumental Solo,Piano,Vibraphone - Level 1 - Digital Download SKU: A0.964400 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroque,Instructional,Sacred,Standards,World. Score and individual part. 1 pages. Leyandder Trustworthy #6322261. Published by Leyandder Trustworthy (A0.964400). Cantata 156 was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. of the four cantatas written by Bach for the feast (72, 73, 111 and 156), it was the last, and the only one scored for solo voice. Like Cantatas 73 and 111, it is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different melodies and choral texts in the second and sixth (final) movements, respectively; the second uses Machs mit mir, Gott, nach deiner Güt (Schein, 1628), which Herr, wie du willt, so schicks mit mir (Binemann, 1582) is reserved for the finale. This version of the piece was adapted for Vibraphone along with a piano accompaniment that comes with the product.

Vibraphone Solo - Level 4 - Digital Download SKU: A0.886039 Composed by Kohei KONDO. 20th Century,Contemporary. Individual part. 16 pages. Kohei KONDO #4323549. Published by Kohei KONDO (A0.886039). Composed by Japanese composer Kohei KONDO Northern part of Lake Biwafor vibraphone solo op.171

Vibraphone Solo - Level 2 - Digital Download SKU: A0.1038258 By Anderson Matos. By Anderson Matos. Children,Instructional,Multicultural,Spiritual,World. Individual part. 2 pages. Anderson M. Matos #643192. Published by Anderson M. Matos (A0.1038258). Vibraphone Solo 4 mallets.

Vibraphone Solo - Level 1 - Digital Download SKU: A0.981369 Composed by Mauro Giuliani. Arranged by Bruno Cavalcante. Classical,Concert,Standards,World. Individual part. 2 pages. Bruno Cavalcante #5724849. Published by Bruno Cavalcante (A0.981369). This piece was originally written in 19º Century for guitar by Mauro Giuliani and this arrangement are for music students practice playing a Classical music solo.

Vibraphone Solo - Level 2 - Digital Download SKU: A0.981380 Composed by Johann Sebastian Bach. Arranged by Bruno Cavalcante. Baroque,Concert,Instructional,World. Individual part. 4 pages. Bruno Cavalcante #5748927. Published by Bruno Cavalcante (A0.981380). In Baroque music, the key of B minor had a melancholy quality. Bach reserved it for a few of his most impressive works, such as the Kyrie in the Mass in B minor. Bach composed his ‘French’ suites as a young man of thirty, when he was working at the court of Köthen. However, the suites have nothing to do with the court. Bach wrote them for teaching purposes in his own private circle. The first five appear in their original form in the little music book he compiled in 1722 for his second wife Anna Magdalena, possibly as a wedding present. But Bach continued to rework the pieces. The later versions, with the addition of a sixth suite, have survived thanks to the many copies made by his pupils. They are rewarding practice pieces that despite a certain compositional complexity (it is Bach, after all), do not make extreme demands on the player.