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Piano,Recorder Solo,Soprano Recorder - Level 3 - Digital Download SKU: A0.898117 Composed by Willem de Fesch (1687-1761). Arranged by Douglas Brooks-Davies (1942-). Baroque,Concert. Individual part. 19 pages. Douglas Brooks-Davies #6287455. Published by Douglas Brooks-Davies (A0.898117). One of the Op 4 Sonatas (1725) and originally for violin, this Sonata In G has become a favourite with recorder players, though not easy to obtain. This edition contains (1) soprano recorder part, with editorial trills and mordents, plus a written out ornamented cadence to the penultimate bar of the opening Largo; (2) keyboard part with figured bass; (3) bass continuo (cello, viola da gamba, or bassoon).  All tempo markings are editorial; the keyboard realisation is editorial and can, of course, be modified at will, as can ornamentation of the recorder part.  NOTE: a limitation of my notation software has necessitated using hash for the figured bass sharp sign, and for the figured natural, I have used hash cancelled with a slash. A lovely, approachable Sonata.
Willem de Fesch, Sonata in G (Op.4, no 4) for Soprano Recorder and Piano or Harpsichord
Flûte à bec Soprano, Piano

$2.20 1.93 € Flûte à bec Soprano, Piano PDF SheetMusicPlus

Level 3 - Digital Download SKU: A0.1166886 Composed by Suzy Robinson. Arranged by Suzy Robinson. 20th Century,Chamber,Contemporary. 5 pages. Suzy Robinson #767094. Published by Suzy Robinson (A0.1166886). I wanted to write something based on a mediaeval mystery play and happened across an 11th Century version of the play of the Bridegroom – the tale of the wise and the foolish virgins. It was called Sponsus and is the oldest of this type of play written in both the vernacular and in Latin. What is even more extraordinary is that it is, in fact, a trilingual text in Latin, langue d'oc, and some words in the langue d'oïl. The passage which I have set is in langue d'oc, but for ease of singing I used a modern-French translation. This is scored for soprano, baroque violin, and viola da gamba. It can be performed at 415 or 440 ad libertum.I am very taken by the patchwork nature of mystery plays which is part promenade, part liturgy, part staged, part audience participation. I hope that having set a straightforwardly strophic text and using instruments more often heard in Early Music, jigsaws well with the more modern angular and sometimes dissonant nature of the melodic lines of this piece. I love the play of languages, and the mixing up through words and music of past, present, and future, revealing that time is perhaps a circuitous exploration rather than a strictly linear trajectory. And the end of all our exploring / Will be to arrive where we started / And know the place for the first time..
Les Mystères: Attendez l'Epoux - Score Only

$3.99 3.5 € PDF SheetMusicPlus


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