EUROPE
355 articles
USA
965 articles
DIGITAL
354 articles (à imprimer)
Partitions Digitales
Partitions à imprimer
354 partitions trouvées

1 16 31 46 61 ....346

Piano,Tuba - Level 5 - Digital Download

SKU: A0.811026

Composed by Bach Johann Sebastian. Arranged by Sauer, Ralph. Baroque,Classical,Renaissance,Romantic Period. Score and part. 76 pages. Gordon Cherry #4728681. Published by Gordon Cherry (A0.811026).

J. S. Bach, the genius of Baroque music & the father of Western Music composed 3 exquisite Sonatas for Viola da Gamba. They are now available for Tuba or Bass Trombone & Piano, beautifully transcribed by retired Principal Trombonist of the Los Angeles Philharmonic, Ralph Sauer.  This edition is truly the only version that fully exploits the possibilities of the Tuba or Bass Trombone.  A must for all serious performers. Each work is a full Sonata of at least 15 minutes in length and exploits the technical and musical attributes of the Tuba or Bass Trombone.  For advanced performers.

Three Gamba Sonatas for Tuba/Bass Trombone and Piano
Tuba et Piano

$20.00 18.61 € Tuba et Piano PDF SheetMusicPlus

Large Ensemble Cello,Double Bass,Viola,Violin - Level 3 - Digital Download

SKU: A0.889436

Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Contemporary,Easter,Standards. Score and parts. 11 pages. Luis Anjos Teixeira #4737807. Published by Luis Anjos Teixeira (A0.889436).

The cantata „Gottes Zeit ist die allerbeste Zeit, BWV 106- „God`s Time Is The Very Best Time, ranks among Bach's most important works.

It is a work of genius such as even great masters seldom achieve. The Actus tragicus belongs to the great musical literature of the world.

Although Bach's manuscript is lost, the work is agreed to be one of the earliest Bach cantatas, probably composed during the year he spent in Mühlhausen 1707/1708 as organist of theDivi Blasil church, at the age of 22. Various funerals known to have taken place at this time have been proposed as the occasion for the composition, for example that of his uncle Tobias Lämmerhirt from his mother's family, who died inErfurt on 10 August 1707, and that of Adolph Strecker, a former mayor of Mühlhausen, whose funeral was 16 September 1708.

The earliest surviving manuscript, in the hand of Christian Friedrich Penzel, was copied in 1768 after Bach's death. It introduced the title Actus tragicus. The cantata was published in 1876 as part of the first complete edition of Bach's works: the Bach-Gesellschaft-Ausgabe,  edited by Wilhelm Rust. 

The text consists of different Bible passages from the Old and New Testament, as well as individual verses of hymns by Martin Lither and Adam Reusner, which all together refer to finiteness, preparation for death and dying. 


The Arrangement is relatively easy to perform, also appropriate for beginners. 

It is an ideal piece for advanced performers, this music touches deep into the Soul.

The piece was arranged for modern instruments, I introduced some embellishments and interpretation symbols thus shortening the length of some notes, but no notes where otherwise changed or omitted in this arrangement.

Also the original placement of the voices is totally respected, the structure of the piece was simply left as it was composed in its original form.

Bach scored the instrumental parts for a small ensemble of Baroque instruments two recorders, two violas da gamba and continuo.

I propose an interpretation for a modern string orquestra or a string quintet in this arrangement. You should feel Free to apply in this piece the Art and technic that expresses entirely your individual skills, Your taste and Soul.

If the orquestra only has one double bass I would recommend you to reenforce the bass with a cello. It can be very well performed by a „string quintet- a string quartet with a double bass.

Have fun!

It is a piece that can be used in many different kinds of situations, in a serious concert hall, or a funeral, in Easter or even Christmas celebrations and all other kinds of Spiritual events.

When performed Live It will give you back a great  feedback from the public, you will always want to have it in your repertoire.


The score was written on Finale.

The sound file was produced with samplers from Garritan and conceived merely as an audio support for the presentation of this score.

Thank you very much for taking your time to read this text and to listen to the file.


I hope you have a lot of fun and enjoy the music.

Sheers!

Luis Anjos Teixeira


Thanks to Claudia Eppelt for the all the Love, the wonderful painting and cover design.

Special Thanks to Johann Sebastian Bach, Stray Dog Nina, Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzenegger, Maria Koboldinha. 

For all Living beings on Earth, for all our Ancestors, 

Thank You for all of You 

All Your Love and Compassion.

Love Forever.


Luis Anjos Teixeira

Gottes Zeit ist die allerbeste Zeit - For String Orquestra

$10.99 10.23 € PDF SheetMusicPlus

Small Ensemble Continuo,Flute,Harpsichord,Violin - Digital Download

SKU: A0.819757

Composed by Carl Friedrich Abel. Arranged by J.G. Cucó Barber. Classical. Score and parts. 47 pages. J.G. Cuco Barber #6133199. Published by J.G. Cuco Barber (A0.819757).

Work Title 6 Easy Sonatas
Alternative Title Six Easy Sonatas for the Harpsichord or for a Viola da Gamba, Violin or German Flute with a Thorough-Bass Accompaniment
Composer Abel, Carl Friedrich
Opus/Catalogue Number WK 141-146
Movements/Sections 6 sonatas:

  1. Sonata in C major, WK 141
  2. Sonata in A major, WK 142
  3. Sonata in D major, WK 143
  4. Sonata in G major, WK 144
  5. Sonata in A major, WK 145
  6. Sonata in E minor, WK 146
First Publication 1771 ca.
Composer Time Period Classical
Piece Style Classical
Instrumentation harpsichord (viola da gamba), violin (flute), continuo
Extra Information Knape classifies these as sonatas for viola da gamba and continuo.

Abel - 6 Easy Sonatas, WK 141-146

$28.00 26.06 € PDF SheetMusicPlus

Woodwind Ensemble - Level 4 - Digital Download

SKU: A0.1401651

Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Contest,Festival,Historic,Standards,Traditional. 70 pages. Jmsgu3 #984834. Published by jmsgu3 (A0.1401651).

Bach's Brandenburg Concerto No. 3 is significant for its composition and structure. It features nine solo strings divided into three groups of violins, violas, and cellos, showcasing a colorful instrumentation and demanding performance requirements. The concerto opens majestically with distinct groupings of soloists by instrument, maintaining these divisions throughout the movement with moments of independence for each soloist. The closing movement, a vigorous allegro, follows a similar pattern with the nine players divided by instrument. Additionally, the concerto includes a two-note adagio cadence where musicians were intended to improvise a link between the outer movements. This concerto is a prime example of the Baroque concerto style. It demonstrates Bach's mastery in creating intricate and harmonious compositions that challenge performers while showcasing the beauty of different instruments working together harmoniously.

The historical context of Bach's Brandenburg Concertos is rooted in the Baroque era and Bach's circumstances. Composed around 1711-1720 and dedicated in 1721 to Christian Ludwig, the Margrave of Brandenburg, these concertos were a collection of six concerti grossi that showcased a balance between various groups of soloists and a small orchestra. Bach's decision to compile these concertos was influenced by his need for employment and his encounter with Christian Ludwig, who commissioned several works after being impressed by his performance in Berlin around 1719. Despite Bach's hopes for a position at the Brandenburg court, the Margrave did not pay for the work, possibly because the pieces were revisions of earlier compositions rather than new creations specifically for him. Moreover, the Brandenburg Concertos exemplify the concerto grosso genre popular during the Baroque era, featuring a more significant number of soloists than usual and expansive music that showcases a variety of instruments in different combinations. Bach's innovative use of instruments like trumpets, recorders, French horns, oboes, flutes, violino piccolo, violas da gamba, and harpsichord in these concertos highlights his creativity and mastery in composing intricate and diverse musical pieces. The historical significance lies in Bach's ability to blend different musical styles and forms while creating a set of concertos that music lovers cherish today.

Bach: Brandenburg Concerto No. 3 for Saxophone Choir - Score Only

$49.95 46.49 € PDF SheetMusicPlus

Saxophone Ensemble,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Saxophone,Soprano Saxophone - Level 4 - Digital Download

SKU: A0.1402348

Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Contest,Festival,Historic,Standards,Traditional. 149 pages. Jmsgu3 #985560. Published by jmsgu3 (A0.1402348).

Bach's Brandenburg Concerto No. 3 is significant for its composition and structure. It features nine solo strings divided into three groups of violins, violas, and cellos, showcasing a colorful instrumentation and demanding performance requirements. The concerto opens majestically with distinct groupings of soloists by instrument, maintaining these divisions throughout the movement with moments of independence for each soloist. The closing movement, a vigorous allegro, follows a similar pattern with the nine players divided by instrument. Additionally, the concerto includes a two-note adagio cadence where musicians were intended to improvise a link between the outer movements. This concerto is a prime example of the Baroque concerto style. It demonstrates Bach's mastery in creating intricate and harmonious compositions that challenge performers while showcasing the beauty of different instruments working together harmoniously.

The historical context of Bach's Brandenburg Concertos is rooted in the Baroque era and Bach's circumstances. Composed around 1711-1720 and dedicated in 1721 to Christian Ludwig, the Margrave of Brandenburg, these concertos were a collection of six concerti grossi that showcased a balance between various groups of soloists and a small orchestra. Bach's decision to compile these concertos was influenced by his need for employment and his encounter with Christian Ludwig, who commissioned several works after being impressed by his performance in Berlin around 1719. Despite Bach's hopes for a position at the Brandenburg court, the Margrave did not pay for the work, possibly because the pieces were revisions of earlier compositions rather than new creations specifically for him. Moreover, the Brandenburg Concertos exemplify the concerto grosso genre popular during the Baroque era, featuring a more significant number of soloists than usual and expansive music that showcases a variety of instruments in different combinations. Bach's innovative use of instruments like trumpets, recorders, French horns, oboes, flutes, violino piccolo, violas da gamba, and harpsichord in these concertos highlights his creativity and mastery in composing intricate and diverse musical pieces. The historical significance lies in Bach's ability to blend different musical styles and forms while creating a set of concertos that music lovers cherish today.

Bach: Brandenburg Concerto No. 3 for Saxophone Choir
Ensemble de saxophones

$74.95 69.75 € Ensemble de saxophones PDF SheetMusicPlus


1 16 31 46 61 ....346




Partitions Gratuites
Acheter des Partitions Musicales
Acheter des Partitions Digitales à Imprimer
Acheter des Instruments de Musique

© 2000 - 2024

Accueil - Version intégrale