Harp - Level 3 - Digital Download SKU: A0.928330 By Patsy Cline. By Willie Nelson. Arranged by Karen Peterson. Country. Score. 2 pages. Karen Peterson #5955415. Published by Karen Peterson (A0.928330). This Countrypolitan song made famous by Patsy Cline was written by a not-yet-famous Willie Nelson. The attitude of the protagonist has been described as variously bemused, bittersweet, and cathartic. What is it to you, and how can you bring that emotion into your playing?My double-strung arrangement sets accidentals in the LH prior to playing, allowing the song to proceed without lever flips. The optional lever flip at the very end can be easily eliminated, making this song a great opportunity to practice flipping on the right with an easy recovery if you can’t get it in time.Key and range: Bb major (two flats). 21x2 strings. C below middle C through B. Preset B natural, C#, E natural, and F#.Lever changes: One optional lever change on the right. Set four accidentals on the left before playing.Good for: Parties, performance.

Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1200447 By Simon And Garfunkel. By Paul Simon. Arranged by John Fries. 20th Century,Jazz,Standards. Score. 3 pages. John Fries #799274. Published by John Fries (A0.1200447). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. Thanks, John.  Still Crazy After All These Years is a song by the American singer-songwriter Paul Simon. It was the third and final single from his fourth studio album of the same name (1975), released on Columbia Records. Though the song briefly reached the top 40 of the Billboard Hot 100 in the U.S., it was a bigger hit on the magazine's Easy Listening chart, where it peaked at number four Still Crazy After All These Years begins with the singer singing that I met my old lover on the street last night. The old lover has been variously interpreted to be either Simon's ex-wife Peggy Harper, from whom he was recently divorced, his former girlfriend from the 1960s Kathy Chitty, or even Simon's former musical partner Art Garfunkel, who appears on the song that follows 'Still Crazy After All These Years on the album. After sharing a few beers, the singer and the old lover part ways again.

Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe,Percussion - Level 3 - Digital Download SKU: A0.555864 Composed by Edmund Angerer - ascribed variously to Joseph Haydn, Leopold Mozart, Michael Haydn, and Wolfgang Amadeus Mozart and Johann Rainprechter. Arranged by Ray Thompson. Children,Christmas,Classical,Standards. Score and parts. 52 pages. RayThompsonMusic #6047585. Published by RayThompsonMusic (A0.555864). This work was long reputed to be the work of Joseph Haydn, but later scholarship suggested that it was actually written by Leopold Mozart. Its authorship is still disputed, however, and other composers have been proposed as the symphony's true author, including Joseph Haydn's younger brother Michael Haydn, who purportedly contributed movements to the work.Recent research on a newly found manuscript suggests the Austrian Benedictine monk Edmund Angerer (1740–1794) to be the author. If Angerer's manuscript (from 1765, entitled Berchtolds-Gaden Musick) is the original, the Toy Symphony was originally written not in G but rather in C. These findings, however, are disputed among scholars. There is reason to believe that the true composer will likely never be known, in whole or in part, given its confused origins and the paucity of related manuscript sources.Even without a name attached to it, the piece has become a mainstay for children's shows and Christmastime concerts. Each of its three movements features the sounds of actual toys and instruments that sound like they came straight from Geppetto's workshop. The piece calls for a toy trumpet, ratchet, nightingale, cuckoo, drum, and triangle. ( A quail makes it’s only appearance in the 2nd movement.Noisemakers rattle throughout the first of its three movements. The cuckoo and trumpet  call out mischievously during the minuetto of the second movement , and a quail joins the nightingale in the trio. In the short third mvt which is played 3 times, they all play again, each repeat faster than the previous one.The presence of the toy instruments make this a fun piece for children to play, especially when there are also some toys waiting under the tree.My arrangement is based on the Kinder-Symphonie attributed to Leopold Mozart. It is scored in C.it is in 3 mvts and is arranged for double wind quintet, bass and toy percussion.i have distributed the original strings around the woodwind, and composed original classical horn parts.Sometimes known as Children’s Symphony.

Small Ensemble Bassoon,English Horn,Flute,Timpani - Level 4 - Digital Download SKU: A0.1031573 Composed by Xiaowei Cao. Arranged by Xiaowei Cao. Contemporary. Score and parts. 16 pages. ShallV #4764939. Published by ShallV (A0.1031573). Notice: The mp3 file is played by midi instruments, not the actual recording of the piece.Tiananmen (2018) is a piece in memory of the Tiananmen Square protests of 1989, which was commonly known as the June Fourth Incident (六四事件). The protests were students led demonstrations in Beijing, the capital of the People’s Republic of China, and were forcibly suppressed after the government declared martial law. In what became known in West as the Tiananmen Square Massacre, troops with automatic rifles and tanks killed at least several hundred demonstrators trying to block the military’s advance towards Tiananmen Square. The number of civilian deaths has been estimated variously from 180 to 10,454.The piece itself reflects the atmosphere of China chronologically from the day before the incident to the time when protests were completely suppressed. The piece was divided into two movements. The first part of the piece serves as an introduction setting up the depressing tone of the whole piece. The first part of the piece reflects the anxiety of the whole society when the martial law was declared. And the second part of the piece refers to Zhao Ziyang’s (赵紫阳) speech at the Tiananmen Square where he tries to communicate with the students and peacefully resolve the protest. The third part and the fourth part of the piece directly describes the protest on June 4th which show a catastrophic and desperate atmosphere.

Harp - Level 3 - Digital Download SKU: A0.928332 By Patsy Cline. By Willie Nelson. Arranged by Karen Peterson. Country. Score. 3 pages. Karen Peterson #5993773. Published by Karen Peterson (A0.928332). WATCH THE Bb VERSION: You are viewing the arrangement for lap harp, which is in the key of F. To hear the Bb version played on a larger harp, go to https://www.youtube.com/watch?v=s8WfrwixqGkOverview: This Countrypolitan song made famous by Patsy Cline was written by a not-yet-famous Willie Nelson. The attitude of the protagonist has been described as variously bemused, bittersweet, and cathartic. What is it to you, and how can you bring that emotion into your playing?My double-strung arrangement sets accidentals in the LH prior to playing, allowing the song to proceed without lever flips. The optional lever flip at the very end can be easily eliminated, making this song a great opportunity to practice flipping on the right with an easy recovery if you can’t get it in time.Key and range: F major (one flat). 21x2 strings. G below middle C through F. Preset F#, G#, B natural, and C#. (LARGER HARPS: For harps with C below middle C or lower, get the Bb version here: www.sheetmusicplus.com/title/crazy-patsy-cline-for-double-strung-harp-digital-sheet-music/21815694)Lever changes: One optional lever change on the right. Set four accidentals on the left before playing.Good for: Parties, performance.Double-strung effects: Preset accidentals on the left allow for jazzy chords without lever flips. If you’ve been hesitant about moving your LH into the melody area, this is your chance to learn. You can gently move out of your comfort zone by only switching hands for these accidentals, or you can take it a step further with optional echoed notes and an optional RH lever flip.Characteristics: The LH and RH usually play together, but with several held notes and a melody that doesn’t always strike on the downbeat, the hands play separately at least 25% of the time. There are a few instances that call for wider than an octave spread. Most chords are LH 1-5-8, 1-5-7, or 1-3-5-8. The RH has almost no chords. There are very few sixteenth notes. The most complicated placements are in the introduction with one slide and one cross-over.Finger placement: Finger number suggestions are provided for key phrases with bolded L/R for levered accidentals. Numbers above the notes are suggestions for the RH (marked with R or R# when they occur in the bottom staff). Numbers below the notes are suggestions for the LH (marked with L or L# when they occur in the top staff).Notation: Chord symbols are provided; lyrics are included separately. Treble clef used in both staves.Length: 2 pages. 40 measures. 2:30 minutes.Page turns: None if you print.

String Ensemble,String Quintet - Level 3 - Digital Download SKU: A0.835813 Composed by Traditional. Arranged by Paul Burnell. Contemporary,Folk. Score and parts. 41 pages. Paul Burnell #3692737. Published by Paul Burnell (A0.835813). Toriad y Dydd, traditional Welsh tune arranged for instruments in five parts by Paul Burnell October 2018. Duration c.5:00The arrangement is suitable for multiple quintet combinations with parts available (and potential instrumentations suggested) as follows:Part 1: C, Eb (flute, soprano recorder, Eb clarinet, violin 1)Part 2: C, Bb (flute, oboe, alto recorder, Bbclarinet, violin 2)Part 3: C, Bb (Bb clarinet, tenor recorder, violin 3, viola)Part 4: C - alto & bass clefs, Bb, Eb, F (Bb clarinet, bass recorder, alto saxophone, horn in F, viola) Part 5: C - bass clef, Bb, F (bassoon, great bass recorder, tenor saxophone, horn in F, 'cello)Part 5 may be played an octave lower than written.Any other appropriate instruments, even if not suggested above, may play.Although the score is presented with layout appropriate for strings this does not indicate a preferred instrumentation. Programme note:'Toriad y Dydd', also known as 'Break of Day', is a traditional Welsh tune. Joseph Haydn arranged the tune for soprano and piano trio for a collection of Welsh songs around 1803-1804. The song became better known when it was included in the collection 'The Songs of Wales' published by Boosey and Hawkes in 1873. When sung, the song title is given variously as 'Torriad y Dydd' (spelt with a double 'r'), 'The Dawn of Day', 'Taliesin's Prophecy' and 'Golwg Ar dy Gyfaill'.

Flute Solo - Level 3 - Digital Download SKU: A0.914702 Arranged by Christian Morris. Christian,Rock. Individual part. 7 pages. Hoopla Sheet Music #6673829. Published by Hoopla Sheet Music (A0.914702). A funky arrangement of the traditional U.S. song, variously described as a Christian folk hymn, an African-American spiritual, an Appalachian song, and a southern gospel song.

String Ensemble,String Trio Cello,Viola,Violin - Level 2 - Digital Download SKU: A0.802693 Composed by Anon. or Fernando Sor, or Narciso Yepes. Arranged by Shigeo Ida & Peet du Toit. Contemporary. Score and parts. 6 pages. Peet du Toit #6513457. Published by Peet du Toit (A0.802693). Romance Anónimo (Anonymous Romance) is a piece for guitar, also known as Estudio en Mi de Rubira (Study in E by Rubira), Spanish Romance, Romance de España, Romance de Amor, Romance of the Guitar, Romanza and Romance d'Amour among other names.Its origins and authorship are currently in question. It is suspected of originally being a solo instrumental guitar work, from the 19th century. It has variously been attributed to Antonio Rubira, David del Castillo, Francisco Tárrega, Fernando Sor, Daniel Fortea, Miguel Llobet, Antonio Cano, Vicente Gómez, and Narciso Yepes. The Anónimo (anonymous) part of its name has been incorporated over the years due to this uncertainty. The question of authorship has probably been propagated by three main reasons: the lack of claim by its true author, the desire to avoid paying copyright fees, and the desire of publishing companies to claim the lucrative copyright of this world-famous piece.The style of the piece is that of the Parlour music of the late 19th century in Spain or South America, having a closed three-part form: the first in the minor key and the second being in the major key, with the third being a restatement of the first.Narciso Yepes (1927 - 1997) interpreted and is listed as the author of the piece in René Clément's 1952 film Jeux interdits (Forbidden Games). The popularity of the film gave the piece worldwide fame. Yepes currently has the copyright of this composition in Spain although recordings and manuscripts of this song predate 1952. Newer publications show Yepes as the arranger and the piece being of anonymous authorship, or authored by Fernando Sor.The official statement from Narciso Yepes and the Yepes heirs is that Narciso Yepes, being a young boy, originally composed the piece for his mother when he was about seven years old (c.1934) and soon thereafter performed it between acts at the Teatro Guerra, in Lorca, Spain. Some time later, he recounts, when he was thirteen years old he attended a performance in Valencia and heard his composition performed by another guitarist, who indicated the authorship as anonymous. Yepes contends that the melody had been plagiarized (with some changes to the arrangement) by someone who, he assumes, must have attended that first performance. However, Yepes was born 1927 and cannot be the author of the work, since it was already recorded in 1900 and published before 1925 (possibly 1913) by J.A. MEDINA e HIJO; and in 1919 in themethod of Pedro Mascaró y Reissig, etc. Vicente Gomez (1911-2001) published it and performed it in 1941 in the Hollywood movie Blood and Sand with Tyrone Powerand Rita Hayworth, also attributing authorship of the song to himself. Anyway, the piano arrangement of the brilliant Shigeo Ida caught my attention and I decided to rework it somewhat into this trio for strings. Enjoy!

Trumpet Solo - Level 3 - Digital Download SKU: A0.914704 Arranged by Christian Morris. Christian,Gospel,Rock. Individual part. 7 pages. Hoopla Sheet Music #6673835. Published by Hoopla Sheet Music (A0.914704). A funky arrangement of the traditional U.S. song, variously described as a Christian folk hymn, an African-American spiritual, an Appalachian song, and a southern gospel song.

Piano - Level 2 - Digital Download SKU: A0.1134737 Composed by Kristen Anderson-Lopez and Robert Lopez. Arranged by Unimusic Academy (Academia Unimusica). Children,Early Music,Singer/Songwriter. Score (Chords/Lyrics). 2 pages. Unimusic Academy (Academia Unimusica) #734784. Published by Unimusic Academy (Academia Unimusica) (A0.1134737). Remember Me is a song from the 2017 animated Pixar film Coco, written by Robert Lopez and Kristen Anderson-Lopez. The song is performed variously within the film by Benjamin Bratt, Gael García Bernal, Anthony Gonzalez, and Ana Ofelia Murguía. Miguel and Natalia Lafourcade perform a pop version of the song that is featured in the film's end credits. Carlos Rivera recorded a cover version of the song, titled Recuérdame for the film's Spanish-language soundtrack album. It won Best Original Song at the 90th Academy Awards in 2018.

Viola Solo - Level 3 - Digital Download SKU: A0.914706 Arranged by Christian Morris. Christian,Gospel,Rock. Individual part. 7 pages. Hoopla Sheet Music #6673837. Published by Hoopla Sheet Music (A0.914706). A funky arrangement of the traditional U.S. song, variously described as a Christian folk hymn, an African-American spiritual, an Appalachian song, and a southern gospel song.

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1288892 By Frank Sinatra. By Fred Fisher. Arranged by Dave Gingras and John E. Dosher. Broadway,Film/TV,Jazz,Musical/Show. Score. 3 pages. DAVID LEE GINGRAS #879732. Published by DAVID LEE GINGRAS (A0.1288892). Chicago (That Toddlin' Town) is a popular song written by Fred Fisher and published in 1922. The original sheet music variously spelled the title Todd'ling or Toddling. The song has been recorded by many artists, but the best-known versions are by Frank Sinatra, Ben Selvin and Judy Garland. This version features a root-based chord blocking that John and I have used in a number of our arrangements and was developed from the 1922 original sheet music. We also added some pretty cool left-hand fills to keep things moving along smoothly. We hope you like what we've done with this grand old tune!

String Ensemble Cello,Double Bass,Viola,Violin - Digital Download SKU: A0.1247884 Composed by Traditional. Arranged by Christian Morris. Traditional. 17 pages. Hoopla Sheet Music #842441. Published by Hoopla Sheet Music (A0.1247884). A funky arrangement of the traditional U.S. song, variously described as a Christian folk hymn, an African-American spiritual, an Appalachian song, and a southern gospel song.

Handbells 3-6 octave handbells with optional 3-6 octave handchimes - Level 2 - Digital Download SKU: H1.2551DP Composed by Natalie Sleeth. Arranged by Cynthia Dobrinski. General Worship. Handbell score. 8 pages. Hope Publishing - Digital #2551DP. Published by Hope Publishing - Digital (H1.2551DP). 1 Corinthians 15:51 - Eccesliastes 3:1 - Eccesliastes 3:2 - Eccesliastes 3:3 - Eccesliastes 3:4 - Eccesliastes 3:5 - Eccesliastes 3:6 - Eccesliastes 3:7 - Eccesliastes 3:8 - Genesis 1:14 - John 12:24 - Psalms 1:3 - Psalms 30:5.Popular hymn Cynthia Dobrinski's new arrangement of Natalie Sleeth's endearing hymn treats each of the three verses with a distinct approach that variously utilizes suspended bells played by mallets, vibrato, thumb damps, echoes, and optional 3-6 octave handchimes. Bell changes are minimal. Natalie's metaphorical text speaks of our resurrection and makes this useful for almost any worship occasion, memorial service or funeral.

Solo oboe - Digital Download SKU: IZ.IMS1611 Composed by Daniel Baldwin. Score and Parts. 5 pages. Imagine Music - Digital #IMS1611. Published by Imagine Music - Digital (IZ.IMS1611). 9 x 12 in inches.Kui is a polysemous figure in ancient Chinese mythology named for the legendary musician Kuiwho invented music and dancing and for the one-legged mountain demon or rain-god variously said to resemble aChinese dragon, a drum, or a monkey with a human face. Kui is also defined as an instrumental composition inTurkic culture around 4 minutes length. This type of composition is generally performed with different nationalplucked, bow and wind instruments.I enjoy drawing inspiration fromAsian mythology in my unaccompanied works and have employed the myth of theone legged dancing musician. I have combined with this imagery elements of jazz and rock and roll which I usefreely throughout the work. It is a brief bravura solo work, but is says much in its brief three minutes.