Small Ensemble Harp,Piano,Violin,Voice - Level 5 - Digital Download SKU: A0.889722 Composed by William Hawley. Contemporary. Score and parts. 220 pages. William Hawley #4574359. Published by William Hawley (A0.889722). This is Volume I of the collected songs of William Hawley, from the earliest preserved song (the 1976 An Object, on an Ezra Pound poem) to The Bridge of Sighs (Lord Byron), 1998. The collection comprises 23 works: 21 for voice and piano, one set for voice and harp, and one set for voice, piano, and violin. The songs were composed variously for unspecified voice, soprano, mezzo-soprano, alto, or baritone. All of the poetry was set in the original languages (English, German, Italian, Greek, and Japanese). Several of these works remain in manuscript, others have been computer-engraved by the composer in one fully bookmarked PDF file of 220 pages with Table of Contents in hypertext. The audio clip is from a private recording of the Four Keats Songs (Joyce Andrews, Soprano, Neal Goren, Piano, New York, 1985), the score of which is also available separately at SMP Press. ASCAP https://williamhawley.net.

String Ensemble,String Trio Cello,Viola,Violin - Level 2 - Digital Download SKU: A0.802693 Composed by Anon. or Fernando Sor, or Narciso Yepes. Arranged by Shigeo Ida & Peet du Toit. Contemporary. Score and parts. 6 pages. Peet du Toit #6513457. Published by Peet du Toit (A0.802693). Romance Anónimo (Anonymous Romance) is a piece for guitar, also known as Estudio en Mi de Rubira (Study in E by Rubira), Spanish Romance, Romance de España, Romance de Amor, Romance of the Guitar, Romanza and Romance d'Amour among other names.Its origins and authorship are currently in question. It is suspected of originally being a solo instrumental guitar work, from the 19th century. It has variously been attributed to Antonio Rubira, David del Castillo, Francisco Tárrega, Fernando Sor, Daniel Fortea, Miguel Llobet, Antonio Cano, Vicente Gómez, and Narciso Yepes. The Anónimo (anonymous) part of its name has been incorporated over the years due to this uncertainty. The question of authorship has probably been propagated by three main reasons: the lack of claim by its true author, the desire to avoid paying copyright fees, and the desire of publishing companies to claim the lucrative copyright of this world-famous piece.The style of the piece is that of the Parlour music of the late 19th century in Spain or South America, having a closed three-part form: the first in the minor key and the second being in the major key, with the third being a restatement of the first.Narciso Yepes (1927 - 1997) interpreted and is listed as the author of the piece in René Clément's 1952 film Jeux interdits (Forbidden Games). The popularity of the film gave the piece worldwide fame. Yepes currently has the copyright of this composition in Spain although recordings and manuscripts of this song predate 1952. Newer publications show Yepes as the arranger and the piece being of anonymous authorship, or authored by Fernando Sor.The official statement from Narciso Yepes and the Yepes heirs is that Narciso Yepes, being a young boy, originally composed the piece for his mother when he was about seven years old (c.1934) and soon thereafter performed it between acts at the Teatro Guerra, in Lorca, Spain. Some time later, he recounts, when he was thirteen years old he attended a performance in Valencia and heard his composition performed by another guitarist, who indicated the authorship as anonymous. Yepes contends that the melody had been plagiarized (with some changes to the arrangement) by someone who, he assumes, must have attended that first performance. However, Yepes was born 1927 and cannot be the author of the work, since it was already recorded in 1900 and published before 1925 (possibly 1913) by J.A. MEDINA e HIJO; and in 1919 in themethod of Pedro Mascaró y Reissig, etc. Vicente Gomez (1911-2001) published it and performed it in 1941 in the Hollywood movie Blood and Sand with Tyrone Powerand Rita Hayworth, also attributing authorship of the song to himself. Anyway, the piano arrangement of the brilliant Shigeo Ida caught my attention and I decided to rework it somewhat into this trio for strings. Enjoy!

Viola Solo - Level 3 - Digital Download SKU: A0.914706 Arranged by Christian Morris. Christian,Gospel,Rock. Individual part. 7 pages. Hoopla Sheet Music #6673837. Published by Hoopla Sheet Music (A0.914706). A funky arrangement of the traditional U.S. song, variously described as a Christian folk hymn, an African-American spiritual, an Appalachian song, and a southern gospel song.

Small Ensemble Bassoon,English Horn,Flute,Piano - Level 3 - Digital Download SKU: A0.576747 Composed by Traditional. Arranged by David Warin Solomons. 20th Century,Contemporary,Folk,World. Score and parts. 12 pages. David Warin Solomons #144057. Published by David Warin Solomons (A0.576747). Instrumental arrangement of the Irish folk song known variously as The girl I left behind me and The Waxies' Dargle. Each instrument has a turn at the tune. The pdf file contains the score and parts. The sound sample is an electronic preview.

Piano - Level 2 - Digital Download SKU: A0.1134737 Composed by Kristen Anderson-Lopez and Robert Lopez. Arranged by Unimusic Academy (Academia Unimusica). Children,Early Music,Singer/Songwriter. Score (Chords/Lyrics). 2 pages. Unimusic Academy (Academia Unimusica) #734784. Published by Unimusic Academy (Academia Unimusica) (A0.1134737). Remember Me is a song from the 2017 animated Pixar film Coco, written by Robert Lopez and Kristen Anderson-Lopez. The song is performed variously within the film by Benjamin Bratt, Gael García Bernal, Anthony Gonzalez, and Ana Ofelia Murguía. Miguel and Natalia Lafourcade perform a pop version of the song that is featured in the film's end credits. Carlos Rivera recorded a cover version of the song, titled Recuérdame for the film's Spanish-language soundtrack album. It won Best Original Song at the 90th Academy Awards in 2018.

Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1262432 Composed by Ross Fiddes. 20th Century,21st Century,Chamber,Classical. Score. 36 pages. Ross Fiddes #855473. Published by Ross Fiddes (A0.1262432). COLOURS – a song collection for mezzo-soprano & pianoLargely untrained, only basically educated and living most his life as a rural worker, Neilson became known as one of Australia's finest lyric poets, who wrote much about the natural world, and the beauty in it.  His poetry is peppered with references to colours particularly of the Australian landscape, notably green, yellow and orange.  There is an art gallery named for him and an art prize in his name requires competing artists to interpret his poems in paint.. His lyricism has appealed to many composers, and in this collection setting six of his poems, I have attempted to capture both his lyricism and his “colourings�. The songs are dedicated variously to the superb mezzo-sopranos, Alessandra Volpe and Deborah Humble.The six song I have set for this Volume 1 are:1.      Paint Me A Petticoat Green2.      Roses Three3.      To Dulcie in a White Dress4.      You and Yellow Air5.      The Orange Tree6.      Song in the Yellow.

Small Ensemble - Level 3 - Digital Download SKU: A0.1091269 Composed by Daniel Hay. 20th Century,Classical,Contemporary,Multicultural,World. Score and parts. 12 pages. Daniel Hay Music #695438. Published by Daniel Hay Music (A0.1091269). This trio is a story. A story in the making, waiting for that moment it can be repeated to another amazed listener... This work for Violin, Viola, and Cello was also used in the soundtrack for https://www.youtube.com/watch?v=Qdu7azl9CR8 variously entitled Lady Grey or Taking Teas with Lady Grey. The YouTube flowing score was created for the composer by https://www.youtube.com/channel/UCEJkhBcPc4kMTHwN9OjlAZQ.

Solo Guitar - Level 4 - Digital Download SKU: A0.1441944 Composed by Anon. Arranged by Keith Terrett. 20th Century,Classical,Contest,Festival,Instructional,Multicultural,World. Individual part. 7 pages. Keith Terrett #1021937. Published by Keith Terrett (A0.1441944). Romance Anonimo for Guitar.This beautiful piece, known as Romance d'Amour, Anonymous Romance, Spanish Romance, Romance de Amor, Romanza among other names are a very well know piece. The composer is unknown.Romance Anónimo (Anonymous Romance) is a piece for guitar, also known as Estudio en Mi de Rubira (Study in E by Rubira), Spanish Romance, Romance de España, Romance de Amor, Romance of the Guitar, Romanza and Romance d'Amour among other names. It is composed in the style of parlour music of the late 19th century in Spain or South America,History:The style of the piece is that of the parlour music of the late 19th century in Spain or South America. It has a closed three-part form, the first in the minor key and the second being in the major key, with the third part being a restatement of the first.The origins and authorship of the piece are unknown, hence 'anonimo'. It is thought to have been originally a solo instrumental guitar work from the 19th century, and has variously been attributed to Antonio Rubira, David del Castillo, Francisco Tárrega, Fernando Sor, Daniel Fortea, Francisco Vicaria l Llobet, Antonio Cano, Vicente Gómez, and Narciso Yepes. It has been suggested that doubts about its authorship may have been encouraged by a wish to avoid paying copyright fees and the desire of publishing companies to claim the lucrative copyright.Early recordings:The earliest recording of Romance is found on a cylinder from the Viuda de Aramburo label[3][4][5][6] featuring guitarists Luis and Simon Ramírez, which was made in Madrid sometime between 1897 and 1901. The work is titled Sort-Estudio para Guitarra por S. Ramirez. The name Sort, as it occurs on the cylinder's title, probably refers to Fernando Sor, as his surname is sometimes spelled Sort or Sorts. The recording may be heard on the Doremi CD release Tarrega, His Disciples, and Their Students (DHR-7996) and online at the UCSB Cylinder Audio Archive.Possible origins:An early publication of the work, known as Estudio para Guitarra de Rovira and attributed to Spanish guitarist Antonio Rubira,[13] was published by J.A. Medina e Hijo in Argentina before 1925 (probably in 1913, when the publisher ceased activities).Guitarist and composer Isaías Sávio (Montevideo, 1900 — São Paulo, 1977) published the work in 1959 with the title Romance de Amor (Estudo em Mi) Música de Antonio Rovira (Segunda metade do século XIX) He published information which cited Antonio Rubira as the author. (See Violào e Mestres Junio, 1966 / São Paulo, Brasil.Sávio gives information that Juan Pargas, who knew Rubira, gave the Estudio de Rovira to the guitarist Juan Valles in 1876 or 1878. Sávio mentions that the work became popular in Buenos Aires and began to be published by, among others, Spaniard Pedro Maza; and that the work appeared in the method of Pedro Mascaró y Reissig, published in Montevideo in 1919, with the title Conocido por Estudio de Rovira.Publishing company Ricordi of Argentina currently publishes the piece, and attributes authorship to Antonio Rubira.

Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe,Percussion - Level 3 - Digital Download SKU: A0.555864 Composed by Edmund Angerer - ascribed variously to Joseph Haydn, Leopold Mozart, Michael Haydn, and Wolfgang Amadeus Mozart and Johann Rainprechter. Arranged by Ray Thompson. Children,Christmas,Classical,Standards. Score and parts. 52 pages. RayThompsonMusic #6047585. Published by RayThompsonMusic (A0.555864). This work was long reputed to be the work of Joseph Haydn, but later scholarship suggested that it was actually written by Leopold Mozart. Its authorship is still disputed, however, and other composers have been proposed as the symphony's true author, including Joseph Haydn's younger brother Michael Haydn, who purportedly contributed movements to the work.Recent research on a newly found manuscript suggests the Austrian Benedictine monk Edmund Angerer (1740–1794) to be the author. If Angerer's manuscript (from 1765, entitled Berchtolds-Gaden Musick) is the original, the Toy Symphony was originally written not in G but rather in C. These findings, however, are disputed among scholars. There is reason to believe that the true composer will likely never be known, in whole or in part, given its confused origins and the paucity of related manuscript sources.Even without a name attached to it, the piece has become a mainstay for children's shows and Christmastime concerts. Each of its three movements features the sounds of actual toys and instruments that sound like they came straight from Geppetto's workshop. The piece calls for a toy trumpet, ratchet, nightingale, cuckoo, drum, and triangle. ( A quail makes it’s only appearance in the 2nd movement.Noisemakers rattle throughout the first of its three movements. The cuckoo and trumpet  call out mischievously during the minuetto of the second movement , and a quail joins the nightingale in the trio. In the short third mvt which is played 3 times, they all play again, each repeat faster than the previous one.The presence of the toy instruments make this a fun piece for children to play, especially when there are also some toys waiting under the tree.My arrangement is based on the Kinder-Symphonie attributed to Leopold Mozart. It is scored in C.it is in 3 mvts and is arranged for double wind quintet, bass and toy percussion.i have distributed the original strings around the woodwind, and composed original classical horn parts.Sometimes known as Children’s Symphony.

Cello Solo - Level 3 - Digital Download SKU: A0.914708 Arranged by Christian Morris. Christian,Gospel,Rock. Individual part. 7 pages. Hoopla Sheet Music #6673839. Published by Hoopla Sheet Music (A0.914708). A funky arrangement of the traditional U.S. song, variously described as a Christian folk hymn, an African-American spiritual, an Appalachian song, and a southern gospel song.

Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1148567 Composed by Music by Richard Milburn. Arranged by F. Leslie Smith. Country,Folk,Historic,Traditional. 27 pages. Sweetwater Brass Press #748729. Published by Sweetwater Brass Press (A0.1148567). Listen to the Mocking Bird was first published in 1855. The melody originated with Richard Milburn, a Philadelphia African-American who has been described variously as a panhandling busker and as a musically inclined barber. A songwriter and publisher by the name of Septimus Winner heard Milburn's tune, arranged it, added words, put it into print and claimed credit for its creation under the pseudonym Alice Hawthorne. Supposedly, Winner sold the rights to the song for five dollars. Listen to the Mocking Bird grew to be one of the most popular songs of the mid-19th century, a real hit. Its sheet music, by one estimate, sold more than 20 million copies. It was sung and performed particularly often during the Civil War, and troops used its melody as a marching tune. It remains somewhat of a standard and has been recorded numerous times, especially as a favorite of bluegrass musicians. In the lyrics, the singer is remembering his loved one. She has passed away but he recalls their good life together. They particularly enjoyed the call of the mocking bird, which even now is singing o'er her grave. This arrangement opens in E-flat major with Trumpet 1 introducing the sweetly sad melody, I'm dreaming now of Hally. After the introduction, the tempo picks up to allegro and whirls along. It does slow down several times, and there are four one-measure deviations from the 4/4 time signature: one 6/4, two 2/4s and one 1/4. At measure 65, the key changes to B-flat major for the finale. Trumpets 1 and 2 each play one A-above-their-staff eighth note as their highest pitch; the rest of the music stays well within the normal playing range of the five instruments. Completed in 2022, performance time runs about 3 minutes, 23 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)

String Ensemble,String Quintet - Level 3 - Digital Download SKU: A0.835813 Composed by Traditional. Arranged by Paul Burnell. Contemporary,Folk. Score and parts. 41 pages. Paul Burnell #3692737. Published by Paul Burnell (A0.835813). Toriad y Dydd, traditional Welsh tune arranged for instruments in five parts by Paul Burnell October 2018. Duration c.5:00The arrangement is suitable for multiple quintet combinations with parts available (and potential instrumentations suggested) as follows:Part 1: C, Eb (flute, soprano recorder, Eb clarinet, violin 1)Part 2: C, Bb (flute, oboe, alto recorder, Bbclarinet, violin 2)Part 3: C, Bb (Bb clarinet, tenor recorder, violin 3, viola)Part 4: C - alto & bass clefs, Bb, Eb, F (Bb clarinet, bass recorder, alto saxophone, horn in F, viola) Part 5: C - bass clef, Bb, F (bassoon, great bass recorder, tenor saxophone, horn in F, 'cello)Part 5 may be played an octave lower than written.Any other appropriate instruments, even if not suggested above, may play.Although the score is presented with layout appropriate for strings this does not indicate a preferred instrumentation. Programme note:'Toriad y Dydd', also known as 'Break of Day', is a traditional Welsh tune. Joseph Haydn arranged the tune for soprano and piano trio for a collection of Welsh songs around 1803-1804. The song became better known when it was included in the collection 'The Songs of Wales' published by Boosey and Hawkes in 1873. When sung, the song title is given variously as 'Torriad y Dydd' (spelt with a double 'r'), 'The Dawn of Day', 'Taliesin's Prophecy' and 'Golwg Ar dy Gyfaill'.

Solo flute - Digital Download SKU: IZ.IMF173 Composed by Daniel Baldwin. Score and Parts. 5 pages. Imagine Music - Digital #IMF173. Published by Imagine Music - Digital (IZ.IMF173). 9 x 12 in inches.Kui (Chinese: Kui ) is a polysemous figure in ancient Chinese mythology named for the legendary musician Kui who invented music and dancing and for the one-legged mountain demon or rain-god variously said to resemble a Chinese dragon, a drum, or a monkey with a human face. Kui is also defined as an instrumental composition in Turkic culture around 4 minutes length. This type of composition is generally performed with different national plucked, bow and wind instruments. I enjoy drawing inspiration from Asian mythology in my unaccompanied works and have employed the myth of the one legged dancing musician. I have combined with this imagery elements of jazz and rock and roll which I use freely throughout the work. It is a brief bravura solo work, but is says much in its brief three minutes.

Harp - Level 3 - Digital Download SKU: A0.928330 By Patsy Cline. By Willie Nelson. Arranged by Karen Peterson. Country. Score. 2 pages. Karen Peterson #5955415. Published by Karen Peterson (A0.928330). This Countrypolitan song made famous by Patsy Cline was written by a not-yet-famous Willie Nelson. The attitude of the protagonist has been described as variously bemused, bittersweet, and cathartic. What is it to you, and how can you bring that emotion into your playing?My double-strung arrangement sets accidentals in the LH prior to playing, allowing the song to proceed without lever flips. The optional lever flip at the very end can be easily eliminated, making this song a great opportunity to practice flipping on the right with an easy recovery if you can’t get it in time.Key and range: Bb major (two flats). 21x2 strings. C below middle C through B. Preset B natural, C#, E natural, and F#.Lever changes: One optional lever change on the right. Set four accidentals on the left before playing.Good for: Parties, performance.