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Piano Quartet,String Ensemble - Level 5 - Digital Download SKU: A0.987845 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and parts. 105 pages. Robert M. Greenberg #90267. Published by Robert M. Greenberg (A0.987845). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Video: movement 1: https://www.youtube.com/watch?v=abie7jcHVA0 movement 2: https://www.youtube.com/watch?v=b__yWnl7LcU movement 3: https://www.youtube.com/watch?v=_8V3g4AC0eM Duration: ca. 17 minutes Year of composition: 2001 Program Note: I. Knock Yourself Out II. Flutterby III. Morph (with apologies to J. B.) Funny Like a Monkey is one of the many phrases coined by my then 16 year-old daughter in order to address the actions and well-intended attempts at humor by both her younger brother and her hopelessly antiquated father. What I love about these phrases – of which Funny Like a Monkey is but one of many – is their use of nonsequitur elevated to high verbal art. They are at once biting and humorous, and are filled with the sort of over-the-top verbal bravado that only a teenager, as the self-acknowledged epitome of hip, can get away with. Though Funny Like a Monkey is scored as a traditional piano quartet, it is in reality composed for string trio PLUS piano. Along with being part of the larger ensemble, the piano has a featured role in the piece: it is narrator, commentator, curmudgeon, critic, and emcee, as it introduces and comments upon the relative merits of the musical materials that comprise the work. The first movement is entitled Knock Yourself Out. The movement’s energy and exuberance, as well as its mercurial-shift-on-a-dime nature is a rather personal reference to the dedicatee. The second movement is entitled Flutterby. A spoonerism created (or at least favored) by my daughter, the reference is to a sort of macro- butterfly, a mega-mariposa, if you will, one of extraordinary beauty and delicacy that floats and drifts and shimmers in some imagined place. The third movement, Morph, With Apologies to J.B. refers to the rather obvious fact that the music keeps morphing in and out of the finale of Johannes Brahms’ (J.B.’s) Piano Quartet in G Minor, Op. 25. I’m crazy about Brahms’ piano quartets, and I have surrendered to the urge to mess with his pitch collections and thematic motives. The movement, with its musical puns, metamorphoses, and attempts at humor, is a perfect example of what might be referred to as funny like a monkey. Funny . . . is dedicated, with love, to Rachel Amy Greenberg on the occasion of her 16th birthday.
Funny Like a Monkey for piano quartet
Piano Quatuor: piano, violon, alto, violoncelle

$36.00 30.9 € Piano Quatuor: piano, violon, alto, violoncelle PDF SheetMusicPlus

Solo Guitar - Level 5 - Digital Download SKU: A0.987853 Composed by Robert M. Greenberg. 20th Century. Individual part. 21 pages. Robert M. Greenberg #115407. Published by Robert M. Greenberg (A0.987853). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 21 minutes Year of composition: 1996 Program Note: I. Toccata/Hands of Steel II. Strum/Serenade III. O Tanenbaum (Toccata reprise) IV. Two-Part Contention V. John Doe VI. True Pluck A number of years ago, the great English guitarist Julian Bream told David Tanenbaum - the dedicatee of tonight's premiere - not to premiere a guitar work unless he knew for a fact it was the composer's second guitar work. Sage advice. The guitar is an instrument that gives up its secrets to a non-guitar playing composer only reluctantly. Indeed, the timbral, digital and chordal subtleties of this most subtle and intimate instrument are truly understood by the guitarist only. Pity the outlander who composes for the guitar for the first time! With this last thought in mind I had, until last fall, managed to avoid writing a guitar piece. However, even the most abject compositional coward will relent when a musician like David Tanenbaum asks for a piece and offers his assistance and critical judgement in its composition. So it was with PLUCK, composed between November of 1995 and January of 1996. Bream's advice notwithstanding, PLUCK is my first guitar piece. Tanenbaum is brave. The title, PLUCK, thus refers to both the action of plucking strings as well as pluck - bravery, grit, true grit. PLUCK is written in six interrelated movements. The first movement, Toccata/Hands of Steel introduces much of the essential pitch and harmonic material of the piece, as well as Flamenco-style rasgueado strumming which, try as I might, I could not resist using. Movement two, Strum/Serenade, explains itself in its title. Movement three, O Tanenbaum (a designation for which David has forgiven me) reprises the Toccata and describes, well, a sort of musical tree (David has forgiven me for this, too). Two-Part Contention is a combatative, argumentative movement that pits the treble strings of the guitar against the bass. Movement 5, John Doe is a lyric and mysterious moment of rest before the manic finale. Movement 6, True Pluck, is a fast, furious and virtuosic finale. PLUCK is dedicated, with greatest respect and affection, to my friend David Tanenbaum. May he only want to play my second guitar piece.
Pluck for guitar
Guitare

$16.00 13.73 € Guitare PDF SheetMusicPlus

Violin, string orchestra and basso continuo - intermediate - Digital Download SKU: S9.Q582281 Sonata/Concerto a 5. Composed by George Frideric Handel. Arranged by Adolf Hoffmann. Corona - Werkreihe für Kammerorchester. Downloadable, Score. Op 74. Duration 9 minutes. Möseler Verlag - Digital #Q582281. Published by Möseler Verlag - Digital (S9.Q582281). Key: B flat major.Händels Sonata a cinque für Violine solo, Streicher (verstärkt mit Oboen ad lib.) und Continuo ist vermutlich während seines Italienaufenthaltes 1707 entstanden und sein einziges Violinkonzert geblieben. Der italienische Einfluss, insbesondere Arcangelo Corellis, ist spürbar, auch wenn Händel mit mehr Fantasie und grösserem Ausdruck ans Werk geht. Die Komposition gehört zu einer Reihe von frühen Solokonzerten, die seinen Concerti grossi, op. 3 und 6, vorausgingen. Das Andante wird mit einer anmutigen Melodie eröffnet, die Händel auch in anderen Werken verwendete. Sie wird im Wechselspiel zwischen Solovioline und Orchester motivisch aufgegliedert, geweitet und zum Schluss variiert. Das fünfstimmige, akkordisch angelegte Adagio überrascht durch eine chromatisch verdichtete Folge von Septakkorden in verschiedenen Umkehrungen. Der Schlusssatz zeigt dagegen weiträumige Solopassagen, unterbrochen von donnernden Tuttieinwürfen.
Concerto B-flat major

$9.99 8.57 € PDF SheetMusicPlus

Violin, string orchestra and basso continuo SKU: M2.MOS-40074-60 Sonata/Concerto a 5. Composed by George Frideric Handel. Corona - Werkreihe fur Kammerorchester. Set of string parts. Möseler Verlag #MOS 40074-60. Published by Möseler Verlag (M2.MOS-40074-60). ISBN 9790203742746.Handels Sonata a cinque fur Violine solo, Streicher (verstarkt mit Oboen ad lib.) und Continuo ist vermutlich wahrend seines Italienaufenthaltes 1707 entstanden und sein einziges Violinkonzert geblieben. Der italienische Einfluss, insbesondere Arcangelo Corellis, ist spurbar, auch wenn Handel mit mehr Fantasie und grosserem Ausdruck ans Werk geht. Die Komposition gehort zu einer Reihe von fruhen Solokonzerten, die seinen Concerti grossi, op. 3 und 6, vorausgingen. Das Andante wird mit einer anmutigen Melodie eroffnet, die Handel auch in anderen Werken verwendete. Sie wird im Wechselspiel zwischen Solovioline und Orchester motivisch aufgegliedert, geweitet und zum Schluss variiert. Das funfstimmige, akkordisch angelegte Adagio uberrascht durch eine chromatisch verdichtete Folge von Septakkorden in verschiedenen Umkehrungen. Der Schlusssatz zeigt dagegen weitraumige Solopassagen, unterbrochen von donnernden Tuttieinwurfen.
Konzert B-Dur HWV 288

$25.95 22.27 € PDF SheetMusicPlus

String Quartet String Quartet - Level 5 - Digital Download SKU: A0.987857 Composed by Robert M. Greenberg. 20th Century. Score and parts. 121 pages. Robert M. Greenberg #115423. Published by Robert M. Greenberg (A0.987857). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 21 minutes Year of composition: 1988 Program Note: !. Games (fast) II. Intermezzo: Dreams of Gold (slow) III. Dances (very fast) Child's Play was completed in August, 1988. In no way does the title refer to the technical demands of the piece, which are considerable. Rather, it refers to the endlessly imaginative, energized, and constantly changing play that might be engaged in by four different, though like-minded children. Indeed, the inspiration for the quartet was my then two-year-old daughter Rachel, whose boundless energy and capacity for play I found (and still find) rather terrifying. Child's Play consists of three movements: Games (fast), Intermezzo: Sogni d'Oro (Dreams of Gold) (slow), and Dances (very fast). In Games, four energetic and well-rested players leap out of the starting blocks together and engage in sport of various kinds: running games, chasing games, teasing games, tag, echo games (Simon Says), races, and so forth, eventually returning to the unison from which they began. Intermezzo: Sogni d'Oro (Dreams of Gold) offers a quiet, episodic, dreamlike respite from the frenetic mood of Games. In Dances, the energized character of the first movement resumes, only faster. Dances is a perpetual motion movement in three parts, with a slower, more fragmented middle section sandwiched between a boisterous and frenzied dance of life. This movement ends much in the same way as the first movement began, bringing the circuit of the piece to a close. Child's Play was commissioned by, and is dedicated, with many thanks and great appreciation, to the Alexander String Quartet.
String Quartet No. 2: Child's Play
Quatuor à cordes: 2 violons, alto, violoncelle

$36.00 30.9 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

String orchestra and basso continuo ad libitum - intermediate - Digital Download SKU: S9.Q779625 Pieces from the tragedy Abdelazer or The moor’s revenge. Composed by Henry Purcell. Downloadable, Set of string parts. Möseler Verlag - Digital #Q779625. Published by Möseler Verlag - Digital (S9.Q779625). Wie aus dem Werkverzeichnis Purcells bekannt ist, hat er zu einer Reihe zeitgenössischer Dramen Bühnenmusiken geschrieben. Zum Teil handelt es sich um Gesangsszenen, hauptsächlich aber um Folgen kurzer Instrumentalstücke: Ouvertüren, Zwischenmusiken und Stücke, die an passender Stelle während der Handlung vorgetragen wurden. Die vorliegende Suite ist von Purcell zum Trauerspiel Abdelazer or the moor’s revenge komponiert worden. Das blutrünstige Drama stammt von Aphra Behn (1640-1689), der ersten englischen Schriftstellerin, die mit Schreiben ihren Lebensunterhalt verdiente. Purcells Rondeau benutzte Benjamin Britten als Thema in seinem bekannten Young Person’s Guide to the Orchestra. Das Lied Lucinda is bewitching fair ist eine spätere Zugabe und in der vorliegenden Ausgabe nicht enthalten.
Abdelazer

$17.99 15.44 € PDF SheetMusicPlus






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