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Baritone Horn TC,Vocal Solo,Voice - Level 5 - Digital Download SKU: A0.987855 Composed by Robert M. Greenberg. 20th Century,Contemporary. 26 pages. Robert M. Greenberg #115411. Published by Robert M. Greenberg (A0.987855). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 11 minutes Year of composition: 2009 Program Note: I. When I Was One-and-Twenty (A. E. Housman) II. For An Amorous Lady (Theodore Roethke) III. Love Me Not for Comely Grace (John Wilbye) IV. So Let Us Live - Really Live! (Gaius Valerius Catullus) The four love songs that that constitute So Let Us Live – Really Live! were commissioned by John Goodman in honor of his wife Kerry King’s fiftieth birthday. The set – with its (relatively) light poetry and (excessively) tonal settings - was originally intended as Hausmusik (house music), music to be performed privately among (semi-inebriated) friends. However, certain personal events that occurred during their composition have compelled me to go public with them, and thus, with John and Kerry’s indulgence, they are receiving their premiere here, rather than in a living room. A thousand-and-one thanks to Allen Shearer’s wonderful voice and Lino Rivera’s exquisite hands, which were constantly in my mind’s ear during the composition of the songs. With love to Kerry, from John and Bob. All poems used by permission.
So Let Us Live - Really Live! for baritone and piano
Voix Baryton, Piano

$28.00 24.4 € Voix Baryton, Piano PDF SheetMusicPlus

Solo Guitar - Level 5 - Digital Download SKU: A0.987853 Composed by Robert M. Greenberg. 20th Century. Individual part. 21 pages. Robert M. Greenberg #115407. Published by Robert M. Greenberg (A0.987853). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 21 minutes Year of composition: 1996 Program Note: I. Toccata/Hands of Steel II. Strum/Serenade III. O Tanenbaum (Toccata reprise) IV. Two-Part Contention V. John Doe VI. True Pluck A number of years ago, the great English guitarist Julian Bream told David Tanenbaum - the dedicatee of tonight's premiere - not to premiere a guitar work unless he knew for a fact it was the composer's second guitar work. Sage advice. The guitar is an instrument that gives up its secrets to a non-guitar playing composer only reluctantly. Indeed, the timbral, digital and chordal subtleties of this most subtle and intimate instrument are truly understood by the guitarist only. Pity the outlander who composes for the guitar for the first time! With this last thought in mind I had, until last fall, managed to avoid writing a guitar piece. However, even the most abject compositional coward will relent when a musician like David Tanenbaum asks for a piece and offers his assistance and critical judgement in its composition. So it was with PLUCK, composed between November of 1995 and January of 1996. Bream's advice notwithstanding, PLUCK is my first guitar piece. Tanenbaum is brave. The title, PLUCK, thus refers to both the action of plucking strings as well as pluck - bravery, grit, true grit. PLUCK is written in six interrelated movements. The first movement, Toccata/Hands of Steel introduces much of the essential pitch and harmonic material of the piece, as well as Flamenco-style rasgueado strumming which, try as I might, I could not resist using. Movement two, Strum/Serenade, explains itself in its title. Movement three, O Tanenbaum (a designation for which David has forgiven me) reprises the Toccata and describes, well, a sort of musical tree (David has forgiven me for this, too). Two-Part Contention is a combatative, argumentative movement that pits the treble strings of the guitar against the bass. Movement 5, John Doe is a lyric and mysterious moment of rest before the manic finale. Movement 6, True Pluck, is a fast, furious and virtuosic finale. PLUCK is dedicated, with greatest respect and affection, to my friend David Tanenbaum. May he only want to play my second guitar piece.
Pluck for guitar
Guitare

$16.00 13.94 € Guitare PDF SheetMusicPlus

Violin, string orchestra and basso continuo SKU: M2.MOS-40074-01 Sonata/Concerto a 5. Composed by George Frideric Handel. Corona - Werkreihe fur Kammerorchester. Solo part. Möseler Verlag #MOS 40074-01. Published by Möseler Verlag (M2.MOS-40074-01). ISBN 9790203744740.Handels Sonata a cinque fur Violine solo, Streicher (verstarkt mit Oboen ad lib.) und Continuo ist vermutlich wahrend seines Italienaufenthaltes 1707 entstanden und sein einziges Violinkonzert geblieben. Der italienische Einfluss, insbesondere Arcangelo Corellis, ist spurbar, auch wenn Handel mit mehr Fantasie und grosserem Ausdruck ans Werk geht. Die Komposition gehort zu einer Reihe von fruhen Solokonzerten, die seinen Concerti grossi, op. 3 und 6, vorausgingen. Das Andante wird mit einer anmutigen Melodie eroffnet, die Handel auch in anderen Werken verwendete. Sie wird im Wechselspiel zwischen Solovioline und Orchester motivisch aufgegliedert, geweitet und zum Schluss variiert. Das funfstimmige, akkordisch angelegte Adagio uberrascht durch eine chromatisch verdichtete Folge von Septakkorden in verschiedenen Umkehrungen. Der Schlusssatz zeigt dagegen weitraumige Solopassagen, unterbrochen von donnernden Tuttieinwurfen.
Konzert B-Dur HWV 288

$2.95 2.57 € PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.583533 By Earth Wind and Fire. By Charles Stepney, Maurice White, and Verdine White. Arranged by Jeff Tincher. R & B. 25 pages. Jeff Tincher #4285885. Published by Jeff Tincher (A0.583533). Here is one of Earth, Ainr & Fire's early hits. This arrangement is the single release version. In the original key, the arrangement includes the shortened guitar solo. Duration = 3:38. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing
That's The Way Of The World
Quatuor de Saxophones: 4 saxophones
Earth Wind and Fire
$12.99 11.32 € Quatuor de Saxophones: 4 saxophones PDF SheetMusicPlus

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.935234 By Earth Wind and Fire. By Eddie Del Barrio, Maurice White, and Verdine White. Arranged by Greg Murai. R & B. Octavo. 28 pages. Greg Murai - Village Well Music #5770395. Published by Greg Murai - Village Well Music (A0.935234). This arrangement creatively honors the original Earth, Wind, and Fire’s classic, with opportunities for multiple solos and/or solis.  It has a nice mix of imitative textures (including a jazz-baroque passage) and homophonic, close jazz harmonies. Ideal for jazz choirs of all sizes and quite reachable for pop groups as well.  SATB voicing has no divisi, and is flexible: the tenor part can be managed by low altos, and bass part lies in a comfortable range of tenors if SSAB is desirable.  Arranged for SATB with rhythm section. Includes optional improvisational solos for voices or instruments.
Fantasy
Chorale SATB
Earth Wind and Fire
$75.00 65.35 € Chorale SATB PDF SheetMusicPlus

Men's choir (TTBB) and organ, children's choir ad libitum - Digital Download SKU: S9.Q19114 A cantatina for 4 male voices with accompaniment of organ obbligato and choir ad lib.. Composed by Giacomo Meyerbeer. This edition: score. Choral Treasury. Textquelle: Gotthold Salomon Predigten in dem neuen israelischen Tempel zu Hamburg, Band 1 Hamburg 1820. Downloadable, Score. Op. 137. Schott Music - Digital #Q19114. Published by Schott Music - Digital (S9.Q19114). German.Giacomo Meyerbeer hat sich wie kein Zweiter mit seinen Opern darum verdient gemacht, „die Kirche ins Theater zu tragen“. Zugleich aber hat er auch für den kirchenmusikalischen Gebrauch einige kompositorische Schmuckstücke hinterlassen. Zu ihnen gehört auch das in der Reihe der „Schätze der Chormusik“ erschienene Hallelujah für Männerchor (TTBB), obligate Orgel und Kinderchor ad libitum. Der Text zu dieser Cantatine findet sich in den Predigten in dem neuen israelischen Tempel zu Hamburg des deutschen Rabbiners Gotthold Salomon. Meyerbeer setzt in dieser Komposition den pathetischen Gehalt der Worte musikalisch eindrucksvoll um. Das Werk beginnt mit vollen, majestätischen Klängen der obligaten Orgel, bevor der imposante vierstimmige Männerchor in den herrlichen Lobpreis Gottes einstimmt. Der Einsatz von Kinderstimmen ist zwar freigestellt, verleiht dem Werk aber durch mehrere kurze, einfache Halleluja-Einwürfe einen besonderen, zu Herzen gehenden Effekt.
Hallelujah
Chorale TTBB

$6.99 6.09 € Chorale TTBB PDF SheetMusicPlus






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