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Brass Ensemble - Level 4 - Digital Download

SKU: A0.767233

Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 16 pages. Lyons Music Services #3087421. Published by Lyons Music Services (A0.767233).

Monteverdi - Fourth Book of Madrigals 1603

In this book, Monteverdi continues to develop the techniques and writing practices that would eventually form the first opera and his Stile Nuovo. The polyphony becomes more complex and more tonal and the interdependence of the parts more striking. He is experimenting with more dissonance but also moves towards more tonal writing. Although a far cry from the I IV V and minor of the modern pop song, he is nonetheless helping to push forward a more diatonic type of harmony with a more dramatic tonal and harmonic structure that goes much more towards true word painting than his previous books.

17. Anima Dolorosa – Suffering soul that lives so much pain and torment

Flexible quintet parts are supplied as follows:

Part 1 in Bb,
Part 2 in Bb,
Part 3 in Bb/Eb/F,
Part 4 in Bb/Eb/C(Bass clef) and
Part 5 in Bb/Eb/C(Bass clef)

Other transpositions available on request.

Monteverdi - The Fourth Book of Madrigals - 17. Anima dolorosa
Ensemble de cuivres

$4.99 4.75 € Ensemble de cuivres PDF SheetMusicPlus

Brass Ensemble - Level 4 - Digital Download

SKU: A0.767231

Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 19 pages. Lyons Music Services #3087415. Published by Lyons Music Services (A0.767231).

Monteverdi - The Fourth Book of Madrigals 1603

In this book, Monteverdi continues to develop the techniques and writing practices that would eventually form the first opera and his Stile Nuovo. The polyphony becomes more complex and more tonal and the interdependence of the parts more striking. He is experimenting with more dissonance but also moves towards more tonal writing. Although a far cry from the I IV V and minor of the modern pop song, he is nonetheless helping to push forward a more diatonic type of harmony with a more dramatic tonal and harmonic structure that goes much more towards true word painting than his previous books.

14. Quel Augellin Che Canta – That little bird that sings

Flexible quintet parts are supplied as follows:

Part 1 in Bb,
Part 2 in Bb,
Part 3 in Bb/Eb/F,
Part 4 in Bb/Eb/C(Bass clef) and
Part 5 in Bb/Eb/C(Bass clef)

Other transpositions available on request.

Monteverdi - The Fourth Book of Madrigals - 14. Quel augellin che canta
Ensemble de cuivres

$4.99 4.75 € Ensemble de cuivres PDF SheetMusicPlus

Brass Ensemble - Level 3 - Digital Download

SKU: A0.767272

Arranged by Lyons Music Services. Baroque,Renaissance. Score and parts. 15 pages. Lyons Music Services #3218681. Published by Lyons Music Services (A0.767272).

As part of my continuing project to transcribe Monteverdi's madrigals onto winds, here is the 6th book. In this book we see a much greater development towards dramatic representation. In a way, this book is divisible into two Scenes with a number of single items in between. The vocal lines are all much more complex and we can also see the beginnings of monodic writing appear in the semi-recit sections of some of the songs.

Also clearly developing are delineations of the voices into soloists and chorus. Several songs in this book are almost akin to arias, with clear soloistic writing for the higher voices (Cantus/Tenor).

The first four songs form a kind of introductory 'scena', which Monteverdi calls Lamento d'Arianna. A little later, there is a set of 6 songs which he grouped together under the title Sestina. This third song of Arianna's Lament is about a loss of belief or trust in one's lover. (TBH, I wouldn't trust him either!)

As with all things madrigalian, the lyrics are rife with double entendres. Monteverdi uses some very close dissonances to describe death and release.

Monteverdi - The Sixth Book of Madrigals - 03. Dove, dove è la fede
Ensemble de cuivres

$5.99 5.7 € Ensemble de cuivres PDF SheetMusicPlus

Brass Ensemble - Level 4 - Digital Download

SKU: A0.767215

Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 307 pages. Lyons Music Services #3087101. Published by Lyons Music Services (A0.767215).

Monteverdi - The Fourth Book of Madrigals 1603

In this book, Monteverdi continues to develop the techniques and writing practices that would eventually form the first opera and his Stile Nuovo. The polyphony becomes more complex and more tonal and the interdependence of the parts more striking. He is experimenting with more dissonance but also moves towards more tonal writing. Although a far cry from the I IV V and minor of the modern pop song, he is nonetheless helping to push forward a more diatonic type of harmony with a more dramatic tonal and harmonic structure that goes much more towards true word painting than his previous books.

 All 20 madrigals are here:

1. Ah! Dolente Partita – Oh, Sweet Parting!

2. Cor Mio Mentre Vi Miro – My Heart as I dream I turn into you.

3. Cor Mio Non Mori? E Mori – My heart did not die? And it died

4. Sfogava con le stelle – He dallied with the stars

5. Volgea l' anima mia – Volgea my soul, so dear and sweetly shining

6. Anima mia perdona – My soul forgives

7. Che se tu se ' il cor mio – That if you are as good as my heart

8. Luci Serene e Chiare – Lights, serene and clear

9. La piaga c'ho nel core – The plague is in the heart

10. Voi pur da me partite – You do not mind me, though

11. A un Giro Sol de' Begl' Occhi – At one glance of good eyes

12. Ohime se Tanto Amate – Alas! If you like it too much

13. Io Mi Son Giovinetta – I’m a young girl, laughing and singing

14. Quel Augellin Che Canta – That little bird that sings

15. Non Più Guerra Pietate – No more fighting, pray, my beautiful eyes

16. Si Ch'io Vorrei Morire – How I want to die

17. Anima Dolorosa – Suffering soul that lives so much pain and torment

18. Anima Del Cor Mio – My soul’s heart

19. Longe da Te Cor Mio – Stay away from me

20. Piagne e Sospira – He drinks and sighs

Parts are supplied to suit flexible brass or wind (or both) quintets as follows:

Flexible quintet parts are supplied as follows:

Part 1 in Bb,
Part 2 in Bb,
Part 3 in Bb/Eb/F,
Part 4 in Bb/Eb/C(Bass clef) and
Part 5 in Bb/Eb/C(Bass clef)





Monteverdi - The Fourth Book of Madrigals (Complete)
Ensemble de cuivres

$125.00 118.97 € Ensemble de cuivres PDF SheetMusicPlus

Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Digital Download

SKU: A0.767308

Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 26 pages. Lyons Music Services #3456327. Published by Lyons Music Services (A0.767308).

As the previous piece combines a sinfonia and the first song, this is technically no 3 from Monteverdi's 7th book. Non è di gentil core This is a duet for two sopranos (cornet/trumpet) and the accompaniment have been reduced to 4 parts.

At long last I have nearly finished the 7th book. This book has posed some issues as it is such complex music it is almost impossible to cut it down to 5 parts while maintaining its integrity. As a result, some songs - like this one - will be in 6 or more parts.

The seventh book is quite a change from the earlier ones. Monteverdi seems to be concentrating on developing solos and duets, trios and small accompanied ensembles. The accompaniments are often written out with more than just long note chords. The intricate instrumental parts are more than just filling in the harmony (hence the difficulty in paring them down.)

Once again, these songs are exquisitely crafted and travel well onto brass.

Monteverdi - The Seventh Book of Madrigals (1619) - 03. Non è di gentil core à6
Flûte, Hautbois, Clarinette, Basson

$5.99 5.7 € Flûte, Hautbois, Clarinette, Basson PDF SheetMusicPlus

Brass Ensemble - Level 4 - Digital Download

SKU: A0.767235

Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 23 pages. Lyons Music Services #3087427. Published by Lyons Music Services (A0.767235).

Monteverdi - Fourth Book of Madrigals 1603

In this book, Monteverdi continues to develop the techniques and writing practices that would eventually form the first opera and his Stile Nuovo. The polyphony becomes more complex and more tonal and the interdependence of the parts more striking. He is experimenting with more dissonance but also moves towards more tonal writing. Although a far cry from the I IV V and minor of the modern pop song, he is nonetheless helping to push forward a more diatonic type of harmony with a more dramatic tonal and harmonic structure that goes much more towards true word painting than his previous books.

20. Piagne e Sospira – He drinks and sighs

Flexible quintet parts are supplied as follows:

Part 1 in Bb,
Part 2 in Bb,
Part 3 in Bb/Eb/F,
Part 4 in Bb/Eb/C(Bass clef) and
Part 5 in Bb/Eb/C(Bass clef)

Other transpositions available on request.

Monteverdi - The Fourth Book of Madrigals - 20. Piagne e sospira
Ensemble de cuivres

$4.99 4.75 € Ensemble de cuivres PDF SheetMusicPlus

Brass Ensemble - Level 3 - Digital Download

SKU: A0.767313

Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 31 pages. Lyons Music Services #3459039. Published by Lyons Music Services (A0.767313).

At long last I have nearly finished the 7th book. This book has posed some issues as it is such complex music it is almost impossible to cut it down to 5 parts while maintaining its integrity. As a result, some songs will be in 6 or more parts. Vorrei baciarti has fairly simple harmonies, so I was able to keep it to 5 parts.

Vorrei baciarti is a duet for two contraltos, taken by parts 2 and 3 in this setting. The title translate as I want to kiss you, so typifies the kind of love songs that Monteverdi was writing. The poet is singing these words to his lover Phyllis, so we can probably assume that he is Amyntas. In the poem he is deciding where to plant his first kiss.

The seventh book is quite a change from the earlier ones. Monteverdi seems to be concentrating on developing solos and duets, trios and small accompanied ensembles. The accompaniments are often written out with more than just long note chords. The intricate instrumental parts are more than just filling in the harmony (hence the difficulty in paring them down.)

Once again, these songs are exquisitely crafted and travel well onto brass.

Monteverdi - The Seventh Book of Madrigals (1619) - 08.Vorrei baciarti a5
Ensemble de cuivres

$5.99 5.7 € Ensemble de cuivres PDF SheetMusicPlus

Brass Ensemble - Level 4 - Digital Download

SKU: A0.767226

Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 17 pages. Lyons Music Services #3087407. Published by Lyons Music Services (A0.767226).

Monteverdi - The Fourth Book of Madrigals 1603

In this book, Monteverdi continues to develop the techniques and writing practices that would eventually form the first opera and his Stile Nuovo. The polyphony becomes more complex and more tonal and the interdependence of the parts more striking. He is experimenting with more dissonance but also moves towards more tonal writing. Although a far cry from the I IV V and minor of the modern pop song, he is nonetheless helping to push forward a more diatonic type of harmony with a more dramatic tonal and harmonic structure that goes much more towards true word painting than his previous books.

10. Voi pur da me partite – You do not mind me, though

Flexible quintet parts are supplied as follows:

Part 1 in Bb,
Part 2 in Bb,
Part 3 in Bb/Eb/F,
Part 4 in Bb/Eb/C(Bass clef) and
Part 5 in Bb/Eb/C(Bass clef)

Other transpositions available on request.

Monteverdi - The Fourth Book of Madrigals - 10. Voi pur da mi parte
Ensemble de cuivres

$4.99 4.75 € Ensemble de cuivres PDF SheetMusicPlus

Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download

SKU: A0.767364

Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 42 pages. Lyons Music Services #3545477. Published by Lyons Music Services (A0.767364).

At long last I have nearly finished the 7th book. This book has posed some issues as it is such complex music it is almost impossible to cut it down to 5 parts while maintaining its integrity. As a result, some songs will be in 6 or more parts.

Here is a group of four very short songs for soprano duet with continuo. I have arranged them as a duet for trumpet/cornet with a four part accompaniment.

The four songs are related under the commone title Ohimè, dov'è il mio ben but each also has a title of its own:

1. Romanesca a 2 (This is the subtitle. A romanesca was a musical formula characterised by a falling sequence of 5 notes and with a fixed harmonic progression.) The text translates as Alas, where is my beloved?
2. Dunque ha potuto sol desio d'onore - Can it be that love of honour...
3. Dunque ha potuto in me, più che il mio amore - Can it be that ambition and vainglory...
4. Ahi, sciocco mondo - Alas, foolish blind world

Each song is a setting of a pair of couplets which together form the whole poem, which is why I have collected them together here. Besides, on their own, each is too short.

Here also is evidence of Monteverdi's progress in telling a story through music.

These four songs work beautifully on brass, with gorgeous suspensions and resolutions and well directed rhythmic drive from the accompaniment.

The seventh book is quite a change from the earlier ones. Monteverdi seems to be concentrating on developing solos and duets, trios and small accompanied ensembles. The accompaniments are often written out with more than just long note chords. The intricate instrumental parts are more than just filling in the harmony (hence the difficulty in paring them down.)

Once again, these songs are exquisitely crafted and travel well onto brass.

Monteverdi - The Seventh Book of Madrigals (1619) - 25. Ohimè, dov'è il mio ben
Quatuor de Cuivres : 2 trompettes, trombone, tuba

$8.99 8.56 € Quatuor de Cuivres : 2 trompettes, trombone, tuba PDF SheetMusicPlus

Brass Ensemble - Level 3 - Digital Download

SKU: A0.767271

Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 27 pages. Lyons Music Services #3218677. Published by Lyons Music Services (A0.767271).

As part of my continuing project to transcribe Monteverdi's madrigals onto winds, here is the 6th book. In this book we see a much greater development towards dramatic representation. In a way, this book is divisible into two Scenes with a number of single items in between. The vocal lines are all much more complex and we can also see the beginnings of monodic writing appear in the semi-recit sections of some of the songs.

Also clearly developing are delineations of the voices into soloists and chorus. Several songs in this book are almost akin to arias, with clear soloistic writing for the higher voices (Cantus/Tenor).

The first four songs form a kind of introductory scena, which Monteverdi calls Lamento d'Arianna. The second of these is O Teseo, Teseo mio which translates as O Theseus, my Theseus. The young man is pleading with his lover to tell him that she wants him and he is referred to as Theseus in order to fit in with the common mythology of the time. Just as the women have Arianna, Daphne and Clorinda, so the men have Theseus, Clovis and various other mythological fantasies.

As with all things madrigalian, the lyrics are rife with double entendres.

Monteverdi - The Sixth Book of Madrigals - 02. O Teseo, Teseo mio
Ensemble de cuivres

$5.99 5.7 € Ensemble de cuivres PDF SheetMusicPlus


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