Piano,Violin - Level 3 - Digital Download SKU: A0.671502 Composed by Claudio Monteverdi. Arranged by MSM. Classical,Romantic Period. 5 pages. Open Cloud #4801930. Published by Open Cloud (A0.671502). This product(include full and parts score) is a digital sheet music in PDF format. The music was composed by Monteverdi (Claudio Monteverdi), 1567-1643, arrange by MSM Press, for Violin and Piano.

Flute,Piano - Level 3 - Digital Download SKU: A0.671497 Composed by Claudio Monteverdi. Arranged by MSM. Classical,Romantic Period. Score and part. 5 pages. Open Cloud #4801918. Published by Open Cloud (A0.671497). This product(include full and parts score) is a digital sheet music in PDF format. The music was composed by Monteverdi (Claudio Monteverdi), 1567-1643, arrange by MSM Press, for Flute and Piano.

Brass Ensemble - Level 4 - Digital Download SKU: A0.767222 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 17 pages. Lyons Music Services #3087395. Published by Lyons Music Services (A0.767222). Monteverdi - The Fourth Book of Madrigals 1603In this book, Monteverdi continues to develop the techniques and writing practices that would eventually form the first opera and his Stile Nuovo. The polyphony becomes more complex and more tonal and the interdependence of the parts more striking. He is experimenting with more dissonance but also moves towards more tonal writing. Although a far cry from the I IV V and minor of the modern pop song, he is nonetheless helping to push forward a more diatonic type of harmony with a more dramatic tonal and harmonic structure that goes much more towards true word painting than his previous books. 6. Anima mia perdona – My soul forgivesFlexible quintet parts are supplied as follows:Part 1 in Bb,Part 2 in Bb, Part 3 in Bb/Eb/F, Part 4 in Bb/Eb/C(Bass clef) and Part 5 in Bb/Eb/C(Bass clef)Other transpositions available on request.

Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.767367 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 58 pages. Lyons Music Services #3548869. Published by Lyons Music Services (A0.767367). At long last I have nearly finished the 7th book. This book has posed some issues as it is such complex music it is almost impossible to cut it down to 5 parts while maintaining its integrity. As a result, some songs will be in 6 or more parts.In Amor che deggio far, the poet is pleading with his love for constancy. he feels she doesn't love him enough to be his lover forever.This is one of the longer poems set in the seventh book and has a variety of musical forms within it. It begins with an opening statment of the 3 ritornelli that will reappear after each solo, duet, trio or quartet from the soloists. In this way, the composer prepares the listener for what will come and it will therefore be familiar and recognisable in the context of the song.This ia also one of the most demanding songs in the book. It requires a set of four solo singers (Trumpet/Horn/Trombone/Tuba) a pair of obbligato violins (Eb trumpet and Bb trumpet) and a string+ keyboard continuo part (Trumpet/Horn/Euphonium/Tuba) making 10 instruments in all. I had to use an Eb trumpet as the range of the obbligato is quite adventurous for the period and covers some of the clarino range that was to become popular in the High Baroque.At 5 minutes in length, this is a great finisher for either hafl of a concert, especially as Monteverdi has reserved use of all the instruments/voices until the very end, creating a rousing finish.The seventh book continues to be a challenge. Monteverdi seems to be concentrating on developing solos and duets, trios and small accompanied ensembles. The accompaniments are often written out with more than just long note chords. The intricate instrumental parts are more than just filling in the harmony (hence the difficulty in paring them down.)Once again, this song is exquisitely crafted and travels well onto brass.

Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.767357 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 25 pages. Lyons Music Services #3543483. Published by Lyons Music Services (A0.767357). Continuing my edition of Monteverdi's complete madrigal books, here is no 19. This is a love poem describing the virtues of a young lady. The language is flowery and obtuse, but none-the-less beautiful. The first line translates as Gentle midst the hidden thorns. It is obvious that Monteverdi is enlarging his scope with this trio for all male voices (2 tenors and a bass) as the soloists, with a more complex accompaniment that many of the previous songs. The accompaniment is complex enough to deserve it's own ensemble, so I have arranged it à7 as follows: 1 - Part 1 in F/Eb (Tenor 1) - Horn 2 - Part 2 in F/Eb (Tenor 2) - Horn 3 - Part 3 in C/Bb (Bass) - Euph/Trom/Barit 4 - Part 4 in Bb - Trumpet/Cornet 5 - Part 5 in Bb - Trumpet/Cornet 6 - Part 6 in C/Bb - Trom/Euph/Barit 7 - Part 7 in C/Eb - Tuba/Eb Bass

Easy Piano - Level 2 - Digital Download SKU: A0.1262525 Composed by Claudio Monteverdi. Arranged by Darek. Baroque,Classical,Early Music. Score. 2 pages. Darek #855548. Published by Darek (A0.1262525). Lamento Della Ninfa (EASY PIANO) (SV 163) [Claudio Monteverdi]Simplified arrangement for pianists of Lamento Della Ninfa (SV 163) by Claudio Monteverdi. Easy version for pianists | Easy piano arrangement. Included: Fingering, Dynamics, Articulations and video Youtube tutorial. 

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.667685 Composed by Claudio Monteverdi. Arranged by MSM. Classical,Romantic Period. Score. 5 pages. Open Cloud #4411749. Published by Open Cloud (A0.667685). This product(include full and parts score) is a digital sheet music in PDF format. The music was composed by Monteverdi (Claudio Monteverdi), 1567-1643,  for Voice and Piano.

Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.767355 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 25 pages. Lyons Music Services #3543455. Published by Lyons Music Services (A0.767355). At long last I have nearly finished the 7th book. This book has posed some issues as it is such complex music it is almost impossible to cut it down to 5 parts while maintaining its integrity. As a result, some songs will be in 6 or more parts. S'el vostro cor, Madonna is set as a tenor and bass duet. Monteverdi tries out many different combinations of voices in this book as he works to build the different tools which will eventually all find their way into opera. The first lines translate as If your heart, Lady, So soft towards others and is a plea from an obviously love-stricken young man to the object of his desires who favours another. The seventh book is quite a change from the earlier ones. Monteverdi seems to be concentrating on developing solos and duets, trios and small accompanied ensembles. The accompaniments are often written out with more than just long note chords. The intricate instrumental parts are more than just filling in the harmony (hence the difficulty in paring them down.) Once again, these songs are exquisitely crafted and travel well onto brass.

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.667695 Composed by Claudio Monteverdi. Arranged by MSM. Classical,Romantic Period. Score. 5 pages. Open Cloud #4411769. Published by Open Cloud (A0.667695). This product(include full and parts score) is a digital sheet music in PDF format. The music was composed by Monteverdi (Claudio Monteverdi), 1567-1643,  for Voice and Piano.

Brass Ensemble - Level 4 - Digital Download SKU: A0.767226 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 17 pages. Lyons Music Services #3087407. Published by Lyons Music Services (A0.767226). Monteverdi - The Fourth Book of Madrigals 1603In this book, Monteverdi continues to develop the techniques and writing practices that would eventually form the first opera and his Stile Nuovo. The polyphony becomes more complex and more tonal and the interdependence of the parts more striking. He is experimenting with more dissonance but also moves towards more tonal writing. Although a far cry from the I IV V and minor of the modern pop song, he is nonetheless helping to push forward a more diatonic type of harmony with a more dramatic tonal and harmonic structure that goes much more towards true word painting than his previous books. 10. Voi pur da me partite – You do not mind me, thoughFlexible quintet parts are supplied as follows:Part 1 in Bb,Part 2 in Bb, Part 3 in Bb/Eb/F, Part 4 in Bb/Eb/C(Bass clef) and Part 5 in Bb/Eb/C(Bass clef)Other transpositions available on request.

Brass Ensemble - Level 3 - Digital Download SKU: A0.767279 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 38 pages. Lyons Music Services #3218699. Published by Lyons Music Services (A0.767279). As part of my continuing project to transcribe Monteverdi's madrigals onto winds, here is the 6th book. In this book we see a much greater development towards dramatic representation. In a way, this book is divisible into two Scenes with a number of single items in between. The vocal lines are all much more complex and we can also see the beginnings of monodic writing appear in the semi-recit sections of some of the songs. Also clearly developing are delineations of the voices into soloists and chorus. Several songs in this book are almost akin to arias, with clear soloistic writing for the higher voices (Cantus/Tenor). The first four songs form a kind of introductory 'scena', which Monteverdi calls Lamento d'Arianna. A little later, there is a set of 6 songs which he grouped together under the title Sestina. This song, No 10 starts with the line Here Tirsi laughed and wriggled under the two(twin?) stars of the beautiful Clorinda I think you get the picture! We can see plenty of musical laughing and wriggling in the music with dotted rhythms and semiquaver runs. The top two voices are Clorinda (doing a fair amount of wriggling herself) while the bottom two take the part of Tirsi. There are places where all four voices give vent to an exclamation and where, presumably, the two lovers had to stop for breath! The original incorporates a very basic continuo part, which I have shared between the resting voices. As with all things madrigalian, the lyrics are rife with double entendres.

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.667688 Composed by Claudio Monteverdi. Arranged by MSM. Classical,Romantic Period. Score. 5 pages. Open Cloud #4411753. Published by Open Cloud (A0.667688). This product(include full and parts score) is a digital sheet music in PDF format. The music was composed by Monteverdi (Claudio Monteverdi), 1567-1643,  for Voice and Piano.

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.667699 Composed by Claudio Monteverdi. Arranged by MSM. Classical,Romantic Period. Score. 5 pages. Open Cloud #4411777. Published by Open Cloud (A0.667699). This product(include full and parts score) is a digital sheet music in PDF format. The music was composed by Monteverdi (Claudio Monteverdi), 1567-1643,  for Voice and Piano.

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.667702 Composed by Claudio Monteverdi. Arranged by MSM. Classical,Romantic Period. Score. 5 pages. Open Cloud #4411783. Published by Open Cloud (A0.667702). This product(include full and parts score) is a digital sheet music in PDF format. The music was composed by Monteverdi (Claudio Monteverdi), 1567-1643,  for Voice and Piano.

Brass Ensemble - Level 4 - Digital Download SKU: A0.767230 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 17 pages. Lyons Music Services #3087417. Published by Lyons Music Services (A0.767230). Monteverdi - Fourth Book of Madrigals 1603In this book, Monteverdi continues to develop the techniques and writing practices that would eventually form the first opera and his Stile Nuovo. The polyphony becomes more complex and more tonal and the interdependence of the parts more striking. He is experimenting with more dissonance but also moves towards more tonal writing. Although a far cry from the I IV V and minor of the modern pop song, he is nonetheless helping to push forward a more diatonic type of harmony with a more dramatic tonal and harmonic structure that goes much more towards true word painting than his previous books. 15. Non Più Guerra Pietate – No more fighting, pray, my beautiful eyesFlexible quintet parts are supplied as follows:Part 1 in Bb,Part 2 in Bb, Part 3 in Bb/Eb/F, Part 4 in Bb/Eb/C(Bass clef) and Part 5 in Bb/Eb/C(Bass clef)Other transpositions available on request.