SSATB chorus unaccompanied - Digital Download SKU: OX.9780193702165 Composed by Stephen Harrap. New Horizons. Octavo. 12 pages. Oxford University Press Digital #9780193702165. Published by Oxford University Press Digital (OX.9780193702165). ISBN 9780193702165.For SSATB unaccompaniedl Harrap's Veni Creator Spiritus is an innovative yet accessible setting of the well-known Vespers hymn. A meditative rendering of the familiar plainchant is combined with a flexible lyricism, unusual harmonies, and rhythmic interest, bringing a fresh voice to the choral repertoire.

Piano,Trombone - Level 3 - Digital Download SKU: A0.726102 Composed by Plainchant melody. Arranged by Todd Marchand. Advent,Christian,Sacred. Score and part. 10 pages. Con Spirito Music #6092177. Published by Con Spirito Music (A0.726102). “O Come, O Come Emmanuel� are the opening words of John Mason Neale’s (1818-1866) translation of the Medieval text, “Veni, Emmanuel,� with music arranged by Thomas Helmore (1811-1890), for The Hymnal Noted (London, 1856). The text of this most famous of Advent hymns is taken from various “‘O’ Antiphons,� verses sung or recited before and after the Magnificat during the evening Vespers service in the last week of Advent. Each antiphon is a name of Christ, and together they echo the foretelling of the long-expected Messiah by the prophet Isaiah.The origin of the music is uncertain. Some claim it to be from a 15th-century French processionale (hymnal, liturgical manual) for Franciscan nuns; others believe it to be of earlier, eighth-century Gregorian plainsong origins.This arrangement features both traditional and contemporary harmonies and a meditative original introduction prior to the opening presentation of the melody by trombone, which is echoed in countermelodies in later presentations.Includes both bass clef and Bb treble clef solo parts.©Copyright 2020 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. Visit www.conspiritomusic.com

String Trio Cello,Viola,Violin - Level 2 - Digital Download SKU: A0.1324217 Composed by Traditional. Arranged by James M. Guthrie. Advent,Chamber,Christian,Christmas,Historic. 6 pages. Jmsgu3 #912326. Published by jmsgu3 (A0.1324217). Veni, Veni, Emmanuel, also known as O Come, O Come, Emmanuel, is a Christian hymn for Advent. Here are some interesting facts about it:Ancient Origins: The hymn synthesizes the great, ancient O Antiphons sung for Vespers during Advent.Tune and Translation: The familiar tune, Veni Emmanuel, was first linked with this hymn in 1851, when Thomas Helmore published it in the Hymnal Noted, paired with an early revision of Neale's English translation.Variations: While the Veni Emmanuel tune predominates in the English-speaking world, several others have been closely associated with the hymn.Concerto: Veni, Veni, Emmanuel is also the title of a concerto for percussion and orchestra by James MacMillan, the most frequently performed concerto composed in the 1990s.Significance: The hymn is significant for its ancient origins, its association with the Advent season, and its musical adaptations, including a notable concerto by James MacMillan.These facts highlight the hymn's rich history, musical significance, and enduring popularity.

Cello Solo - Level 3 - Digital Download SKU: A0.549262 Composed by James M. Guthrie. Contemporary,Instructional,Standards. Individual part. 3 pages. Jmsgu3 #3479705. Published by jmsgu3 (A0.549262). Veni, Veni, Emmanuel, also known as O Come, O Come, Emmanuel, is a Christian hymn for Advent. Here are some interesting facts about it:Ancient Origins: The hymn synthesizes the great, ancient O Antiphons sung for Vespers during Advent.Tune and Translation: The familiar tune, Veni Emmanuel, was first linked with this hymn in 1851, when Thomas Helmore published it in the Hymnal Noted, paired with an early revision of Neale's English translation.Variations: While the Veni Emmanuel tune predominates in the English-speaking world, several others have been closely associated with the hymn.Significance: The hymn is significant for its ancient origins, association with the Advent season and musical adaptations.

Saxophone Trio,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1342264 Composed by Traditional. Arranged by James M. Guthrie. Chamber,Christian,Christmas,Holiday,Traditional. 3 pages. Jmsgu3 #927716. Published by jmsgu3 (A0.1342264). Veni, Veni, Emmanuel, also known as O Come, O Come, Emmanuel, is a Christian hymn for Advent. It has ancient origins, as the melody synthesizes the great, ancient O Antiphons sung for Vespers during Advent. The familiar tune, Veni Emmanuel, was first linked with this hymn in 1851, when Thomas Helmore published it in the Hymnal Noted, paired with an early revision of Neale's English translation. While the Veni Emmanuel tune predominates in the English-speaking world, several others have been closely associated with the hymn.O Come, O Come, Emmanuel has been used in popular culture as a significant and enduring hymn, particularly during Advent and Christmas. Its universal themes of hope, longing, and the anticipation of the arrival of Jesus Christ have resonated with listeners of different generations, evoking strong emotions and connecting them to the deeper meaning of Christmas and Advent. The song's profound impact on listeners, touching hearts and stirring emotions, has contributed to its enduring popularity. Various artists have sung it, featuring it in numerous Christmas albums and performances, further solidifying its place in popular culture. Therefore, O Come, O Come, Emmanuel holds a special significance in popular culture due to its timeless message and emotional impact on listeners.

Mixed choir - intermediate to advanced - Digital Download SKU: S9.Q48191 Hymnus zur Vesper. Composed by Edvard Grieg. This edition: Sheet music. Downloadable. Möseler Verlag - Digital #Q48191. Published by Möseler Verlag - Digital (S9.Q48191).

Mixed choir - Digital Download SKU: S9.Q20636 Hymnus zur Vesper am 1. Fastensonntag. Composed by Jan le Febure. This edition: choral score. Downloadable. Schott Music - Digital #Q20636. Published by Schott Music - Digital (S9.Q20636). German • Latin.From the collection Mainzer Chorbuch.

Tenor saxophone solo with piano accompaniment - level 2.5 - Digital Download SKU: DX.MBT101 Composed by Swedish Hymn. Arranged by Monty J. Budahl. Traditional. Sacred instrumental music. Score and parts. Composed 1996. 3 pages. Published by David E. Smith - Digital Sheet Music (DX.MBT101). Key: F.This tenor saxophone solo with piano accompaniment is based on a classic hymn tune. The simple variations with add interest for the younger saxophone player. The arrangement is from the teaching files of Monty Budahl and is useful for vesper, offertory, and special days.

Small Ensemble countertenor voice,Organ - Level 4 - Digital Download SKU: A0.886726 Composed by Panagiotis Theodossiou. Christian,Concert,Contemporary,Standards. Score and parts. 12 pages. Panagiotis Theodossiou #5732409. Published by Panagiotis Theodossiou (A0.886726). Hymn Epilychnios one of the oldest text samples of Eastern Orthodox Church rituals was set by the composer at the beginning of his carrier as a 4-part choral piece, Phos Ilaron op.1. Hymn Epilychnios is an ancient Christian Hymn originally written in Hellenistic Greek. It is the earliest known Christian hymn, recorded outside of the Bible,  that is still being used today. The hymn is featured in the Vespers of the Orthodox Church. Now this work op.80 stands as a special commission by Thomas Tamvakos Greek Composers’ Archive and dedicated to the artists of the premier performance Nikos Spanatis, counter-tenor and Christina Antoniadou, organ soloist (organist at the Anglican Church in Athens) who both made a recording of the piece for an upcoming cd. Text: O Light gladsome of the holy glory of the immortal Father,heavenly, holy, blessed Jesus Christ.Now we have come to the setting of the sun and behold the light of evening.We praise God: Father, Son, and Holy Spirit.For it is right at all times to worship Thee with voices of praise,O Son of God and Giver of Life,therefore all the world glorifies Thee!

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.855158 Composed by Latin Christmas Hymn (1710). Arranged by Joseph Pugh. A Cappella,Classical,Concert,Sacred,Standards. Octavo. 14 pages. Joseph Pugh #6321809. Published by Joseph Pugh (A0.855158). O come, O come, Emmanuel (Latin: Veni, veni, Emmanuel) is a Christian hymn for Advent and Christmas. The text was originally written in Latin. It is a metrical paraphrase of the O Antiphons, a series of plainchant antiphons attached to the Magnificat at Vespers over the final days before Christmas. The hymn has its origins over 1,200 years ago in monastic life in the 8th or 9th century. Seven days before Christmas Eve monasteries would sing the O antiphons in anticipation of Christmas Eve when the eighth antiphon, O Virgo virginum (O Virgin of virgins) would be sung before and after Mary’s canticle, the Magnificat (Luke 1:46b-55). The Latin metrical form of the hymn was composed as early as the 12th century.This is the SATB arrangement by, Joseph Pugh for acapella choir.

Cello Solo - Level 2 - Digital Download SKU: A0.1280451 Composed by St. Thomas Aquinas, 13th Century. Arranged by James M. Guthrie. Christian,Early Music,Historic,Medieval,Sacred. Individual part. 2 pages. Jmsgu3 #871859. Published by jmsgu3 (A0.1280451). A solo accompaniment for the procession of the Transfer of the Most Blessed Sacrament on Good Friday. Designed to accompany congregational singing.Pange lingua gloriosi corporis mysterium is a Medieval Latin hymn attributed to Saint Thomas Aquinas (1225–1274) for the Feast of Corpus Christi. It is also sung on Maundy Thursday during the procession from the church to the place where the Blessed Sacrament is kept until Good Friday. The last two stanzas (called, separately, Tantum ergo) are sung at Benediction of the Blessed Sacrament. The hymn expresses the doctrine that the bread and wine are changed into the body and blood of Christ during the celebration of the Eucharist. It is often sung in English as the hymn Of the Glorious Body Telling to the same tune as the Latin. The hymn is a significant part of the Christian liturgy and is traditionally sung at Vespers and during processions on Corpus Christi and Holy Thursday.

Saxophone trio (AAT) - level 2.5 - Digital Download SKU: DX.MBS301 Composed by Felice De Glardini. Arranged by Monty J. Budahl. Traditional. Sacred instrumental music. Score and parts. Composed 1997. 5 pages. Published by David E. Smith - Digital Sheet Music (DX.MBS301). Key: Eb.This unaccompanied saxophone trio with two altos and one tenor is based on a traditional hymn tune. The arrangement is from the teaching files of Monty Budahl and is useful for vesper, offertory, and special.

Mixed choir (SATB/SATB) and basso continuo - intermediate to advanced - Digital Download Hymn from the vesper of the Blessed Virgin Mary. Composed by Claudio Monteverdi (1567- 1643). Arranged by Mathias Siedel. This edition: choral score. Moseler Chorreihe. Downloadable, choral score. Op 232. Moseler Verlag #Q53993. Published by Moseler Verlag

Harp - Level 3 - Digital Download SKU: A0.771358 Composed by Traditional. Arranged by Cynthia A. Boener. Christian,Christmas,Classical,Concert,Standards. Score. 2 pages. Cynthia Boener #3907395. Published by Cynthia Boener (A0.771358). Also known as the O Antiphons (each verse begins with the word O), this hymn, whose words date from the 8th century, was originally a set of plainchant antiphons typically sung during Vespers on the final days before Christmas. These antiphons gradually evolved into the hymn form that we know today. This lovely arrangement is a joy to play.

Brass Ensemble - Digital Download SKU: A0.972667 Composed by William H. Doane. Arranged by James Siddons. Christian,Easter,Praise & Worship. Score and parts. 6 pages. James Siddons Music and Writings #6304573. Published by James Siddons Music and Writings (A0.972667). This exuberant fanfare is for Easter worship services, especially as prelude music. It begins with a quiet introduction in the style of vespers music, then goes into the familiar hymn tune. The concluding phrases of the hymn tune are interspersed with short cadenza-like passages for the trumpets that express the triumph and glory of the Resurrection. Also published for one Bb trumpet and organ in high range and low range versions.