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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.1382729 By Depeche Mode. By Vince Clark. Arranged by Graham Boag. 21st Century,Contemporary,Pop,Rock. Brass Band. 75 pages. Graham Boag #967159. Published by Graham Boag (A0.1382729). A new arrangement for British style Brass Band of the iconic Depeche Mode hit, Just Can't Get Enough by English electronic music band Depeche Mode. It was their third single, released on 7 September 1981, a month before the release of their debut studio album, Speak & Spell. It was recorded during the summer of that year at Blackwing Studios, and was the band's first single to be released in the United States, on 18 February 1982. A riff-driven synth-pop song, Just Can't Get Enough was the final single to be written by founding member Vince Clarke, who left the band in November 1981.
Just Can't Get Enough
Depeche Mode
$32.99 28.37 € PDF SheetMusicPlus

Instrumental Duet Guitar,Instrumental Duet,Voice - Level 3 - Digital Download SKU: A0.928258 Composed by Vince Clarke. Arranged by Simon James. 20th Century,Pop. Score and parts. 5 pages. DML #5742517. Published by DML (A0.928258). Only You is a song written by English musician Vince Clarke. He wrote it while with Depeche Mode, but recorded it in 1982 after forming the duo Yazoo with Alison Moyet. It was released as Yazoo's first single on 15 March 1982 in the United Kingdom, and became an instant success on the UK singles chart, peaking at number 2. It was released again in 1983 in an a cappella version by the Flying Pickets and became the UK Christmas No 1 that year. Vince Clarke originally wrote the music for the song on a guitar, and transposed the riff into synthesizer notes. This is clear from the chord structure so I have arranged it using a constantly descending bass for the first two verses. For the final verse, to give a sense of drama which is clear from the lyrics, I have switched to a three fingered chord rhythm but kept elements of the descending bass. The little tune on the outro could be sung but if you have a second guitarist could also be played.    
Only You

$4.99 4.29 € PDF SheetMusicPlus

String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.805295 Composed by Vince Clarke. Arranged by James Widden. A Cappella,Pop,Rock. Score and parts. 11 pages. James Widden #412328. Published by James Widden (A0.805295). Originally written by Vince Clarke for his band Yazoo (with singer Alison Moyet), the a capella group The Flying Pickets had a major hit with the song a few years later. This arrangement was done as a special request for a wedding, and was a huge hit with the couple. I think it's one of my best arrangements. All James Widden's arrangements are beautifully made and carefully edited so that players and listeners alike will get maximum pleasure from the performance.
Only You
Quatuor à cordes: 2 violons, alto, violoncelle

$15.99 13.75 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

Choral Choir (SSAA) - Level 2 - Digital Download SKU: A0.1087101 By Erasure. By Andy Bell and Vince Clarke. Arranged by Rebecca (Boo) de Bruin. A Cappella,Contemporary,Pop. Octavo. 13 pages. Rebecca de Bruin #691297. Published by Rebecca de Bruin (A0.1087101). Words and Music by Vince Clarke and Andy Bell in 1988. Arranged in 2021 by Boo de Bruin. 13 pages for Sweet Adelines (ladies' barbershop) chorus. (Tenor, lead, baritone, bass are roughly equivalent to SSAA, although lead and baritone have similar - in this case, identical! - ranges, but perform different functions). A Little Respect was written and recorded by English synth-pop duo Erasure, and is known as one of their signature songs. It reached #4 on the UK singles chart, #14 on the US Billboard Hot 100, and #2 on the US Hot Dance Club Songs chart. This arrangement uses words from the song in place of neutral vowels to create an early ostinato (without boring the harmony parts!) before expanding into homorhythm in verse 2. The melody is mainly in the lead part, with the final motif from the chorus passed to the tenors. In the final verse, a key change moves the melody to the basses and baritones, with the leads taking the final phrase. This arrangement was written for a barbershop chorus, and as such the lowest voice part has a lower range than is custom for choral SSAA writing. However, the range of the entire arrangement is quite narrow, and so it could be sung in a higher tessitura without undo strain on the upper voices. Please note: in keeping with normal barbershop practice the men's barbershop voicing names are used (tenor, lead, baritone and bass) and an octave-shifted bass clef is used for the baritone and bass parts. Vocal ranges are: Tenor: D4 - F5 (D above middle C to F above high C) Lead: G3 - C5 (G below middle C to high C) Baritone: G3 - C5 (G below middle C to high C) Bass: D3 - F4 (D below middle C to F above middle C).
A Little Respect
Chorale SSAA
Erasure
$1.99 1.71 € Chorale SSAA PDF SheetMusicPlus


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