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String Orchestra - Digital Download

SKU: AX.00-PC-0017344_VA1

Viola. Composed by J. Rosamond Johnson. Arranged by Bob Phillips. Folk; Multicultural. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017344_VA1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017344_VA1).

UPC: 038081518169.

The poem and original hymn-like music of Lift Every Voice and Sing, by James and J. Rosamond Johnson, reverberate through the decades of the civil rights movement. Originally performed for Booker T. Washington in 1900, it is sometimes called the African-American National Anthem. This setting, by Bob Phillips, teaches 6/8 and uses chromatic alterations in first position. A vocal lead sheet is included in the reproducible educational packets. The cross-curricular programming possibilities are vast. (2:40)
Orchestra and Chorus.

Lift Every Voice and Sing: Viola
Alto (partie séparée)

$5.99 5.75 € Alto (partie séparée) PDF SheetMusicPlus

Instrumental Duet,Viola,Violin - Level 1 - Digital Download

SKU: A0.1278919

By Public Domain. By Dalton Martins. Arranged by Dalton Martins. Folk,Instructional,Traditional. 15 pages. Dalton Martins #870468. Published by Dalton Martins (A0.1278919).

Here are 12 folk songs from different countries arranged for two Alto Saxes. We add an original second contrapuntal part over the traditional tune. It´s indicated for beginners and intermediate players and can be used in educational environments or just for fun in musical sessions. 

List of Songs

Ach, du liebe Augustin (Austria)
Ah, si mon moine voilat danser (Canada)
Ãltal mennéck én a Tiszán ladikon (Hungary)
Banaha (Dem. Rep. of Congo)
Brave marin (France)
Cluck Old Hen (United States of America)
Cockles and mussels (Ireland)
De colores (Mexico)
El testamento de Amelia (Spain/Catalonia)
Herrin´s Heed (England)
Jane anda Louisa (Jamaica)
Terezinha (Brazil).

12 Easy Duos for Violin and Viola; over Folk Songs from different countries)
Violon, Alto (duo)
Public Domain
$9.99 9.59 € Violon, Alto (duo) PDF SheetMusicPlus

Piano,Viola - Level 3 - Digital Download

SKU: A0.549441

Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 14 pages. Jmsgu3 #3494681. Published by jmsgu3 (A0.549441).

Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs.


School Years

First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary.

Study Abroad

During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest.

Association with Gilbert

It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic operas such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, and 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers.

Lost Chord

The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently.

The Lost Chord

Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.

 

 

Sullivan: The Lost Chord for Viola & Piano
Alto, Piano

$26.95 25.88 € Alto, Piano PDF SheetMusicPlus

Viola Solo - Level 5 - Digital Download

SKU: A0.1018938

Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 5 pages. Benjamin Sajo #6072979. Published by Benjamin Sajo (A0.1018938).

Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.

This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?

There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.

Future Performances: If you are interested in performing this work, please e-mail me.

ABOUT THE COMPOSER:

Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.

Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Viola
Alto seul

$3.50 3.36 € Alto seul PDF SheetMusicPlus






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