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String Orchestra - Digital Download SKU: AX.00-PC-0017347_VA1 Viola. Arranged by Andrew H. Dabczynski. Folk; Sacred. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017347_VA1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017347_VA1). UPC: 038081518206.Snowy hilltops, timeless family traditions, and the warmth of a hearth---the atmosphere of a Smoky Mountain Christmas is captured in this arrangement of three traditional Appalachian carols arranged by Andrew Dabcyznski. The simple modal melodies of Star of the East and Babe of Bethlehem are passed throughout the orchestra, before concluding with the stirring spiritual Rise Up Shepherd and Follow. The keys, meters, and bowings are all playable by second-year string students, but intermediate and advanced students also will find this to be a satisfying holiday concert piece. (3:30)Concert/Contest; Festival.
Smoky Mountain Christmas: Viola
Alto (partie séparée)

$5.99 5.25 € Alto (partie séparée) PDF SheetMusicPlus

String Orchestra - Digital Download SKU: AX.00-PC-0016672_VA1 Viola. Composed by Cliff Friend, Dana Seusse, Dave Franklin, Eddie Cantor, and Edward Heyman. Novelty; TV. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016672_VA1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016672_VA1). UPC: 038081300962.Enjoy four of the most frequently heard titles from the classic Looney Tunes and Merrie Melodies cartoons. Perfectly crafted for young players! For added color, optional percussion and drumset parts have been included to keep the action moving. Featuring The Merry-Go-Round Broke Down, Looney Tunes Theme Song, You Oughta Be in Pictures, and Merrily We Roll Along. This title is available in SmartMusic.
Looney Tunes: Viola
Alto (partie séparée)

$5.99 5.25 € Alto (partie séparée) PDF SheetMusicPlus

Piano,Viola - Level 3 - Digital Download SKU: A0.1401524 Composed by Alexander Scriabin. Arranged by James M. Guthrie. 20th Century,Chamber,Contemporary,Contest,Festival,Historic. Score and part. 7 pages. Jmsgu3 #984707. Published by jmsgu3 (A0.1401524). The historical context of Scriabin's Prelude, Op. 51 No. 2 is rooted in the broader tradition of preludes as improvisatory pieces that precede performances on keyboard instruments. Scriabin's composition, part of his Quatre Morceaux (Four Pieces) Op. 51, published in 1906, reflects his innovative approach to piano music within the musical landscape of the early 20th century. This piece, along with others by Scriabin, demonstrates a blend of traditional influences and his quest to develop a distinctive and original style in his compositions. The meaning behind Scriabin's Prelude, Op. 51 No. 2 is characterized by its emotional depth and expressive qualities, reflecting the composer's unique musical language and style. This piece, along with others by Scriabin, delves into themes of fatigue, exhaustion, eternity, and millions of years, as described by the composer. In this prelude, Scriabin's use of dissonance, tonal centers, and harmonic language conveys a sense of obsessively seeking out pain or grief. The composition captures a range of emotions, from fatigue to a cry in the night, showcasing Scriabin's ability to evoke intense feelings through his music.
Scriabin: Prelude, Op. 51, No. 2 for Viola & Harp
Alto, Piano

$32.95 28.89 € Alto, Piano PDF SheetMusicPlus






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