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Piano,Violin - Level 3 - Digital Download SKU: A0.1150227 Composed by Charles Dancla. Arranged by Piacere Music Sheets. Chamber,Instructional,Romantic Period,Standards. 16 pages. Piacere Music Sheets #750402. Published by Piacere Music Sheets (A0.1150227). Opus/Catalog Number: Serie 1, Op.89, No. 5 Key/Tone: G Major Movements/Sections: Moderato - Cantabile (var 1 - var 2) Year/Date of Composition: 1858 Difficulty: Grade 7/12 (Intermediate) Obs.: This piece is part of the Six petits Airs variés pour le violon avec accompagnement de piano sur des thèmes italiens, and it is a set of four challenging variations on a theme by Weigl. It features the following technical challenges for the violinist: Sautillé bowing - Ricochet - Three-note chords - Left-hand pizzicato - Martelé Included: Full score and separated parts for each instrument.
Dancla - Air varie No. 5 in G Major - Intermediate
Violon et Piano

$8.95 7.73 € Violon et Piano PDF SheetMusicPlus

Instrumental Duet Guitar,Instrumental Duet,Violin - Level 4 - Digital Download SKU: A0.531276 Composed by Carl August Nielsen. Arranged by Klas Krantz. 20th Century,Classical,Romantic Period,Wedding. Score and parts. 5 pages. Amadeus Music #2033985. Published by Amadeus Music (A0.531276). Carl Nielsen (1865-1931) was a composer, conductor, and violinist from Denmark. His works have long been well known in Denmark and they have been a mainstay throughout the Nordic countries and, to a lesser extent, in Britain, noted the critic Alex Ross in 2008 in The New Yorker, and rising young conductors such as Gustavo Dudamel and Alan Gilbert are now playing Nielsen’s music in the United States.
The Mist is Rising / Taagen letter Op. 41 for violin and guitar
Violon, Guitare (duo)

$5.95 5.14 € Violon, Guitare (duo) PDF SheetMusicPlus

Instrumental Solo,Piano - Level 5 - Digital Download SKU: A0.775977 Composed by Carson Cooman. Contemporary,Standards. Score and individual part. 44 pages. Musik Fabrik Music Publishing #2034877. Published by Musik Fabrik Music Publishing (A0.775977). Sonata No. 3 for Violin and Piano (2012) was written for violinist Warren Davidson and pianist Donna Amato, superb musicians for whose advocacy on behalf of my music I am very grateful. The first movement, Canto, is an extended song that develops through a variety of textures. The second movement, Lamento, is a fierce lament in the tradition of an old Irish caoine. The thirdmovement, Variazioni, is structured as two presentations of the theme surrounding five free variations. The theme serves both as the basis of the musical material for each variation as well as the structural template. Each variation also contains material referring back specifically to the previous variation. The opening theme is declamatory. The first variation is fast and limber. The second variation is introspective and stratified. The third variation is fleeting. The fourth variation is distant and spare. The fifth variation is fast and driving. The final theme begins whispered and slowly regains its declamatory nature before an intense coda ends the work.
Carson Cooman - Sonata No. 3 for Violin and Piano (2012)
Violon et Piano

$29.85 25.79 € Violon et Piano PDF SheetMusicPlus

Electric Violin,Instrumental Solo - Level 4 - Digital Download SKU: A0.845981 Composed by Kayleigh Moyer, Kyle Pudenz, and The Khromatiks. 20th Century,Contemporary,Jazz,New Age. Individual part. 8 pages. ViolinVagabond Music #6017039. Published by ViolinVagabond Music (A0.845981). This is a loop station composition for electric violin that I composed for my live-looping duo, The Khromatiks, in 2014. Doing my part to increase the available repertoire for extended range violins out here on the internet!I originally recorded this tune on a 7-string electric violin with a Boomerang III loop station. That being said, there are plenty of other gear configurations that will work. Any phrase looper/sampler that is capable of playing 3 separate tracks or sections with overdubs will be able to handle this structure, such as the Singular Sound Aeros, Ableton Live with a MIDI controller, etc. If you don't play 7-string, a 5-string can also play this chart as written if you use an octave pedal to record the low bass lines. A standard 4-string can also work, although some phrases will have to be transposed 8va.A little about this tune: a Haiku is characterized by a pattern of 5-7-5 syllables, and in this piece that refers to the meters used in each of the overarching sections. The ambient intro in 5/8 involves a quartal ostinato with long sweeping volume swells, which then develops into a pizzicato groove in 7/8. This groove forms the basis for the majority of the tune, as melodies & improvised solos drift in and out over an A and B section loop. On the final B section, the loop drops out and the violinist builds up into a more distorted strum bowing groove (which accompanies a drum solo on the original recording). As the intensity builds, the 7/8 groove is shortened back into 5/8, thus completing the Haiku. The piece ends with a restatement of the original ostinato as it fades into silence using an automated volume fade on the looper pedal.With The Khromatiks this piece was performed as a duo with violin & drums/percussion, but also works as a violin solo. If you have a looper capable of syncing to a click track, you could also try adding bass or guitar/keyboards (players can read the chord symbols on the chart as a lead-sheet). The sky is the limit, feel free to get creative with it!Please, if you have questions or suggestions, feel free to contact me via my website, www.kylepudenz.com/, or on Instagram @theviolinvagabond
Haiku by The Khromatiks, for Electric Violin & Loop Station

$7.99 6.9 € PDF SheetMusicPlus






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