Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.869025 Composed by Luigi ROSSI (1597 – 1653). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 5 pages. Really Good Music, LLC. #6400579. Published by Really Good Music, LLC. (A0.869025). Mio ben, teco il tormento is an aria (Euridice's lament) from the opera Orfeo, composed in 1647 by Luigi ROSSI (1597 – 1653), one of the most important Italian composers of the early Baroque. It was carefully realized from the score and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of D minor (D4 – G5) for high voice.

Instrumental Duet Harp,Instrumental Duet,Voice - Level 3 - Digital Download SKU: A0.862054 Composed by Winfield S. Weeden. Arranged by Rebekah Lanier. Sacred,Standards,Wedding. Score and parts. 5 pages. Muletown Music #4992653. Published by Muletown Music (A0.862054). An intermediate level arrangement of the hymn I Surrender All, arranged for medium voice and harp by Rebekah Lanier. This is a beautiful selection for church services, recitals, and more. A recording of this arrangement is available on the album Songs in the Night, available on iTunes and Amazon Music. This arrangement is in the key of D major. There are no lever or pedal changes.Voice range: one octave (D to D)To view a complete list of arrangements and original compositions by Rebekah Lanier, visit http://bit.ly/Catalog-RebekahLanier-SheetMusic

Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1394956 Composed by Carlo Alfredo Piatti and Jean-Louis Duport. Arranged by Michele Galvagno. 19th Century,Classical,Romantic Period,Singer/Songwriter. Score. 23 pages. Artistic Score Engraving di Galvagno Michele #978444. Published by Artistic Score Engraving di Galvagno Michele (A0.1394956). The production involving the voice by Carlo Alfredo Piatti (1822—1901) is as vast as it is neglected. From about sixty songs for voice and piano, to almost twenty adding a cello, to several (though small) choral works. This edition kickstarts the unearthing of these unfairly forgotten gems, with the Canto Piatti wrote using the Exercise n° 7 from Duport’s Essai. This most famous etude, which every cellist will know by heart, provides the base over which the text by poet and librettist Felice Romani is shaped into a dramatic musical line.Also included is a rich preface with a thorough analysis of how Piatti interwove text and music together. The original text of Romani’s poem is included as well. The full score is accompanied by a cello part and a solo vocal part, as it was customary at the time.

Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.869012 Composed by Francesco MANCINI (1672 – 1737). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 5 pages. Really Good Music, LLC. #6326657. Published by Really Good Music, LLC. (A0.869012). Struggiti, o core is an Aria 4 from solo cantata L'Arianna, composed by Francesco MANCINI (1672 – 1737). It has been realized from the manuscript of the cantata and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of G minor (D4 – G5) for high voice.

Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.614574 Composed by Gary Lanier. Arranged by Gary Lanier. Christian,Gospel,Praise & Worship,Sacred. Score. 9 pages. The Lanier Company #1892597. Published by The Lanier Company (A0.614574). 2016 Arrangement New Release . IN OUR MIDST is a worship song composed and arranged by Gary Lanier for Voice and Piano. It works great for congregational worship, special music, or for the joy of singing and playing in any situation where worship music is desired (9 pages with cover). A mp3 Piano Accompaniment (aka Rehearsal Track) is also available, listed as: HERE I AM (Piano Accompaniment for Voice).

Medium-High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.821404 Composed by Stephen Foster. Arranged by Judith L. Maggs. 19th Century,Traditional. 5 pages. Maggs #6340895. Published by Maggs (A0.821404). Jeanie with the Light Brown Hair is one of Stephen Fosters best loved songs. This arrangement could be performed as a piano solo (advanced intermediate level) or as a vocal solo with accompaniment. The arrangement is in F major, which is medium-high for the singer and reaches from middle C to high F. (An octave lower for the male singer.) Versions are also available for high voice (Key of G: range D to G) and medium low voice (Key of D: range A to D)

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.922859 Composed by Jayne Nitz. Christian,Contemporary,Praise & Worship. Score. 8 pages. Jayne Nitz #6356969. Published by Jayne Nitz (A0.922859). Written for solo singer with piano, this contemporary Christian song was inspired by Kurt Eggert’s hymn, Oh, Come, My Soul. Jesus took on every punishment I deserve, then gave me the gift of heaven out of sheer love for me. This is the higher voice version. (Please note that the YouTube video shown is the lower voice version, also available.) Includes guitar chords and reproducible lead sheet.

Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.614583 Composed by Gary Lanier. Arranged by Gary Lanier. Christian,Gospel,Praise & Worship,Sacred. Score. 28 pages. The Lanier Company #1899571. Published by The Lanier Company (A0.614583). 2016 Arrangement New Release. IN OUR MIDST is a worship song composed and arranged by Gary Lanier for Voice, Choir, Bb Trumpet, String Orchestra and Piano. It works great for congregational worship, special music, or for the joy of singing and playing in any situation where worship music is desired (28 pages with cover). A mp3 for String Orchestra and Piano Accompaniment (aka Rehearsal Track) is also available, listed as: IN OUR MIDST (For String Orchestra & Piano Accompaniment for Voice, Choir & Bb Trumpet).

Alto Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.869047 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 6 pages. Really Good Music, LLC. #6444203. Published by Really Good Music, LLC. (A0.869047). La pena amara is a mezzo-soprano aria from the opera La verità in cimento (Truth in Contention), composed in 1720 by Antonio VIVALDI (1678 – 1741). It has been realized from the score manuscript of the opera and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of D major (B3 – D5) for low voice.

Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.1194944 Composed by Robert Lowry. Arranged by Valdir Maia. Christian,Easter,Praise & Worship,Religious,Spiritual. Score. 3 pages. Valdir Maia #794140. Published by Valdir Maia (A0.1194944). Christ Arose (He Arose) for voice and piano with chords in the key of C.If you're looking for easy sheet music for the Easter hymn Christ Arose (also known as He Arose), look no further! Our collection of voice and piano arrangements makes it easy to bring this timeless classic to life in your Easter service.Our sheet music arrangements are designed to make it easy for even beginner-level musicians to play and sing this hymn. With simplified piano accompaniments and clear, easy-to-read notation for the vocal part, you'll be able to lead your congregation in a beautiful and moving rendition of Christ Arose..

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.868740 Composed by Francesco DURANTE (1684 – 1755). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. Score. 6 pages. Really Good Music, LLC. #4409129. Published by Really Good Music, LLC. (A0.868740). Danza, danza, fanciulla is an arietta, composed by Francesco DURANTE (1684 – 1755). It has been realized and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of G minor (G3 – D5) for low voice.

Medium Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.868947 Composed by Antonio Vivaldi. Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 6 pages. Really Good Music, LLC. #5292329. Published by Really Good Music, LLC. (A0.868947). Se lascio d’adorare is a mezzo-soprano (baritone) aria from the opera-pasticcio La virtù trionfante dell’amore e dell’odio, ovvero Il Tigrane (1724). Antonio VIVALDI (1678 – 1741) composed the music of the second act of the opera. The aria has been realized from the score manuscript of the opera and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of G minor (C4 – E5) for low voice.

Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.868703 Composed by Nicola PORPORA (1686–1768). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 6 pages. Really Good Music, LLC. #4404620. Published by Really Good Music, LLC. (A0.868703). Già la notte s'avvicina is an aria from Solo cantata VI, written by the eminent Italian composer Nicola PORPORA (1686 – 1768). The cantatas were composed on the poetry of Pietro Metastasio, famous Italian librettist and poet, who once took music lessons from Porpora. The realization of the aria for voice and piano, made by Sergei Pichugin, is based on early publication of the composer’s twelve cantatas (London, 1735). The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of A major (E4 – A5) for high voice.

Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.775984 Composed by Carson Cooman. Contemporary,Standards. 8 pages. Musik Fabrik Music Publishing #2035117. Published by Musik Fabrik Music Publishing (A0.775984). Brief Vibrations (2010) was written for and is dedicated to Jonathan Mark Roberts. The cycle comprises settings for unaccompanied voice of poems by Elisabeth T. Eliassen (b. 1961) from the collection Brief Encounters With Fluidity (2008). I. Kairos II. Stillness Sings III. Within the Embrace IV. Spring Rain V. The Vine VI.Vibrations Performance notes: These songs may be performed by any vocalists of any voice type or sex. They may also be performed in any transposition. However, all songs performed must be transposed in exactly the same manner. Though a performance of all six songs is highly preferred, smaller groupings or individual songs may be performed, particularly if the performance is not in concert. Throughout all songs, exceptional sensitivity, expressivity, and freedom is necessary to project a compelling performance. There should never be any sense of metronomic rigidity. The music serves to express and declaim the text, and this should be the driving force in shaping any interpretation.

Piano and voice - Digital Download SKU: LV.19371 Composed by George Frederick Root. Bridges, Railroads, Bodies of water, Railroad employees, Families, Prayer. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.19371). Down the Line (The Engineer On His Train). Song for Base [sic] Voice. Words by A.K. Owen. Music by Geo. F. Root. Published 1885 by The John Church Co., 74 W. Fourth St. in Cincinnati. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Bridges, Railroads, Bodies of water, Railroad employees, Families, Prayer. First line reads I feel my engine rock and reel, O'er ribs of oak and bars of steel.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.