String Ensemble,String Trio - Level 2 - Digital Download SKU: A0.998998 Composed by G.F.Händel / Georg Friedrich Haendel. Arranged by Antonio Tudurí. Baroque,Instructional,Standards. Score and parts. 16 pages. Antonio Tuduri #5310905. Published by Antonio Tuduri (A0.998998). Händel's Opera pieces - Voice 3 for CelloFirst of all, I apologize for my english language mistakes !!The repertoire included in Händel's Opera pieces is the culmination of a process of searching for musical material in Händel's opera repertoire, which can be used at the same time, outside of its original compositional context, exclusively exalting its beauty as well as the genius of the its composer Georg Friedrich Handel.The conditions that all the pieces of the volume had to fulfill were the following:- To have a short duration to be used as teaching material in subjects of baroque technique and chamber music, collective subjects or even chamber orchestra subjects.- They can be interpreted in trio chamber formations in the following combinations:Voice 1    Violin, flute, oboe or clarinet.Voice 2    Violin, viola, flute, oboe or clarinet.Voice3    Violin, viola, cello, bassoon, flute, oboe or clarinet.  They are of limited technical complexity in order to allow the performers to participate and at the same time enjoy listening the polyphony and counterpoint of Handel's compositional style.This collection of 27 pieces have been mostly selected from Handel's vast opera production (44 operas or so depending on the criteria to be considered as operas or oratories) and the most beautiful (but not famous), adapted to three-voice trio formations.The pieces included are the following1.    L’ultimo ballo (Alceste)2.    Menuet (Almira )3.    Final Gavotte of act I (Arianna in Creta)4.    Overture Mussette (Alcina)5.    Overture Andante (Berenice)6.    Gavotte7.    Symphony of act III (Xerxes)8.    Il primo ballo (Alceste )9.    3d movement of overtura (Arianna in Creta)10.    3d movement overture (Ottone Re di Germania)11.    Menuet I of organ concerto HWV 308 .12.    Menuet II of òrgan concerto HWV 30813.    Final Chorus (Lucio Cornelio Silla)14.    Final Chorus ( Siroe Re di Persia)15.    Overture menuet (Alcina)16.    Menuet I of organ concerto HWV 310 17.    Duetto Il vostro maggio (Rinaldo)18.    Overture menuet of acte I (Arminio)19.    Act II Symphony (Arminio)20.    Act III Symphony (Deidamia)21.    Act I Symphony (Giustino).22.    Passacaglia.23.    Menuet from Tamerlano24.    Scene 3 prelude (Agrippina)25.    Act I Symphony (Xerxes)26.    Overture 3d movement (Faramondo).27.    Scene 3 act II (Teseo - Arianna in Creta)

String Ensemble,String Trio - Level 2 - Digital Download SKU: A0.998996 Composed by G.F.Händel / Georg Friedrich Haendel. Arranged by Antonio Tudurí. Baroque,Instructional,Standards. Score and parts. 16 pages. Antonio Tuduri #5310895. Published by Antonio Tuduri (A0.998996). Händel's Opera pieces - Voice 3 for violaFirst of all, I apologize for my english language mistakes !!The repertoire included in Händel's Opera pieces is the culmination of a process of searching for musical material in Händel's opera repertoire, which can be used at the same time, outside of its original compositional context, exclusively exalting its beauty as well as the genius of the its composer Georg Friedrich Handel.The conditions that all the pieces of the volume had to fulfill were the following:- To have a short duration to be used as teaching material in subjects of baroque technique and chamber music, collective subjects or even chamber orchestra subjects.- They can be interpreted in trio chamber formations in the following combinations:Voice 1    Violin, flute, oboe or clarinet.Voice 2    Violin, viola, flute, oboe or clarinet.Voice3    Violin, viola, cello, bassoon, flute, oboe or clarinet.  They are of limited technical complexity in order to allow the performers to participate and at the same time enjoy listening the polyphony and counterpoint of Handel's compositional style.This collection of 27 pieces have been mostly selected from Handel's vast opera production (44 operas or so depending on the criteria to be considered as operas or oratories) and the most beautiful (but not famous), adapted to three-voice trio formations.The pieces included are the following1.    L’ultimo ballo (Alceste)2.    Menuet (Almira )3.    Final Gavotte of act I (Arianna in Creta)4.    Overture Mussette (Alcina)5.    Overture Andante (Berenice)6.    Gavotte7.    Symphony of act III (Xerxes)8.    Il primo ballo (Alceste )9.    3d movement of overtura (Arianna in Creta)10.    3d movement overture (Ottone Re di Germania)11.    Menuet I of organ concerto HWV 308 .12.    Menuet II of òrgan concerto HWV 30813.    Final Chorus (Lucio Cornelio Silla)14.    Final Chorus ( Siroe Re di Persia)15.    Overture menuet (Alcina)16.    Menuet I of organ concerto HWV 310 17.    Duetto Il vostro maggio (Rinaldo)18.    Overture menuet of acte I (Arminio)19.    Act II Symphony (Arminio)20.    Act III Symphony (Deidamia)21.    Act I Symphony (Giustino).22.    Passacaglia.23.    Menuet from Tamerlano24.    Scene 3 prelude (Agrippina)25.    Act I Symphony (Xerxes)26.    Overture 3d movement (Faramondo).27.    Scene 3 act II (Teseo - Arianna in Creta)

String Ensemble,String Trio - Level 2 - Digital Download SKU: A0.998995 Composed by G.F.Händel / Georg Friedrich Haendel. Arranged by Antonio Tudurí. Baroque,Instructional,Standards. Score and parts. 16 pages. Antonio Tuduri #5310891. Published by Antonio Tuduri (A0.998995). Händel's Opera pieces - Voice 3 for violinFirst of all, I apologize for my english language mistakes !!The repertoire included in Händel's Opera pieces is the culmination of a process of searching for musical material in Händel's opera repertoire, which can be used at the same time, outside of its original compositional context, exclusively exalting its beauty as well as the genius of the its composer Georg Friedrich Handel.The conditions that all the pieces of the volume had to fulfill were the following:- To have a short duration to be used as teaching material in subjects of baroque technique and chamber music, collective subjects or even chamber orchestra subjects.- They can be interpreted in trio chamber formations in the following combinations:Voice 1    Violin, flute, oboe or clarinet.Voice 2    Violin, viola, flute, oboe or clarinet.Voice3    Violin, viola, cello, bassoon, flute, oboe or clarinet.  They are of limited technical complexity in order to allow the performers to participate and at the same time enjoy listening the polyphony and counterpoint of Handel's compositional style.This collection of 27 pieces have been mostly selected from Handel's vast opera production (44 operas or so depending on the criteria to be considered as operas or oratories) and the most beautiful (but not famous), adapted to three-voice trio formations.The pieces included are the following1.    L’ultimo ballo (Alceste)2.    Menuet (Almira )3.    Final Gavotte of act I (Arianna in Creta)4.    Overture Mussette (Alcina)5.    Overture Andante (Berenice)6.    Gavotte7.    Symphony of act III (Xerxes)8.    Il primo ballo (Alceste )9.    3d movement of overtura (Arianna in Creta)10.    3d movement overture (Ottone Re di Germania)11.    Menuet I of organ concerto HWV 308 .12.    Menuet II of òrgan concerto HWV 30813.    Final Chorus (Lucio Cornelio Silla)14.    Final Chorus ( Siroe Re di Persia)15.    Overture menuet (Alcina)16.    Menuet I of organ concerto HWV 310 17.    Duetto Il vostro maggio (Rinaldo)18.    Overture menuet of acte I (Arminio)19.    Act II Symphony (Arminio)20.    Act III Symphony (Deidamia)21.    Act I Symphony (Giustino).22.    Passacaglia.23.    Menuet from Tamerlano24.    Scene 3 prelude (Agrippina)25.    Act I Symphony (Xerxes)26.    Overture 3d movement (Faramondo).27.    Scene 3 act II (Teseo - Arianna in Creta)

String Ensemble,String Trio - Level 2 - Digital Download SKU: A0.998994 Composed by G.F.Händel / Georg Friedrich Haendel. Arranged by Antonio Tudurí. Baroque,Instructional,Standards. Score and parts. 17 pages. Antonio Tuduri #5310841. Published by Antonio Tuduri (A0.998994). Händel's Opera pieces - Voice 1 for violinFirst of all, I apologize for my english language mistakes !!The repertoire included in Händel's Opera pieces is the culmination of a process of searching for musical material in Händel's opera repertoire, which can be used at the same time, outside of its original compositional context, exclusively exalting its beauty as well as the genius of the its composer Georg Friedrich Handel.The conditions that all the pieces of the volume had to fulfill were the following:- To have a short duration to be used as teaching material in subjects of baroque technique and chamber music, collective subjects or even chamber orchestra subjects.- They can be interpreted in trio chamber formations in the following combinations:Voice 1    Violin, flute, oboe or clarinet.Voice 2    Violin, viola, flute, oboe or clarinet.Voice3    Violin, viola, cello, bassoon, flute, oboe or clarinet.  They are of limited technical complexity in order to allow the performers to participate and at the same time enjoy listening the polyphony and counterpoint of Handel's compositional style.This collection of 27 pieces have been mostly selected from Handel's vast opera production (44 operas or so depending on the criteria to be considered as operas or oratories) and the most beautiful (but not famous), adapted to three-voice trio formations.The pieces included are the following1.    L’ultimo ballo (Alceste)2.    Menuet (Almira )3.    Final Gavotte of act I (Arianna in Creta)4.    Overture Mussette (Alcina)5.    Overture Andante (Berenice)6.    Gavotte7.    Symphony of act III (Xerxes)8.    Il primo ballo (Alceste )9.    3d movement of overtura (Arianna in Creta)10.    3d movement overture (Ottone Re di Germania)11.    Menuet I of organ concerto HWV 308 .12.    Menuet II of òrgan concerto HWV 30813.    Final Chorus (Lucio Cornelio Silla)14.    Final Chorus ( Siroe Re di Persia)15.    Overture menuet (Alcina)16.    Menuet I of organ concerto HWV 310 17.    Duetto Il vostro maggio (Rinaldo)18.    Overture menuet of acte I (Arminio)19.    Act II Symphony (Arminio)20.    Act III Symphony (Deidamia)21.    Act I Symphony (Giustino).22.    Passacaglia.23.    Menuet from Tamerlano24.    Scene 3 prelude (Agrippina)25.    Act I Symphony (Xerxes)26.    Overture 3d movement (Faramondo).27.    Scene 3 act II (Teseo - Arianna in Creta)

Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1125109 Composed by Alan Bullard. Children,Contest,Festival. Score. 12 pages. Colne Edition / BullardMusic #725888. Published by Colne Edition / BullardMusic (A0.1125109). Alan Bullard's choral works are performed worldwide, and many have been recorded and broadcast. He has a reputation for music that choirs enjoy performing, and which speaks directly to audiences. One Voice for All is a lively celebration of the joy of singing, and a call for peace, friendship, and care for the environment. The words are by the composer’s daughter Mary Bullard. This is a single copy download for unison voices, piano, and optional descant. A download of 10+ copies is also available at a much cheaper unit price. An alternative version for mixed voices (SABar), is also available. The melody, descant, and piano part for the two versions are identical, but the Mixed Voices version is pitched a tone higher than the Unison Voice version. The Colne Choral Series contains a range of Bullard's pieces for adult and youth choirs of all types, including cantatas and choral suites as well as individual movements. For full details please visit www.colneedition.co.uk or www.alanbullard.co.uk.

Piano Solo - Level 3 - Digital Download SKU: A0.1141386 Composed by Robert W. Padgett. Baroque,Classical,Contest,Festival,Instructional. Score. 2 pages. Padgett Music Llc #741710. Published by Padgett Music Llc (A0.1141386). I composed my Invention No. 3 in C minor for two voices during the Spring of 2012. The motive is intriguing as the first twelve notes are immediately followed by their inversion after a drop of a seventh to form a contrapuntal palindrome. This inversion is followed by an octave leap upwards to D that circles back to the starting note C. In bar 3, the lower voice introduces the motive a fourth lower at the dominant as the upper voice states the countermotive which concludes in bar 4 with an augmented tonal version of the descending scale run from the original motive. The ensuing episode in bars 5-8 is constructed from fragments of the motive in the upper voice accompanied by an embellished form of the countermotive in the lower voice. A series of ascending broken thirds accompanied by a rising scale run cadences in the tonic key of C minor in bar 10 before abruptly redirecting to G minor in bar 11. At this juncture, the motive and countermotive are restated in their inversions. The episodic sequence from bars 5-9 is also stated in an inverted form in bars 13-17. In bar 18, the motive is stated by the upper voice in G minor with the countermotive now in the lower voice. This formula is repeated a whole step lower in F minor in bars 20-21 followed by the modulation sequence from bars 5-8 reprised with the voices exchanging places. In bar 27, a cadence in F minor redirects back to C major in bar 28 followed by a modulation sequence culminating in C minor in bar 30 that cadences to a final Picardy Third in bar 32.

Piano Solo - Level 3 - Digital Download SKU: A0.1140562 Composed by Robert W. Padgett. Baroque,Classical,Contest,Early Music,Festival. Score. 2 pages. Padgett Music Llc #740799. Published by Padgett Music Llc (A0.1140562). This two-part invention was composed by Robert W. Padgett in 1990 as a private exercise in invertible counterpoint. The upper voice announces the motive in the tonic key of A minor that quickly overlaps itself at the octave as a brief stretto. An episode consisting of a modulation sequence arrives at a half cadence in bar 4 in E major. The motive is then inverted in bar 5 by the upper voice followed by a partial restatement of the original motive by the lower voice in bar 6. This interplay between the motive’s inversion and its original form continues through bar 10 before a new episode modulates sequentially to a cadence in bar 13 with a statement by the lower voice of the original motive in the relative key of C major. An inversion of the original episodic sequence from bar 2 follows with slight alterations that cycle through a series of contrasting keys. A second interplay begins in bar 17 between the motive’s inversion in the lower voice followed by its partial restatement in the upper voice. The exchange of motive and countermotive by the upper and lower voices is an example of invertible counterpoint. In bar 27, an extended version of the motive begins in F minor before morphing back into A minor with the same modulation formula from bar 2 that redirects to a perfect cadence in the tonic key with a final Picardi third in A major.

Voice Duet Voice - Level 2 - Digital Download SKU: A0.612610 Composed by Stephen DeCesare. Christian,Praise & Worship,Sacred. 10 pages. Exultet Music #6562333. Published by Exultet Music (A0.612610). Exuberant hymn that is scored for two voices (Melody and Descant), Bb-Trumpet with Piano accompaniment. Accessible and appropriate for any church or concert setting.  Can be used many times throughout the liturgical year.  An accompaniment track is also available. 

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.939880 Composed by Richard St. Clair. 20th Century,Praise & Worship,Sacred. Octavo. 24 pages. Richard St. Clair #6382305. Published by Richard St. Clair (A0.939880). This 10+-minute cantata is a setting of 6 wasan (hymns) by the great founder of Jodo Shinshu Buddhism, Shinran Shonin (Japan, 1173-1262). It is scored for mixed voices with piano accompaniment. Stylistically this is completely tonal with conventional voice-leading. It is very meditative and moving, suitable for devotion or public concert performance. The audio clip is with synthesized voices and piano.

Choral Choir,Choral (SAB) - Level 3 - Digital Download SKU: A0.1399890 Composed by Words and Music by Marti Lunn Lantz. Celtic,Contemporary,Irish,Praise & Worship,Sacred. 10 pages. Lantz Choral Publications #983116. Published by Lantz Choral Publications (A0.1399890). Marti Lunn Lantz has written a highly inspirational anthem for SAB voices and piano. The comforting message is that no matter where you are or what you are doing, you can hear the voice of God in all things; He is always there with you. The uplifting Celtic flavored music adds to the positive force of this composition. The chorus drives home the main point: �My Teacher, Savior, and my Guide, we journey onward side by side. My faith is strong, I see Your face. My heart is filled with Your grace!“ Very appealing!  Full score and parts for woodwinds, F horns, strings and bodhrán, arranged by David Lantz III - LCP0248Accompaniment track mp3 of the orchestration – LCP0167Also available for SATB voices (LCP0131); SATB score and parts (LCP0132)NOTE: The audio recording is that of the SATB version.

Choral Choir,Choral (2-Part) - Level 2 - Digital Download SKU: A0.1398914 Composed by Original Music: David Lantz III, including GARTON, traditional Irish melody and Original Words: Thomas Henry Roehrich, including words by Christina Rossetti. Advent,Christmas,Sacred. 10 pages. Lantz Choral Publications #982184. Published by Lantz Choral Publications (A0.1398914). Intended use: Christmas Eve, Christmas, Late AdventThemes: The birth of Christ, LoveFrom that night on, the world would have His voice of love to hear, the main idea of the original text and music, pairs beautifully with the well-known hymn Love Came Down at Christmas, celebrating the birth of Jesus Christ. Scored for Two-part mixed voices, piano and optional guitar, bass and drums, this contemporary 8th note ballad is appropriate for Christmas Eve, Christmas, or late Advent.Also available for SATB (LCP0072), SAB (LCP0107), and SSA (LCP0265) voicesGuitar, Bass and Drumset (LCP0079)Accompaniment Track mp3 with piano, guitar, bass and drumset (LCP0080)NOTE: The audio recording is that of the SATB version

Choral Choir,Choral (SSA) - Level 3 - Digital Download SKU: A0.1401151 Composed by Original music by David Lantz III, including GARTON, traditional Irish melody and Original words by Thomas Henry Roehrich, including words by Christina Rossetti. Advent,Christmas,Contemporary,Sacred. 10 pages. Lantz Choral Publications #984338. Published by Lantz Choral Publications (A0.1401151). Intended use: Christmas Eve, Christmas, late AdventThemes: The birth of Christ, LoveFrom that night on, the world would have His voice of love to hear, the main idea of the original text and music, pairs beautifully with the well-known hymn Love Came Down at Christmas, celebrating the birth of Jesus Christ. Scored for SSA voices, piano and optional guitar, bass and drums, this contemporary 8th note ballad is appropriate for Christmas Eve, Christmas, or late Advent.Parts for Guitar, Bass and Drums: LCP0079Accompaniment track mp3: LCP0080 (piano, guitar, bass and drums)Also available for SATB (LCP0072), SAB (LCP0107) and Two-part mixed (LCP0241) voices.NOTE: The audio recording is that of the SATB version.

Composed by David Warin Solomons (1953-). 21st Century, 20th Century, Impressionistic, Neo-Classical, World. Sheet Music Single. 10 pages. Published by David Warin Solomons (S0.53213). - Sheet Music Single - 21st Century,20th Century,Impressionistic,Neo-Classical,World - David Warin Solomons

Brass Ensemble - Level 3 - Digital Download SKU: A0.767279 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 38 pages. Lyons Music Services #3218699. Published by Lyons Music Services (A0.767279). As part of my continuing project to transcribe Monteverdi's madrigals onto winds, here is the 6th book. In this book we see a much greater development towards dramatic representation. In a way, this book is divisible into two Scenes with a number of single items in between. The vocal lines are all much more complex and we can also see the beginnings of monodic writing appear in the semi-recit sections of some of the songs. Also clearly developing are delineations of the voices into soloists and chorus. Several songs in this book are almost akin to arias, with clear soloistic writing for the higher voices (Cantus/Tenor). The first four songs form a kind of introductory 'scena', which Monteverdi calls Lamento d'Arianna. A little later, there is a set of 6 songs which he grouped together under the title Sestina. This song, No 10 starts with the line Here Tirsi laughed and wriggled under the two(twin?) stars of the beautiful Clorinda I think you get the picture! We can see plenty of musical laughing and wriggling in the music with dotted rhythms and semiquaver runs. The top two voices are Clorinda (doing a fair amount of wriggling herself) while the bottom two take the part of Tirsi. There are places where all four voices give vent to an exclamation and where, presumably, the two lovers had to stop for breath! The original incorporates a very basic continuo part, which I have shared between the resting voices. As with all things madrigalian, the lyrics are rife with double entendres.