Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.510172 Composed by Glyn Lehmann (music), Phil Cummings (lyrics). 20th Century,R & B,Rock. Octavo. 11 pages. Glyn Lehmann #3542459. Published by Glyn Lehmann (A0.510172). The final song from SPACE RACE - a song-cycle celebrating the 50th anniversary of the moon landing on 20 July 1969. Other songs are Gagarin (Beyond Blue Sky), Space Race (To Every Question) and The Children of the World (July 1969). More information at https://glynlehmann.com/Space-RaceThe Apollo 11 mission was the culmination of years of dedication and experimentation in the attempt to land a man on the moon. This song traces the tense journey back home to Earth made by the Apollo 11 astronauts as they leave the moon's surface - ultimately returning as heroes. The subdued drama of the verses climaxes with the gospel-influenced triumph of the choruses.https://youtu.be/oAUjyzccdhMApollo 11 (Homecoming)Words by Phil Cummings, Music by Glyn LehmannVerse 1Time to leave Tranquillity BaseFor the finish line the end of the raceMoon-dusted suits, deep black skiesOn a dark horizon see Earth riseA cargo of rocks, soil and dustStrapped in the module, feel the thrustChorus 1 After days and days of being aloneThe astronauts were coming homeThey were coming home After days and days of being aloneThe astronauts were coming homeThey were coming home Verse 2The module falls, the angle is rightAnd the heat shield is burning brightInterludeRadio silence into the atmosphereNo voice of calm, no voices to hear Those that wait on the groundHold their breath, don’t make a soundThen from the silence a voice is clearCalling for the world to hearControl room erupts with shouts and cheersHigh in the sky the module appearsChorus 2This is the homecoming, this the homecomingThose brave men are coming, coming homeAfter days and days of being aloneThe astronauts were coming homeThey were coming home After days and days of being aloneThe astronauts were coming homeThey were coming home CodaHome, they were homeOur homeLyrics © 2018 Phil Cummings

Piano,Voice Duet High Voice,Medium Voice,Piano - Level 2 - Digital Download SKU: A0.1087026 By Stephen DeCesare. By Stephen DeCesare. Children,Contemporary,Contest,Festival,Video Game. 11 pages. Exultet Music #691224. Published by Exultet Music (A0.1087026). Beautiful choir setting of the famous children's lullaby by Eugene Field. Perfect for concert settings where there are children in the audience and those who remember this soothing night time lullaby poem. Scored as a duet for Children's voices, Flute and Piano accompaniment. Accompaniment track is also available.

Piano and voice (3-part) - Digital Download SKU: LV.23903 Toasting. Lester S. Levy Collection. 3 pages. Published by Johns Hopkins University Sheridan Libraries (LV.23903). Here's A Health. A Favorite Glee for Three Voices. n. Published [n.d.] by W. Boag, No. 11 Great Turnstile, Holborn in London. Composition of through-composed with piano and voice (three-part) instrumentation. Subject headings for this piece include Toasting. First line reads Here's a health to all good Lasses.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

Choral Choir (SA) - Level 2 - Digital Download SKU: A0.835016 Composed by Alan Bullard. Children,Classical,Contemporary. Octavo. 11 pages. Colne Edition / BullardMusic #441762. Published by Colne Edition / BullardMusic (A0.835016). This lively setting of words originally suggested by schoolchildren combines rhythmic drive (‘Running a race for the future’) with a flowing melody (‘My hope and dream is that one day there’ll be no more war’). An optional second voice part of similar range adds to the texture, but the song works equally well with unison voices, and overall it communicates a message of care for the environment, and a hope for a future of peace and equality. Alan Bullard’s choral works are performed worldwide, and many have been recorded and broadcast. He has a growing reputation for music that choirs enjoy performing, and which speaks directly to audiences. The Colne Choral Series contains a range of Bullard’s pieces for adult and youth choirs of all types, including cantatas and choral suites as well as individual movements. For full details please visit www.colneedition.co.uk or www.alanbullard.co.uk.

Piano,Voice Duet Medium Voice,Piano - Level 3 - Digital Download SKU: A0.1159166 Composed by G.H. Stolzel / J.S. Bach. Arranged by John Ross. Baroque,Classical,Wedding. 11 pages. John Ross #759430. Published by John Ross (A0.1159166). Bist du bei mir is an aria from Stolzel's opera Diomedes (1718), best known now as forming part of the Notebook for Anna Magdalena Bach (1725).

Voice Duet Piano Accompaniment,Voice - Digital Download SKU: HX.466900 This edition: scorch. Christmas,Sacred. 11 pages. Hal Leonard - Digital #221461. Published by Hal Leonard - Digital (HX.466900).

Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1367409 Composed by English ballad. Arranged by Todd Marchand. Christian,Easter,Lent,Sacred. 5 pages. Con Spirito Music #951781. Published by Con Spirito Music (A0.1367409). Perhaps the most often-sung processional hymn on Palm Sunday, “Ride On, Ride On in Majesty� was written in 1820 by Anglican cleric, poet, and scholar Henry Hart Milman (1791-1868) and first  published in Reginald Heber’s Hymns Written and Adapted to the Weekly Church Service of the Year (1827). The hymn references Jesus’ entry into Jerusalem prior to his Passion, as recorded in Matthew 21:1-11.Writing for the Hymnology Archive of The Hymn Society in the US and Canada, editor Chris Fenner notes in his analysis of the text that:“This hymn ... is much less a narrative or paraphrase of the triumphal entry (Matt. 21, Mk. 11, Lk. 19, Jn. 12) than it is a forward-looking hymn pointing from the palms to the cross to [Jesus’] ascended position on the throne. The triumphal entry itself is a fulfillment of Zechariah 9:9 (‘Behold, your king is coming to you . . . humble and mounted on a donkey’). The recurring opening line is possibly an allusion to Psalm 45:4 (‘in thy majesty ride prosperously’). “Some hymnological commentators connect this hymn with the idea of the great reversal in Philippians 2:5-12, where we find the Christ who humbled himself in a crucified death, later to be exalted, name above all names, to which every knee will bow. As Canadian hymn scholar Stanley Osborne observed, this hymn’s poetic strength is in its exploration of that duality:'Objective, robust, confident, and stirring, it possesses that peculiar combination of tragedy and victory which draws the singer into the very centre of the drama. It is this which gives the hymn its power and its challenge.'In this arrangement for SATB voices and organ, Milman’s text is set to the 15th-century English ballad, “Deo Gratias� (aka The Agincourt Carol), with the refrain Ride on in majesty!� following each verse.©Copyright 2024 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, patriotic, folk, and holiday music for instruments and voices, visit www.conspiritomusic.com

SSAATTBB chorus - Digital Download SKU: BJ.1335 Composed by Cecilia Franke. Secular. Octavo. 16 pages. Bo Ejeby Forlag - Digital #1335. Published by Bo Ejeby Forlag - Digital (BJ.1335). 8.27 x 11.7 inches.In my interpretation, the poem Voice Fragments is about the communication between a you and a me - dialogues that are intimately tied to the relationship between voices and words or speaking and listening. With regard to myself, listening also involves paying attention to the tone of voice and body language of the speaker, and not only the words. If I choose not to listen, I would be compromising my ability to empathize, which would cause me to forfeit my voice and also make the world a poorer place. The piece begins with sounds - a-ah, n-ng, s -, fragments that are also building blocks for words, units used and reused in various combinations to convey meaning. The same principle applies to music, where simple elements are used to build compositions, and they can also alter the meaning of the piece. - Cecilia Franke.

Choral Choir,Choral,Voice (SATB) - Digital Download SKU: HX.383727 Arranged by Allan Robert Petker. This edition: scorch. Choral. Hymn,Sacred. 11 pages. Pavane Publishing #JR0096. Published by Pavane Publishing (HX.383727).

Choral Choir (SA) - Level 3 - Digital Download SKU: A0.793889 Composed by English Carol. Arranged by Ivana Tuskan. Christmas,Concert. Octavo. 11 pages. Ivana Tuskan #3914745. Published by Ivana Tuskan (A0.793889). In this arrangement I've added second voice, piano accompaniment and violin part to traditional melody, and it can be sung as a vocal duet or two-part choir. First vers is at B flat major, and lead melody is sung by alto, while soprano harmonize, in second vers soprano took over leading melody. It's at E flat major. Third vers ends at F major, soprano leads.The sound example is electronic preview. The pdf file contains score, (10 pages ) and violin part (1 page) Performance Time approx. 3:20 NOTE: You are allowed 4 print copies with one purchase of this title. Further distribution or forwarding of this sheet music is prohibited. Thank you! - Ivana Tuskan

Choral Choir,Choral,Voice (SATB) - Digital Download SKU: HX.1218669 Composed by Robert S. Cohen. This edition: scorch. Concert. Octavo. 11 pages. Duration 220. Hal Leonard - Digital #347539. Published by Hal Leonard - Digital (HX.1218669).

Choral Choir (SA) - Level 3 - Digital Download SKU: A0.793887 Composed by English Carol. Arranged by Ivana Tuskan. Christmas. Octavo. 11 pages. Ivana Tuskan #3914743. Published by Ivana Tuskan (A0.793887). In this arrangement I've added second voice, piano accompaniment and flute part to traditional melody, and it can be sung as a vocal duet or two-part choir. First vers is at B flat major, and lead melody is sung by alto, while soprano harmonize, in second vers soprano took over leading melody. It's at E flat major. Third vers ends at F major, soprano leads. The sound sample is an electronic preview. The pdf file contains score, (10 pages ) and flute part (1 page) Performance Time approx. 3:20

Choral, Voice (SATB) - Digital Download Composed by Charles Anthony Silvestri and James Eakin III and James Eakin III. This edition: scorch. Concert, Festival, Inspirational. Octavo. 11 pages. Duration 195. Hal Leonard #340946. Published by Hal Leonard

Concert Band - Level 4 - Digital Download SKU: A0.1200132 Composed by Johann Strauss Jr. (1825–1899). Arranged by Shinji Kasama. Classical,Contest,Festival. Score and Parts. 194 pages. Kasama Music Corporation #795494. Published by Kasama Music Corporation (A0.1200132). [This Publication is in letter size (8/5 x 11). A4 size is also available.] Voices of Spring is one of the most well known waltzes by J. Strauss, Jr. This transcription is for concert band with full score (pp. 1–31), piccolo–harp (pp. 33–142), and transposed parts (pp. 143–194). A printed score and the parts on CD-ROM are available for purchase at www.kasamamusic.com.

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.893896 Composed by James Weldon Johnson, John Rosamond Johnson. Arranged by MistressPianist. 20th Century,Spiritual. Octavo. 11 pages. Leah Anteneh #5895423. Published by Leah Anteneh (A0.893896). Lift Every Voice And Sing SATB Choral, with a more classical feel. This piece is meant for mixed voices with divisi in the Alto and Tenor part (although divisi is optional).Comes with Piano Accompaniment as well, no additional charge!Perfect for school choirs/church choirs and other educational purposes. In honor of Black History Month as well as Juneteenth.Duration of the work is roughly 2 minutes and 40 seconds to 3 minutes.Vocal Ranges for each part: (low-high) Soprano: G#3-C#5Alto: G#3 - C#5Tenor: C#3 - E4Bass: E2 - C#4(Can be requested to be in a higher key!)