Small Ensemble Bassoon,Harpsichord,Low Voice,Piano Accompaniment - Level 4 - Digital Download SKU: A0.914146 Composed by Tom Swafford. 20th Century,Broadway,Contemporary,Musical/Show. Score and parts. 11 pages. Tom Swafford #3575315. Published by Tom Swafford (A0.914146). Novelty song for voice (any type), piano (or harpsichord), and optional bassoon.  Originally written for bass voice, the part is in treble clef and goes up to a D at the top of the staff and down to an E below the staff. Contact the composer if you would like it in a different key. This is a silly song with some cartoonish violence represented (cracking skulls etc.), reminiscent of Gilbert and Sullivan or early 20th century musical theater.  PDF is designed for double-sided printing, with page 1 of the score on the left side, blank pages are inserted to avoid page turns in the voice and bassoon parts. duration 2.5 minutes. www.tomswafford.com ASCAP.

Small Ensemble Guitar,High Voice - Level 4 - Digital Download SKU: A0.964299 Composed by Franz Schubert. Arranged by Evans, Jack. Romantic Period. Score and parts. 8 pages. Jack Stanley Evans #5899369. Published by Jack Stanley Evans (A0.964299). Erlafsee (Erlaf Lake)This song is an important milestone in Schubert’s career, because it was his first to be published. The text was written by poet, Johann Mayrohfer, Schubert’s fellow Austrian and close friend, and the lyrics describe the experience of sitting beside a lake at sunset. This guitar arrangement is written in E major in the interests of playability, but it can be performed in Schubert’s original key of F major by placing a capo on the first fret, or in the transposition for low voice by detuning the guitar a tone. Bars 4-11 should be played in a languid, lilting manner to represent the mind-set of the protagonist sitting beside the lake. This mood should be imbued with a hint of foreboding at bar 12, before returning to its former lilting tranquillity at bar 18. The opening phrase should combine these two moods, if possible. The vocal line is echoed in the guitar part in bars 19-24; these phrases should be performed with great delicacy so that they reflect the voice. The middle section, which begins at bar 29, should be played slightly faster than the previous sections, and with a brighter feel. The accompanist needs to set up the transition back to the original tempo in bar 77, after which, the same languid, lilting playing style as the first verse should be applied.This classic Schubert song has been arranged for voice and acoustic guitar in order to provide an alternative accompaniment option for singers who want to perform Schubert’s lieder with guitar instead of piano.

Large Ensemble Voice - Level 4 - Digital Download SKU: A0.534220 Composed by Ange Flégier. Romantic Period,Standards. Score and parts. 11 pages. Musik Fabrik Music Publishing #3234395. Published by Musik Fabrik Music Publishing (A0.534220). Flégier's original orchestration transposed to F major for baritone voice.  This is the piano vocal score with the rehearsal markings for ease of rehearsal.

Small Ensemble Flute,Organ,Voice - Level 4 - Digital Download SKU: A0.882268 Composed by G. F. Handel. Arranged by A. Douglas Biggs. Contemporary,Easter,Sacred. Score and parts. 11 pages. Adrian D Biggs #5970695. Published by Adrian D Biggs (A0.882268). Agnus dei for high or medium Voice, Flute Solo and Organ uses as an inspiration the melody from the aria Ombra mai fú from Handel’s opera Serse. The long, lyrical melody borne forward by the steady, quiet, powerful accompaniment conveys a tranquil sacredness. The sense of entreaty and desire for benediction expressed in the Agnus Dei seems a natural fit with Handel’s famous melody. An introduction featuring Solo Flute precedes the voice calling out agnus dei, qui tollis peccata mundi. An instrumental meditation follows leading back to the conclusion of the piece. Arrangements for other ensembles are also available (Vocal Solo, SSA, SATB) as well as featuring the addition of Solo Violin, Flute, Oboe or Clarinet and soloist with chorus. Difficulty is moderate for both the singer, flute, and organ and is suitable for a sacred setting or the concert hall. Duration approximately 4 minutes. Score and part included. Also available in a piano version.

Small Ensemble Piano,Violin,Voice - Level 4 - Digital Download SKU: A0.882266 Composed by G. F. Handel. Arranged by A. Douglas Biggs. Contemporary,Easter,Sacred. Score and parts. 11 pages. Adrian D Biggs #5728915. Published by Adrian D Biggs (A0.882266). Agnus dei for high or medium Voice, Violin Solo and Piano uses as an inspiration the melody from the aria Ombra mai fú from Handel’s opera Serse. The long, lyrical melody borne forward by the steady, quiet, powerful accompaniment conveys a tranquil sacredness. The sense of entreaty and desire for benediction expressed in the Agnus Dei seems a natural fit with Handel’s famous melody. An introduction featuring Solo Violin precedes the voice calling out agnus dei, qui tollis peccata mundi. An instrumental meditation follows leading back to the conclusion of the piece. Arrangements for other ensembles are also available (Vocal Solo, SSA, SAB, SATB) as well as featuring, Solo Violin, Flute, Oboe or Clarinet and soloist with chorus. Difficulty is moderate for both the singer, instrumental soloist and pianist and is suitable for a sacred setting or the concert hall. Duration approximately 4 minutes. Score and part included. Also available with Piano accompaniment

Small Ensemble Piano,Violin,Voice - Level 4 - Digital Download SKU: A0.882257 Composed by G. F. Handel. Arranged by A. Douglas Biggs. Contemporary,Easter,Sacred. Score and parts. 11 pages. Adrian D Biggs #5723155. Published by Adrian D Biggs (A0.882257). Agnus dei for high or medium Voice, Violin Solo and Piano uses as an inspiration the melody from the aria Ombra mai fú from Handel’s opera Serse. The long, lyrical melody borne forward by the steady, quiet, powerful accompaniment conveys a tranquil sacredness. The sense of entreaty and desire for benediction expressed in the Agnus Dei seems a natural fit with Handel’s famous melody. An introduction featuring Solo Violin precedes the voice calling out agnus dei, qui tollis peccata mundi. A solo instrumental meditation follows leading back to the conclusion of the piece. Arrangements for other ensembles are also available (Vocal Solo, SSA, SATB) as well as featuring, in place of Violin, Solo Flute, Oboe or Clarinet and soloist with chorus. Difficulty is moderate for both the singer, violinist and pianist and is suitable for a sacred setting or the concert hall. Duration approximately 4 minutes. Score and part included.

Small Ensemble Flute,Piano,Voice - Level 4 - Digital Download SKU: A0.882258 Composed by G. F. Handel. Arranged by A. Douglas Biggs. Contemporary,Easter,Sacred. Score and parts. 11 pages. Adrian D Biggs #5723707. Published by Adrian D Biggs (A0.882258). Agnus dei for high or medium Voice, Flute Solo and Piano uses as an inspiration the melody from the aria Ombra mai fú from Handel’s opera Serse. The long, lyrical melody borne forward by the steady, quiet, powerful accompaniment conveys a tranquil sacredness. The sense of entreaty and desire for benediction expressed in the Agnus Dei seems a natural fit with Handel’s famous melody. An introduction featuring Solo Flute precedes the voice calling out agnus dei, qui tollis peccata mundi. An instrumental meditation follows leading back to the conclusion of the piece. Arrangements for other ensembles are also available (Vocal Solo, SSA, SATB) as well as featuring, Solo Violin, Flute, Oboe or Clarinet and soloist with chorus. Difficulty is moderate for both the singer, instrumental soloist and pianist and is suitable for a sacred setting or the concert hall. Duration approximately 4 minutes. Score and part included.

Cello,Viola,Violin,Voice - Level 3 - Digital Download SKU: A0.1457927 Composed by Gabriel Faure. Arranged by Kenneth Pasciak. Chamber,Classical,Religious,Romantic Period,Sacred. 11 pages. Kenneth Pasciak #1036921. Published by Kenneth Pasciak (A0.1457927). ....................Ave Maria, Op. 67, No. 2, by French composer Gabriel Fauré (1845-1924) arranged for voice and string quartet in A major. Includes 4-page score plus individual parts for voice, violin, viola and cello. Lyrics in Latin. Vocal range = D4 - F5.Kenneth Pasciak Music Publishing, ASCAPkenpasciak.comhttps://linktr.ee/kp_sheetmusic/....................

Guitar,Instrumental Duet,Voice - Level 5 - Digital Download SKU: A0.1456488 Composed by Enrique Granados, Fernando Obradors, Manuel de Falla, and Pablo de Sarasate. Arranged by Kenneth Pasciak. Chamber,Classical,Romantic Period. 63 pages. Kenneth Pasciak #1035560. Published by Kenneth Pasciak (A0.1456488). ....................Anthology of Spanish Songs features 11 classic works by Spanish composers Enrique Granados, Manuel de Falla, Fernando Obradors and Pablo de Sarasate arranged for voice and classical guitar. Includes a score and individual parts for each piece. Spanish lyrics. Each piece also available separately with tablature.Contents:Asturiana (de Falla), vocal range = G#4 - E5Nana (de Falla), vocal range = D4 - E5Canción (de Falla), vocal range = D# - E5El majo discreto (Granados), vocal range = E4 - A5El mirar de la Maja (Granados), vocal range = F#4 - A5El majo timido (Granados), vocal range = D4 - F#5El tra la la y el punteado (Granados), vocal range = E4 - G5La me sola, Laureola (Obradors), vocal range = A3 - D5Al Amor (Obradors), vocal range = G4 - G5Con amores, la mi madre... (Obradors), vocal range = E4 - G#5L'éventail noir (Sarasate), vocal range = D#4 - F5Kenneth Pasciak Music Publishing, ASCAPkenpasciak.comhttps://linktr.ee/kp_sheetmusic/....................

Piano,Violin,Voice - Level 3 - Digital Download SKU: A0.663228 Composed by Franz Schubert. Arranged by MSM. Classical,Romantic Period. 11 pages. Open Cloud #4309813. Published by Open Cloud (A0.663228). This product(include full and parts score) is a digital sheet music in PDF format. The music was composed by Schubert (Franz Seraphicus Peter Schubert), 1797-1828,for Voice and Piano, published by More Sheet Music Press.

Instrumental Duet Cello,Instrumental Duet,Voice - Level 4 - Digital Download SKU: A0.887419 Composed by Nikita Khryapin. 20th Century,Contemporary. Score and parts. 11 pages. Nikita Khryapin #5983689. Published by Nikita Khryapin (A0.887419). This is Dreamland, a poem by Edgar Allan Poe but it is set to a Bass Voice accompanied by Cello.

Piano,Violin,Voice - Level 3 - Digital Download SKU: A0.663232 Composed by Franz Schubert. Arranged by MSM. Classical,Romantic Period. 11 pages. Open Cloud #4309819. Published by Open Cloud (A0.663232). This product(include full and parts score) is a digital sheet music in PDF format. The music was composed by Schubert (Franz Seraphicus Peter Schubert), 1797-1828,for Voice and Piano, published by More Sheet Music Press.

Piano,Violin,Voice - Level 3 - Digital Download SKU: A0.663224 Composed by Franz Schubert. Arranged by MSM. Classical,Romantic Period. 11 pages. Open Cloud #4309805. Published by Open Cloud (A0.663224). This product(include full and parts score) is a digital sheet music in PDF format. The music was composed by Schubert (Franz Seraphicus Peter Schubert), 1797-1828,for Voice and Piano, published by More Sheet Music Press.

Composed by Stephen Adams / Michael Maybrick. Arranged by James Nathaniel Holland. Opera, Christian, Sacred, Easter, Funeral. Score. 11 pages. Published by James Nathaniel Holland (S0.171167). - Score - Opera,Christian,Sacred,Easter,Funeral - James Nathaniel Holland

Voice Duet Voice - Level 3 - Digital Download SKU: A0.578441 Composed by David Warin Solomons. 20th Century,Contemporary. 10 pages. David Warin Solomons #4804947. Published by David Warin Solomons (A0.578441). Mysterious duet based on this poem, with much use of harmonics on the guitar:(Technical note: the unusual chord in bars 7, 10, 11 etc is produced by placing fingers 1 and 2 of the left hand on the 6th and 7th fret of the G and D strings respectively and sweeping down as harmonics over the 19th fret with the right hand (index finger lightly touching the strings over the 19th fret and annular finger plucking the strings a little higher up). The result is unclear harmonics on the G and D strings, which is intentional, and clear octave-and-a-fifth harmonics on the other strings).