Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Ukulele,Voice,Xylophone - Level 2 - Digital Download SKU: A0.565371 By Sharon Wilson. By Ray Palmer. Arranged by Sharon Wilson. Easter,Instructional,Praise & Worship,Romantic Period,Sacred. 12 pages. Sharon Wilson #4280889. Published by Sharon Wilson (A0.565371). This arrangement is one of the 12 songs in the collection Twelve More Classic Hymns for 8-note Bells and Boomwhackers®  

Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Ukulele,Voice,Xylophone - Level 2 - Digital Download SKU: A0.565362 By Sharon Wilson. By George Frederick Root. Arranged by Sharon Wilson. Children,Instructional,Romantic Period,Sacred. 12 pages. Sharon Wilson #4268949. Published by Sharon Wilson (A0.565362). This arrangement is one of the 12 songs in the collection Twelve More Classic Hymns for 8-note Bells and Boomwhackers®This sheet music is notated for 8-note, C major diatonic scale (one octave) instruments with Handbells on one staff and Boomwhackers® on a second staff creating a 2-part instrumental ensemble (requires one set of each instrument). Included in this set of scores is a combined score with both instrument parts on a grand staff plus a separate score for each instrument. A note and chord chart is also provided to aid in the learning and teaching of this song. Lyrics are provided as well for sing along enjoyment (first verse only).  For the first verse, Handbells play the melody while the Boomwhackers® keep a steady beat with three-note chords. For the second verse, the Boomwhackers® play the melody while the Handbells play single note harmony. If you want to learn (practice) only the first verse, an optional ending is provided or it can be skipped to perform the two verses together. This set of scores uses black and white noteheads and is best suited for musicians already familiar with reading standard music notation. For beginning musicians, this same set of scores is available (sold separately) with color coded noteheads.Only filled noteheads (quarter and eighth notes) are used so the notes are easier to see (this does not indicate the bells need to be silenced immediately before the next beat). Also, only quarter rests are used to help visualize the number of beats per measure.Though this sheet music is notated for Handbells and Boomwhackers®, this arrangement is playable by any 8-note, C major diatonic scale (one octave) instrument such as a xylophone or glockenspiel.The number of ringers and whackers needed will vary depending on the skill level of the participants. For more advanced players, each person could be assigned two or three notes. For beginners, it is best to assign one or two notes to each person. Note assignment suggestions are included.Other suggestions and uses: * have both parts played by bells or both parts played using only Boomwhackers®    * form a choir using multiple sets of bells and/or Boomwhackers® (this would amplify the sound and allow more people to participate)* use as part of the music education for children at school, home, or church* these colorful, inexpensive instruments can be enjoyed by all ages and add a fun, unique element to activities and programs: senior centers, family reunions, church retreats, home school groups, just to name a few Boomwhackers® is a registered trademark of Rhythm Band Instruments, LLC. Used by permission. Visit Sharon Wilson's website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic

Choral SATB choir - Digital Download SKU: H1.C5512DP Arranged by Cindy Berry. Piano Accompaniment with Optional Orchestra. General Worship, Sacred. Octavo. 8 pages. Hope Publishing - Digital #C5512DP. Published by Hope Publishing - Digital (H1.C5512DP). Acts 2:47 - Hebrews 2:12 - 1 Peter 2:9 - Romans 8:16 - Romans 8:17 - 2 Corinthians 5:5 - 2 Corinthians 5:17 - Ephesians 1:14 - Genesis 28:12 - Hebrews 9:28 - John 3:8 - Mark 6:14 - Mark 6:15 - Mark 6:16 - Mark 6:17 - Mark 6:18 - Mark.Beloved hymn tune This rousing Cindy Berry setting of Fanny Crosby's treasured hymn features a flowing accompaniment, accessible voice ranges and a soaring descant that adds excitement as the piece builds to its climactic ending. The exquisite orchestration comes from master arranger, Brant Adams, and includes parts for: Flute 1 & 2, Oboe, Clarinet 1 & 2, Bassoon, Horn 1& 2, Trumpet 1, Trumpet 2 & 3, Trombone 1 & 2, Bass Trombone/Tuba, Timpani, Percussion 1 & 2, Harp, Piano, Violin 1 & 2, Viola Cello, and Double Bass.

Guitar,Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.965763 By Lisa Waites. By Lisa Waites. Arranged by Lisa Waites. Children,Film/TV,Praise & Worship,Sacred,Spiritual. Score. 1 pages. Servant Song Music and Ministry #571431. Published by Servant Song Music and Ministry (A0.965763). I wrote this contemporary hymn as a musical prayer response to the invasion of Ukraine in 2022. In liturgical churches, it functions beautifully as a congregational sung response following the Prayers of the People (or even replacing the Prayers of the People). In evangelical settings, it can be sung as a stand-alone worship hymn right after the sermon, or as part of a set of worship songs at the beginning or conclusion of the service. I am a prolific songwriter, and I've been writing music for 35+ years now. Through all of those years, there have only been a handful of occasions where I have felt more like a conduit of the Holy Spirit than the composer of the hymn; this was definitely one of those times. This is Our Prayer is written in the key of F Major, making it highly accessible for beginning church accompanists. It has a moderate tempo, set in a 3/4 time signature with a lilting rhythm. The vocal range is designed for robust congregational singing. The melody line is just one octave, ranging from Middle C to the C above it; the Alto line is just a six note range, from Middle C to the A above. This score includes the piano accompaniment in a strophic, hymn style format, two-part vocal harmony, and guitar chords (which can also assist pianists who play by chord + melody line, instead of by reading the score). The simplicity of this hymn does not detract from its' beauty, however. This is a highly singable, memorable tune with some interesting rhythmic patterns. The lyrics of this hymn are loosely based on Romans 12:12-21 (As far as it depends upon you, live at peace with all people). The words of the hymn are truly a prayer, asking God for peace, but they also remind us that as people of faith, we are invited to participate WITH God in the process of making peace on earth, by how we pray, live, give, and place our trust in God. One lyric reads that we dare to pray for peace; this is an intentional choice on my part, flagging the potential costliness of becoming people who prioritize peace. The week this hymn was released to Spotify, iTunes, Amazon Music Unlimited, Reverbnation, and Deezer, it debuted at #30 on the Top 100 Contemporary Christian Music Charts on Spotify. The YouTube video version of the hymn (link attached below) was viewed over 7,000 times in the first ten days, by people in over 40 countries. You are welcome to stream it for worship services, on church websites, and on social media. The more people view it, the more ad revenue it will generate, and all profits from the sale of this hymn in any form (video ad revenue, digital MP3 sales on the sites listed above, and the sale of this musical score) will be donated to the Red Cross and the United Church of Canada's Mission & Service Fund; both of these registered charities have targeted programs running to assist Ukrainians who've been displaced by the war. Once the Ukrainian war ends, I will continue to send all profits from the hymn to those same charities to help refugees in other conflict zones. May this hymn comfort and discomfort you. My prayer is that it will prompt all of us to live more faithfully as people of peace - in our individual lives, but also in our families, in our communities, our nations, and our world. To God be the glory!

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1149324 Composed by Cesar Auguste Franck. Arranged by Daniel E. Self. Classical,Wedding. 12 pages. Daniel Self #749465. Published by Daniel Self (A0.1149324). Panis Angelicus (Latin for Bread of Angels) was set to music most famously in 1872 by Cesar Franck and scored originally for tenor voice, harp, cello, and organ. This arrangement for wind quintet (flute, oboe, clarinet, horn, and bassoon) features the vocal line prominently in both the oboe and horn parts. This is a great addition to any quintet's classical or wedding collections. Includes complete score and parts (12 pages total).

Choral Choir (SATB divisi) - Level 4 - Digital Download SKU: A0.1265239 Composed by Kirsten Duncan. A Cappella,Contemporary. Octavo. 12 pages. Shrub Creative #858085. Published by Shrub Creative (A0.1265239). Composed by Kirsten Duncan. Contemporary choral SATB a cappella. A4, 12 pages (including covers). Published by Shrub Creative. Item number 2023-01. ISMN 9790900969910. A narrative work for intermediate unaccompanied mixed choirs (SATB divisi, a cappella), setting Lewis Carroll’s epic adventure poem ‘Jabberwocky’. Score includes piano reduction for rehearsal, and pronunciation guide.In Lewis Carroll’s ‘Jabberwocky’, published in his 1871 novel Through the Looking-Glass, a “beamish boy� sets out on an adventure through a mysterious land populated by fantastical creatures, vanquishes a fearsome beast and returns triumphantly home. Central to the enduring appeal of the poem is Carroll’s linguistic creativity. There are at least 16 other choral settings of ‘Jabberwocky’, so why choose this one? Like most, Kirsten Duncan’s composition seeks to express the meanings of the words and actions in the text through musical ideas. Unlike most, this piece is composed for intermediate to advanced mixed adult choirs (SATB divisi) without any instrumental accompaniment, and combines the tradition of Anglican chant (evident in the final stanza) with a mood of fireside storytelling for a ripping musical yarn of high adventure. Kirsten Duncan has had a lifelong passion for choral singing. Now based in Canberra, Australia, she has performed with Gaudeamus (Judith Clingan), Hamburg International School (ISH) Singers, the choirs of Christ Church St Laurence Sydney (Dr Neil McEwan), The Resonants (Helen Swan) and others. Kirsten started composing choral music in 2015, contributing to the musical community that has been a stabilising thread throughout her life. She especially thanks Helen Swan and The Resonants for giving voice to this composition. Visit kirstenduncan.com.au to notify about performances of this music, and find more choral works and information. Copyright © 2023 KIRSTEN DUNCAN. All rights reserved.

Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Ukulele,Voice,Xylophone - Level 2 - Digital Download SKU: A0.565366 By Sharon Wilson. By Isaac Watts. Arranged by Sharon Wilson. Children,Easter,Folk,Praise & Worship,Sacred. 12 pages. Sharon Wilson #4279639. Published by Sharon Wilson (A0.565366). This arrangement is one of the 12 songs in the collection Twelve More Classic Hymns for 8-note Bells and Boomwhackers®This sheet music is notated for 8-note, C major diatonic scale (one octave) instruments with Handbells on one staff and Boomwhackers® on a second staff creating a 2-part instrumental ensemble (requires one set of each instrument). Handbells play the melody while the Boomwhackers® keep a steady beat with three-note chords. Included in this set of scores is a combined score with both instrument parts on a grand staff plus a separate score for each instrument. A note and chord chart is also provided to aid in the learning and teaching of this song. Lyrics are provided as well for sing along enjoyment.  This arrangement includes two verses. The first verse is easy with fewer notes. The second verse is intermediate and expands the melody by adding more notes. If you want to learn (practice) only the easy verse, an optional ending is provided or it can be skipped to perform the two verses together. This set of scores uses black and white noteheads and is best suited for musicians already familiar with reading standard music notation. For beginning musicians, this same set of scores is available (sold separately) with color coded noteheads.Only filled noteheads (quarter and eighth notes) are used so the notes are easier to see (this does not indicate the bells need to be silenced immediately before the next beat). Also, only quarter rests are used to help visualize the number of beats per measure.Though this sheet music is notated for Handbells and Boomwhackers®, this arrangement is playable by any 8-note, C major diatonic scale (one octave) instrument such as a xylophone or glockenspiel.The number of ringers and whackers needed will vary depending on the skill level of the participants. For more advanced players, each person could be assigned two notes. For beginners, it is best to assign one note to each person. Note assignment suggestions are included.Other suggestions and uses: * have both parts played by bells or both parts played using only Boomwhackers®    * form a choir using multiple sets of bells and/or Boomwhackers® (this would amplify the sound and allow more people to participate)* use as part of the music education for children at school, home, or church* these colorful, inexpensive instruments can be enjoyed by all ages and add a fun, unique element to activities and programs: senior centers, family reunions, church retreats, home school groups, just to name a few Boomwhackers® is a registered trademark of Rhythm Band Instruments, LLC. Used by permission. Visit Sharon Wilson's website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic

Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Ukulele,Voice,Xylophone - Level 2 - Digital Download SKU: A0.565363 By Sharon Wilson. By George Frederick Root. Arranged by Sharon Wilson. Children,Folk,Romantic Period,Sacred,Standards. 12 pages. Sharon Wilson #4268951. Published by Sharon Wilson (A0.565363). This arrangement is one of the 12 songs in the collection Twelve More Classic Hymns for 8-note Bells and Boomwhackers®This sheet music is notated for 8-note, C major diatonic scale (one octave) instruments with Handbells on one staff and Boomwhackers® on a second staff creating a 2-part instrumental ensemble (requires one set of each instrument). Included in this set of scores is a combined score with both instrument parts on a grand staff plus a separate score for each instrument. A note and chord chart is also provided to aid in the learning and teaching of this song. Lyrics are provided as well for sing along enjoyment (first verse only).  For the first verse, Handbells play the melody while the Boomwhackers® keep a steady beat with three-note chords. For the second verse, the Boomwhackers® play the melody while the Handbells play single note harmony. If you want to learn (practice) only the first verse, an optional ending is provided or it can be skipped to perform the two verses together. This set of scores uses colored noteheads corresponding to the Boomwhackers® color scheme. If you have a set of bells or tubes with a different color scheme, Chroma-Notes Stick Ons can be purchased and applied so the instruments match the Boomwhackers® color scheme. This set of scores is also available (separate purchase) in black and white which will print clearer if you do not have access to a color printer.Only filled noteheads (quarter and eighth notes) are used so the notes are full color and easier to see (this does not indicate the bells need to be silenced immediately before the next beat). Also, only quarter rests are used to help visualize the number of beats per measure.Though this sheet music is notated for Handbells and Boomwhackers®, this arrangement is playable by any 8-note, C major diatonic scale (one octave) instrument such as a xylophone or glockenspiel (though the color coding may not match). The number of ringers and whackers needed will vary depending on the skill level of the participants. For more advanced players, each person could be assigned two or three notes. For beginners, it is best to assign one or two notes to each person. Note assignment suggestions are included.Boomwhackers® is a registered trademark of Rhythm Band Instruments, LLC. Used by permission. Visit Sharon Wilson's website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic

Choir Sacred (2-Part choir) - Grade 2 - Digital Download SKU: JX.00-4945 Composed by Robert Lau. Choral (Sacred); Choral Octavo; Performance Music Ensemble; Single Titles; Worship Resources. Alfred Archive Edition: Alfred Church Choral Series. Baptism; Sacred; Stewardship. Choral Octavo. 12 pages. Jubilate Music Group - Digital #00-4945. Published by Jubilate Music Group - Digital (JX.00-4945). English. Psalm 147:12-20; Jeremiah 31:7-14; Ephesians 1:3-18; John 1:1-18.Easy, Inspired 2-part treble writing! When I think that I am all alone, I will raise my voice and say: I am God's child! A lovely affirmation of growing in the love of the Lord. With both general and Lenten verses, this gentle children's or youth choir anthem is also appropriate for baptism, Christmastide or Epiphany, confirmation or stewardship.

Alto Saxophone,Bass Voice,Guitar,Tenor Saxophone,Trumpet - Level 3 - Digital Download SKU: A0.1111847 By Raul. By Jose Antonio Ogara Tejero and Jose Llobell Oliver. Arranged by juan carlos esteve / Gran Coda. Latin,Pop. 12 pages. Juan Carlos Esteve #714058. Published by Juan Carlos Esteve (A0.1111847). • Handwritten sheet music transcription for Bass, Guitar, Alto Saxophone, Tenor Saxophone, Trumpets (2) (accompaniment) with chord numbers of the theme Sueño Su Boca. • The download contains 12 pages in pdf format folio size A4 (21x29.7cm)-(8.27x11.69 in) • Original Ringtone: Gm • Degree of difficulty: Intermediate • This score is set for playing with a group or band. • Contact here to play other scores: https://partiturasgrancoda.com/.

Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.527653 Composed by C. Franck. Arranged by Diego Marani. Classical,Instructional,Romantic Period,Sacred,Standards. Score and parts. 12 pages. Diego Marani #3064429. Published by Diego Marani (A0.527653). Panis angelicus (Latin for Bread of Angels or Angelic Bread) is the penultimate strophe of the hymn Sacris solemniis written by Saint Thomas Aquinas for the Feast of Corpus Christi as part of a complete liturgy of the feast, including prayers for the Mass and the Liturgy of the Hours.The strophe of Sacris solemniis that begins with the words Panis angelicus (bread of angels) has often been set to music separately from the rest of the hymn. Most famously, in 1872 César Franck set this strophe for tenor voice, harp, cello, and organ, and incorporated it into his Messe à trois voix, Op. 12.This arrangement for brass quartet includes the following parts: Bb Trumpet 1, Bb Trumpet 2, F Horn, Trombone, Tuba.

Large Ensemble Bass Guitar,Cello,Drums,Glockenspiel,Harmonica,Harp,Piano,Trumpet,Viola,Violin,Voice - Level 5 - Digital Download SKU: A0.990761 Composed by SR.Pakpahan,SST. Arranged by Liric : SR.Pakpahan,SST. Contemporary,Musical/Show,New Age,Pop,Sacred. Score and parts. 63 pages. SR.Pakpahan,SST #5213461. Published by SR.Pakpahan,SST (A0.990761). Solo Pop Song of SACRED MUSIC.A Song for COMPOSITION COMPETITION SMPPRESS Contest 2020.Yesus Kristus sebagai Dasar Konstruksi Pekerjaan,(1 Kor 3:10 - 15)3:10 Sesuai dengan kasih karunia Allah, yang dianugerahkan kepadaku, aku sebagai seorang ahli bangunan yang cakap telah meletakkan dasar, dan orang lain membangun terus di atasnya. Tetapi tiap-tiap orang harus memperhatikan, bagaimana ia harus membangun di atasnya. 3:11 Karena tidak ada seorangpun yang dapat meletakkan dasar lain dari pada dasar yang telah diletakkan, yaitu Yesus Kristus. 3:12 Entahkah orang membangun di atas dasar ini dengan emas, perak, batu permata, kayu, rumput kering atau jerami, 3:13 sekali kelak pekerjaan masing-masing orang akan nampak. Karena hari Tuhan akan menyatakannya, sebab ia akan nampak dengan api dan bagaimana pekerjaan masing-masing orang akan diuji oleh api itu. 3:14 Jika pekerjaan yang dibangun seseorang tahan uji, ia akan mendapat upah. 3:15 Jika pekerjaannya terbakar, ia akan menderita kerugian, tetapi ia sendiri akan diselamatkan, tetapi seperti dari dalam api.Jesus Christ as the foundation of Job Construction,(1 Cor 3, 10 -15}:3:10 According to the grace of God given to me, like a skilled master-builder I laid a foundation, but someone else builds on it. And each one must be careful how he builds. 3:11 For no one can lay any foundation other than what is being laid, which is Jesus Christ. 3:12 If anyone builds on the foundation with gold, silver, precious stones, wood, hay, or straw, 3:13 each builder’s work will be plainly seen, for the Day will make it clear, because it will be revealed by fire. And the fire will test what kind of work each has done. 3:14 If what someone has built survives, he will receive a reward. 3:15 If someone’s work is burned up, he will suffer loss. He himself will be saved, but only as through fire.

Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.613993 Composed by Gary Lanier. Arranged by Gary Lanier. Christian,Gospel,Praise & Worship,Wedding. Score. 12 pages. The Lanier Company #118143. Published by The Lanier Company (A0.613993). This edition of YOU ARE ALWAYS HERE comes as a pdf Score that contains the Solo (melody, chords, & lyrics), Backup Vocals and Piano, plus the Lead Sheet Part and the Backup Vocals Part. The song beautifully expresses the peace in knowing that Jesus Christ is always there for every Child of God. It works great for a praise and worship team, special music in worship services, or for the joy of singing in any situation where inspirational music is desired (12 pages). ADDITIONAL PRODUCTS: (1) MP3 solo performance by Gary Lanier, listed as, YOU ARE ALWAYS HERE (Vocal Performance), (2) MP3 Keyboard and Drum accompaniment listed as, YOU ARE ALWAYS HERE (Keyboard & Drum Accompaniment), (3) MP3 Backup Vocals, Keyboard & Drum accompaniment listed as, YOU ARE ALWAYS HERE (Backup Vocals, Keyboard & Drum Accompaniment), (4) MP3 Keyboard & Drum accompaniment listed as, YOU ARE ALWAYS HERE (Keyboard & Drum Accompaniment). Video Review: https://youtu.be/0kbu21ilBL0.

Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1317903 By Al Jarreau. By Al Jarreau, David Babyface Foster, and Jay Graydon. Arranged by Academia Unimusica. Contemporary,Pop,Singer/Songwriter. Score. 5 pages. Unimusic Academy (Academia Unimusica) #906592. Published by Unimusic Academy (Academia Unimusica) (A0.1317903). Alwin Lopez Jarreau (March 12, 1940 – February 12, 2017) was an American singer and musician. His 1981 album Breakin' Away spent two years on the Billboard 200 and is considered one of the finest examples of the Los Angeles pop and R&B sound. The album won Jarreau the 1982 Grammy for Best Male Pop Vocal Performance. In all, he won seven Grammy Awards and was nominated for over a dozen more during his career.Jarreau also sang the theme song of the 1980s television series Moonlighting, and was among the performers on the 1985 charity song We Are the World..

Choral SAB choir with optional instruments - Digital Download SKU: H1.C6045DP Arranged by Joel Raney. Piano with Optional Instruments. Lent, Holy Week, General Worship. Octavo. 12 pages. Hope Publishing - Digital #C6045DP. Published by Hope Publishing - Digital (H1.C6045DP). I Corinthians 11:17-34 - Luke 22:19 - Mark 14:12 - Mark 14:13 - Mark 14:14 - Mark 14:15 - Mark 14:16 - Mark 14:17 - Mark 14:18 - Mark 14:19 - Mark 14:20 - Mark 14:21 - Mark 14:22 - Mark 14:23 - Mark 14:24 - Mark 14:25 - Mark 14:26.Original anthem This Communion original from Joel Raney speaks through the voice of Christ saying, come and follow me; my life I give so you may live. Useful for any Communion service, it is particularly useful during the season of Lent and Holy Week as it builds to the scene at Calvary with the words, Father, let this cup please pass from me. Choirs will appreciate the melodic lines and the intensity that it builds to before finally returning to the key phrase, think of me and remember.