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Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1010589 Composed by Ken Davies and Lyrics by Amy Crane. Christian,Gospel,Spiritual. Score. 12 pages. Beautiful Life #568783. Published by Beautiful Life (A0.1010589). This piece is about a person who is going through personal struggles and ignores the voice God in their life. Through the song, God says Walk with me upon the shore. The person then accepts Christ, and at the end of the song says, I'll walk with You upon the shore. Amy Crane, writer of the song lyrics, owns the copyrights to the piece to sell the sheet music. This piece can be performed as a piano and vocal piece. This piece cannot be sold as a sound recording. Duration: 6:15 minutes Released in 2015 Upon the Shore is a piece written to be sung as a solo during a church service. It is also appropriate for a special Christian event. www.facebook.com/FreelanceMusicWriterAmyCrane For further information, please contact: Amy Crane 269-275-9940.
Upon the Shore
Piano, Voix et Guitare

$6.95 6.03 € Piano, Voix et Guitare PDF SheetMusicPlus

Piano,Voice Duet Piano,Voice - Level 3 - Digital Download SKU: A0.780948 Composed by Cathy Stamegna. Arranged by Cathy Stamegna. Children,Christmas,Contemporary,Holiday,Pop. 12 pages. Cathy Stamegna #5791377. Published by Cathy Stamegna (A0.780948). Don't Take the Magic of Christmas Away (Soprano/Tenor Duet, Optional C Instrument, Chords, Piano Acc.) An introspective piece that speaks to maintaining a child’s innocence and wonder at Christmas:  Don’t take the magic of Christmas away from them too soon, They all grow up so fast, make their childhoods last…  Heart-warming lyrics inspired by a mother's desire to preserve Christmas magic for her seven-year-old son (Composer Comments included). Accessible and appropriate for a school or concert program. Set of Parts (for C Instrument).   Various vocal and choral arrangements available.  
Don't Take the Magic of Christmas Away Soprano/Tenor Duet, Piano Acc., Optional C Instrument, Chords
Voix duo, Piano

$4.99 4.33 € Voix duo, Piano PDF SheetMusicPlus

Bassoon, piano, voice - Digital Download SKU: IZ.PDP039 Composed by Novie Greene. Score and Parts. 19 pages. Imagine Music - Digital #PDP039. Published by Imagine Music - Digital (IZ.PDP039). 9 x 12 in inches.The Two Irish Songs were arranged in 1983 at my suggestion. Mycousin, Ed Searl, was studying voice with Novie Greene at the time, and it was through him that I made her acquaintance. The three of us thought that it would be nice to have something which we could all perform together, and so Novie began working on these charming settings. We premiered these pieces at a Bach's Lunch Concert at the Cathedral Church of St. Luke in Orlando on 28 April 1983. I have performed them since then as a set and also done St. Patrick's Breastplate several times for church services. The hymn is frequently used during confirmation or baptis1n ceremonies. The text is a translation of a Gaelic prayer done in 1889 by Cecil Frances Alexander (1818-1895), the wife of the Anglican Bishop of Derry and Raphoe. She also wrote the text for the hymn All Things Bright and Beautiful. The tune chosen by Novie Greene, sometimes known as St. Patrick, is by the Irish composer Sir Charles Villiers Stanford (1852-1924), who wrote it in 1902. Stanford is best remembered today for his work as a professor of composition at the Royal College of Music. His students there included Frank Bridge, Samuel Coleridge-Taylor, Thomas Dunhill, Gustav Holst, Herbert Howells, Willian1 Yeates Hurlstone, and Ralph Vaughan Williams. ~Bruce Gbur.
Two Irish Songs

$20.00 17.35 € PDF SheetMusicPlus

Piano,Violin - Level 2 - Digital Download SKU: A0.549836 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. 12 pages. Jmsgu3 #3554469. Published by jmsgu3 (A0.549836). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival               Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
Bach: Wachet auf for Violin & Piano
Violon et Piano

$24.95 21.65 € Violon et Piano PDF SheetMusicPlus






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