SKU: A0.1203272

This is one of the 15 pieces of practice songs for two voices.

SKU: A0.516511

The Solemn Mass CS524 for chorus of mixed voices, soloist voices and organ, was composed in Rome by Santino Cara at the end of 1999, and published in 2001. This Mass retraces the six classical canons Latin of the Roman Missal: Kyrie, Gloria, Credo, Sanctus-Benedictus and Agnus Dei. In addition to the complete score of the entire Mass, within the pdf file, are also included the separate part for choir and soloists voice. Movements and voices: 1. Kyrie - Choir SATB 2. Gloria - SATB choir and soloist voices (soprano, alto, tenor, and bass) 3. Credo - SSAATTBB choir and soloist voices (soprano, tenor and bass) 4. Sanctus - Choir SABrB and Variation on the Sanctus for solo voices 5. Benedictus - Choir SABrB 6. Agnus Dei - Choir SATB.

SKU: A0.575581

This version of the traditional folk song Green grow the rushes oh has been arranged for various combinations of voices - this one: mens' voices - in G (Alto Tenor Baritone), and mixed voices - in B (Mezzo-soprano, Alto, Tenor) women's voices - in D (Soprano Mezzo-Soprano Alto) The traditional count-down from one to twelve is interrupted midway when the top voice declares let's not make them listen to the lot but the chorus includes all twelve symbols anyway. The sound sample is a performance of the men's voices version (in G) by Matthew Curtis of www.choraltracks.com.

SKU: A0.1031323

This setting of Lawrence Raab's poem 'Voices Answering Back: The Vampires' was commissioned and first performed by Coastal Voices Men's Choir, under the direction of Janet Gaskin.  Approximate duration: 7 minutes.   The text is used by permission of the poet.   Coastal Voices is an unauditioned but very hard-working choir; my commission was to write a work which would be challenging, but feasible for them, and they responded splendidly to the occasion. I made MIDI soundfiles of the individual parts for the singers to rehearse with, and I would be happy to provide these to choirs who plan to perform the work. Voices Answering Back requires a skilled pianist. 
 You can reach me through my website at www.johnplantmusic.com.  My performing rights organization is SOCAN. Please note: 2017 Choral Contest Entry.

SKU: A0.939688

This musical joke pokes fun at a music critic, Michael Steinberg of the Boston Globe. The joking nature is emphasized by the upper voices in the major mode while the lower voices are in the minor mode. The lyrics are the short poem, Lines to a Reviewer, by the 19th century poet Percy Bysshe Shelley. The music is for SATB voices a capella, for either solo voices or small chorus. Duration about 2 minutes. The MP3 Audio Clip is a computer-generated soundfile.

SKU: A0.575608

After singing the excellent Britten setting of this traditional song I was moved to write various versions of my own: The choral versions are more sophisticated than the original but different from and possibly rather easier than the Britten arrangement. The voice and guitar version has a more interesting guitar part than the traditional guitar chords. The sound samples are sung by Matthew Curtis of choraltracks.com for the choral versions and by Margaret Jackson-Roberts with the composer on guitar for the voice and guitar version. All three versions are available here: voice and guitar (low alto or high tenor: both versions are in the pdf file) Women's voices (SSA or SMezA) men's voices (TBarB) in D major and in B major (both versions are in the pdf file) videos of the choral versions can be seen here: women's voices https://www.youtube.com/watch?v=yumtXSa_o-w men's voices https://www.youtube.com/watch?v=Zxy3opZlBog.

SKU: A0.576147

Setting of Rimbaud's mysterious (or possibly tongue-in-cheek) synaesthetic poem Voyelles for mixed choir with 2 soprano soloists (SSAATBB) The top two voices are soloists and the other voices provide the accompaniment. In the poem each vowel is allocated a colour and a strange vision, which are reflected in the music. A version for mixed choir (AAATBarBB) is also available. The sound sample is a performance by the composer of the male voices version. A video of this piece (men's voices version) with words on screen can be found on youtube at: https://www.youtube.com/watch?v=uCWS-Qho9ec.

SKU: A0.1348914

Partitura para base e metais da musica Santo de Voices

instrumentos

Alto Sax 1
Alto Sax 2
Tenor Sax 1
Tenor Sax 2
Horn in F
Trumpet in Bb 1
Trumpet in Bb 2
Trombone 1
Trombone 2
Drum Set
Base.

SKU: A0.751263

The vocal score (with piano) for The Messiah for Young Voices SAB edition.
The entirety of the this project can be heard at: https://www.houseofelmusic.com/messiah-for-young-voices

The Messiah for Young voices keeps the original feel and textures of Handel's original work but presents them in an accessible arrangement. Each accompaniment is meant to support the choir and reflect the original orchestration but still be playable for most pianist.

SKU: A0.1512147

An epic, inspiring sacred hymn with music by Kevin G. Pace and text by Mark R. Fotheringham, Kevin Pace and Joseph Smith.  Inspired by the verses in Doctrine and Covenants 128:19-24.

Text:
What do we hear in the gospel received?
Voices of gladness, returned from the grave,
Voices of prophets restoring all keys.
Rejoice all ye mountains, ye valleys and trees!
Cry out all ye deserts and sing all ye seas!

Hope is confirmed through the priesthood of pow'r,
Blessed by God's servants in this final hour.
Let all the dead sing forth anthems of praise,
Redeemed from their prisons, redeemed from malaise.
A House of The Lord once again has been raised!

Heavenly voices resound in our ears:
Glory, salvation, and unending years!
All of creation forever shall tell
Of Jesus, the Savior, King Immanuel.
One day, He'll return and with Him we shall dwell.

Until that day, shall we not give our all,
Aiding the work that redeems from The Fall?
Paving the way to a covenant path,
Our dead saved from darkness; our dead saved from wrath.
We'll then share the joy that our dear Father hath.

SKU: A0.1470641

Discover the exquisite and rare Lauda Sion  a sequence composed for the feast of Corpus Christi, ca. 1690 by the renowned Spanish composer Mateo de Dallo y Lana, Master of Chapel of the Cathedral of Puebla de los Ángeles.

This unpublished masterpiece consists of 8 voices in two choirs, (SATB and SSAT) and continuo.
The full score provides a comprehensive view of the entire piece, while the separate continuo part allows for detailed performance preparation.

Lauda Sion showcases a rich tapestry of vocal interplay, with not all voices singing throughout, ensuring a dynamic and captivating musical experience.

Details:

Composer: Mateo de Dallo y Lana
Title: Lauda Sion
Feast: Corpus Christi
Voices: 8 (Choir 1: SATB, Choir 2: SSAT)
Instrumentation: Two choirs and continuo
Format: Full score and continuo part
Length: 130 measures.

SKU: A0.772892

A beautifully simple arrangement of the traditional German song O Tannenbaum, by Paul Ayres (https://www.paulayres.co.uk), for three part treble voices (soprano-soprano-alto) with an accompaniment that can be played on piano, or organ, or by an instrumental duo (e.g. violin and cello, or clarinet and bassoon). It's also available for men's voices or for mixed voices. The mixed choir scoring features in the audio track, and on these live recordings: http://youtu.be/Gm4heJSqbd4 and http://youtu.be/oGwYSZI_DNc