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Choral Choir (Mixed) - Level 4 - Digital Download SKU: A0.516501 Composed by Verdi Giuseppe. Arranged by Santino Cara. Opera. Octavo. 103 pages. Santino Cara #11207. Published by Santino Cara (A0.516501). Act 1, Scene VII., VIII., IX., for solo voices, chorus STB and piano from: I Lombardi in the first Crusade! by Giuseppe Verdi on the libretto by Temistocle Solera. In the pdf file, in addition to the complete score for voices and piano, also includes the parts of the solo voices and the part for chorus Scenes: Scene VII. Continuation of the Finale I° Vieni! già posa Arvino Scene VIII., IX. Quintetto Finale I°, continuation of the scene IX. Mostro d’averno orribile Continuation of the scene IX. and Stretta of the finale I° Va! sul capo ti grava l’Eterno Roles of the characters: Giselda – Soprano Viclinda – Soprano Arvino – Tenor Pagano – Bass Pirro – Bass Chorus STB ( Sopranos, tenors and Basses).
Verdi "I Lombardi alla prima Crociat" (Act1-VII-VIII-IX) Solo voices, Chorus and Piano
Chorale SATB

$10.80 9.28 € Chorale SATB PDF SheetMusicPlus

Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1125109 Composed by Alan Bullard. Children,Contest,Festival. Score. 12 pages. Colne Edition / BullardMusic #725888. Published by Colne Edition / BullardMusic (A0.1125109). Alan Bullard's choral works are performed worldwide, and many have been recorded and broadcast. He has a reputation for music that choirs enjoy performing, and which speaks directly to audiences. One Voice for All is a lively celebration of the joy of singing, and a call for peace, friendship, and care for the environment. The words are by the composer’s daughter Mary Bullard. This is a single copy download for unison voices, piano, and optional descant. A download of 10+ copies is also available at a much cheaper unit price. An alternative version for mixed voices (SABar), is also available. The melody, descant, and piano part for the two versions are identical, but the Mixed Voices version is pitched a tone higher than the Unison Voice version. The Colne Choral Series contains a range of Bullard's pieces for adult and youth choirs of all types, including cantatas and choral suites as well as individual movements. For full details please visit www.colneedition.co.uk or www.alanbullard.co.uk.
One Voice for All (unison voices, single copy download)
Chorale Unison

$5.99 5.15 € Chorale Unison PDF SheetMusicPlus

Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download SKU: A0.1493730 Composed by Todd Marchand. Christian,Christmas,Sacred. 4 pages. Con Spirito Music #1070393. Published by Con Spirito Music (A0.1493730). Sing, O Sing, This Blessed Morn is a hymn commemorating the birth of Jesus Christ. Written by Anglican bishop, scholar, author, and poet Christopher Wordsworth (1807-1885), it was published in his collection, The Holy Year; or Hymns for Sundays and Holy-Days, and Other Occasions (1862). Rather than a retelling of the Nativity story, the hymn is more a statement of beliefs about the nature and work of Christ, echoing elements of the Nicene Creed in phrases such as: God from God, and Light from LightGod himself comes down from heav'nOne with us in human birthGod with us ... deigns forever now to dwellborn for us that we born again in him may bewith thy Spirit may [we] be ... with the Father and with theeThis joyful, medium-easy setting of Sing, O Sing, This Blessed Morn for SATB voices and organ is mostly unison, with SATB on the first half of stanzas 3 and 5, and on the concluding alleluias.Voices realized by Cantamus (https://cantamus.app/); organ realized by NotePerformer (https://www.noteperformer.com)©Copyright 2024 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, folk, patriotic, and popular music for instruments and voices, visit www.conspiritomusic.com
Sing, O Sing, This Blessed Morn — SATB voices, organ
Chorale SATB

$2.99 2.57 € Chorale SATB PDF SheetMusicPlus

Choral Choir,Choral,SATB Chorus - Level 3 - Digital Download SKU: A0.1495196 Composed by Todd Marchand. A Cappella,Christian,Christmas,Folk,Sacred. 4 pages. Con Spirito Music #1071742. Published by Con Spirito Music (A0.1495196). Jesus Christ the Apple Tree is the commonly used title for a poem published under the heading Christ compared to an Apple-tree in the August 1761 issue of The Spiritual Magazine, a London periodical for Calvinist Baptists.Above the poem in the publication are words of its author:Gentlemen,Having spent some of my vacant time in the composition of short pieces of Divine Poetry, have sent you the following, by way of specimen; which, if thought worthy of a place in your magazine, shall communicate the others regularly. I am your well-wisher and constant reader, R.H.R.H. is today believed to most likely be the Rev. Richard Hutchins, a Calvinist Baptist clergyman then serving in Long Buckby, Northamptonshire. The poem's first known appearance in a hymnal, and in America, was in 1784 in Divine Hymns, or Spiritual Songs: for the use of Religious Assemblies and Private Christians compiled by Joshua Smith, a lay Baptist minister from New Hampshire. Because of its popularity in New England churches thereafter, it has often been wrongly attributed to an anonymous early American poet or to Smith.The poem may be an allusion to the apple tree in Song of Solomon 2:3 (As the apple tree among the trees of the wood, so is my beloved among the sons. I sat down under his shadow with great delight, and his fruit was sweet to my taste), which has been interpreted as a metaphor for Jesus. It also alludes to other descriptions of the tree of life in both the Old and New Testaments. Primitive yet profound, Jesus Christ the Apple Tree has been set to music by many composers, including a very popular setting by Elizabeth Poston (1905-1987). This new setting for unaccompanied SATB voices captures the rustic quality of the text with a rising-and-falling folksong-like melody, attractively harmonized. Voices realized by Cantamus (https://cantamus.app/)©Copyright 2024 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, folk, patritic, and popular music for instruments and voices, visit www.conspiritomusic.com
Jesus Christ the Apple Tree — SATB voices
Chorale SATB

$2.99 2.57 € Chorale SATB PDF SheetMusicPlus

Voice Duet Low Voice - Level 3 - Digital Download SKU: A0.1163569 Composed by G.H. Stolzel / J.S. Bach. Arranged by John Ross. Baroque,Chamber,Classical,Wedding. 18 pages. John Ross #763861. Published by John Ross (A0.1163569). Bist du bei mir is an aria from Stolzel's opera Diomedes (1718), best known now as forming part of the Notebook for Anna Magdalena Bach (1725).This arrangement, in the key of Bb, is for two low voices and string quartet. It is also available for two high voices (key of D) or two medium voices (key of C).Added to the original German words are new lyrics, When you are near, making this duet ideal for weddings, anniversaries, and special occasions. Score and parts are included.
Bist du bei mir / When you are near - 2 Low voices, String quartet
Quatuor à cordes: 2 violons, alto, violoncelle

$7.99 6.86 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

Choral Choir (3-Part Mixed) - Level 2 - Digital Download SKU: A0.993494 Composed by Alan Bullard. Classical,Contemporary. Octavo. 7 pages. Colne Edition / BullardMusic #599160. Published by Colne Edition / BullardMusic (A0.993494). Mind the Gap!' is a fun song about a journey on a tube or subway line, which was originally a movement in Bullard's cantata 'Travelling Tales'. Three versions are available for download: as well as this one (for three-part mixed voices SABar) there is one for unison voices, and one for upper voices in two parts,. The piano part is the same in each, but the recording here is slightly different as it is from the original Youth Choir + SATB version. Alan Bullard’s choral works are performed worldwide, and many have been recorded and broadcast. He has a growing reputation for music that choirs enjoy performing, and which speaks directly to audiences. The Colne Choral Series contains a range of Bullard’s pieces for adult and youth choirs of all types, including cantatas and choral suites as well as individual movements. For full details please visit www.colneedition.co.uk or www.alanbullard.co.uk.
Mind the Gap! (mixed voices SABar, and piano)
Chorale 3 parties

$1.99 1.71 € Chorale 3 parties PDF SheetMusicPlus

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1362360 Composed by Sir Arthur Seymour Sullivan. Arranged by Todd Marchand. Christian,Easter,Sacred. 21 pages. Con Spirito Music #946819. Published by Con Spirito Music (A0.1362360). Perhaps most often associated with Christopher Wordsworth’s Easter hymn text, “Alleluia, Alleluia! Hearts to Heaven and Voices Raise,†and his All Saints Day text, “Hark! The Sound of Holy Voices,†Arthur S. Sullivan's tune LUX EOI may be used with any hymn in 8.7.8.7 D meter.Best known for his Victorian-era collaborations with dramatist and librettist W.S. Gilbert on comic operas including H.M.S. Pinafore, The Pirates of Penzance, and The Mikado, Sullivan (1842-1900) displayed prodigious musical talent early in life, writing his ï¬rst anthem at age eight, joining the Chapel Royal as a chorister at age 12, and earning a scholarship to the Royal Academy of Music at age 14. He later studied at the Leipzig Conservatory, and while still in his teens began building a reputation as a promising young composer. Among Sullivan’s works are 24 operas, 11 full orchestral works, 10 choral works and oratorios, and more than 70 hymns and anthems, including the hymn tunes ST. GERTRUDE (“Onward, Christian Soldiersâ€), FORTUNATUS (“Welcome, Happy Morningâ€), ST. KEVIN (“Come, Ye Faithful, Raise the Strainâ€), and the tune that is the basis for this arrangement.Following an opening fanfare by brass which is answered by organ, the verses proceed as follows: organ accompaniment verse (may be repeated as needed), brass accompaniment verse, penultimate verse (organ accompaniment with countermelody by trumpets), interlude, and ï¬nal verse (organ with brass punctuations and conclusion).©Copyright 2023 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, patriotic, folk, and holiday music for instruments and voices, visit www.conspiritomusic.com
Alleluia, Alleluia! Hearts to Heaven and Voices Raise — brass, organ hymn accompaniment
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

$25.00 21.48 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Choral Choir (3-Part) - Level 3 - Digital Download SKU: A0.773978 Arranged by Anthony Giamanco. A Cappella,Concert,Film/TV,Folk,Sacred. Octavo. 7 pages. Whole Tone Press #6246291. Published by Whole Tone Press (A0.773978). This popular American folk tune, featured in the film, O Brother, Where Art Thou?, is arranged for ATB voices (trio or chorus), a cappella, in the key of E-flat major. A wonderful piece of Americana and a great addition to any concert, recital, or worship service.Also available for TTB voices, a cappella, in the key of C major, and SAA voices, a cappella, in the key of B-flat major.Anthony Giamanco is a member of ASCAP. His many piano, organ, choir, and chamber works are in the catalogs of numerous publishers including GIA, Shawnee Press, Alfred, Augsburg Fortress, Lorenz, and others. His pieces also can be purchased through sheetmusicplus.com, Sheet Music Marketplace, and JW Pepper.Anthony's music can be heard on his website, anthonygiamanco.com,https://www.anthonygiamanco.com,on SoundCloudhttps://soundcloud.com/tony-giamanco,and on his YouTube channelhttps://www.youtube.com/channel/UC09EezLz7GUoMhNrc5Y8jBg
DOWN IN THE RIVER TO PRAY - ATB Voices, a cappella
Chorale 3 parties

$2.10 1.8 € Chorale 3 parties PDF SheetMusicPlus

Choral Choir (Unison) - Level 2 - Digital Download SKU: A0.1125107 Composed by Alan Bullard. Children,Contest,Festival. Octavo. 12 pages. Colne Edition / BullardMusic #725886. Published by Colne Edition / BullardMusic (A0.1125107). Alan Bullard's choral works are performed worldwide, and many have been recorded and broadcast. He has a reputation for music that choirs enjoy performing, and which speaks directly to audiences. One Voice for All is a lively celebration of the joy of singing, and a call for peace, friendship, and care for the environment. The words are by the composer’s daughter Mary Bullard. This is the version for unison voices, piano, and optional descant. An alternative version for mixed voices (SABar), is also available. The melody, descant, and piano part for the two versions are identical, but the Mixed Voices version is pitched a tone higher than the Unison Voice version. The Colne Choral Series contains a range of Bullard's pieces for adult and youth choirs of all types, including cantatas and choral suites as well as individual movements. For full details please visit www.colneedition.co.uk or www.alanbullard.co.uk.
One Voice for All (unison voices version)
Chorale Unison

$1.99 1.71 € Chorale Unison PDF SheetMusicPlus

Choral,Mixed Chorus Choir,Choral - Digital Download SKU: A0.1470641 By Arturo Escorza. By Mateo de Dallo y Lana. Arranged by Arturo Escorza. Baroque,Chamber,Early Music,Historic,Sacred. 32 pages. Arturo Escorza #1048293. Published by Arturo Escorza (A0.1470641). Discover the exquisite and rare Lauda Sion  a sequence composed for the feast of Corpus Christi, ca. 1690 by the renowned Spanish composer Mateo de Dallo y Lana, Master of Chapel of the Cathedral of Puebla de los Ángeles.This unpublished masterpiece consists of 8 voices in two choirs, (SATB and SSAT) and continuo. The full score provides a comprehensive view of the entire piece, while the separate continuo part allows for detailed performance preparation.Lauda Sion showcases a rich tapestry of vocal interplay, with not all voices singing throughout, ensuring a dynamic and captivating musical experience.Details:Composer: Mateo de Dallo y LanaTitle: Lauda SionFeast: Corpus ChristiVoices: 8 (Choir 1: SATB, Choir 2: SSAT)Instrumentation: Two choirs and continuoFormat: Full score and continuo partLength: 130 measures.
"Lauda Sion" for 8 Voices - Mateo de Dallo y Lana
Chorale SATB
Arturo Escorza
$2.00 1.72 € Chorale SATB PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download SKU: A0.1141386 Composed by Robert W. Padgett. Baroque,Classical,Contest,Festival,Instructional. Score. 2 pages. Padgett Music Llc #741710. Published by Padgett Music Llc (A0.1141386). I composed my Invention No. 3 in C minor for two voices during the Spring of 2012. The motive is intriguing as the first twelve notes are immediately followed by their inversion after a drop of a seventh to form a contrapuntal palindrome. This inversion is followed by an octave leap upwards to D that circles back to the starting note C. In bar 3, the lower voice introduces the motive a fourth lower at the dominant as the upper voice states the countermotive which concludes in bar 4 with an augmented tonal version of the descending scale run from the original motive. The ensuing episode in bars 5-8 is constructed from fragments of the motive in the upper voice accompanied by an embellished form of the countermotive in the lower voice. A series of ascending broken thirds accompanied by a rising scale run cadences in the tonic key of C minor in bar 10 before abruptly redirecting to G minor in bar 11. At this juncture, the motive and countermotive are restated in their inversions. The episodic sequence from bars 5-9 is also stated in an inverted form in bars 13-17. In bar 18, the motive is stated by the upper voice in G minor with the countermotive now in the lower voice. This formula is repeated a whole step lower in F minor in bars 20-21 followed by the modulation sequence from bars 5-8 reprised with the voices exchanging places. In bar 27, a cadence in F minor redirects back to C major in bar 28 followed by a modulation sequence culminating in C minor in bar 30 that cadences to a final Picardy Third in bar 32.
Invention No. 3 in C minor for two voices
Piano seul

$3.99 3.43 € Piano seul PDF SheetMusicPlus






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