Choral Choir (Unison) - Level 2 - Digital Download SKU: A0.993489 Composed by Alan Bullard. Children,Classical,Contemporary. Octavo. 7 pages. Colne Edition / BullardMusic #598791. Published by Colne Edition / BullardMusic (A0.993489). 'Mind the Gap!' is a fun song about a journey on a tube or subway line, which was originally a movement in Bullard's cantata 'Travelling Tales'. Three versions are available for download: as well as this one (for unison voices), there is one for upper voices in two parts, and one for three-part mixed voices SABar. The piano part is the same in each, and the recording is of the two-part version. Alan Bullard’s choral works are performed worldwide, and many have been recorded and broadcast. He has a growing reputation for music that choirs enjoy performing, and which speaks directly to audiences. The Colne Choral Series contains a range of Bullard’s pieces for adult and youth choirs of all types, including cantatas and choral suites as well as individual movements. For full details please visit www.colneedition.co.uk or www.alanbullard.co.uk.

Choral Choir (Mixed) - Level 4 - Digital Download SKU: A0.576146 Composed by David Warin Solomons. Contemporary. Octavo. 5 pages. David Warin Solomons #2031631. Published by David Warin Solomons (A0.576146). Setting of Rimbaud's mysterious (or possibly tongue-in-cheek) synaesthetic poem Voyelles for men's voices with two alto soloists (AAATBarBB) The top two voices are soloists and the other voices provide the accompaniment. In the poem each vowel is allocated a colour and a strange vision, which are reflected in the music. A version for mixed choir (SSAATBB) is also available. The sound sample is a performance by the composer (multitracking) A video of this piece with words on screen can be found on youtube at: https://www.youtube.com/watch?v=uCWS-Qho9ec.

Chamber Orchestra - Level 3 - Digital Download SKU: A0.1093326 Composed by Bach - Gounod. Arranged by Dico. Christmas,Easter,Romantic Period,Sacred,Wedding. Score and parts. 64 pages. Dico Ferreira #697400. Published by Dico Ferreira (A0.1093326). WEDDING SERIES - a set of popular songs and wedding standards that I've been arranged for years (some aren't as standard, but still). The formations are varied, from duos to orchestras with chorus. Most are mixed/flexible sextets where some instruments can be replaced and, as a result, ensembles can be completely changed. Some arrangements have abbreviated versions (excerpts) and are in several keys to adapt to a wide range of voices. These options are available in my catalog. AVE MARIA (Gounod) in Bb - for 2 voices and orchestra - provided in many keys on my catalogue for all voice ranges. INSTRUMENTATION: Score | Voices | Fl | Ob | Hrn 1, 2 | Pno | Str.

Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download SKU: A0.1493730 Composed by Todd Marchand. Christian,Christmas,Sacred. 4 pages. Con Spirito Music #1070393. Published by Con Spirito Music (A0.1493730). Sing, O Sing, This Blessed Morn is a hymn commemorating the birth of Jesus Christ. Written by Anglican bishop, scholar, author, and poet Christopher Wordsworth (1807-1885), it was published in his collection, The Holy Year; or Hymns for Sundays and Holy-Days, and Other Occasions (1862). Rather than a retelling of the Nativity story, the hymn is more a statement of beliefs about the nature and work of Christ, echoing elements of the Nicene Creed in phrases such as: God from God, and Light from LightGod himself comes down from heav'nOne with us in human birthGod with us ... deigns forever now to dwellborn for us that we born again in him may bewith thy Spirit may [we] be ... with the Father and with theeThis joyful, medium-easy setting of Sing, O Sing, This Blessed Morn for SATB voices and organ is mostly unison, with SATB on the first half of stanzas 3 and 5, and on the concluding alleluias.Voices realized by Cantamus (https://cantamus.app/); organ realized by NotePerformer (https://www.noteperformer.com)©Copyright 2024 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, folk, patriotic, and popular music for instruments and voices, visit www.conspiritomusic.com

Choral Choir (2-Part) - Level 2 - Digital Download SKU: A0.993492 Composed by Alan Bullard. Children,Classical,Contemporary. Octavo. 8 pages. Colne Edition / BullardMusic #599157. Published by Colne Edition / BullardMusic (A0.993492). 'Mind the Gap!' is a fun song about a journey on a tube or subway line, which was originally a movement in Bullard's cantata 'Travelling Tales'. Three versions are available for download: as well as this one (for upper voices in two parts), there is one for unison voices, and one for three-part mixed voices SABar. The piano part is the same in each. Alan Bullard’s choral works are performed worldwide, and many have been recorded and broadcast. He has a growing reputation for music that choirs enjoy performing, and which speaks directly to audiences. The Colne Choral Series contains a range of Bullard’s pieces for adult and youth choirs of all types, including cantatas and choral suites as well as individual movements. For full details please visit www.colneedition.co.uk or www.alanbullard.co.uk.

Chamber Orchestra - Level 3 - Digital Download SKU: A0.1093329 Composed by Bach - Gounod. Arranged by Dico. Christmas,Easter,Romantic Period,Sacred,Wedding. Score and parts. 47 pages. Dico Ferreira #697403. Published by Dico Ferreira (A0.1093329). WEDDING SERIES - a set of popular songs and wedding standards that I've been arranged for years (some aren't as standard, but still). The formations are varied, from duos to orchestras with chorus. Most are mixed/flexible sextets where some instruments can be replaced and, as a result, ensembles can be completely changed. Some arrangements have abbreviated versions (excerpts) and are in several keys to adapt to a wide range of voices. These options are available in my catalog. AVE MARIA (Gounod) in C - for voices and orchestra - provided in many keys on my catalogue for all voice ranges. INSTRUMENTATION: Score | Voices | Fl | Ob | Hrn | Tpt 1, 2 | Tbn 1, 2 | Perc | Pno | Str.

Piano Solo - Level 3 - Digital Download SKU: A0.1141383 Composed by Robert W. Padgett. Baroque,Classical,Contest,Festival,Instructional,Traditional. Score. 3 pages. Padgett Music Llc #741707. Published by Padgett Music Llc (A0.1141383). This three-part Invention No. 2 in D minor was composed in the summer of 1991. I shared it with my modal and tonal counterpoint instructor, Professor Richard Wilson, and he responded favorably to my venturesome modulations and use of the Neapolitan chord. Similar to my first invention in A minor, the motive is announced by the upper voice before it is restated an octave lower by the lower voice in bar 2 to form a stretto. In bar 3, the middle voice states the motive in the dominant key of A minor with the lower and upper voices playing the first and second countermotives respectively. An episode ensues and arrives at a half cadence in bar 8. The opening fragment of the motive is exploited in conjunction with a pedal tone and a variant of the second countermotive to navigate through a series of contrasting keys. At bar 14, the motive is reasserted in F-sharp minor layered over itself in stretto with a C-sharp pedal tone in bar 15. The voices from the episode in bars 5-8 are reshuffled in bars 18-21 as another exercise in invertible counterpoint. In measure 16, the motive and two countermotives are reprised in C-sharp minor, a half step below the tonic key. Starting in bar 18, the episode from bars 6-8 is reprised in F-sharp minor with the first and second countermotives exchanging positions. This is followed in bars 16-27 by a varied restatement of the episodic sequence from bars 8-17 that cadences in bar 27 before a restatement of the subject in bar 28 in G minor with slightly embellished countermotives. Bars 32-35 present a restatement of the episode from bars 5-8 with the motive relocated to the lower voice and the two countermotives in intimate proximity in the two upper voices. An unexpected descending scale in a series of compound harmonic 10ths forms an inversion of the second half of the motive and sets the stage for a perfect cadence to a Picardy Third in D major. After so many years, I remain especially pleased with the effect of that ending.

Choral Choir (Mixed) - Level 4 - Digital Download SKU: A0.516501 Composed by Verdi Giuseppe. Arranged by Santino Cara. Opera. Octavo. 103 pages. Santino Cara #11207. Published by Santino Cara (A0.516501). Act 1, Scene VII., VIII., IX., for solo voices, chorus STB and piano from: I Lombardi in the first Crusade! by Giuseppe Verdi on the libretto by Temistocle Solera. In the pdf file, in addition to the complete score for voices and piano, also includes the parts of the solo voices and the part for chorus Scenes: Scene VII. Continuation of the Finale I° Vieni! già posa Arvino Scene VIII., IX. Quintetto Finale I°, continuation of the scene IX. Mostro d’averno orribile Continuation of the scene IX. and Stretta of the finale I° Va! sul capo ti grava l’Eterno Roles of the characters: Giselda – Soprano Viclinda – Soprano Arvino – Tenor Pagano – Bass Pirro – Bass Chorus STB ( Sopranos, tenors and Basses).

Chamber Orchestra - Level 3 - Digital Download SKU: A0.843097 Composed by Bach - Gounod. Arranged by Dico. Christmas,Easter,Romantic Period,Sacred,Wedding. Score and parts. 47 pages. Dico #6606285. Published by Dico (A0.843097). WEDDING SERIES - A set of popular songs and wedding standards that I've been arranged for years (some aren't as standard, but still). The formations are varied, from duos to orchestras with chorus. Most are mixed/flexible sextets where some instruments can be replaced and, as a result, ensembles can be completely changed. Some arrangements have abbreviated versions (excerpts) and are in several keys to adapt to a wide range of voices. These options are available in my catalog.AVE MARIA (Gounod) in C - for voices and orchestra - provided in many keys on my catalogue for all voice ranges.INSTRUMENTATION: Score | Voices | Fl | Ob | Hrn | Tpt 1, 2 | Tbn 1, 2 | Perc | Pno | Str.

Choral Choir (3-Part) - Level 4 - Digital Download SKU: A0.751263 Composed by George Frideric Handel. Arranged by Paul Thompson. Children,Christmas. Octavo. 49 pages. House of El Music #4747301. Published by House of El Music (A0.751263). The vocal score (with piano) for The Messiah for Young Voices SAB edition.The entirety of the this project can be heard at: https://www.houseofelmusic.com/messiah-for-young-voicesThe Messiah for Young voices keeps the original feel and textures of Handel's original work but presents them in an accessible arrangement. Each accompaniment is meant to support the choir and reflect the original orchestration but still be playable for most pianist.

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.739512 Composed by David Catherwood. Christian,Christmas,Holiday,Sacred. Octavo. 14 pages. Opus 3 Music #6113443. Published by Opus 3 Music (A0.739512). The Wondrous Gift (O Little Town of Bethlehem) for SATB voices, accompaniedThe Wondrous Gift is a brand new choral number blending a well loved carol with new music by David Catherwood.Although written for SATB voices, it can be performed equally successfully by unison voices or as a solo.This download is the full performing pack for all versionsIn the full performing pack both versions are included.It has an attractive, accessible piano accompaniment. The addition of congregational involvement in the final verse, though not necessary, can enhance performance.An mp3 backing track (heard here for demo purposes) is also available as a separate purchase on SheetmusicplusThe Full performing pack containsUnison version with Piano accompanimentSATB Choral version

Choral Choir (SSA) - Level 2 - Digital Download SKU: A0.772892 Composed by Traditional. Arranged by Paul Ayres. Christmas,Contemporary,Folk,Holiday,World. Octavo. 6 pages. Paul Ayres #3664311. Published by Paul Ayres (A0.772892). A beautifully simple arrangement of the traditional German song O Tannenbaum, by Paul Ayres (https://www.paulayres.co.uk), for three part treble voices (soprano-soprano-alto) with an accompaniment that can be played on piano, or organ, or by an instrumental duo (e.g. violin and cello, or clarinet and bassoon). It's also available for men's voices or for mixed voices. The mixed choir scoring features in the audio track, and on these live recordings: http://youtu.be/Gm4heJSqbd4 and http://youtu.be/oGwYSZI_DNc

Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.726149 Composed by B.F. White. Arranged by Todd Marchand. 19th Century,Christian,Folk,Sacred. Octavo. 5 pages. Con Spirito Music #6733809. Published by Con Spirito Music (A0.726149). “God is Love: Let Heav’n Adore Him� pairs a text by the Welsh Anglican bishop Timothy Rees (1874-1939) with the 19th-century American hymn tune BEACH SPRING, attributed to Benjamin Franklin White (1800-1979), compiler and editor of the influential Sacred Harp hymnal.Quick to rehearse, yet satisfying to perform and moving in its effect on listeners, this lovely anthem expresses assurance in God’s boundless love, from His creation of the world (v. 1) to His love for “ev’ry child of ev’ry race� (v. 2) to His ultimate triumph over sin and death. Verses 1 and 2 are assigned to unison women’s and unison men’s voices, respectively. Then, following a modulation upward, the concluding verse 3 is sung by all voices in unison, with 4-part harmony at the peak of the verse before drawing to a peaceful, unison close. ©Copyright 2023 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, patriotic, folk, and holiday music for instruments and voices, visit www.conspiritomusic.com

Choral Choir (Unison) - Level 2 - Digital Download SKU: A0.793833 Composed by Johann Sebastian Bach. Arranged by Ivana Tuskan. Baroque,Christmas,Sacred,Standards. Octavo. 8 pages. Ivana Tuskan #3636679. Published by Ivana Tuskan (A0.793833). Originally is written for strings and unison Tenor line. I kept the original key: E flat major. In my arrangement Choral line (german or english text) is meant to be sung by one or few soprano voices unison, and the rest by one voice or chorus unison, who are singing melody (text: Bam, ba-va-da,...), which is usually performad by violins and violas. Bass line is meant to be played by cello, and viola plays harmony (There are two more arrangement with added violin as harmony instrument and for voices and cello in bass line, only). Vocal range: Voice 1: C4 – G5; voice 2: G3 – F5 Lyrics: english & german Score contains 8 pages. Duration: ca.3:20. The sound sample is an electronic preview. 

Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1367409 Composed by English ballad. Arranged by Todd Marchand. Christian,Easter,Lent,Sacred. 5 pages. Con Spirito Music #951781. Published by Con Spirito Music (A0.1367409). Perhaps the most often-sung processional hymn on Palm Sunday, “Ride On, Ride On in Majesty� was written in 1820 by Anglican cleric, poet, and scholar Henry Hart Milman (1791-1868) and first  published in Reginald Heber’s Hymns Written and Adapted to the Weekly Church Service of the Year (1827). The hymn references Jesus’ entry into Jerusalem prior to his Passion, as recorded in Matthew 21:1-11.Writing for the Hymnology Archive of The Hymn Society in the US and Canada, editor Chris Fenner notes in his analysis of the text that:“This hymn ... is much less a narrative or paraphrase of the triumphal entry (Matt. 21, Mk. 11, Lk. 19, Jn. 12) than it is a forward-looking hymn pointing from the palms to the cross to [Jesus’] ascended position on the throne. The triumphal entry itself is a fulfillment of Zechariah 9:9 (‘Behold, your king is coming to you . . . humble and mounted on a donkey’). The recurring opening line is possibly an allusion to Psalm 45:4 (‘in thy majesty ride prosperously’). “Some hymnological commentators connect this hymn with the idea of the great reversal in Philippians 2:5-12, where we find the Christ who humbled himself in a crucified death, later to be exalted, name above all names, to which every knee will bow. As Canadian hymn scholar Stanley Osborne observed, this hymn’s poetic strength is in its exploration of that duality:'Objective, robust, confident, and stirring, it possesses that peculiar combination of tragedy and victory which draws the singer into the very centre of the drama. It is this which gives the hymn its power and its challenge.'In this arrangement for SATB voices and organ, Milman’s text is set to the 15th-century English ballad, “Deo Gratias� (aka The Agincourt Carol), with the refrain Ride on in majesty!� following each verse.©Copyright 2024 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, patriotic, folk, and holiday music for instruments and voices, visit www.conspiritomusic.com