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Choral Choir (SA) - Level 3 - Digital Download SKU: A0.780378 Composed by Johann Pachelbel, Traditional, and Traditional English Carol. Arranged by Cathy Stamegna. Baroque,Christmas,Praise & Worship,Romantic Period,Sacred. Octavo. 7 pages. Cathy Stamegna #4841185. Published by Cathy Stamegna (A0.780378). Dona Nobis Pacem (with Canon in D and The First Noel) Trio: Soprano/Alto Voices, C Instrument, (Chords).  A vocal/instrumental trio uniting three well-known melodies.  The C Instrument part is integral to the piece (written range-Eb4-Bb5).  With the added chord symbols, a guitar, harp, or keyboard will add depth to your performance.  Score & Set of Parts (for C Instrument). 
Dona Nobis Pacem (with "Canon in D" and "The First Noel") Trio: Soprano/Alto Voices, C Instrument
Chorale 2 parties

$2.25 1.94 € Chorale 2 parties PDF SheetMusicPlus

Choral Choir (2-Part) - Level 3 - Digital Download SKU: A0.616612 Composed by Adolphe-Charles Adam. Arranged by Gary Lanier. Christmas,Praise & Worship,Sacred. Octavo. 22 pages. The Lanier Company #3383199. Published by The Lanier Company (A0.616612). O HOLY NIGHT is a Two-Part Choir arrangement for Treble Voices with Bb Clarinet & Piano. The score, including cover, Choir Part & Bb Clarinet Part is 22 pages long. This work is perfect for any Church or gathering where celebrating the reason for the season is desired. A mp3 Piano Accompaniment (aka Rehearsal Track) is also available, listed as: O HOLY NIGHT (Piano Accompaniment for Two-Part Treble Voice Choir & Bb Clarinet).
O HOLY NIGHT (Two-Part Choir for Treble Voices with Bb Clarinet & Piano - Score & Parts included)
Chorale 2 parties

$2.50 2.16 € Chorale 2 parties PDF SheetMusicPlus

Small Ensemble Cello,Clarinet,Violin,Voice - Level 4 - Digital Download SKU: A0.843007 Composed by GIACCOMO PUCCINI. Arranged by Dico. Opera,Romantic Period,Wedding. Score and parts. 18 pages. Dico #6460071. Published by Dico (A0.843007). WEDDING SERIES - a set of popular songs and wedding standards that I have arranged for years. The formations are varied, from duos to orchestras with choir. The majority are mixed/flexible sextets in which some instruments can be replaced and the ensembles can be totally changed. Some arrangements have shortened versions. These options are provided in my catalogue.NESSUN DORMA - provided in Eb, E, F and G in my catalogue. The female chorus can be ommited, if necessary.- Voices- Part 1: Flute (Oboe | Clarinet | Soprano sax)- Part 2: Trumpet (Flugelhorn | Clarinet | Sop sax | Alto sax)- Piano- Violin- Cello
NESSUN DORMA (in F) - for voices & flexible quintet

$20.00 17.26 € PDF SheetMusicPlus

Choral Choir,Choral (SATB divisi) - Level 4 - Digital Download SKU: A0.988177 Composed by Christian Fortner. Chamber,Classical,Contest,Festival,Film/TV. 12 pages. Christian Fortner Music #5993837. Published by Christian Fortner Music (A0.988177). Want a better deal for this sheet music? Purchase on christianfortnermusic.com!This piece is a letter to Fear, as if fear were a person itself, following the narrative of someone who has turned their back on Fear as a result of their life being changed by an extraordinary experience with an incredible group of people - the Voices of Sun. They are no longer blind with anguish, no longer cold with fear, no longer dead without purpose - they can now see with the light, are warm with joy and love, and are alive without fear of the future. Accompanied by piano, this emotional choral work features splits within each voice part at various points, but only houses a maximum of a six-part split at once.
Voices of Sun (SATB Chorus & Piano)
Chorale SATB

$4.50 3.88 € Chorale SATB PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download SKU: A0.1140562 Composed by Robert W. Padgett. Baroque,Classical,Contest,Early Music,Festival. Score. 2 pages. Padgett Music Llc #740799. Published by Padgett Music Llc (A0.1140562). This two-part invention was composed by Robert W. Padgett in 1990 as a private exercise in invertible counterpoint. The upper voice announces the motive in the tonic key of A minor that quickly overlaps itself at the octave as a brief stretto. An episode consisting of a modulation sequence arrives at a half cadence in bar 4 in E major. The motive is then inverted in bar 5 by the upper voice followed by a partial restatement of the original motive by the lower voice in bar 6. This interplay between the motive’s inversion and its original form continues through bar 10 before a new episode modulates sequentially to a cadence in bar 13 with a statement by the lower voice of the original motive in the relative key of C major. An inversion of the original episodic sequence from bar 2 follows with slight alterations that cycle through a series of contrasting keys. A second interplay begins in bar 17 between the motive’s inversion in the lower voice followed by its partial restatement in the upper voice. The exchange of motive and countermotive by the upper and lower voices is an example of invertible counterpoint. In bar 27, an extended version of the motive begins in F minor before morphing back into A minor with the same modulation formula from bar 2 that redirects to a perfect cadence in the tonic key with a final Picardi third in A major.
Invention No. 1 in A minor for two voices
Piano seul

$2.00 1.73 € Piano seul PDF SheetMusicPlus






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